Lloyd Pearson Movies

1960  
 
Richard Attenborough stars in this British drama as Tom Curtis, an ordinary man with a job in a factory. A new employee, Travers (Alfred Burke), begins complaining about conditions at the plant and stirs up disharmony among his fellow workers. Tom thinks that there's something fishy about Travers and his methods, and when Travers decides to call a wildcat strike, Tom refuses to participate and makes a point of standing his ground. However, Travers and his ideas have attracted a groundswell of support in the factory, and Tom soon finds himself on the outs with his fellow employees as Travers drifts off to make trouble at another factory. Tom, however, still has to deal with the angry reprisals of the men, and his wife Anna (Pier Angeli) doesn't understand why he continues to hold so unpopular an opinion at the expense of his safety and well-being. ~ Mark Deming, All Movie Guide

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Starring:
Richard AttenboroughAnna Maria Pier Angeli, (more)
1957  
 
1957's The Good Companions was the second film version of the well-known J. B. Priestly play. The story revolves around the Dinky Doos, a provincial musical troupe living from hand to mouth. Eric Portman, Celia Johnson and John Fraser are three Britons from various classes and walks of life who become involved in the fortunes of the Dinky Doos. Pooling their resources, the diverse "good companions" save the troupe from disbanding. Good-natured and high-spirited, Good Companions might have even been better had the director adopted a more intimate and less showbizzy approach. ~ Hal Erickson, All Movie Guide

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Starring:
Eric PortmanCelia Johnson, (more)
1952  
 
Jenny, a pretty, independent, factory worker takes a holiday in Blackpool with her friend Mary. She has a week-long affair with Alan, the mill-owner's son, and attempts to conceal it with the collusion of her roommate. This stratagem backfires when Mary is killed. When both sets of parents learn of the liaison and decide that the two must be married, Jenny gives them all a surprise. This third remake of the classic British screenplay Hindle Wakes, gives a more realistic and touching portrayal of life in working-class England than its 1931 predecessor, one of the earliest "talking pictures" from Britain (two silent versions preceded.) It is gritty and rather sad, but presents a frank and compassionate female perspective on the "traps" of sex and marriage. Lisa Daniely is affecting as the thoughtful heroine, and Sandra Dorne delightful as her racy, carefree, girlfriend. ~ Michael P. Rogers, All Movie Guide

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1952  
 
A determined, fearless widow seeks to expose government corruption in her home city in this crime drama. ~ Sandra Brennan, All Movie Guide

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1950  
 
Portrait of Clare is largely offered in flashback. The title character, played by Margaret Johnston, spends 10 years in seclusion with her son (Jeremy Spenser) after the death of her young husband (Ronald Howard). For her son's sake, Clare enters into a loveless marriage with lawyer Dudley Wilburn (Robin Bailey). But she doesn't find true happiness until turning to her cousin, Robert Hart (Richard Todd). Produced by British Pathe, Portrait of Clare was released in the U.S. by Pathe's sister-firm Monogram (aka Allied Artists). ~ Hal Erickson, All Movie Guide

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Starring:
Margaret JohnstonRichard Todd, (more)
1949  
 
Cecil Parker is the whole show in Dear Mr. Prohack, just as he'd been in the stage version by Edward Knoblock. The eponymous Prohack is a Royal Treasury official who is an expert at managing other people's money. Alas, when he himself inherits a fortune, Prohack is as financially naïve as a kid with a piggy bank. Denholm Elliot makes his film debut in the role of Ozzie Morfrey; others in the high-powered cast include Glynis Johns, Dirk Bogarde, Hermione Baddely, Ian Carmichael, future director Bryan Forbes, and Jon "Dr. Who" Pertwee. Both the play and film versions of Dear Mr. Prohack were based on a novel by Arnold Bennett. ~ Hal Erickson, All Movie Guide

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Starring:
Sheila Sim
1949  
 
Passport to Pimlico is one of the most charmingly whimsical Ealing Studios comedies of the late 1940s-early 1950s. As a result of wartime bombing, an ancient parchment is uncovered, proving that the Pimlico section of London belongs to Burgundy, France. Long taken for granted by other Londoners, the tiny Pimlico populace decides to take advantage of its "foreign" status. Affable oaf Stanley Holloway is made head of the new government, whereupon he merrily begins erecting borders and imposing customs duties. The sweetly satirical script of Passport to Pimlico was written by director Henry Cornelius and Ealing stalwart T.E.B. Clarke. ~ Hal Erickson, All Movie Guide

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Starring:
Stanley HollowayBetty Warren, (more)
1948  
 
In this crime drama, three ancient, weird sisters begin planning to kill their half-brother in order to scare up the cash they need to keep their ramshackle mansion running. Poet Dylan Thomas helped write the screenplay. ~ Sandra Brennan, All Movie Guide

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Starring:
Nancy PriceMary Clare, (more)
1948  
 
The "progressive" new British teaching methods of 1948 are sharply contrasted with the tried-and-true methods of the past in Mr. Perrin and Mr. Traill. Self-content and thoroughly set in his ways, college instructor Vincent Perrin (Marius Goring) resents the arrival of non-traditional young prof David Traill (David Farrar). Exacerbating the situation is the fact that both Mr. Perrin and Mr. Traill are both in love with Isobel Lester (Greta Gynt). Descending into petty, crass behavior, Mr. Perrin typifies all that was wrong with the postwar educational system; still, he is not entirely sympathetic, nor is the aggressive Mr. Traill 100% likeable. Based on a novel by Hugh Walpole, Mr. Perrin and Mr. Traill remains surprisingly timely when seen today. ~ Hal Erickson, All Movie Guide

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Starring:
David FarrarMarius Goring, (more)
1945  
 
Future Dr. Who star William Hartnell heads the cast of the 1949 sociopolitical melodrama The Agitator. Set in a British industrial town, the film stars Hartnell as idealistic union organizer Peter Pottinger. His value as an agitator is compromised when Peter falls heir to the very factory where he works. Now that he's "Capital," Peter finds that he hasn't a friend in the world: his old co-workers despise him for what he represents, while his new colleagues can't forget his previous radicalism. Perhaps to avoid movie-industry ramifications, Capital and Labor are treated with equal fairness in The Agitator. ~ Hal Erickson, All Movie Guide

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Starring:
William HartnellMary Morris, (more)
1944  
 
In this sci-fi comedy, a nutty inventor and his loyal butler use his time machine to travel to Elizabethan times. ~ Sandra Brennan, All Movie Guide

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1944  
 
The Immortal Battalion has a bit of a convoluted history. It started life as a training film, The New Lot, which ran 44 minutes. When Winston Churchill approached David Niven about creating a film that would do for the British Army what In Which We Serve had done for the Royal Navy, he contacted Carol Reed and suggested expanding The New Lot. The result, written by Eric Ambler and Peter Ustinov, was the acclaimed The Way Ahead. For its U.S. release, Way Ahead was edited to a shorter length and retitled The Immortal Battalion. In either of its feature length forms, the film is concerned with the training of a bunch of raw recruits into a capable and efficient fighting regiment. Niven stars as Jim Perry, a lieutenant and former ordinary guy who finds that he must learn to take a tough line in order to make his wildly diverse crew come together and understand the importance both of the war and of their place in it. Although it takes time and constant effort on the part of Perry and his sergeant, the eight men eventually overcome their different backgrounds and feelings, and transform themselves into a unit which performs its tasks with admirable skill and dexterity, preparing them for their battle against the Desert Fox in Africa. Told in a semi-documentary style, Battalion also features the screen debut of Trevor Howard. ~ Craig Butler, All Movie Guide

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Starring:
David NivenRaymond Huntley, (more)
1943  
 
In this patriotic but romantic musical comedy, a young teacher runs a day school for the workers at a munitions factory. As she makes arrangements to locate the school in the empty home next to her apartment building, she falls in love with the property owner. ~ Sandra Brennan, All Movie Guide

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1943  
 
Will Hay, he of the pince-nez, outraged sniff, and overall demeanor of dignified incompetence, stars in (and codirects) another of his popular British comedies. In My Learned Friend, Hay is a seedy lawyer, one of several people targeted for death by a vengeful escaped convict. As the criminal's victims pile up, Hay can't help but feel a bit insecure. When he ends up the only survivor on the list, Hay begins to really worry. A slapstick climax on the clock-face of Big Ben caps this rapid-fire comedy of murders. Released in 1943, My Learned Friend was Will Hay's final film; he died of a lingering illness in 1949. ~ Hal Erickson, All Movie Guide

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Starring:
Will HayClaude Hulbert, (more)
1943  
 
Filmed in Britain by Czechoslovakian director Karel Lamac, Schweik's New Adventures is a based on a book by Czech humorist Jaroslav Hasek-a pungent piece of anti-Nazi propaganda that managed a widespread European distribution right under the noses of the Gestapo! Lloyd Pearson stars as the "Good Soldier" Schweik, a goodnatured schlemiel who manages to squeak through life by plain dumb luck. The thing of it is, Schweik's stupidity reveals the even greater imbecilities of the Third Reich-much to the dismay of a pompous Gestapo chief (Julian Mitchell). The well chosen supporting cast includes a young Richard Attenborough as a resourceful railway worker. The whimsy of the Hasek original gives way to music-hall slapstick in Con West's screen adaptation. ~ Hal Erickson, All Movie Guide

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Starring:
Lloyd PearsonMaggie McGrath, (more)
1943  
 
Adapted from the stage hit by J. B. Priestly, When We Are Married is a barbed satire of smug British conservatism. Set in turn-of-the-century Yorkshire, the story concerns three middle-aged married couples, who tend to look askance towards anyone who does not come up to their high moral and religious standards. These pecksniffs are especially critical towards those who advocate a break from the repressive sexual taboos of the era. Imagine their dismay, then, when all three couples discover that they're not legally married. Their efforts to hide this fact, and their eventual comeuppance, provides several hearty laughs. When We Are Married remains a favorite of the British repertory circuit, due to its large number of colorful and well-rounded characters. ~ Hal Erickson, All Movie Guide

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Starring:
Lloyd PearsonRaymond Huntley, (more)
1942  
 
Released worldwide by 20th Century Fox, Carol Reed's The Young Mr. Pitt is a static but sincere filmed biography of 19th century British prime minister William Pitt Jr., here played by Robert Donat. Appointed to his office at the tender age of 24, Mr. Pitt spends most of his time in Parliament alerting his countrymen of the dangers posed by France's Emperor Napoleon (Herbert Lom, in his first English-speaking role). The Frank Launder-Sidney Gilliat screenplay works overtime drawing parallels between the Pitt-Napoleon conflict and the present crisis involving Great Britain and Nazi Germany. Various historical personages are impersonated by the likes of Phyllis Calvert, John Mills, and Robert Morley, with Morley stealing the show hands down. Like its thematic "twin" Penn of Pennsylvania, Young Mr. Pitt is lavishly produced, but suffers from pedantic speechifying and substandard special effects. ~ Hal Erickson, All Movie Guide

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Starring:
Robert DonatRobert Morley, (more)
1942  
 
This WWII drama, based on a novel by Oscar E. Millard, takes place in Nazi-occupied Belgium. Andre Delange (Eric Portman) owns a nightclub but is connected with the resistance movement. He used to secretly publish an anti-Nazi paper before the German invasion. Now his underground comrades want to put out the paper again. Delange's assistant publisher is the alluring Julie Lanvin (Phyllis Calvert). But the co-owner of the cabaret, Charles Neels (Peter Glenville), is jealous of Lanvin's relationship with Delange. Neels informs on the publishers, the Nazis raid the newspaper, and the staff is arrested -- but Delange and Lanvin escape. When the two of them manage to put out another issue of the paper, the Nazis believe that they have arrested the wrong people, and they release the staff. Veteran British director Anthony Asquith was at the helm. ~ Michael Betzold, All Movie Guide

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Starring:
Eric PortmanPhyllis Calvert, (more)
1941  
 
Carol Reed directed this adaptation of the H.G. Wells novel about a British shopkeeper who inherits money and tries to crash society; it was later the basis of the Tommy Steele musical Half a Sixpence. Michael Redgrave is Arthur Kipps, a nondescript storekeeper who finds himself heir to a large fortune. Society golddigger Helen Walshinham (Diana Wynyard) immediately comes on the scene, hoping to trick Kipps into marrying her. Right before the wedding, Kipps gets cold feet and instead runs off with his childhood sweetheart, Ann Pornick (Phyllis Calvert). The two get married but Ann wants to live simply while Kipps continues to want to live large with his inherited fortune. ~ Paul Brenner, All Movie Guide

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Starring:
Michael RedgraveDiana Wynyard, (more)
1941  
 
Another cheeky entry from the Aldwych Theatre farceurs, Banana Ridge is based on a play by Aldwych perennial Ben Travers. Alfred Drayton plays a wealthy, respected gentleman suddenly confronted with old flame Isabel Jeans. She shows up out of nowhere, claiming that her illegitimate son is his. The possibility of scandal creates a brouhaha with Drayton's wife Adela Dixon, and daughter Nova Pilbeam. Old chum Robertson Hare offers to help Drayton out--and nearly wrecks his own marriage in the process. ~ Hal Erickson, All Movie Guide

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1940  
 
In this British drawing room comedy, a wealthy socialite falls in love with the a young woman from the lower class. Her mother owns a boarding house and at first, the socialite turns up his blue-blooded nose at them. But then he begins learning more about their lives and gradually changes his mind. He then decides to take his girl to his family's country estate for a weekend. His snooty mother is appalled and tries to stop them. Eventually, with the butler's assistance, romance prevails. This is the third remake of the story. ~ Sandra Brennan, All Movie Guide

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1938  
 
In this early film from director Sir Carol Reed, Edmund Gwenn stars as Joe Higgins, a hardworking tugboat captain who is ecstatic when he learns that he has won a lucrative soccer pool. To celebrate, Higgins quits his job and invites all his pals to the local tavern for a wingding. But during the party, the validity of the Liverpudlian captain's win comes into question. Star Gwenn would later be remembered by most movie lovers for his Academy Award-winning portrayal of Kris Kringle in 1947's Miracle on 34th Street. ~ Matthew Tobey, All Movie Guide

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1938  
 
The British adventure film The Challenge is based on a real-life turn-of-the-century competition. The race is on between a team of British mountain climbers and a government-sponsored Italian team to conquer a hazardous alpine peak. Edward Whimper (Robert Douglas) heads the English expedition, while Jean-Antoine Carrel (Luis Trenker) is in charge of the Italians. Actual footage of the Alps is seamlessly blended with studio mockups. Emeric Pressburger, on the verge of his felicitous teaming with Michael Powell, wrote the original story for The Challenge. ~ Hal Erickson, All Movie Guide

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Starring:
Robert DouglasLuis Trenker, (more)

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