Lester Luther Movies
Written by Ruth Gordon and Garson Kanin, Adam's Rib is a peerless comedy predicated on the double standard. Spencer Tracy and Katharine Hepburn play Adam and Amanda Bonner, a husband-and-wife attorney team, both drawn to a case of attempted murder. The defendant (Judy Holliday) had tearfully attempted to shoot her husband (Tom Ewell) and his mistress (Jean Hagen). Adam argues that the case is open and shut, but Amanda points out that, if the defendant were a man, he'd be set free on the basis of "the unwritten law." Thus it is that Adam works on behalf of the prosecution, while Amanda defends the accused woman. The trial turns into a media circus, while the Bonners' home life suffers. Adam's Rib represented the film debuts of New York-based actors Jean Hagen, Tom Ewell, and David Wayne (as Hepburn's erstwhile songwriting suitor), and the return to Hollywood of Judy Holliday after her Born Yesterday triumph. One of the best of the Tracy-Hepburn efforts, it inspired a brief 1973 TV series starring Ken Howard and Blythe Danner. ~ Hal Erickson, All Movie Guide
- Starring:
- Spencer Tracy, Katharine Hepburn, (more)
- 1949
One of the most famous of the anti-communist tracts of the late 1940s, Republic's The Red Menace plays like a merciless lampoon of the genre when seen today. After a portentous introduction by one Lloyd G. Davies, described as a member of the Los Angeles City Council, the film concentrates on disgruntled ex-GI Bill Jones (Robert Rockwell). Having been victimized by crooked real estate agents, Jones turns to the government for help, only to come away empty-handed and mad as a wet hen. Obviously, the susceptible Jones is ripe for plucking by the American Communist Party. Using slogans, bribes and even sex to recruit disenfranchised souls like Jones, the dirty Reds hope to spread their poison to the entire U.S. of A. Fortunately, Jones and another commie dupe, schoolteacher Nina Petrovka (Hanne Axman), smarten up just in time. The HUAC and Joe McCarthy needn't have searched so diligently for subversives: according to The Red Menace, all they would have had to do was arrest anyone wearing a baggy suit or sporting a bad haircut. Some modern-day viewers begin laughing the moment the opening title of Red Menace, wherein an animated octopus wraps its tentacles around the Free World, fades into view. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Rockwell, Hannelore Axman, (more)
- 1945
The Technicolor musical Masquerade in Mexico is Mitchell Leisen's remake of his own Midnight. Stranded in Mexico City without a dime, glamorous Angel O'Reilly (Dorothy Lamour) is rescued by wealthy Thomas Grant (Patric Knowles). But Grant's motivations are anything but altrustic. In order to get his wife Helen's (Ann Dvorak) mind off handsome bullfighter Manolo Segovia (Arturo de Cordova), Grant passes Angel off as a Contessa at a weekend party, reasoning that Segovia will switch his attentions to our heroine. Screenwriter Karl Tunberg has added a jewel-theft angle to the original Edwin Justis Mayer/Franz Spencer story, which improves things not at all. Masquerade in Mexico is admittedly a handsomer production than Midnight, but the remake lacks the sparkle of the original film's stars Claudette Colbert, Don Ameche, John Barrymore, Francis Lederer, Mary Astor et. al. ~ Hal Erickson, All Movie Guide
- Starring:
- Dorothy Lamour, Arturo de Cordova, (more)
