Leonard Trolley Movies

This animal thriller at times verges on becoming a horror film, with gory scenes of mangled heads and torn limbs, but it is intended to be a serious tale of baboons gone berserk. The story takes place in a drought-ridden animal preserve in Kenya where ranger Jack Ringtree (Timothy Bottoms) advises both government officials and Chris Tucker (John Rhys-Davies), the manager of a local mine, that all the people in the region have to be evacuated. Jack is convinced thousands of baboons in the preserve will soon go on a rampage caused by a lack of food and water. As might be expected, the authorities ignore his advice, with the usual slow build-up of menacing hairy creatures arguing for the accuracy of Jack's warnings. ~ Eleanor Mannikka, Rovi

While Idi Umin Dada terrorized Uganda with a barbaric, 8-year, depotic rule, he portrayed himself to the world at large as a fat buffoon, albeit in military garb. How the press corps managed to perpetuate that image in the face of his army's rampage against an estimated 500,000 Ugandan victims of murder, torture, and imprisonment is unfathomable. This historical docudrama relates how Imin came to power, and does not spare the audience when it comes to exposing his barbarisms (dismembering his wife's body and forcing her children to look at it is one example of several). As the story of his rule unfolds, the world eventually "discovers" what the Ugandans have known all along, and Tanzanian forces oust Imin in 1979, saving the lives of countless prisoners and other victims of his unbridled violence. Although the movie portrays the horrors of his reign, the violence that is shown is an accurate view of reality, and far from the exploitative gore of a Hong Kong or Hollywood slasher flic. ~ Eleanor Mannikka, Rovi

This handsomely-mounted historical epic concerns the birth of the Islamic faith and the story of the prophet Mohammed -- who, in accordance with the tenants of Islam, is never seen or heard (any physical depiction of the prophet is considered a heinous sin within the faith). In Mecca in the 7th century, Mohammed is visited by a vision of the Angel Gabriel, who urges him to lead the people of Mecca to cast aside the 300 idols of Kaaba and instead worship the one true God. Speaking out against the corrupt political and military leaders who rule Mecca, Mohammed and his followers struggle to worship God as they see fit, which eventually leads them into exile in Medina. However, one day God gives Mohammed a message to return to Mecca and take up arms against their oppressors -- while recruiting as many followers as they can along the way. With the help of his uncle, a brave warrior named Hamza (Anthony Quinn), Mohammed and his followers return to Mecca to liberate the city in the name of God. The Message (originally screened in the U.S. as Mohammed, Messenger of God) proved to be highly controversial during its production and initial release. Unfounded rumors had it that Mohammed would not only be depicted in the film, but that he was to be played by Charlton Heston or Peter O'Toole. This resulted in angry protests by Muslim extremists, until director Moustapha Akkad hired a staff of respected Islamic clerics as technical advisors. The advisors butted heads with Akkad, and they quit the production, which led the Moroccan government to withdraw their permission to film in their country. In time, Akkad ended up shooting on location in Libya under the sponsorship of Muammar Qaddafi, which presented a whole new set of political and practical problems for the filmmakers. Finally, when the film was scheduled to premier in the U.S., another Muslim extremist group staged a siege against the Washington D.C. chapter of the B'nai B'rith under the mistaken belief that Anthony Quinn played Mohammed in the film, threatening to blow up the building and its inhabitants unless the film's opening was cancelled. The standoff was resolved without explosion or injuries, though the film's American box office prospects never recovered from the unfortunate controversy. The Message was shot in two versions, one in English and one in Arabic (entitled Al-Ris-Alah), with different actors taking over some of the roles due to language requirements. ~ Mark Deming, Rovi

In the conclusion of the six-part story "The Faceless Ones," the alien Chameleons continue to repopulate their dying planet by stealing the personalities of unwary Earthlings. With no other tricks up his sleeve, the Doctor (Patrick Troughton) relies upon a desperate bluff to thwart the Chameleons. Anneke Wills and Michael Craze make their final series appearances as the Doctor's companions, Polly and Ben. Written by David Ellis and Malcolm Hulke, "The Faceless Ones, Episode 6" originally aired on May 13, 1967. This episode evidently no longer exists. ~ Hal Erickson, Rovi

Guy Rolfe is top-billed in the British Prelude to Fame, but the critics' attention was directed at young newcomer Jeremy Spencer. This is the story of a poverty-stricken boy named Guido (Spencer) who turns out to be a musical prodigy. Prodded into fame by a wealthy, childless patroness of the arts (Kathleen Ryan), Guido rises to the uppermost rungs of the musical world -- and loses his childhood in the process. Star Rolfe is cast as John Morrell, the philosophy professor who discovers Guido's genius, only to regret what happens to the boy afterward. Best scene: Jeremy Spencer leading the London Philharmonic without adult assistance. Released in America by Universal-International, Prelude to Fame is based on a story by Aldous Huxley. ~ Hal Erickson, Rovi