Kate Williams Movies

In turn-of-the-century London, three nannies from drastically different backgrounds form a tight-knit bond that guides them through the good times and the bad times in this period miniseries starring Clare Wilkie, Victoria Smurfit, and Tabitha Wady. As the caretaker for the children of London's most elite families, headstrong East End girl Mattie (Wilkie) has struggled to build a solid career as a trusted nanny. On the heels of a disastrous romance with the son of a respected Yorkshire family, Hannah (Smurfit) arrives in London with little more than her young infant and a prayer. Though former farm girl Lydia (Wady) may be a bit naïve, her relative innocence doesn't stop her doing her best for her forward-thinking new employers. When fate brings these three nannies together, a bond forms between them that will help them navigate life's unpredictable twists while learning the true value of friendship. ~ Jason Buchanan, Rovi

Little Dorrit was intended as the cinematic equivalent to the mammoth, eight-hour Royal Shakespeare Company's staging of Charles Dickens' Nicholas Nickelby. The film was released to theaters in two parts, each running approximately three hours. The first part, subtitled "Nobody's Fault," introduced us to the seamstress title character (Sarah Pickering), who chooses to live in debtor's prison with her father (Alec Guinness). Good Samaritan Arthur Clennam (Derek Jacobi) endeavors to help both father and daughter. The second part, also known as "Little Dorrit's Story," details Dorrit's escape from penury to lasting happiness. Eschewing the usual 19th century-style British music often heard in Dickensian adaptations, director Christine Edzard creatively -- and effectively -- opts for the strains of Giuseppe Verdi. Edzard's eye for period detail is also deserving of unbounded praise. Unfortunately, part two of Little Dorrit spends nearly half of its running time recapping part one, utilizing much of the same footage. For those familiar with "Nobody's Fault," "Little Dorrit's Story" is more a redundancy than a continuation. Still, taken together, parts one and two all fully deserving of the enthusiastic critical commentary that greeted them upon their original release -- not to mention the multiple Academy Award nominations bestowed upon the project and its participants. ~ Hal Erickson, Rovi

In this enhanced graduation film by Terry Winsor, the adventures of caricatured teens as they search for sex and romance, saturated with rock music, go on for a long time and in a format that is not always intelligible to the non-teen. It becomes apparent early on that this search is not usually successful, and since there is no other point to the story, the comic moments alone will not be enough to keep viewers entertained. ~ Eleanor Mannikka, Rovi

In this comedy a prejudiced couple innocently wins a racial tension easing contest. ~ Rovi

An excellent musical score by the Bee Gees adds appeal to this curious little movie about two ten-year olds, Daniel and Melody (Mark Lester and Tracy Hyde) who are completely taken with each other and announce to their parents, in all seriousness, that they plan to get married. This marriage is not planned for the distant future, but as soon as possible. The uproar that is caused when their seriousness becomes clear is not too surprising. Their best friend Ornshaw (Jack Wild) is not too thrilled with their plan either. What makes the film work is that the entire story is told from the children's point of view in which the grownups' objections, since they have no relation to the truth of what the children are feeling, come across as silly or inconsequential. This film is a reunion of sorts for Oscar-winning Oliver! co-stars Mark Lester and Jack Wild ~ Clarke Fountain, Rovi

Acclaimed British neo-realist filmmaker Ken Loach made his theatrical debut with this bleak kitchen-sink drama. Joy (Carol White) leads a life that makes her name seem like some sort of a cruel joke. Her husband Tom (John Bindon) is a second-rate burglar who shows neither her nor their infant child much affection. When Tom is jailed for theft, Joy is left on her own, until Tom's best friend Dave (Terence Stamp) invites her to stay with him. Dave is warm and caring in a way that Tom is not, and love begins to blossom between them. However, Dave also supports himself as a thief, and when he's arrested and put behind bars, Joy is left back where she started. Joy takes a job as a barmaid to support herself, and she is persuaded to pose nude for a photographer to bring in some extra money; she files for divorce from Tom and begins seeing other men. However, Tom wants to give their marriage another chance once he's released from prison, much to Joy's chagrin. Several clips with Terence Stamp were later used in The Limey (1999) to illustrate the earlier life of Stamp's character in that film. ~ Mark Deming, Rovi