Judith Novgrod Movies

This for Remembrance, the autobiography of popular singer Rosemary Clooney (1928-2002), was the source for this made-for-TV biopic. Played herein by Sondra Locke, the Kentucky-born Clooney begins her career as one-half of a musical act with her sister Betty (Penelope Milford), performing at the election rallies of her politician uncle (John Karlen). Achieving radio popularity in Cincinnati, Ohio, Rosemary goes on to enjoy nationwide fame in the 1950s with such hit recordings as "Come On A' My House", "Tenderly" and "Hey There". Though her success in movies is negligible (White Christmas notwithstanding), she makes a huge impact on television, hosting several of her own weekly series. All the while, however, Rosemary's private life is in turmoil, due in great part to a tempestuous marriage to actor-director Jose Ferrer (played by, of all people, Tony Orlando). After the assassination of her great friend Robert Kennedy in 1968, Rosemary suffers a nervous breakdown, and it is many years before she is able to make a triumphant comeback on the concert trail. Rosemary Clooney herself serves as the singing voice of Sondra Locke, and also dubs in the tunes performed by the actress playing sister Betty. Had Rosie: The Rosemary Clooney Story aired on CBS a decade or so after its original telecast on December 18, 1982, mention might have been made of the subsequent success of Clooney's actor son Miguel Ferrer and her TV-star nephew George Clooney; there might even have been a re-enactment of Rosemary's third marriage, capriciously staged at a White Castle restaurant in Cincinnati. ~ Hal Erickson, Rovi

This low-budget horror anthology from Oklahoma presents a quartet of eerie tales, told by a strange mortician (Ivor Francis) to a young man on the run from his lover's irate husband (John Ericson). The tales involve a crotchety old woman whose hatred of children sparks an attack from a group of homicidal kids; a "Spy vs. Spy" detective story; a foul-tempered curmudgeon who gets his violent comeuppance in a grim variation on "A Christmas Carol"; and a serial killer with a penchant for photography a la Peeping Tom. Young Ericson's sins are not forgotten either, as we learn at the film's creepy climax. A passable home-grown omnibus, comparable with the similarly themed Chillers or Screams of a Winter Night. Released to video as House of the Dead. ~ Cavett Binion, Rovi