Jeff Chandler Movies

Several genuine Native Americans dot the cast of Universal's The Great Sioux Uprising. The scene is the frontier outpost of Laramie Junction, where livery stable owner Joan Britton (Faith Domergue) and rancher Stephen Cook (Lyle Bettger) carry on a friendly rivalry while trading horses with the cavalry. On friendly terms with the local Sioux, Joan hopes to persuade the tribe to sell some of its ponies to the military. Cook's method is more direct: he and his men steal the horses, then sell them for a 100% profit. Into this situation rides ex-Union medical officer Jonathan Westgate (Jeff Chandler), who promises Apache chief Red Cloud (John War Eagle) that he'll track down the rustlers. Westgate also organizes the local ranchers to sell their horses to the military, thereby undercutting the duplicitous Cook. Complications arise when Stand Waite, an Apache officer in the Confederate army, tries to persuade his tribesmen to join the Southern cause. All the various plotlines converge in the climactic uprising, which is shown to be the by-product of white greed. ~ Hal Erickson, All Movie Guide

Fans of Loretta Young were rather taken aback by the early scenes of Because of You, wherein Young is seen as brash, uninhibited bleach-blonde Christine Carroll. On the verge of marrying gangster Mike Monroe (Alex Nicol), Christine is arrested by the cops, and sent to prison on the strength of incriminating evidence slipped into her purse by the duplicitous Monroe. Through the kindness of prison psychiatrist Dr. Breen (Alexander Scourby), Christine turns her life around in prison, becoming a nurse's aid in the infirmary. Upon her release, Christine gets a job at a respectable hospital, where she falls in love with wounded combat pilot Steve Kimberly (Jeff Chandler). Will she ever be able to reveal her sordid past without sending the emotionally fragile Steve off the deep end? And what about that no-good Mike Monroe? The supporting cast of Because of You includes two of Loretta Young's contemporaries of the 1930s, Frances Dee and Mae Clarke, in strongly defined character roles. ~ Hal Erickson, All Movie Guide

Red Ball Express deals with the little-known activities of the U.S. Army Transportation Corps during WW II. It so happened that many of the Corps' most courageous drivers were black men, who otherwise would have been denied an opportunity for combat duty. Sidney Poitier plays Corporal Andrew Robinson, who resents his second-class-citizen status and chafes at the orders issued by his white commanding officer Lt. Chick Campbell (Jeff Chandler). Meanwhile, Campbell has his own cross to bear in the form of relentlessly hostile sergeant Ernest Kalek (Alex Nicol). All differences are conveniently forgotten in the climactic euphoria of providing ammunition for General Patton's tanks during the Allied push to Paris in 1944. Considered just another war picture in 1952, Red Ball Express has since taken on added stature by virtue of the presence of actor Sidney Poitier and director Budd Boetticher. ~ Hal Erickson, All Movie Guide

A remake of the 1931 film of the same name, Iron Man stars Jeff Chandler as up-and-coming boxer Cokie Martin. A relatively pleasant fellow outside the ring, Martin turns into a monster whenever he dons boxing gloves and trunks. As a result, he becomes "the man you love to hate" so far as the fans are concerned. Only his fiancee Rose (Evelyn Keyes) is willing to stand by him, but even her devotion is sorely tested when Cokie continues displaying his killer instinct. Only the intervention of "clean" fighter Speed O'Keefe (Rock Hudson) prevents Cokie from destroying himself. Told in flashback, Iron Man is at its best in its expository scenes, showing the hero working his way out of a coal mining town and into the championship. Joyce Holden co-stars as a good-time girl who enjoys a brief fling with the hero; in the original 1931 version, Holden's character was played by Jean Harlow. ~ Hal Erickson, All Movie Guide

The aggressively Irish Maureen O'Hara and the staunchly American Jeff Chandler are cast as Arabian Nights types in Flame of Araby. Chandler plays Tamerlaine, a Bedouin chief who is engaged in a hunt for a legendary black stallion. Also coveting the prize steed is Tunisian princess Tanya (O'Hara), who wants to capture the horse to race in competition against her hated brothers Borka (Lon Chaney) and Hakim (Buddy Baer). After reels and reels of deadly rivalry, Tamerlaine decides to join forces with Tanya to trap the stallion--and in the process, the two fall in love. Listed as associate producer of Flame of Araby is Ross Hunter, whose later cinematic efforts would eschew desert-sands escapism in favor of lush soap operas and frothy sex comedies. ~ Hal Erickson, All Movie Guide

The real-life deportation of gangster Lucky Luciano was the inspiration for this romanticized and slightly crackbrained crime drama. Jeff Chandler plays the Luciano counterpart, who once he arrives in Italy renews his criminal activities. Chandler masterminds a black-market racket, capitalizing upon wartime shortages in Europe. He falls in love with a Contessa (Marta Toren), who is the benign patroness of the small village where he lives. Under her influence, Chandler abandons his life of crime, turns his back on the ill-gotten gains that he's already smuggled into Italy, and becomes a pillar of the community. And if you believe that, We have some land in Florida we'd like to show you. ~ Hal Erickson, All Movie Guide

Indian scout Tom Jeffords (James Stewart) is sent out to stem the war between the Whites and Apaches in the late 1870s. He learns (through an uncomfortably close encounter) that the Indians kill only to protect themselves, or out of retaliation for white atrocities. Befriending the sagacious Apache leader Cochise (Jeff Chandler), Jeffords ensures safe passage for white mail-carriers through Indian territory. As he becomes closer to his Native American "brothers", Jeffords falls in love with and weds a pretty Apache girl (Debra Paget). This being a 1950 film (miscegenation was frowned upon by the Production Code), you can guess what happens to her. Jeffords wants to avenge his bride's death at the hands of white renegades, but it is the so-called "savage" Cochise who advises him not to. Having learned much from each other, Jeffords and Cochise symbolize the white/Indian detente with the traditional broken arrow. This superb, non-condescending film has been criticized in some circles because of the alleged depiction of Cochise as an Indian "Uncle Tom", and because actor Jeff Chandler was not a genuine Native American. Nonetheless, Broken Arrow stands the test of time far more successfully than the later, politically correct Dances with Wolves. In 1956, Broken Arrow was adapted into a TV series starring John Lupton as Jeffords and Michael Ansara as Cochise. ~ Hal Erickson, All Movie Guide

Sword in the Desert is set in Palestine during World War II. Dana Andrews plays an American seaman engaged in smuggling European Jewish refugees into the Holy Land, despite the restrictions levied by the British occupation troops. Fifth-billed Jeff Chandler makes his movie debut as an Israeli rebel leader; his performance garnered so much fan mail that Chandler was given a seven-year contract at Universal. Few of those letters came from Britain, where Sword in the Desert ran into distribution difficulties due to its blatant anti-British slant--especially as manifested in the underground radio broadcasts of leading lady Marta Toren. The principal complaint was that the British seemed to be the sole villains in the script, which virtually ignored the Arab resistance to the formation of Israel. Sword in the Desert represents a low-key warm-up to the blood-and-thunder excesses of Otto Preminger's 1960 Exodus. ~ Hal Erickson, All Movie Guide

Clifton Webb recreates his Sitting Pretty role as Mr. Lynn Belvedere, the World's Greatest Genius. Belvedere discovers that he is ineligible for an honorary award because he never attended college. So he enrolls as a freshman in a major university, becoming the target for "hazing" from obnoxious upper classman Alan Young. The middle-aged Belvedere rapidly builds himself into Big Man on Campus, which complicates his intention of remaining incognito while attending college. Journalism major Shirley Temple likewise threatens to blow Belvedere's cover by writing an article about him for a major magazine. Before earning his college degree (four years' worth of study in six months!), Belvedere plays Cupid for Temple and her estranged boyfriend Tom Drake. Mr. Belvedere Goes to College proved successful enough for a follow-up film, 1951's Mr. Belvedere Rings the Bell. ~ Hal Erickson, All Movie Guide

Three years after song-and-dance man Dick Powell reshaped his nice-guy image by playing hard-boiled gumshoe Phillip Marlowe in Murder My Sweet, he returned to film noir with this crime-based thriller. Johnny O'Clock (Dick Powell) and his partner Pete Marchettis (Thomas Gomez) operate a gambling casino that has seen better days. Chuck Blayden (Jim Bannon), a cop on the take, wants in on the casino, and he makes friends with Pete while trying to convince him that Johnny, the smarter of the two, should go. When Chuck's girlfriend Harriet (Nina Foch) is found dead, a supposed suicide, his sister Nancy (Evelyn Keyes) smells a rat, especially after Chuck skips town. Nancy is convinced that her sister was murdered, and she asks Johnny to help her prove it. Johnny, who already has a number of women in his life -- including Nelle (Ellen Drew), Pete's wife -- figures that one more can't hurt and agrees to help her. But Police Inspector Koch (Lee J. Cobb), convinced that Johnny and Pete were behind Harriet's death, is making it hard for Johnny to do much investigating, and matters get worse when Chuck's body is found floating in the river. Screenwriter Robert Rossen made his directorial debut with this film, 14 years later, he would return to this film's tough, gritty style for his best picture, The Hustler. ~ Mark Deming, All Movie Guide