Jeff Chandler Movies

Viewers who know Gale Storm only through her chaotic comic performances on TV's My Little Margie and Oh Susanna will be surprised by her subdued dramatic performance in Abandoned. Storm plays Paula Consodine, who comes to Los Angeles in search of her missing sister. Newspaperman Mark Sitko (Dennis O'Keefe), investigating on Paula's behalf, discovers that the sister is dead, a supposed suicide. The whole thing seems a bit fishy to Sitko, and indeed it is: the girl's death was engineered by a black-market adoption racket, headed by one DeCola (Will Kuluva). Paula bravely offers to act as bait to draw the criminals out, a formidable task given the presence of such secondary villains as Raymond Burr and Mike Mazurki. ~ Hal Erickson, All Movie Guide

Fans of Loretta Young were rather taken aback by the early scenes of Because of You, wherein Young is seen as brash, uninhibited bleach-blonde Christine Carroll. On the verge of marrying gangster Mike Monroe (Alex Nicol), Christine is arrested by the cops, and sent to prison on the strength of incriminating evidence slipped into her purse by the duplicitous Monroe. Through the kindness of prison psychiatrist Dr. Breen (Alexander Scourby), Christine turns her life around in prison, becoming a nurse's aid in the infirmary. Upon her release, Christine gets a job at a respectable hospital, where she falls in love with wounded combat pilot Steve Kimberly (Jeff Chandler). Will she ever be able to reveal her sordid past without sending the emotionally fragile Steve off the deep end? And what about that no-good Mike Monroe? The supporting cast of Because of You includes two of Loretta Young's contemporaries of the 1930s, Frances Dee and Mae Clarke, in strongly defined character roles. ~ Hal Erickson, All Movie Guide

Indian scout Tom Jeffords (James Stewart) is sent out to stem the war between the Whites and Apaches in the late 1870s. He learns (through an uncomfortably close encounter) that the Indians kill only to protect themselves, or out of retaliation for white atrocities. Befriending the sagacious Apache leader Cochise (Jeff Chandler), Jeffords ensures safe passage for white mail-carriers through Indian territory. As he becomes closer to his Native American "brothers", Jeffords falls in love with and weds a pretty Apache girl (Debra Paget). This being a 1950 film (miscegenation was frowned upon by the Production Code), you can guess what happens to her. Jeffords wants to avenge his bride's death at the hands of white renegades, but it is the so-called "savage" Cochise who advises him not to. Having learned much from each other, Jeffords and Cochise symbolize the white/Indian detente with the traditional broken arrow. This superb, non-condescending film has been criticized in some circles because of the alleged depiction of Cochise as an Indian "Uncle Tom", and because actor Jeff Chandler was not a genuine Native American. Nonetheless, Broken Arrow stands the test of time far more successfully than the later, politically correct Dances with Wolves. In 1956, Broken Arrow was adapted into a TV series starring John Lupton as Jeffords and Michael Ansara as Cochise. ~ Hal Erickson, All Movie Guide

Double Crossbones is an unusually elaborate comedy vehicle for Donald O'Connor. Set in the Carolinas in the 18th century, the film casts O'Connor as Davy Crandall, a bumbling shopkeeper's apprentice. Davy's boss (Hayden Rourke) is in cahoots with the corrupt colonial governor (John Emery), who in turn deals directly with the pirates who sail in and out of port with impunity. Unfairly accused of piracy, Davy finds refuge on a buccaneer's boat. Through circumstances better seen than described, our hapless hero gains the reputation of being the boldest pirate on the Seven Seas. The stellar supporting cast includes Helena Carter as the heroine, Will Geer as O'Connor's aide-de-camp, and Hope Emerson, Alan Napier and Robert Barrat, cast respectively as notorious pirates Anne Bonney, Capt. Kidd and Henry Morgan. ~ Hal Erickson, All Movie Guide

Director Budd Boetticher moves out of his traditional western surroundings for the Technicolor programmer East of Sumatra. Jeff Chandler stars as an American miner, who journeys east of Sumatra in search of tin ore. He runs afoul of Anthony Quinn, a local despot who rules the Pacific island which Chandler hopes to mine. This being a Boetticher film, there's a lot of "faking out" from both hero and villain, as each man takes full measure of the other before making any sudden, violent moves. The climactic native uprising, is well worth the wait, even though everyone in the audience is fully aware who will come out on top. East of Sumatra was based on a novel by Louis L'Amour, a western specialist who like Budd Boetticher proved quite capable of working outside his own particular genre. ~ Hal Erickson, All Movie Guide

The aggressively Irish Maureen O'Hara and the staunchly American Jeff Chandler are cast as Arabian Nights types in Flame of Araby. Chandler plays Tamerlaine, a Bedouin chief who is engaged in a hunt for a legendary black stallion. Also coveting the prize steed is Tunisian princess Tanya (O'Hara), who wants to capture the horse to race in competition against her hated brothers Borka (Lon Chaney) and Hakim (Buddy Baer). After reels and reels of deadly rivalry, Tamerlaine decides to join forces with Tanya to trap the stallion--and in the process, the two fall in love. Listed as associate producer of Flame of Araby is Ross Hunter, whose later cinematic efforts would eschew desert-sands escapism in favor of lush soap operas and frothy sex comedies. ~ Hal Erickson, All Movie Guide

Kim Novak is clearly out of her depth as legendary Broadway actress Jeanne Eagels, but one can't fault her for trying very hard. As this filmed biography gets under way, wide-eyed Eagels finds herself stranded in a tank town by a smooth-talking traveling salesman. Carnival operator Sal Satori hires Eagels as a kootch dancer, but her ambition is to become a serious dramatic actress. When she and Sal reach New York, she signs up for acting lessons under the tutelage of a Mme. Neilson (Agnes Moorehead). Before long, Jeanne is understudying on Broadway, and in 1922 she takes audiences and critics by storm with her unforgettable portrayal of Sadie Thompson in Rain, a role she landed by ruthlessly double-crossing the actress originally slated for the part (Virginia Grey). When her rival commits suicide, the chastened Jeanne turns to booze and drugs to assuage her conscience. The real-life Jeanne Eagels died of narcotics addiction in 1929, a fact that the Hollywood version skims over. Eagels' family sued Columbia Pictures over the "distortions" offered in Jeanne Eagels. ~ Hal Erickson, All Movie Guide

Man in the Shadow is a better-than-usual Albert Zugsmith production starring Jeff Chandler as the newly appointed lawman in a corrupt southwestern town. A Mexican laborer has been murdered, a crime which powerful land baron Orson Welles wants the sheriff to ignore. Chandler bucks Welles' wishes and investigates the killing, with the trail of evidence leading inexorably to Welles...but what's the motive? Man in the Shadow is unimportant enough on its own, but the fact that it was produced at all would have a far-reaching effect on cinematic history. It was during shooting of this western that producer Albert Zugsmith and actor Orson Welles agreed to collaborate on the Welles-directed masterpiece Touch of Evil (58). ~ Hal Erickson, All Movie Guide

Clifton Webb recreates his Sitting Pretty role as Mr. Lynn Belvedere, the World's Greatest Genius. Belvedere discovers that he is ineligible for an honorary award because he never attended college. So he enrolls as a freshman in a major university, becoming the target for "hazing" from obnoxious upper classman Alan Young. The middle-aged Belvedere rapidly builds himself into Big Man on Campus, which complicates his intention of remaining incognito while attending college. Journalism major Shirley Temple likewise threatens to blow Belvedere's cover by writing an article about him for a major magazine. Before earning his college degree (four years' worth of study in six months!), Belvedere plays Cupid for Temple and her estranged boyfriend Tom Drake. Mr. Belvedere Goes to College proved successful enough for a follow-up film, 1951's Mr. Belvedere Rings the Bell. ~ Hal Erickson, All Movie Guide

Pillars of the Sky is the lyrical title bestowed upon this cinemadaptation of Will Henry's novel Frontier Fury. Jeff Chandler stars as Sgt. Emmett Bell, whose job it is to put down an Indian uprising. Since converting to Christanity, the local tribe has done its best to keep the peace. But Chief Kamiakan (Michael Ansara), understandably angered over an impending government plan to build a road through his territory, intends to break that peace, despite the strenuously pacifistic efforts of missionary Joseph Holden (Ward Bond). A subplot involves a romantic triangle between Bell, Calla Gaxton (Dorothy Malone), and Calla's husband Tom (Keith Andes), Bell's superior officer. Magnificently photographed in Technicolor, Pillars of the Sky is a better-than-average Universal oater. ~ Hal Erickson, All Movie Guide

Red Ball Express deals with the little-known activities of the U.S. Army Transportation Corps during WW II. It so happened that many of the Corps' most courageous drivers were black men, who otherwise would have been denied an opportunity for combat duty. Sidney Poitier plays Corporal Andrew Robinson, who resents his second-class-citizen status and chafes at the orders issued by his white commanding officer Lt. Chick Campbell (Jeff Chandler). Meanwhile, Campbell has his own cross to bear in the form of relentlessly hostile sergeant Ernest Kalek (Alex Nicol). All differences are conveniently forgotten in the climactic euphoria of providing ammunition for General Patton's tanks during the Allied push to Paris in 1944. Considered just another war picture in 1952, Red Ball Express has since taken on added stature by virtue of the presence of actor Sidney Poitier and director Budd Boetticher. ~ Hal Erickson, All Movie Guide

Second-echelon leading man Don Castle (later a TV producer) stars in yet another Sol M. Wurtzel production, Roses Are Red. Kidnapped by political boss Locke (Edward Keane), honest district attorney Throne (Castle) is replaced by his less-than-honest look-alike. Even the DA's intimates are fooled by the substitution, which is only one of the many hard-to-believe contrivances of Irving Elman's screenplay. Before the film's 65 minutes have expended themselves, the real DA escapes -- then pretends to be his look-alike so that he can catch Locke at his own game. Incredibly, the film's two leading ladies -- Peggy Knudsen and Patricia Knight -- more closely resemble one another than the two Don Castles! ~ Hal Erickson, All Movie Guide