George Chandler Movies

George S. Kaufman's sturdy stage comedy The Butter and Egg Man was the inspiration for no fewer than four Warner Bros. talkie versions. The first of these was The Tenderfoot, starring Joe E. Brown as a wealthy but naive cowboy alone in the Big Apple. The producers of a down-and-out musical revue hope to convince Brown to put his money in their show, sending out cute chorine Ginger Rogers as the "convincer." After having his heart broken a few times and tangling with gangsters, Joe comes through and the show goes on. Warners followed The Tenderfoot with a 1937 musicalization of Butter and Egg Man, Dance Charlie Dance; this in turn was remade as An Angel From Texas in 1942. The final variation on this theme (so far!) was Three Sailors and a Girl (53). ~ Hal Erickson, All Movie Guide

Still in his "sophisticated cad" period, William Powell essays the title role in Man of the World. Powell plays a smooth extortionist who preys upon wayfaring Americans in Paris. He woos lonely wives and wives-to-be, then threatens them with blackmail unless they sustain his lifestyle. One of his potential victims is Carole Lombard, with whom Powell (much against his better judgment) falls in love. Powell's vituperative mistress (Wynne Gibson) won't let her lover off the hook, and heads for the police. To avoid arrest, Powell reluctantly sends Lombard back to her fiancee--and then presumably picks up his racket where he left off. In real life, William Powell and Carole Lombard became husband and wife shortly after filming Man of the World. ~ Hal Erickson, All Movie Guide

Last Dance was loosely based on the real-life story of a newspaper mogul who married a Broadway taxi dancer. For the purposes of the film, Jason Robards Sr. plays wealthy Tom Malloy, while Vera Reynolds is cast as dime-a-dance damsel Sally Kelly. Though she enjoys Tom's company, Sally has no intention of "clipping" him, but a shyster lawyer has other ideas. The ambulance chaser convinces Sally to sign a breach-of-promise complaint against Tom, but Sally isn't aware of the complaint's contents until she gets to court (no one ever said this picture was believable). The ensuing newspaper-tabloid headlines cause a great deal of embarrassment for both hero and heroine; all the same, everything ends happily for both. A visual gimmick unique to The Last Dance has each song number preceded by a superimposed close-up of the sheet music: the film's one big song, "Sally, I'm Looking For You Sally", is warbled not by Vera Reynolds, as might be expected, but by comedy-relief George Chandler. ~ Hal Erickson, All Movie Guide

In this comedy, set during the 1900s, a Florodora girl slowly falls for a gentle millionaire. Songs include: "My Kind Of Man," "Pass The Beer And Pretzels," "Swingin' In The Lane," and a Technicolor stage sequence of "Tell Me Pretty Maiden." ~ Sandra Brennan, All Movie Guide

Originally filmed under the title The House of Troy, In Gay Madrid was one of four 1930 MGM operettas designed to show off the singing talents of silent-screen idol Ramon Novarro. The star is cast as Ricardo, a young, headstrong student in love with cabaret girl Goyita (Lottice Howell). Trouble is, he already has a sweetheart, the demure Carmina (Dorothy Jordan). This being an essentially lighthearted frolic, Ricardo eventually goes back to his true love, while Goyita philosophically moves on to her next conquest. ~ Hal Erickson, All Movie Guide

Filmed on location in the hills of the Dakotas, The Black Hills was directed by Norman Dawn, just before he left America to pitch camp in Australia. The heroine, played by Susan Denis, inherits a lumber mill and a passel of trouble in the opening reel. Menaced by the villains, Denis is protected by George Chandler, a supposed drifter who turns out to be a detective. Meanwhile, Chandler falls in love with the camp cook, who turns out to be the real proprietress of the mill. Evidently the only characters not leading two lives are the heroine and the principal villain. Even at 40 minutes, The Black Hills moved at a snail's pace. ~ Hal Erickson, All Movie Guide

Gary Cooper, as a lanky Wyoming ranch and foreman, places his gun on a poker table after being insulted by one of the gamblers and intones, "If you want to call me that . . . smile." That much quoted line's origin is in this early sound version of the Owen Wister novel, The Virginian, directed by Victor Fleming. When the Virginian meets his old friend Steve (Richard Arlen), he gives him a job on his crew at the Box H Ranch near Medicine Bow, Wyoming. Newly arrived in town is the new schoolmarm, Molly Wood (Mary Brian), and both men take notice. Afterwards, in a saloon, The Virginian encounters the evil Trampas (Walter Huston), and the two get into an argument over a dancer. The Virginian calls Trampas' bluff but, although Trampas backs down, he seethes inside. Afterwards, following a christening party, The Virginian walks Molly back home, and a friendship grows between the two that burgeons into love. But when Steve joins up with Trampas and his gang of rustlers and is captured by a posse, The Virginian is forced to supervise Steve's lynching. After that, Molly spurns The Virginian. However, when The Virginian is wounded, Molly forgets all that, and nurses him back to health. They decide to finally marry, but Trampas interferes with their plans --Trampas wants The Virginian to leave town, and he is out gunning for him. ~ Paul Brenner, All Movie Guide