Chick Chandler Movies
American actor Chick Chandler was an army brat, the son of a much-travelled military surgeon. Chandler was groomed for a career in uniform, but he dropped out of military school and headed for Hollywood. He worked as a prop man and gopher before making his first film appearance in 1925's Red Love. Polishing his craft in vaudeville and legitimate theatre, Chandler was much in demand once the movies began to talk in 1929. He starred in his own series of two-reelers at RKO, and also made feature-film appearances in such RKO features as Melody Cruise and Murder on a Honeymoon. By the mid-1930s, Chandler was an accomplished monologist and hoofer, enabling him to attain a 20th Century-Fox contract. Perhaps too brash and abrasive to make it as a leading man, Chandler nonetheless thrived as a supporting actor. Once in a while he'd play the romantic lead, but it was usually in poverty-row items like PRC's Seven Doorways to Death (1943). While he remained in films until the late 1960s, it was television that afforded Chick Chandler his most substantial latter-day assignments: he co-starred with John Russell on the 1955 syndicated adventure weekly Soldiers of Fortune, and was a regular as the hero's father on the 1961 "newlywed" sitcom One Happy Family. ~ Hal Erickson, All Movie Guide- 1971
Neta (Jewel Blanch), a teenaged friend of Ben Cartwright's adopted son Jamie, witnesses the murder of Mr. Trunkett, but is too frightened to say anything about it. Meanwhile, the murderer, a man named Bannon (Bradford Dillman), impersonates the dead man in order to inherit a fortune. The danger to Neta intensifies when the incognito Bannon is hired by the Cartwrights. Originally shown on November 14 1971, "Face of Fear" was written by Ken Pettus. ~ Hal Erickson, All Movie Guide
- Starring:
- Lorne Greene, Michael Landon, (more)
- 1970
Far from the Ponderosa, Ben Cartwright is badly injured in a fall from his horse. Seeking help in a nearby town, Ben's son Joe finds himself in the middle of a range feud, with no one willing to come to his assistance-except for an enigmatic stranger named Thornton (played by frequent Bonanza supporting actor Gregory Walcott). Written by Preston Wood, the episode is highlighted by a jaw-dropping nightmare sequence which still packs a jolt after all these years. "Thornton's Account" was originally broadcast on November 1, 1970. ~ Hal Erickson, All Movie Guide
- Starring:
- Lorne Greene, Michael Landon, (more)
- 1969
- R
Johnny Cain (Adam West) is a suave, smooth talking nightclub owner who helps the CIA undermine a conspiracy between the communists and the underworld in this routine mystery. With tips from his piano-playing pal Lucky (Buddy Greco), he manages to stay one step ahead of the villains as he races against time to stop their evil plan. Nancy Kwan, Nehemiah Persoff and Robert Alda also appear in this feature in which the promotional posters tried to capitalize on West's television success in "Batman." ~ Dan Pavlides, All Movie Guide
- Starring:
- Adam West, Nancy Kwan, (more)
- 1969
Joe Cartwright is dumbfounded when his friend, bank employee Wade Turner (Gregory Walcott), abruptly leaves town before his marriage to his sweetheart Sarah (Sandra Smith). Wade's abrupt exit coincides with a shortage in the bank's accounts, prompting Joe to seek out his friend and demand an explanation. But no one knows the real reason for Wade's departure: he is slowly dying of a brain tumor. Featured in the cast is a young Dabney Coleman as Clyde. Written by John Hawkins, Jonathan Knopf and B.W. Sandefur, "A Darker Shadow" originally aired on November 23, 1969. ~ Hal Erickson, All Movie Guide
- Starring:
- Lorne Greene, Michael Landon, (more)
- 1969
Self-reliant 14-year-old Coley (Kevin Burchett) inherits a valuable gold mine from his otherwise luckless father. Having spent most of his life being rejected by the adult world, Coley suddenly finds himself in the middle of a custody tug-of-war between his long-estranged mother Margaret Claybourne (Patricia Smith) and his greedy uncle Caleb Melton (Dana Elcar). The Cartwrights' efforts to help the boy choose between his mother and uncle are stymied by the fact that Coley hates both potential guardians with equal fervor. Originally telecast on April 20, 1969, "Speak No Evil" was written by B.W. Sandefur and Norman Katkov. ~ Hal Erickson, All Movie Guide
- Starring:
- Lorne Greene, Michael Landon, (more)
- 1969
On trial for the murder of John Leggett, Candy comes before "hanging judge" Butler (Chick Chandler). The only eyewitness to the murder is Jacova (John Saxon), an Indian horse thief presently on the lam from the law. As the Cartwrights scour the countryside in search of Jacova, Candy is forced to put his life in the hand of defense attorney Theodore Scott (Woodrow Parfrey), who frankly doesn't seem to give a damn whether his client hangs or not. The script, by Jack B. Sowards and Stanley Roberts, makes a passing reference to the death of Custer-which, according the established chronology of Bonanza, was still several years in the future! "My Friend, My Enemy" first aired on January 12, 1969. ~ Hal Erickson, All Movie Guide
- Starring:
- Lorne Greene, Michael Landon, (more)
- 1967
In this comic episode, Hoss and Joe Cartwright embark on yet another big-business scheme. Investing in two rabbits, our heroes intend to make a fortune selling rabbit skins. Alas, neither brother has the heart to take a knife to the cute little bunnies, which of course proceed to multiply at an alarming rate. Will Ben bail out his two entrepreneur sons, or will he sit back and allow the fur to fly? Written by Alex Sharp, "Ponderosa Explosion" originally aired on January 1, 1967. ~ Hal Erickson, All Movie Guide
- Starring:
- Lorne Greene, Michael Landon, (more)
- 1966
For reasons which he prefers to keep secret, wealthy industrialist Cameron Burgess (Paul Stewart) hires shady music promoter Clete Hawley (Richard Carlson) to groom a likable but untalented British rock singer named Sandy Chester (Martin Horsey) for superstardom. Soon afterward, Hawley is murdered, and Sandy is charged with the crime. Fortunately, Burgess is a client of Perry Mason (Raymond Burr), who agrees to defend the shaggy-haired suspect in court. ~ Hal Erickson, All Movie Guide
- 1964
In this crime drama, a bored, but seductive wife of a wealthy old ranch goes cruising for trouble and finds it when she picks up a hapless hitchhiker who soon falls under her sexy spell. Like a fly to a spider's web, he is drawn to her bedroom. Unfortunately, the old rancher sees him leaving and flies into a rage, killing his cheating wife. The crooked county sheriff is delighted by the events as he can now begin blackmailing the rancher. To cover for the crime, he arrests the poor drifter who doesn't even know the woman is dead. In the end, the rancher kills the sheriff and confesses all. ~ Sandra Brennan, All Movie Guide
- Starring:
- John Derek, Aldo Ray, (more)
- 1962
This routine crime drama about a mysterious, abandoned yacht is directed by Robert Gottschalk who also wrote the original story. The action begins when three impoverished fishermen working along the California coast come across a yacht with no crew. The only thing they do find on the boat is a corpse, someone who had died of the mumps. The fishermen contact the right authorities and actually end up using the yacht themselves as a charter vessel. The American Coast Guard figures that if they let the men put the yacht to their own use, the real owners will show up sooner or later. They were right. The owners turn out to be some shady characters who carry guns, deal in drugs, and make the fishermen an offer they had better not refuse. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Chris Warfield, Sally Fraser, (more)
- 1962
While playing poker with Big Jim Watson (Alan Hale Jr., Bart (Jack Kelly) again comes face to face with his old friendly enemy, versatile con artist Pearly Gates (Mike Road). Actually, he comes face to face with Pearly's gun, as Mr. Gates robs the card players so that he and his girlfriend Marla (Kathleen Crowley) can afford to get married. Blowing his stack, Big Jim threatens to kill Pearly and Marla unless Bart can retrieve the money--and for good measure, Jim warns Bart that if he fails, he'll wind up dead too. ~ Hal Erickson, All Movie Guide
- 1956
Not to be confused with the popular David Zuckor comedy from the late '80s that starred Leslie Nielson, 1956's Naked Gun chronicles the adventures of a bored insurance salesman who spices up his drab life by heading to the Mexican jungle to search for an ancient Aztec treasure and return it to its rightful heir. Unfortunately, the treasure is cursed and creates all kinds of problems for the fellow. ~ Sandra Brennan, All Movie Guide
- 1956
Gangsters Georgie (Lee Philips) and Lucky (Chick Changler) despise one another, and it is this fact that keeps them both alive. Georgie knows that he would be blamed if Lucky was ever bumped off, and vice versa. Unfortunately, Georgie loses his head and kills Lucky, forcing him to blackmail his landlady (Argentina Brunetti) into providing him with an airtight alibi. What Georgie hadn't counted on was Lucky's uncanny ability to get even...from beyond the grave. Alan Reed, best known as the voice of Fred Flintstone, appears as Uncle Leo. ~ Hal Erickson, All Movie Guide
Adapted by Leon Uris from his own novel, the film follows a group of World War II marines, from Basic Training to Battlefield. Major Van Heflin knows that his men are spoiling for a real fight, but must make do with the desultory skirmishes assigned them by the Brass. All this changes with an onslaught of heavy-duty battling in the South Pacific. Aldo Ray plays a tough leatherneck who falls in love with demure Nancy Olson, while James Whitmore, Tab Hunter, Dorothy Malone and Raymond Massey costar. And watch for young Justus McQueen, cast as private L.Q. Jones; McQueen liked his character name so much that he adopted it as his professional cognomen. Composer Max Steiner's musical score earned him an Oscar nomination. ~ Hal Erickson, All Movie Guide
- Starring:
- Van Heflin, Aldo Ray, (more)
- 1955
On the last leg of their trip from New York to Hollywood, the Ricardos and the Mertzes pull into Albuquerque, the home town of Ethel Mertz (Vivian Vance). The four travelers are effusively welcomed by Ethel's father, Will Potter (Irving Bacon), who has arranged a gala reception for Alquerque's favorite daughter ("Ethel Mae Potter -- We Never Forget Her"). And why exactly is Ethel being feted as a celebrity? Well, it seems that she told a few -- er -- tall tales about having a spectacular show-business career to the editor of the "Albuquerque Chronicle." Hoping to teach Ethel a lesson, Lucy (Lucille Ball), Ricky (Desi Arnaz), and Fred (William Frawley) try to sabotage her command performance at the local little theater -- but she who laughs last laughs the loudest. ~ All Movie Guide
- Starring:
- Irving Bacon, Chick Chandler, (more)
- 1954
- G
According to some eyewitness reports, the feud between Dean Martin and Jerry Lewis was at its peak during the filming of Three Ring Circus. Other observers have noted that the boys behaved with thorough professionalism throughout the shoot. Whatever the case, the film offers a comparatively relaxed Martin and Lewis, wandering through a thinnish plot with amiable finesse. The boys play a couple of ex-GIs who use their discharge money to finance a trip to Florida, where Jerry Hotchkiss (Lewis) hopes to land a job as a circus clown. Pete Nelson (Martin) isn't quite as ambitious, though he decides to stick around when he meets gorgeous circus owner Jill Brent (Joanne Dru). As the plot rolls merrily on, Pete finds himself assisting temperamental aerialist Saadia (Zsa Zsa Gabor), while Jerry does his best (which is none too good) as the assistant to lion tamer Schlitz (Sig Ruman). When Puffo the Clown (Gene Sheldon) drinks himself into oblivion, Jerry takes Puffo's place, proving his worth by getting a crippled child to laugh. The songs are mostly forgettable, with the exception of the now-standard "It's a Great, Wide, Wonderful World." ~ Hal Erickson, All Movie Guide
- Starring:
- Dean Martin, Jerry Lewis, (more)
Gladys Glover (Judy Holliday) is an unsuccessful model and actress who believes that a jolt of publicity will do her career a world of good. She gets that publicity by renting a billboard in the middle of Manhattan, emblazoned with her name and photograph. As a result, Gladys is showered with endorsement by (Peter Lawford). He becomes enamored with Gladys, which irritates her "unofficial" boyfriend, documentary-director Pete Sheppard (Jack Lemmon) (in his film debut). Pete grows tired of Gladys' publicity stunt, feeling that it is turning her into an object rather than a human being, but Gladys luxuriates in the fame and fortune. A happy ending may be inevitable, but it's a hard-won happiness for both hero and heroine. Scriptwriter Garson Kanin had intended this as a vehicle for Danny Kaye, but Kanin's wife Ruth Gordon suggested the gender-switch to Judy Holliday, noting that what might seem aggressive from Kaye would appear merely whimsical from Holliday. In one of the best scenes, real-life celebrities Melville Cooper, Ilka Chase and Constance Bennett show up as talk-show panelists -- the ideal magnet for the likes of Gladys Glover, who has become famous merely for being famous. ~ Hal Erickson, All Movie Guide
- Starring:
- Judy Holliday, Peter Lawford, (more)
- 1954
Judy Canova is right in her element in the rowdy Republic musical Untamed Heiress. Canova plays Judy, the daughter of a famous opera singer who once bankrolled prospector Andrew "Cactus" Clayton (George Cleveland). Now Clayton hopes to repay the favor, but first he must reclaim his stash of gold from the crooked Williams (Hugh Sanders). Judy helps the old coot by taking on not only Williams, but duplicitous private detectives Walter Martin (Taylor Holmes) and Eddie Taylor (Chick Chandler), not to mention gangsters Spider Mike (Donald Barry) and Louie (Jack Kruschen). It'd be cute to say that too many crooks spoil the broth, but the truth of the matter is that Untamed Heiress is most entertaining, even for non-fans of the rambunctious Canova. ~ Hal Erickson, All Movie Guide
- Starring:
- Judy Canova, Don "Red" Barry, (more)
- 1954
- PG
The 1954 musical remake of A Star is Born could have been titled A Star is Reborn, in that it represented the triumphal return to the screen of Judy Garland after a four-year absence. The remake adheres closely to the plotline of the 1937 original: An alcoholic film star, on his last professional legs, gives a career boost to a unknown aspiring actress. The two marry, whereupon her fame and fortune rises while his spirals sharply downward. Unable to accept this, the male star crawls deeper into the bottle. The wife tearfully decides to give up her own career to care for her husband. To spare her this fate, the husband chivalrously commits suicide. His wife is inconsolable at first, but is urged to go "on with the show" in memory of her late husband. In the original, Janet Gaynor played Esther Blodgett, who with no training or contacts came to Hollywood hoping for stardom. The remake, scripted by Moss Hart, is a shade more realistic: Garland's Esther, though far removed from fame, is a working professional singer/dancer when first we meet her. Both Gaynor and Garland are transformed from "Esther Blodgett" to "Vicki Lester" after being screen-tested, though Gaynor goes on to star in fluffy costume dramas while Garland more logically headlines big-budget musicals. The 1937 Star is Born costarred Fredric March as Norman Maine, Esther/Vicki's sponsor-cum-spouse. March patterned his performance after the tragic John Barrymore, reining in his emotions in favor of pure technique; James Mason's interpretation is more original, more emotional, and far more effective (who can forget the scene where Norman sobbingly overhears Vicki planning to give up her career for his sake?) As the studio's long-suffering publicist, the 1937 version's Lionel Stander is more abrasive and unpleasant than the 1954 version's introspective, intellectual Jack Carson; on the other hand, Adolphe Menjou and Charles Bickford are fairly evenly matched in the role of the studio head. Several important omissions are made in the remake. The 1937 Star is Born included Esther's indomitable old grandma (May Robson), a helpful assistant director (Andy Devine) and a soft-hearted landlord (Edgar Kennedy); all three characters are missing from the 1954 version, though elements of each can be found in the "best friend/severest critic" character played by Tommy Noonan. Wisely, both versions end with the grieving Vicki Lester coming out of her shell at a public gathering, greeting the audience with a proud, defiant "Good evening, everybody. This is Mrs. Norman Maine". Though directors William Wellman (1937 version) and George Cukor (1954 version) handle this finale in their own distinctive manners, the end result is equally effective emotionally. What truly sets the 1954 A Star is Born apart from other films of its ilk is its magnificent musical score by Harold Arlen and Ira Gershwin. The songs include The Man Who Got Away (brilliantly performed by Garland in one long take, sans dubbing), It's a New World, Somewhere There's a Someone, I Was Born in a Trunk, Lose That Long Face and Gotta Have Me Go With You. When originally previewed in 1954, the film ran well over three hours, thanks to the lengthy-and thoroughly disposable-Born in a Trunk number, added to the film as an afterthought without the approval or participation of director George Cukor. The Warner Bros. executives trimmed the film to 154 minutes, eliminating three top-rank musical numbers and several crucial expository sequences (including Norman's proposal to Vicki). At the instigation of the late film historian Ronald Haver, the full version was painstakingly restored in 1983, with outtakes and still photos bridging the "lost" footage. Though nominated in several categories, A Star is Born was left empty-handed at Academy Award time, an oversight that caused outrage then and still rankles Judy Garland fans to this day (Footnote: Judy Garland had previously played Vicki Lester in a 1942 Lux Radio Theatre adaptation of the original A Star is Born). ~ Hal Erickson, All Movie Guide
- Starring:
- Judy Garland, James Mason, (more)
- 1954
- Add There's No Business Like Show Business to QueueAdd There's No Business Like Show Business to top of Queue
Like Alexander's Ragtime Band (1938), 20th Century-Fox's There's No Business Like Show Business is a "catalogue" film, its thinnish plot held together by an itinerary of Irving Berlin tunes. The story chronicles some twenty years in the lives of a showbiz family, headed by Dan Dailey and Ethel Merman. Two of the couple's three grown children -- Donald O'Connor and Mitzi Gaynor -- carry on the family tradition, while the third, Johnny Ray, decides to become a priest. There are a few tense moments when O'Connor falls in love with ambitious chorine Marilyn Monroe and loses all sense of perspective, but the family reunites during a splashy production-number finale. Highlights include Dailey and Merman's Play a Simple Melody duet, O'Connor's A Man Chases a Girl solo, and Monroe's tempestuous rendition of Heat Wave (her delivery and stage presence both compensate for her unflattering bare-midriff costume). Of historical interest, There's No Business Like Show Business was Fox's first CinemaScope musical; as such, it is best viewed on TV in "letterbox" format. ~ Hal Erickson, All Movie Guide
- Starring:
- Ethel Merman, Donald O'Connor, (more)
- 1953
In this entry in the long-running Bowery Boys series, Sach becomes a mind-reader after he is punched in the nose. To capitalize on his new talent, he and the boys open the Eagle Eye Detective Agency. Their first client, a forgetful fellow, desperately needs them to find the combination to the vault where he placed an envelope containing secret information about a group of gangsters. The young detectives then don disguises and sneak in to the gangsters' lair to stop them. ~ Sandra Brennan, All Movie Guide
- 1952
Steel Town top-bills Ann Sheridan, but the bulk of the story is carried by John Lund. Cast as Steve Kostane, the nephew of a steel-plant proprietor, Lund must prove his value to by learning the business from the ground up as a steelworker. It isn't easy: throughout the film, Kostane is weighed down by personal problems that threaten to overwhelm him -- and to financially ruin the little steel town where he works. Sheridan does her usual competent job as "Red" McNamera, the down-to-earth restaurant cashier who ends up the romantic bone of contention between Kostane and veteran open-hearth worker Jim Denko (Howard Duff). A heart-pounding climax finds Kostane rescuing Red 's father (William Harrigan) from a horrible fate. Steel Town was lensed on location at California's Kaiser-Fontana steel plant. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Sheridan, John Lund, (more)
- 1952
Except for a few later guest-star spots, Dinah Shore ended her film career with Aaron Slick From Punkin Crick. Based on an old stock-company perennial by Walter Benjamin Hare, the film stars Dinah as Josie, a farm gal who is slickered out of her life land by big-city con artists Bill Merrydew (Robert Merrill) and Gladys (Adele Jergens). Unbeknownst to Josie, her farm is rich with oil. Upon finding this out, Josie's neighbor and erstwhile beau Aaron Slick (Alan Young) heads to town to retrieve her holdings. Since the film stars three well-established singers--Dinah Shore, Alan Young, and Robert Merrill--the Hare original has been transformed into a musical (though truth to tell, it isn't exactly on the level of Oklahoma). ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Young, Dinah Shore, (more)
The third and (to date) last film version of the Edna Ferber/Jerome Kern/Oscar Hammerstein II musical Show Boat falls just short of greatness but is still a whale of a show. Howard Keel and Kathryn Grayson are in fine fettle as irresponsible gambler Gaylord Ravenal and showboat ingenue Magnolia Hawks. The plot adheres closely to the Broadway original making several welcome improvements in the final act (which was always a bit shaky). Magnolia, daughter of showboat impresario Captain Andy (Joe E. Brown) and Parthy Hawkes (Agnes Moorehead), falls head over heels in love with the raffish Ravenal. When the show's leading lady, Julie (Ava Gardner), and leading man, Steve (Robert Sterling), are forced to leave when Julie's mulatto heritage is revealed by disgruntled suitor Pete (Leif Erickson), Magnolia and Gaylord step into the vacant stage roles and score a hit. Eventually, the two are married and for several months are quite happy. After incurring serious gambling losses, however, Gaylord walks out of Magnolia's life never realizing that his wife is expecting a baby. With the help of her former showboat colleagues Ellie and Frank Schultz (Marge and Gower Champion) and a behind-the-scenes assist from the tragic Julie, Magnolia secures work as a Cabaret singer in Chicago. Her new year's eve debut threatens to be a bust until her father Captain Andy quells the rowdy crowd and guides his daughter through a lovely rendition of After the Ball (a Charles K. Harris tune that pops up in every stage version of Show Boat). Magnolia returns to her family, with her daughter Kim in tow. Upon learning from Julie that he has a daughter, Gaylord returns to Magnolia and Kim, setting the stage for a joyous ending.
Virtually all of the Kern-Hammerstein songs are retained for this version of Show Boat (though none of the songs specially written for the 1936 film version are heard). These cannot be faulted, nor can MGM's sumptuous production values. Still, the 1951 Show Boat leaves one a bit cold. Perhaps it was the removal of the racial themes that gave the original so much substance (as black stevedore Joe, William Warfield exists only to sing a toned-down version Ol' Man River while Joe's wife Queenie is virtually written out of the proceedings). Also, MGM reneged on its original decision to cast Lena Horne as Julie; the role was recast with Ava Gardner and rewritten with an excess of gooey sentiment). Or perhaps it was the production's factory-like slickness; typical of the film's smoothing out of the original property's rough edges was the casting of Marge and Gower Champion, who are just too darn good to be convincing as the doggedly mediocre entertainers Frank and Ellie. Even so, Show Boat does have Howard Keel and Kathryn Grayson at their peak, not to mention the peerless Joe E. Brown as Captain Andy. And the film was a financial success, enabling MGM to bankroll such future musical triumphs as Singin' in the Rain and Seven Brides for Seven Brothers. ~ Hal Erickson, All Movie Guide
Virtually all of the Kern-Hammerstein songs are retained for this version of Show Boat (though none of the songs specially written for the 1936 film version are heard). These cannot be faulted, nor can MGM's sumptuous production values. Still, the 1951 Show Boat leaves one a bit cold. Perhaps it was the removal of the racial themes that gave the original so much substance (as black stevedore Joe, William Warfield exists only to sing a toned-down version Ol' Man River while Joe's wife Queenie is virtually written out of the proceedings). Also, MGM reneged on its original decision to cast Lena Horne as Julie; the role was recast with Ava Gardner and rewritten with an excess of gooey sentiment). Or perhaps it was the production's factory-like slickness; typical of the film's smoothing out of the original property's rough edges was the casting of Marge and Gower Champion, who are just too darn good to be convincing as the doggedly mediocre entertainers Frank and Ellie. Even so, Show Boat does have Howard Keel and Kathryn Grayson at their peak, not to mention the peerless Joe E. Brown as Captain Andy. And the film was a financial success, enabling MGM to bankroll such future musical triumphs as Singin' in the Rain and Seven Brides for Seven Brothers. ~ Hal Erickson, All Movie Guide
- Starring:
- Kathryn Grayson, Howard Keel, (more)
In this adventure-fantasy, an American rocket ship crashes upon a remote island in the Pacific and an Air Force pilot and a scientist are assigned to find it. They get to the island and suddenly discover that the island is populated by a myriad of extinct animals, including dinosaurs. Fortunately, there is an island girl around to help the handsome captain and his crew recover important pieces of their craft and get back home. Some of this film is comprised of clips from Rocketship X-M and The Terror of Tiny Town. ~ Sandra Brennan, All Movie Guide
- Starring:
- Cesar Romero, Hillary Brooke, (more)
