Joe Donahue Movies

A rich but bigoted man is forced to confront his ugliest prejudices face to face in this thriller. Frank Kramer (John Rubinstein) is a successful but narrow-minded attorney who comes home one day to discover that his daughter Nicole (Rhea Silver-Smith) is missing. Kramer shortly receives a telephone call from someone who claims to be holding his daughter hostage and gives him instructions to visit a pay phone in one of the most crime-ridden ghettos in New York City. Furious, but too worried not to follow orders, Kramer does as he's told and takes a call at the public phone -- only to be told to go to another phone booth in another, equally dangerous part of town. As Kramer dashes from telephone to telephone while being confronted by muggers, drug dealers, prostitutes, and angry people who simply don't want him in their neighborhood, it becomes evident that the kidnappers aren't just interested in money -- they have a personal grudge against Kramer, and they want their revenge to be psychological as much as financial. In time, Kramer discovers that he does indeed know one of the kidnappers -- Ruby (Amber Kain), the daughter of Kramer's maid, who has pulled the job with the help of her boyfriend -- and he discovers that his ex-wife is no more sympathetic to him than Ruby and her partner. ~ Mark Deming, Rovi

Broadway star Marilyn Miller's second starring film was an adaptation of her 1925 stage hit Sunny. Flashing her celebrated dazzling smile at every possible occasion, Miller is cast as a circus bareback rider, in love with wealthy Tom Warren (Lawrence Gray). Naturally, Tom's aristocratic family are dead set against the romance and do everything they can to degrade and our poor heroine. But Sunny prevails in the end, triumphantly marching to the altar arm and arm with her beloved Tom. The Oscar Hammerstein II-Jerome Kern score includes such lasting favorites as Who (Stole My Heart Away)? Sunny was remade by RKO in 1940 as a vehicle for Anna Neagle. ~ Hal Erickson, Rovi