Jimmy Cross Movies

In the police penal code, a "Misdemeanor 415" translates as "Disturbing the Peace"--and Officers Pete Malloy (Martin Milner) and Jim Reed (Kent McCord) have a doozy of a "415" on their hands. The two cops are summoned time and again to the home of an unhappily married couple (Jed Allan, Jean Allison), whose noisy arguments are driving everyone in their neighborhood crazy. It would be nice to report that Jim and Pete are able to convince the couple to calm down and patch up their differences...but the final scene of this episode yields tragically different results. ~ Hal Erickson, All Movie Guide

On this April 22, 1969 telecast, Sergio Franchi sings "L-O-V-E" and "Non Ti Scordor di Me", and joins Red Skelton in a "Clem Kadiddlehopper" comedy sketch. Sergio plays the Black Knight, who demands a showdown with Clem (Red) on the jousting field. In the Olio Spot, drunken tourists Red and Jimmy Cross annoy a Mexican couple; and in the Silent Spot, Red portrays an international spy. ~ Hal Erickson, All Movie Guide

Sam Drucker's store becomes a beehive of activity when Kate (Bea Benadaret) shows up expecting a long-distance call from Betty Jo (Linda Kaye) and Steve (Mike Minor). The newlyweds are honeymooning in Hawaii, and they've promised to call as soon as they're--uh--able. Before long, practically everyone in Hooterville has crowded into the store in anticipation of the call...assuming, of course, that the call will ever get through the Valley's notoriously inefficient phone system! ~ Hal Erickson, All Movie Guide

Gidget (Sally Field) lands a part-time job at a florist's shop. Her duties require her to make delveries in the florist's truck. So far, so good--except Gidget is still not yet 16, and thus she not only has no license, but she doesn't even know how to drive. Veteran character actor John McGiver (The Manchurian Candidate, Breakfast at Tiffany's) guest stars as Franklin Whiting. ~ Hal Erickson, All Movie Guide

Unable to break his contract with mean-spirited race car builder Pappy Ryan (Michael Constantine) Pete Griston (Henry Brandt) goes onto the track in a car owned by Harvey Rettig (Anthony Caruso)--and promptly gets involved in a spectacular wreck with Ryan's new driver (and Pete's best friend). Ryan then accuses Pete of conspiring with Rettig to deliberately destroy Ryan's car. Subsequently, Rettig is murdered and Pete is charged with the crime. In handling Pete's defense, Perry Mason (Raymond Burr) is faced with some extremely compelling evidence that Pete and Rettig were definitely in cahoots. Watch for a young Paul Winfield in a small role. ~ Hal Erickson, All Movie Guide

Quitting the police force when his father dies of a heart attack, detective Danny Talbert (Robert Quarry of Count Yorga, Vampire fame) holds his shiftless brother Carl (Chris Robinson) responsible for their dad's demise. Up to his ears in debt, Carl has begged his father to get him off the hook with mobster Steve Radom (Gregory Morton)--and it was the stress of this situation which, Danny believes, brought about the fatal coronary. Later on, Radom is murdered with Danny's gun, prompting Perry Mason (Perry Mason) to plunge into this unpleasant situation and ferret out the facts. ~ Hal Erickson, All Movie Guide

Recovering alcoholic William Sherwood (Peter Breck) falls off the wagon when he sees his wife Ruth (Janet Dey)--who was supposed to have died five years ago! Later, Sherwood finds Ruth's body--again--and calls Perry Mason (Raymond Burr) for help. He'll need all the help he can get: with his bloody fingerprints all over the murder scene, Sherwood is charged with his wife's murder (and she's dead for keeps this time). ~ Hal Erickson, All Movie Guide

In this crime melodrama set in Phoenix, a police investigator looks into a counterfeiting ring. Among the gang members is a pretty singer. Meanwhile the owner of a local business is falsely accused of murder after one of his employees is killed. Fortunately, the owner and his girlfriend work together and prove his innocence while the cop destroys the counterfeiting ring. ~ Sandra Brennan, All Movie Guide

While having lunch at the Plaza Hotel in New York, advertising executive Roger O. Thornhill (Cary Grant) has the bad luck to call for a messenger just as a page goes out for a "George Kaplan." From that moment, Thornhill finds that he has stepped into a nightmare -- he is quietly abducted by a pair of armed men out of the hotel's famous Oak Room and transported to a Long Island estate; there, he is interrogated by a mysterious man (James Mason) who, believing that Roger is George Kaplan, demands to know what he knows about his business and how he has come to acquire this knowledge. Roger, who knows nothing about who any of these people are, can do nothing but deny that he is Kaplan or that he knows what they're talking about. Finally, his captors force a bottle of bourbon into Roger and put him behind the wheel of a car on a dangerous downhill stretch. Through sheer luck and the intervention of a police patrol car and its driver (John Beradino), Roger survives the ride and evades his captors, and is booked for drunk driving. He's unable to persuade the court, the county detectives, or even his own mother (Jesse Royce Landis) of the truth of his story, however -- Thornhill returns with them to the mansion where he was held, only to find any incriminating evidence cleaned up and to learn that the owner of the house is a diplomat, Lester Townsend (Philip Ober), assigned to the United Nations. He backtracks to the hotel to find the room of the real George Kaplan, only to discover that no one at the hotel has ever actually seen the man. With his kidnappers once again pursuing him, Thornhill decides to confront Townsend at the United Nations, only to discover that he knows nothing of the events on Long Island, or his house being occupied -- but before he can learn more, Townsend gets a knife in his back in full view of 50 witnesses who believe that Roger did it. Now on the run from a murder charge, complete with a photograph of him holding the weapon plastered on the front page of every newspaper in the country, Thornhill tries to escape via train -- there he meets the cooly beautiful Eve Kendall (Eva Marie Saint), who twice hides him from the police, once spontaneously and a second time in a more calculated rendezvous in her compartment that gets the two of them together romantically, at least for the night. By the next day, he's off following a clue to a remote rural highway, where he is attacked by an armed crop-dusting plane, one of the most famous scenes in Hitchcock's entire film output. Thornhill barely survives, but he does manage to learn that his mysterious tormentor/interrogator is named Phillip Vandamm, and that he goes under the cover of being an art dealer and importer/exporter, and that Eve is in bed with him in every sense of the phrase -- or is she? ~ Bruce Eder, All Movie Guide

Frank Sinatra stars as legendary nightclub comic Joe E. Lewis in this dramatic screen biography. In the 1920s, Lewis was a popular singer in Chicago who could fill any nightclub he chose to play. This doesn't go unnoticed by the mobsters who control many of the city's venues; when they ask Lewis to leave his steady gig and come work for them, he politely but firmly refuses. This does not make Al Capone and his men happy, and they respond by brutally attacking Lewis, cutting his throat and damaging his vocal cords so severely that he can never sing again. Lewis sinks into a deep depression and develops a highly caustic sense of humor, but his friend Austin Mack (Eddie Albert) suggests that he could put his sharp wit to work as a comedian. With little to lose, Lewis tries his hand at comedy, and with the encouragement of famous entertainer Sophie Tucker, Lewis once again rises to stardom as his salty material makes him the talk of late-night spots and burlesque houses everywhere. Along the way, he becomes involved with chorus girl Martha Stewart (Mitzi Gaynor) and wealthy socialite Letty Page (Jeanne Crain); while he marries Martha, he's not able to get Letty out of his thoughts for long. Lewis' romantic conflicts and the pressures of success fan the flames of his already potent taste for alcohol, and soon Lewis becomes a bitter drunk whose addiction to the bottle threatens to send his career (and his life) back into the gutter. The classic Sammy Cahn and Jimmy Van Heusen number "All the Way" was introduced in The Joker Is Wild, and it won a 1957 Academy Award for Best Song; the film was later re-released as All the Way. ~ Mark Deming, All Movie Guide

One of the gutsiest movie musicals of the 1950s, Love Me or Leave Me is the true story of 1930s torch-singer Ruth Etting, here played by Doris Day. While working in a dime-a-dance joint, Ruth is discovered by Chicago racketeer Martin "The Gimp" Snyder (fascinatingly played with nary a redeeming quality by James Cagney). The smitten Snyder exerts pressure on his show-biz connections, and before long Ruth is a star of nightclubs, stage and films. Ruth continues to string Snyder along to get ahead, but she can't help falling in love with musician Johnny Alderman (Cameron Mitchell). After sinking his fortune into a nightclub for Ruth's benefit, Snyder is rather understandably put out when he finds her in the arms of Alderman. Snyder shoots the musician (but not fatally) and is carted away to prison. Upon his release, Snyder finds that Ruth is still in love with Alderman; he is mollified by her act of largesse in keeping her promise to perform in his nightclub at a fraction of her normal salary. No one comes off particularly nobly in Love Me or Leave Me, even though the still-living Ruth Etting, Martin Snyder and Johnny Alderman were offered full script approval. The fact that we are seeing flesh-and-blood opportunists rather than the usual sugary-sweet MGM musical stick figures naturally makes for a more powerful film. In his autobiography, James Cagney had nothing but praise for his co-star Doris Day, and bemoaned the fact that she would soon turn her back on dramatic roles to star in a series of fluffy domestic comedies. ~ Hal Erickson, All Movie Guide

This "Bowery Boys" entry is an on-target satire of TV wrestling (which, if anything, is even sillier in the 1990s than it was in 1952). Through a freak of nature, Sach Jones (Huntz Hall) develops a cranium so hard that it is impervious to pain. Capitalizing on this phenomenon, Sach's pal Slip Mahoney (Leo Gorcey) enters Sach in a wrestling match, during which his great strength re-manifests itself in his fingers. With each subsequent wrestling bout, Sach's superstrength shifts to another part of his body. When slated to take on real-life wrestler Hombre Montana in the ring, Sach nearly meets his Waterloo until the last moment, when he develops extrahuman strength in his backside. Never believable for a single moment, No Holds Barred is one of the best and funniest of the 48 "Bowery Boys" films. In addition to Hombre Montana, other genuine wrestlers making guest appearances include Henry Kulky, Pat Fraley, Brother Frank Jares and Count John Maximillian. ~ Hal Erickson, All Movie Guide

Ezio Pinza stars as the title character, a prince who falls for nightclub singer Fredda Barlo (Lana Turner) when the two meet on vacation in Italy. After more than a decade, they reunite, only now Barlo is a Hollywood superstar and Imperium has ascended to the throne of king. ~ Jason Ankeny, All Movie Guide