Jim Johnson Movies
This portrait of the man who brought nude male flesh into the American mainstream combines present-day interviews, archival footage, and semi-fictionalized dramatization into a cinematic hybrid. Photographer and filmmaker Bob Mizer (Daniel MacIvor) founded the Athletic Model Guild, or AMG, in Los Angeles in 1945, hoping to turn his fascination with the male physique into a successful business that used nude and semi-nude photographs to sell the services of models to painters and the like. When the photos themselves proved more lucrative than the non-existent modeling contracts, Mizer launched Physique Pictorial. The magazine ostensibly offered bodybuilding tips and moral guidance to young men the world over, but in reality its clientèle included legions of gay men eager for eye candy. With the help of his mother and business partner, Delilah (Carroll Godsman), Mizer parlayed his magazine, short films, and other work into a palatial residence/studio where young men fresh off the bus from Nowheresville could frolic, crash, and earn a little cash in front of the camera (or on the casting couch). Occasional run-ins with the law and stints in prison couldn't deter Mizer from continuing his photography until his death in the early '90s. His models, contemporaries, and associates included bodybuilding proponent Jack LaLane and future Warhol superstar Joe Dallesandro, who are among the many men interviewed by filmmaker Thom Fitzgerald. The writer/director/producer intersperses his dramatic and documentary sequences with plenty of actual AMG and Physique Pictorial images. The film's narrative arc, however, focuses on the fictionalized character of novice model Neil E. O'Hara (Joshua Peace), who serves as a stand-in for the audience as he acclimates himself to Mizer's campy, flesh-filled compound and witnesses the photographer's betrayal by another model, Red (Jack Griffin Mazeika). Beefcake was inspired by F. Valentine Hooven III's book Beefcake: The Muscle Magazines of America, 1950-1970. The scenes of Mizer's trial for pandering were based on transcripts of the real-life Red's courtroom testimony. The character name Neil E. O'Hara, of course, is a joking reference to Neely O'Hara, the ingénue character from Valley of the Dolls. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Daniel MacIvor, Thomas Cawood, (more)
A complicated thriller, directed with great visual style by Brian De Palma, Raising Cain is the story of twin brothers, Carter and Josh (John Lithgow), one good and one evil, who will stop at nothing to find children to further their father's psychological experiments. John Lithgow is outstanding in the role of the brothers. Lolita Davidovich, is also good as his wife Jenny, who he may or may not have murdered. To even identify the other characters would give away too much of the complicated plot, which twists and turns, leaving the audience constantly guessing who is really who. The film is darkly comic and De Palma and his unusual plot devices play homage to Alfred Hitchcock, along with Orson Welles and Michael Powell's Peeping Tom. ~ Linda Rasmussen, All Movie Guide
- Starring:
- John Lithgow, Lolita Davidovich, (more)
There are murderous goings on at a sweatshop that specializes in lingerie. ~ Sandra Brennan, All Movie Guide
Stryker (Brian Schulz) is a wounded Vietnam vet who sets out to avenge the kidnapping of his girlfriend in this low-budget, blood-spurting slasher film. When Sally (Cheryl Hanson) is abducted, Stryker and his Army buddies go after the leader of a cult, who resembles none other than Charles Manson (Sam Raimi). ~ Dan Pavlides, All Movie Guide
- Starring:
- Brian Schulz, John Manfredi, (more)
James Belushi, king of the direct-to-video film, stars in Birthday Boy. Actually, the film first appeared on cable TV, but it was consigned to video shortly thereafter. This time around, Belushi plays an inept salesman who undergoes an epiphany upon reaching his 30th birthday. The catalyst for his "change of life" is a bizarre and oftimes disastrous business trip. Lifting this minor effort out of the ordinary is the fact that Belushi wrote the script himself. Ron Dean, Dennis Farina, and Michelle Riga costar. ~ Hal Erickson, All Movie Guide

- 1974
- R
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In this follow-up to the 1972 animated hit Fritz the Cat (the first animated feature to receive an X rating), Fritz (voice of Skip Hinnant) is married, out of work, on welfare, and not at all happy. Desperate to blot out the misery of living with his nagging wife (voice of Reva Rose), Fritz smokes as much marijuana as he can afford and finds himself fantasizing about how his life could have been. His Walter Mitty-like adventures find him travelling in outer space, working at the White House, assisting Adolph Hitler, and becoming involved with African-American radicals. Unlike its raunchier predecessor, The Nine Lives of Fritz the Cat only merited an R rating upon initial release. Neither Robert Crumb (the comic artist who created the character) nor Ralph Bakshi (director of the first film) were involved in its production. ~ Mark Deming, All Movie Guide
Model Sharon Camody (Mary Ann Mobley) has an excellent chance of being hired as the spokeswoman for White Snow Soap--so long as she is able to keep her unsavory past a secret from the public. Unfortunately, Sharon is targetted for a shakedown by blackmailer Ed Grover, who subsequently turns up murdered. Convinced that he has killed Grover with his bare hands, Sharon's ex-boxer boyfriend Duke (Paul Lukather) confesses his "crime" to Perry Mason (Raymond Burr)--who is subsequently faced with an ethical dilemma when derelict Jake Stearns (James Griffith) is arrested for the crime. In order to clear Jake, Perry may be forced to turn his own client Grover over to the authorities...a move that will not only ruin Grover's life but Sharon's as well. ~ Hal Erickson, All Movie Guide
Mike Ferris (Earl Holliman) doesn't know where he's been or where he's going, but he has a rough idea of where he is -- in a typical small American town. This is all well and good, except for one detail: the town is utterly devoid of people. The explanation is more "logical" than one might expect from a Twilight Zone episode, but that may be because this was the pilot show, and the producers wanted to "sell" the property to sponsors who might otherwise be skeptical about a weekly sci-fi/fantasy anthology. Scripted by series creator Rod Serling and filmed on the familiar Universal backlot, "Where Is Everybody?" was telecast as the Twilight Zone debut episode on October 3, 1959. ~ Hal Erickson, All Movie Guide
- Starring:
- Earl Holliman, James Gregory, (more)















