Jennifer Lee Movies

Directed by Craig Ross Jr., Cappucino features James Black as Victor Erickson, a hot young writer with what could best be described as a tepid personal life. Victor, frustrated with the predictability of his marriage, decides he's ready and willing to try something new; a vow which would mark the impeccably timed entrance of Cappucino (Angelle Brooks), a sexy, mysterious woman who exhibits an unnerving amount of knowledge about Victor. From his fantasies and desires to his common goals, Cappucino seems to know it all. Though initially enthralled with the femme fatale, Victor comes to wonder exactly how she came across so much of his personal information, and begins to wonder if Cappucino's presence in his life is a blessing or a curse. ~ Tracie Cooper, All Movie Guide

Based on the stories by Tama Janowitz, this film follows the relationships and problems of a group of artists struggling to survive in New York City. ~ Iotis Erlewine, All Movie Guide

A police psychologist and his school-age son become embroiled in the machinations of a mysterious cult religion in this thriller from director John Schlesinger. After his wife is electrocuted in a freak accident, Dr. Cal Jamison (Martin Sheen) and his son, Chris (Harley Cross), move back to Manhattan, where Cal went to school. When not spending time with his son and surrogate extended family -- husband-and-wife anthropologists Kate (Elizabeth Wilson) and Dennis Maslow (Lee Richardson) -- Cal settles into his new job and romances his landlady, Jessica Halliday (Helen Shaver). Soon, though, a series of brutal murders of young children begins to take over Cal's life. Through the ravings of policeman Tom Lopez (Jimmy Smits), who believes the killers have supernatural power over him after stealing his badge, Cal learns of Santeria, a voodoo-like Latin American sect that mixes elements of Christianity and pagan mysticism. Although the religion turns out to have ties to some of the richest men in the city and even Cal's well-meaning maid seems to be a practitioner, he can't get any straight answers as to whether the cult is responsible for the murders. But after a sinister African shaman (Malick Bowens) places a curse on Jessica, Cal finally begins to understand the danger that faces him -- and his son. The Believers was very loosely adapted from Nicholas Conde's 1982 novel The Religion. ~ Brian J. Dillard, All Movie Guide

Larry Cohen's pseudo-biography of J. Edgar Hoover (Broderick Crawford) was virtually howled off the screens upon its release in 1977. Today, with the cross-dressing Hoover so much a matter of historical record that even Oliver Stone didn't bother to make too much of a point of it in Nixon, the Cohen film plays more like a dramatic re-enactment rather than the puerile paranoid fantasy it appeared to be at the time. Unfortunately, Cohen's method is part exploitation and part historical tableau. On the one hand, Cohen dramatizes historical moments in Hoover's momentous life story -- the shooting of John Dillinger in front of Chicago's Biograph Theater, his first arrest -- with a deadening solemnity (even abandoning the backlot facsimiles to shoot on the actual historical locations). On the other hand, Cohen relishes his scenes of Hoover's homosexuality and his propensity for sitting in the dark with a bottle of whiskey, replaying tapes of the amorous liaisons of high government officials -- the decadently homosexual Hoover built his political power base by getting all the dirt he could on the government's movers and shakers -- particularly their sexual liaisons -- and blackmailing them for their support when he could not get it in any other way. A true schizophrenic masterwork in its time, the film is now muted by a reality more incredible than Cohen ever imagined in his wildest dreams. ~ Paul Brenner, All Movie Guide

In this 1975 adaptation of Neil Simon's stage play, director Herbert Ross presents the story of two old-time Vaudvillians played by Walter Matthau and George Burns in his first starring role since 1939's Honolulu. After decades apart, the cantankerous duo is persuaded to reunite for a television special despite the fact that they hate each other. Richard Benjamin co-stars as Matthau's nephew, who has the responsibility of making sure the comedians go through with the show and don't kill each other in the process. Nominated for four Academy Awards, Burns took home the statue for Best Supporting Actor. ~ Matthew Tobey, All Movie Guide

Director James Ivory has disowned this Hollywood drama, inspired by the Fatty Arbuckle/Virginia Rappe case and based on a satirical poem by Joseph Moncure March, which was heavily cut by American International Pictures from two hours to 90 minutes. The story concerns Jolly Grimm (James Coco), whose career as a famous silent film comic is coming to an end with the advent of talking pictures. He plans a last hurrah by making one more silent film and invites a collection of Hollywood big shots to his mansion in hopes of convincing one of them to distribute the picture. His mistress, Queenie (Raquel Welch), encourages him, but it quickly becomes apparent the film is a bomb. As Jolly Grimm keeps drinking, his mood becomes less jolly and more grim, particularly when movie star Dale (Perry King) starts getting quite familiar with Queenie. Meanwhile, young starlet Nadine (Annette Ferra), after finding her sister in bed with a guest, seeks out Jolly for solace. When Jolly tries to comfort her by kissing her full on the mouth, a drunken party guest, thinking Jolly is trying to seduce the girl, begins to beat Jolly senseless. Dale halts the fracas, but when Jolly doesn't thank Dale properly for saving him from a shellacking, Dale retreats with Queenie to the boudoir. Jolly, already keyed up to a dangerous level, awaits their emergence from the bedroom with a gun in his hand. ~ Paul Brenner, All Movie Guide

In this sports drama, a small college, desperate for a grid iron win, hires an ultra tough new coach. ~ Sandra Brennan, All Movie Guide