George Chan Movies

John Wayne teaches those dirty Commies yet another lesson in Blood Alley. Wayne plays a veteran seaman who comes to the aid of Lauren Bacall, the daughter of a missionary doctor killed by the Red Chinese. It takes no little persuasion, but Bacall finally convinces Wayne to smuggle a group of villagers past the Communist forces and into the safe harbor of Hong Kong. Though there are many close calls, Wayne proves to be a shade smarter and more resourceful than the minions of Mao. Lauren Bacall plays her stock character with cool professionalism, though this sort of fare isn't really her cup of tea. Far better within the framework of the film are Paul Fix, Berry Kroeger, and Anita Ekberg, who aren't the most convincing "Chinese" in the world but who seem to fit right in with the blood-and-thunder proceedings. A. S. Fleischman adapted the screenplay of Blood Alley from his own novel. ~ Hal Erickson, All Movie Guide

Humphrey Bogart stars in this improbable tale that marked Gene Tierney's return to the screen after battling mental illness for a number of years. Bogart plays Jim Carmody, an American soldier of fortune who, after crashing his plane in China, takes up with the Chinese warlord General Yang (Lee J. Cobb). Jim becomes Yang's advisor, but after watching one of the General's flunkies brutally kill a priest, Jim decides to leave. Unfortunately, Yang has declared that any deserter will be shot. Disguising himself as the slain priest, Jim sneaks out of the General's headquarters and makes his way to a mountain village where missionaries Beryl (Agnes Moorehead) and David (E.G. Marshall) take him in. Jim still is posing as the priest but his vows of celibacy are challenged when he falls in love with the attractive mission nurse Anne Scott (Gene Tierney). Anne feels ashamed because she is also attracted to him, but Jim writes to the bishop confessing that he is an impostor. At that moment, General Yang arrives, insisting that Jim rejoin his army or else he will burn down the village. ~ Paul Brenner, All Movie Guide

Jump into Hell is one of the first films to deal with the ongoing conflict in Vietnam or, as it was still known in 1955, French IndoChina. The 56-day battle of Dien Ben Phu is herein reenacted, with several French volunteers emerging as the heroes. Arriving in IndoChina by parachute, Captain Guy Bertrand (Jacques Sernas, here billed as "Jack") and his comrades make a courageous stand against the Communist forces. Before their inevitable doom, the men conjure up visions of the mademoiselles they left behind. Jump into Hell was scripted by novelist Irving Wallace, whose attitudes towards Western intervention in Vietnam would undergo a radical change within the next 15 years. ~ Hal Erickson, All Movie Guide

This second of four film adaptations of Damon Runyon's Little Miss Marker is tailored to the talents of Bob Hope. A shifty Broadway bookie, Sorrowful Jones (Hope) becomes a reluctant foster parent when an anxious gambler leaves behind his little girl Martha Jane (Mary Jane Saunders) as a "marker," or IOU. When the father is killed by mobster Big Steve Holloway (Bruce Cabot), Sorrowful decides to hide Martha Jane from the authorities, lest the poor girl get tossed in an orphanage. Lucille Ball co-stars as Sorrowful's erstwhile girlfriend Gladys, who along with Mary Jane is instrumental in "reforming" the cynical Jones. The climactic scenes, wherein Sorrowful tries to smuggle a horse into a hospital in order to bring the little girl out of a coma, deftly combines slapstick with pathos. A remake of 1934's Little Miss Marker, which starred Shirley Temple in the title role, Sorrowful Jones was itself remade in 1962 as the Tony Curtis vehicle Who's Got the Action; it was filmed again in 1980, once more as Little Miss Marker, with Curtis as the villain and Walter Matthau in the Bob Hope role. ~ Hal Erickson, All Movie Guide

One of the great onscreen romantic pairings, Alan Ladd and Veronica Lake, ended with this romantic adventure film, their fourth cinematic collaboration. In Shanghai after WWII, veteran pilots Larry Briggs (Ladd) and Pete Rocco (Wally Cassell) are dismayed when informed that friend Mike Perry (Douglas Dick) will soon die of a terminal illness. Larry and Pete decide to keep the tragic news from Mike and spend the next weeks showing him a high time. To finance the festivities, they accept an offer of $10,000 from unscrupulous war profiteer Zlex Maris (Morris Carnovsky) in exchange for a flight to Vietnam. When departure time arrives, Maris shows up with the police in hot pursuit, so the buddies take off with his secretary, Susan Neaves (Lake), whose briefcase contains Maris' earnings -- $500,000. En route to Saigon, however, the crew crash-lands in an Asian jungle. As they make their way back to civilization with a detective (Luther Adler) tailing them, Mike develops feelings for Susan, who plays along at Larry's urging. Susan, however, is actually falling for Larry and vice versa. ~ Karl Williams, All Movie Guide

It took British author James Hilton six weeks to write his visionary novel Lost Horizon. It took director Frank Capra two years-and half of his home studio Columbia's annual budget-to bring it to the screen. After a lengthy preamble, inviting audiences to imagine their own ideas of Utopia, the film opens on a chaotic scene at a Chinese airfield. As hordes of bandits approach, hundreds of refugees scramble to board the last plane out. Only five people make it: Mildly disenchanted Far Eastern diplomat Robert Conway (Ronald Colman), his hotheaded younger brother George (John Howard), embezzler Barnard (Thomas Mitchell), dithery fossil expert Lovett (Edward Everett Horton) and consumptive prostitute Gloria Stone (Isabel Jewell). As the plane flies off towards the Himalayas, Robert realizes that he and his fellow passengers are heading in the wrong direction. They are, in fact, being kidnapped-but why? And where to? The plane crash-lands in the snowy Tibetan interior. The pilot is killed, but the passengers are safe. By and by, a strange caravan approaches, led by an enigmatic Chinese named Chang (H. B. Warner). Joining the caravan, Conway and his party are led through a treacherous mountain pass and into a land of temperate weather and dazzling beauty. This is Shangri-La, the idyllic lamasery presided over by the aged, wizened High Lama (Sam Jaffe). In this fertile valley, people are not encumbered by such exigencies as crime, dictators and hatred; instead, everyone is devoted to the pursuit of wisdom and self-improvement-and best of all, the aging process has been slowed to a walk, allowing people to live well past the two-century mark. Though he still does not know why he was brought here, Conway is quicker to adapt to Shangri-La than his wary fellow passengers. He even falls in love with Sondra (Jane Wyatt), an attractive, intelligent young woman. Finally granted an audience with the High Lama, Conway discovers that the old man is actually Father Perrault, the Belgian missionary who founded Shangri-La-over two hundred years earlier. Dying, the High Lama has selected Conway, whose idealism and even-handedness is world famous, to succeed him-and hopefully spread the "love thy neighbor" edict of Shangri-La to the rest of the war-torn world. Conway is willing to assume leadership, but younger brother George, his mind poisoned by spiteful Shangri-La resident Maria (Margo), insists upon escaping to the outside world. The older Conway warns that, despite her youthful appearance, Maria is well past sixty and will surely perish once she leaves Shangri-La; but Maria retorts that the high lama is insane, and that everything he has told Conway is a lie. Disillusioned, Conway agrees to leave with Jack and Maria. The trek back to civilization is a grueling one, especially for Maria, who-true to Conway's prediction-shrivels from age and dies. Appalled that he has been misled, George kills himself. Weeks later, and amnesiac Conway stumbles into a Tibetan mission, where he is rescued and brought back to England. When his memory is restored, however, Conway runs back to Shangri-La, and into the arms of Sondra. When Lost Horizon was shown to preview audiences, it ran nearly three hours-and it was a disaster. In his autobiography, Capra claims to have rescued his pet project by merely burning the first two reels and opening the film with the evacuation scene; In fact, while Capra did remove the film's "flashback" framework, he made most of his cuts in the body of the picture. The release length of Lost Horizon was 132 minutes, pared down to 119 when it when into general distribution. When it was reissued in the 1940s and 1950s, it was rather clumsily pared down to anywhere from 95 to 100 minutes. Only in the mid-1980s was Lost Horizon restored to its original length, with stills used to illustrate certain scenes for which only the soundtrack existed. While not the enormous hit Capra and Columbia had hoped it would be, Lost Horizon was popular enough to allow the name "Shangri-La" enter the household-word category. In 1973, producer Ross Hunter felt the urge to inflict a wretched musical remake onto an unsuspecting public. ~ Hal Erickson, All Movie Guide

General Yang (Akim Tamiroff) is a politically ambitious Chinese bandit who holds the Northern districts in a grip of terror. Yang is opposed by O'Hara (Gary Cooper), an American mercenary who fights on behalf of the peasants. When he is entrusted with a large sum of money to buy guns, O'Hara becomes the target of Yang and his minions. Betrayed by a cowardly Caucasian (Porter Hall), O'Hara nonetheless falls in love with his betrayer's daughter Judy (Madeline Carroll). Yang captures both O'Hara and Judy and spirits them away on his junk, where the General intends to torture O'Hara so as to find out where the money is. A bizarre and gloomy ending caps this atmospheric thriller, adapted from Charles G. Booth's best-selling novel by Clifford Odets--who, along with director Lewis Milestone, novelist John O'Hara and Hollywood columnist Sidney Skolsky, appears as an extra in one scene. ~ Hal Erickson, All Movie Guide