Jacques Castelot Movies

In this thrilling mystery of mistaken identity, Jacques (Pierre Vaneck) is a piano player in a nightclub who is approached by a man he never met before. The stranger offers him a job posing as the husband of a mentally challenged woman. He will be rewarded for taking care of the woman. Since his contract has expired at the club, he readily accepts the proposition. The stranger turns out to be the valet of the woman, who other than playing with decapitated dolls, seems quite normal. Jacques and the woman end up falling in love. He looks just like her husband who disappeared during an African safari. It turns out the missing man is a former Nazi hiding out from the international police. Soon agents converge on the house along with the man who had supposedly vanished, leading to an inevitable showdown. ~ Dan Pavlides, All Movie Guide

The story of a Frenchman who fought to liberate the American colonies from British rule is colorfully brought to the screen. Lafayette (Michel Leroyer) is an engaging young landowner who spends his time in taverns drinking and talking politics. When he ends up on the wrong side of the minister's police, he sells his land, buys a ship, and takes off to help the Americans fight the British. He meets up with General Washington (Howard St. John) and earns his rightful place in history as one of the great military leaders. British General Cornwallis is portrayed by Jack Hawkins, while Orson Welles gives a memorable performance as Benjamin Franklin. ~ Dan Pavlides, All Movie Guide

British actress Belinda Lee stars in this her third film within several months, once again for a company outside of her native England. This time around the setting is the 17th century, somewhere on a group of tropical islands, and she plays Marie, a damsel in distress. The upright governor of the islands is kidnapped by pirates on the orders of an ambitious and villainous nobleman. Knowing full well that Marie is likely to fall prey to the villains and fearing for the lives of his friends, the governor escapes. He manages to return and begins to dismantle the defenses of the usurpers. ~ Eleanor Mannikka, All Movie Guide

The most frequently filmed of Emile Zola's works, Nana was given a slick, polished cinemazation by French- filmmaker Christian-Jacque in 1955. Martine Carol is well (if predictably) cast in the title role, playing a poverty-stricken Parisian girl who rises to prominence as a high-priced whore. Nana is content to love 'em and leave 'em until she becomes the mistress of government-official Charles Boyer. Her genuine love for Boyer results in disgrace and disaster for them both. While less inhibited than the bowdlerized 1934 Sam Goldwyn production of Nana, this French/Italian co-production is rather far afield from the Zola original. ~ Hal Erickson, All Movie Guide

The French/Italian Obsession was based on a novel by American suspense writer William Irish (aka Cornell Woolrich). Michelle Morgan and Raf Vallone are carnival performers, touring the provinces with a successful trapeze act. Though Morgan knows that Vallone is on the lam from a murder charge, she marries him anyway. When Vallone is sidelined by an injury, he is replaced by handsome young aerialist Jean Gaven, an unsuspecting friend of the man Vallone killed. Gaven is himself bumped off before long, prompting the disillusioned Morgan to turn over Vallone to the authorities. As it turns out, we're in Postman Always Rings Twice territory: Vallone didn't kill Gaven, but by the time the guilty party confesses, the police have confirmed that Vallone was responsible for the earlier murder. ~ Hal Erickson, All Movie Guide

Released in English-speaking countries as One Bullet is Enough, this Franco-Spanish co-production is a bizarre blend of music, comedy and crime melodrama. Famed European singer-impressionist Georges Ulmer stars as Carmo, a small-time pickpocket who is framed for a big-time murder. While behind bars, Carmo mends his ways, but he may not live long enough to reform on the "outside." Meanwhile, his faithful girlfriend Florence (Vera Norman) works day and night to prove Carmo's innocence and nail the real killers. In some markets, Une Balle Suffit... was misleadingly advertised as a "straight" gangster flick. ~ Hal Erickson, All Movie Guide

The unbeatable combination of star Fernandel and director Henri Verneuil strikes again with Le Fruit Defendu (Forbidden Fruit). Fernandel plays a rural doctor, trapped in a dull, uneventful marriage. During a visit to the city, the doctor falls for a young lady (Francoise Arnoul) of very loose morals. Unwilling to relinquish this affair upon returning home, the doc works out a clever scheme whereby he can install the girl in his own home without arousing the suspicions of his wife (Claude Nollier) . How he does this, and how he's finally caught, is handled in a hilarious but scrupulously tasteful fashion. ~ Hal Erickson, All Movie Guide

Victor was adapted from the popular stage play by Henri Bernstein. The title character, played by Jean Gabin, is a good-hearted soul who is willing to sacrifice his own well-being for the sake of others. Smitten by Francoise (Francoise Christophe), the wife of his friend Marc (Jacques Castelot), Victor willingly accepts responsibility for a crime committed by Marc. He uncomplainingly serves a prison sentence, whereupon the conscience-stricken Francoise offers to make love to him. But Victor decides that he'd rather Francoise love him for himself, rather than merely out of pity. A sad ending? Not quite: Victor's luck has to change sometime -- and it does, spectacularly. ~ Hal Erickson, All Movie Guide

The French Le Grand Rendezvous is set in the months prior to the Allied invasion of North Africa in
WW II. The story concentrates on a group of Free French patriots in Algiers who do their best to clear the path for the incoming Allies. Characters essential to the action are a beautiful young girl, a hotheaded idealist, an American GI, and a few treacherous Vichy officials. The events build up to a fateful meeting between the underground leaders and General Clark (who is never seen). Hampering the American distribution of Le Grand Rendezvous was its lack of box-office names and an overall glut of war films. ~ Hal Erickson, All Movie Guide

Even in 1945, Marcel Carné's Children of Paradise was regarded as an old-fashioned film. Set in the Parisian theatrical world of the 1840s, Jacques Prévert's screenplay concerns four men in love with the mysterious Garance (Arletty). Each loves Garance in his own fashion, but only the intentions of sensitive mime-actor Deburau (Jean-Louis Barrault) are entirely honorable; as a result, it is he who suffers most, hurdling one obstacle after another in pursuit of an evidently unattainable goal. In the stylized fashion of 19th-century French drama, many grand passions are spent during the film's totally absorbing 195 minutes. Amazingly, the film was produced over a two-year period in virtual secrecy, without the knowledge of the Nazis then occupying France, who would surely have arrested several of the cast and production staff members (including Prévert) for their activities in the Resistance. Children of Paradise has gone on to become one of the great romantic classics of international cinema. ~ Hal Erickson, All Movie Guide