André Chaumeau Movies

Claude Berri's angry, ambitious epic, based on the 19th-century novel by Emile Zola, re-creates, as does the novel, the gut-wrenching poverty and the intense day-by-day struggles of striking French coal-miners in 1884 at the Voreux mines of France. The film centers upon the bitter toils of Maheu (Gerard Depardieu) and his family -- consisting of his iron-willed wife (Miou-Miou) and their daughter Catherine (Judith Henry), who also works in the mines. When a new miner, Etienne Lantier (Renaud), comes to Voreux to seek work, he is befriended by Maheu, who takes him on his mining crew and allows him to stay at his home. Etienne is also an organizer for a new miner's union and, as conditions in the Voreux mines worsen, Etienne convinces Maheu to organize a miner's strike. Meanwhile, Etienne is attracted to Catherine, and Catherine to him, but she doesn't act upon her feelings, taking up, instead, with Chaval (Jean-Roger Milo), a local ne'er do well. As conditions in the mines become more desperate and unsafe, and the owners propose to cut wages, Maheu at last stages a massive strike of the miners. When that happens, the owners send in armed soldiers to defend the mines. ~ Paul Brenner, All Movie Guide

Who would have expected Brigitte to marry a prisoner with a long sentence in the first place? In this romantic action movie, that is only the first in a long line of surprising actions by the young woman. Somehow, she manages to get hooked to the young prisoner before realizing that he'll be locked up for another three or four decades. She decides that this is much too long to wait to spend time with her sweetheart and decides to learn how to fly a helicopter. Why? So she can fly in and take him out of his prison yard, which is exactly what she does, thrilling romantics all over France and seriously upsetting the authorities. This award-winning film (it's a 1991 Cannes jury-prize winner) is based on a true incident from 1986. ~ Clarke Fountain, All Movie Guide

Amandine Aurore Lucie Dupin, better known in the literary world as George Sand, not only took a man's name, but trotted around wearing pants and smoking cigars in public. No great shakes today, but in the 1800s she was perhaps the most famous (or infamous) woman in the world. One of the first original celebrities, aside from her garb and literary output, she was known to inspire many duels and broken hearts among other famous hedonist artists. One character describes her in Impromptu, as "that graveyard." The film engages in a sexual roundelay among Sand's (Judy Davis) many friends -- Eugene Delacroix (Ralph Brown), Alfred DeMusset (Mandy Patinkin), Franz Liszt (Julian Sands), and Frederick Chopin (Hugh Grant). The entire crew heads off to the summer estate of the Duke and Duchess d'Antan (Anton Rodgers and Emma Thompson), invited there by the culture-vulture hosts. Sand takes a bead on the sickly Chopin and spends her time throwing herself at him. Also on hand is Liszt's mistress Marie d'Agoult (Bernadette Peters) and Felicien Mallefille (Georges Corraface), Sand's recently jilted lover. Mallefille is jealous of any of the other guests who glance in Sand's direction and continually challenges them to duels. Marie, on the other hand, is enlisted by Sand to deliver a note to Chopin. But Marie, jealous of Sand, delivers the note substituting her name for Sand's. And as the weekend continues, the sexual merry-go-round continues at full tilt. ~ Paul Brenner, All Movie Guide

This charming motion picture relives the beautiful childhood memories of noted film director and writer Marcel Pagnol. While attending school in Marseilles, Marcel Julien Ciamaca daydreams about the nearby hills where he and his family spend vacations at a cottage. It is not enough to sojourn there over Christmas, Easter, and summer holidays; Marcel wants to be there all the time, to roam the fields, climb the rock faces, and enjoy other simple pleasures with his mother, father, and siblings. And then something marvelous happens. His mother Augustine (Nathalie Roussel) persuades his father Joseph (Philippe Caubere), a schoolteacher, to allow the family to spend each weekend at the cottage. Because they have no car, they must ride public transport part of the way, then walk the remaining five miles. However, a former pupil of Joseph's shows them a shortcut that crosses private estates and reduces the distance to only one mile. So the family enjoys weekend after wonderful weekend in the hills. Marcel plays with a country boy, picks thyme for the family's alfresco dinners, and meets a girl whom he rescues from spiders. Though she is an imperious little lass, Marcel is quite taken with her and even performs feats of derring-do to impress her. These carefree weekend outings continue until one day a heartless watchman charges the Pagnols with trespassing on an estate on their way to the cottage. Woe is Joseph. He believes his very proper school will fire him. But when the school officials call him in, they promote him! They know nothing of his trespassing, for Joseph's former pupil has tricked the watchman into dropping the charge. Then more good news comes; Marcel has won an academic prize. The film has a bittersweet ending in which Marcel, as an adult, reviews what has happened to the family members since those wonderful days when life was good and all was right with the world. ~ Mike Cummings, All Movie Guide

Uranus is set in a post-war French village that has been all but obliterated by the bombing. Jean-Pierre Marielle plays a middle-class family man who agrees to shelter many of those who've lost their homes. The polyglot of political beliefs held by these new tenants sows the seeds of discontent. The most vocal of the town's dissidents are the Communists, who terrify everyone with threats of turning in collaborators to the French Forces of the Interior. The only person in town afraid of no one is hulking innkeeper Gerard Depardieu, whose ultimate death uncovers much of the hypocrisy disguising itself as patriotism in the village. While never exactly sympathizing with the collaborators, Uranus is careful to point out that the "unofficial" executions of these unfortunates was no more morally acceptable than the Nazi invasion that encouraged collaboration in the first place. ~ Hal Erickson, All Movie Guide

This unflinching, provocative drama is set in the slums of Gay Paree, where dwells the dregs and fringe of French society. There Miss Mona, an aging drag queen, dreams of becoming a real woman before he dies. Unfortunately, an old lover stole all the money he was saving so he could become a she instead. Miss Mona finally gets his chance to earn more cash when he meets a destitute young Arab, an illegal immigrant. The queen takes the Arab in and convinces the destitute and desperate youth that he will make enough money to buy immigration papers if he becomes a prostitute. The Arab reluctantly agrees to it, but does not realize that the money he grits his teeth to earn is actually going to pay for Mona's dream surgery. ~ Sandra Brennan, All Movie Guide

In this drama, a woman is tried and convicted of murder. Though she swears her innocence, the judge sentences her to life in a mental institution. Ten years pass and she doesn't change her story. This causes a sympathetic psychiatrist to believe her and begin fighting for her release. ~ Sandra Brennan, All Movie Guide

Filmed on location "Somewhere in France", this umpteenth version of Dumas' The Corsican Brothers stars the zoned-out comedy team of Cheech and Chong. Perhaps inspired by the Ritz Bros.' spin on The Three Musketeers, the duo retains enough of the original story (about twin brothers who feel one another's pain) to keep the plot going, but try to inject their own peculiar brand of humor throughout. The film's highlight is a duel with two loaves of stale bread. Yes, that's the highlight. Just as the 1930s comedy team of Wheeler and Woolsey lost their audience when they dropped their risque humor and Prohibition gags, so too do Cheech and Chong falter when not indulging in the drug-oriented comedy which made them famous in the early 1970s. ~ Hal Erickson, All Movie Guide

In this plodding drama about a man searching for his friend's wronged lover, there is neither high action nor high suspense to keep -- or even reach -- a quick-paced storyline. A shallow womanizer (Jean Rochefort) plays the trumpet in an orchestra conducted by his steady and stable friend (Philippe Noiret). One day a woman bursts into the womanizer's dressing room and tries to shoot him down for what he did to her sister. As he goes into hiding for his own safety, he asks the orchestra leader to find out who he wronged, and try to help him correct the problem. The rest of the film concerns that search, and its resolution. ~ Eleanor Mannikka, All Movie Guide

The Gift was based on Bankers Also Have Souls, a play by Valme and Terzolli. To honor retiring co-worker Gregoire (Pierre Mondy), a group of bank employees pool their money and purchase a farewell gift: gorgeous prostitute Barbara (Clio Goldsmith). Since Gregoire is married to the luscious Antonella (Claudia Cardinale), one wonders what planet his friends have been on the past few years. Though it promises a great deal, The Gift is basically harmless and, at times, humorless. The film works best when it eschews sniggling sexiness and concentrates on personalities. ~ Hal Erickson, All Movie Guide