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Gordon Robertson Movies

1994  
 
This experimental British film, billed as a "philosophical comedy", focuses upon interesting conversations at a cosmic dinner party attended by some of Western civilization's most renowned philosophers. The film begins when Eve, a modern woman, dies and finds herself at a dinner party in purgatory. Her companions are Saint Paul, a Christian; Socrates, a Greek philosopher; Machiavelli, the Renaissance politician; and Simone de Beauvoir, an existentialist and feminist. As they eat, they discuss and debate the meaning of life. ~ Sandra Brennan, Rovi

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Starring:
Yvonne BonnamyEdward Halsted, (more)
 
1976  
 
The Canadian The Supreme Kid was originally and economically filmed in 16-millimeter. The "heroes" are two drifters, played by Frank Moore and Jim Henshaw. The two are disdainfully referred to as "hippos," or hippie hoboes; one is the domineering mentor, the other the unquestioning follower. While on their aimless trek through the Great White North, the hippos meet a promiscuous young girl, as well as a less appealing holdup man. Morris and Henshaw find themselves with thousands of dollars of stolen loot at the end, but chuck it all to continue their vagabondage. ~ Hal Erickson, Rovi

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Starring:
Frank MooreJim Henshaw, (more)
 
1974  
 
In this Canadian drama, set on the coast of British Columbia, a university student visits his brother George who has been paying for the younger man's education. The brother is now hoping that George will give him a job too. Unfortunately, George has no openings. Instead, the younger brother hooks up with an Indian fisherman. Trouble ensues as big brother hates Indians. Bar-room mayhem ensues culminating with George killing his younger brother's friend. ~ Sandra Brennan, Rovi

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1971  
 
This first outing for Canada's most noted woman producer/director Sylvia Spring is an autobiographical sketch of herself during her 20s and her fumblings with men and romance. She settles in with a Marxist lad, experiences the carefree lifestyle of the '60s, befriends a goofy man, and has an unrequited crush on an unfocused young businessman. Eventually, she dumps the Marxist. This film is interesting for its evocation of Canadian youth culture in the '60s. ~ Clarke Fountain, Rovi

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1971  
R  
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Memorably described by Pauline Kael as "a beautiful pipe dream of a movie," Robert Altman's McCabe & Mrs. Miller reimagines the American West as a muddy frontier filled with hustlers, opportunists, and corporate sharks -- a turn-of-the-century model for a 1971 America mired in violence and lies. John McCabe (Warren Beatty) wanders into the turn-of-the-century wilderness village known as Presbyterian Church, with vague plans of parlaying his gambling winnings into establishing a fancy casino-brothel-bathhouse. McCabe's business partner is prostitute Mrs. Miller (Julie Christie), who despite her apparent distaste for McCabe helps him achieve his goal. Once McCabe and Mrs. Miller become successful, the town grows and prospers, incurring the jealousy of a local mining company that wants to buy McCabe out. Filmed on location in Canada, McCabe & Mrs. Miller makes use of such Altman "stock company" performers as Shelley Duvall, René Auberjonois, John Schuck, and Keith Carradine. The seemingly improvised screenplay was based on a novel by Edmund Naughton and the movie features a soundtrack of songs by Leonard Cohen. McCabe & Mrs. Miller joined such other Altman efforts as M*A*S*H, The Long Goodbye, and Thieves Like Us in radically revising familiar movie genres for the disillusioned Vietnam era. ~ Hal Erickson, Rovi

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Starring:
Warren BeattyJulie Christie, (more)