William Challee Movies
Originally intending to become a journalist, William Challee abandoned this dream when he began appearing in Chicago-based theatrical productions. Challee's Broadway career reached its peak in the late '30s with Wonder Boy. In films from 1943, he was usually seen as well-dressed gangsters, pushy reporters, and grim military officers. William Challee's later credits included such roles as Nicholas Duprea in the Jack Nicholson starrer Five Easy Pieces. ~ Hal Erickson, All Movie Guide- 1945
One of the most successful filmed biographies of the 1940s, A Song to Remember alleges to be the true story of Polish composer Frederick Chopin. Actually, it has about as much relation to truth as a Heckle and Jeckle cartoon, but with such gorgeous creatures as Cornel Wilde and Merle Oberon in the leads, who cared? Though Wilde, as Chopin, is the nominal lead, top billing goes to Paul Muni, hamming his way through the role of Chopin's mentor Professor Joseph Elsner. Reportedly, Muni developed his characterization long before shooting started, refusing to allow the performances of the other actors to alter his interpretation in the slightest. This may explain why Muni seems to be acting in a vacuum, frequently completely out of rhythm with the film and its characters. Otherwise, Cornel Wilde does a nice job as the tempestuous Chopin, whose patriotic fervency frequently takes priority over his music. Merle Oberon plays novelist George Sand, who despite her preference for male clothing proves to be "all woman" during her torrid, decade-long affair with Chopin. The film's money scene--the one that everyone talked about, keeping the picture "alive" long after its original release--occurs towards the end, when the tubercular Chopin begins hemorrhaging as he performs his Polonaise for the first time (Jose Iturbi is heard on the soundtrack, "doubling" for Wilde's ivory-tickling). Sumptuously photographed in Technicolor by Tony Gaudio and Allen M. Davey, A Song to Remember was the usually penurious Columbia Pictures' top production of 1945. Fifteen years later, the studio hoped to make lightning strike twice with its Franz Liszt biopic Song Without End, but the magic just wasn't there. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Muni, Merle Oberon, (more)
- 1959
Steve McQueen was already well into the first season of his own TV Western, Wanted: Dead or Alive, when he appeared in this memorable episode of Alfred Hitchcock Presents. McQueen is cast as newspaper reporter Bill Everett, who at the behest of his editor (Tyler McVey) heads to a corner bar to interview a curious fellow named Howard Wilcox (Arthur Hill). It seems that Wilcox has been telling anyone who will listen that he is actually a Martian, and that the planet Mars is planning a full-scale invasion of Earth. Alas, Wilcox's wild story proves to be his undoing, thanks to some "inside-the-beltway" information already in Bill Everett's possession. ~ Hal Erickson, All Movie Guide
- 1961
While traveling through the tiny community of Bugletown, traveling salesman Leon Gorwald (John Fiedler) is arrested for jaywalking. A little later, Leon finds himself with a cellmate: a local mechanic (Richard Jaeckel) who is suspected of murdering a young girl. As a lynch mob gathers outside the jail, the desperate mechanic coldcocks Leon and changes clothes with him -- hoping that it will be Leon and not himself who is dragged outside and "strung up!" Graced with a deliciously nasty climactic twist, this episode earned an Emmy nomination for film editor Edward W. Williams. "Incident in a Small Jail" was remade as a segment of the pilot film for the Alfred Hitchcock Presents revival of 1985, with Ned Beatty as the hapless salesman. ~ Hal Erickson, All Movie Guide
The venerable John Carradine gets his first chance to play the fanged count in 20 years (the last time was House of Dracula), albeit in one of the weirdest scenarios ever committed to film. Arriving in the Wild West via stagecoach, Drac installs himself in the home of a pretty rancher (Melinda Plowman) by convincing her (through hypnosis) that he is her long-lost uncle. Unfortunately for the Count, one of her hired hands is none other than legendary outlaw Billy the Kid (Chuck Courtney), who has been trying to put his wicked ways behind him. Billy takes a shine to his boss but starts to have his suspicions about her creepy "uncle." Eventually, the reformed desperado straps on his six-guns again to do battle with the Count, ably assisted by the local sawbones who must be an acquaintance of Dr. Van Helsing, since he obviously knows such helpful arcane knowledge such as (gasp) "The Vampire Test!" A camp anti-classic from William "One-Shot" Beaudine, who shot it back-to-back with yet another Wild-West-Horror mutation, Jesse James Meets Frankenstein's Daughter. ~ Cavett Binion, All Movie Guide
- Starring:
- Chuck Courtney, John Carradine, (more)
- 1966
Joshua Norton was a real-life character in 19th century San Francisco, formerly a man of wealth who in middle age declared himself "Emperor of the United States and Protector of Mexico", even going so far as to purchase a resplendant uniform (complete with plumed hat) for the occasion. Amused by this harmless eccentric, the people of San Francisco indulged him in his delusions of grandeur-and generously paid all his expenses--until the end of his days. In this February 27, 1966 episode of Bonanza, Sam Jaffee guest-stars as The Emperor Norton, who at the beginning of the story is about to be committed to an asylum. To save him from this fate, Norton's friend Harry Crawford (Parley Baer) brings him to the Ponderosa, and then-of course-the fun (?) really begins. William Challee appears as Mark Twain (the second of the author's three Bonanza appearances), who in the climactic scenes joins the Cartwrights in championing Norton's cause. "The Emperor Norton" was written by Robert Sabaroff and Gerrit P. Young. ~ Hal Erickson, All Movie Guide
- Starring:
- Lorne Greene, Michael Landon, (more)
- 1972
Jamie is a member of a boy's club which delights in forcing new members to undergo a grueling initiation process. Unfortunately, one of these hazings results in the death of a hapless teenager. Though the townsfolk blame Ted Hoag (Ronny Howard), a homeless youth, for the boy's death, Jamie and the other members demonstrate their inherent maturity by shouldering the responsibility themselves. Written by Douglas Day Stewart, "The Initiation" first aired on September 26, 1972. ~ Hal Erickson, All Movie Guide
- Starring:
- Lorne Greene, Michael Landon, (more)
- 1972
Written and directed by Bonanza star Michael Landon, "The Younger Brothers' Younger Brother" is one of the series' zaniest episodes. It all begins when Hoss Cartwright is mistaken for one of the notorious Younger Brothers, who have recently resumed their criminal activities after a 12-year prison term. Thrown in jail, Hoss must depend upon Ben and Joe to bail him out-only to end up sharing a cell with his father and brother when they, too, are mistaken for Youngers. Meanwhile, the real Younger boys, led by Cole Younger (Strother Martin), demonstrate the monumental stupidity that landed them in the slammer in the first place. "The Younger Brothers' Younger Brother" first aired on March 12, 1972. ~ Hal Erickson, All Movie Guide
- Starring:
- Lorne Greene, Michael Landon, (more)
Boomerang, directed by Elia Kazan, is a chilling film noir, the true story about the murder of a priest, the subsequent arrest and trial of a jobless drifter, and the efforts of young state's attorney Henry Harvey (Dana Andrews) to uncover the truth. Closely based on the actual 1924 murder of Fr. Hubert Dahme in Bridgeport, Connecticut, the film was directed by the young Elia Kazan in a highly effective, semi-documentary style. Kazan shot most of the film on location, using high-contrast cinematography and an extremely mobile camera to create a palpable sense of urgency. The screenplay, expertly crafted by Richard Murphy received an Academy Award nomination. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Dana Andrews, E.J. Ballantine, (more)
- 1957
This lively musical was made to capitalize on the popularity of calypso music and features some excellent production numbers. It all begins when a jukebox magnate tries to force his way into a record company. They succeed and this angers the labels biggest star, who doesn't want to change his style. He disappears and so does all of the company's profits. Musical chaos reigns for awhile, but eventually everything is set to rights and happiness ensues. Look for distinguished poet Maya Angelou singing "Run Joe" and actor Alan Arkin's performance with the folk group the Tarriers. ~ Sandra Brennan, All Movie Guide
- Starring:
- Johnny Desmond, Merry Anders, (more)
- 1955
Not long after starring in Las Vegas Shakedown, Dennis O'Keefe headed eastward to appear in Chicago Syndicate. This time, O'Keefe is cast as honest accountant Barry Amsterdam, determined to get the goods on Windy City gangster boss Arnie Valent (Paul Stewart). Insinuating himself into Valent's confidence, Amsterdam quietly begins gathering evidence. For a while it looks as though Amsterdam will go the way of his predecessor in Valent's operation, who ended up sleeping with the fishes, but in films of this nature justice usually prevails. Allison Hayes, who later played the title role in Attack of the 50 Foot Woman, is quite effective in the normal-sized part of the daughter of a slain accountant, while Abbe Lane plays the obligatory mob mistress (Lane's then-husband , bandleader Xavier Cugat, is also in the cast). ~ Hal Erickson, All Movie Guide
- Starring:
- Dennis O'Keefe, Abbe Lane, (more)
- 1944
Like Song of Russia and Mission to Moscow before it, Days of Glory is a paean to the courage and resourcefulness of the Soviet Union during WW2 (this was long before the Russians became the stock villains in Hollywood films!) Producer Casey Robinson took a gamble with the project, casting the leading roles with movie newcomers. Heading the cast is Broadway actor Gregory Peck as Vladimir, the leader of a band of Soviet guerilla fighters. Tamara Toumanova, former premier ballerina of the Ballet Russe de Monte Carlo, costars as Nina, whose love for Vladimir is surpassed by her love for Mother Russia (Toumanova was at the time the wife of producer Robinson). The actors speak in long, lyrical monologues about freedom, sacrifice and the indomitability of the human spirit: fascinating at first, the excess verbiage begins to wear on the viewer after three or four reels. In traditional underground-movie fashion, hero and heroine are obliged to give up their own lives for the sake of their countrymen, in a reasonably spectacular climactic battle sequence. Budgeted at nearly a million dollars, Days of Glory lost heavily at the box-office, though critics and audiences alike were in agreement that Gregory Peck had some potential as a screen presence. ~ Hal Erickson, All Movie Guide
- Starring:
- Tamara Toumanova, Gregory Peck, (more)
- 1946
Deadline at Dawn represented not only the sole film directorial effort of Broadway's Harold Clurman, but also the only cinematic collaboration between Clurman and his former Group Theatre associate, screenwriter Clifford Odets. While on shore leave in New York, sailor Alex (Bill Williams) is slipped a doped-up drink by B-girl Edna (Lola Lane). When he awakens, Alex discovers that she has been murdered. Though he believes that he's the killer, our hero is talked into locating the actual miscreant by philosophical cab driver gus (Paul Lukas) and nightclub dancer June (Susan Hayward). Adapted from a novel by Cornell Woolrich, Deadline at Dawn leans towards pretentiousness at times, but is redeemed by the no-nonsense performance by Susan Hayward. ~ Hal Erickson, All Movie Guide
- Starring:
- Susan Hayward, Paul Lukas, (more)
- 1947
With 1947's Desperate, a disturbing, noirish twist on traditional moral values, responsibility, and guilt, director Anthony Mann entered the ranks of class-A directors, though he'd still have to spend a few more years in "B" pictures. In his first important role, Steve Brodie plays newlywed trucker Steve Randall, who finds himself in the wrong place at the wrong time during a fur robbery. Kidnapping Steve, the criminals, led by Walt Radak (Raymond Burr), threaten to mutilate Mrs. Randall (Audrey Long) unless Steve confesses to a murder committed by Radak's brother during the theft. Pretending to play along with the villains, Steve manages to escape with his wife in tow. The rest of the film is a prolonged chase, with the Randalls pursued by both the crooks and the cops. A surprise ending caps this film noir mini-classic, which is best appreciated when not seen in its computer-colorized version. ~ Hal Erickson, All Movie Guide
- Starring:
- Steve Brodie, Audrey Long, (more)
Though its purely propagandastic aspects are never far from surface, Destination Tokyo must rank as one of the most intelligent and objective of wartime thrillers. Cary Grant is a tower of strength as Captain Cassidy, skipper of an American submarine bound for Tokyo harbor. Its mission: to allow a Navy meterologist to survey Japanese weather conditions, in preparation for a major Allied assault. Many of the individual incidents in Delmar Daves' script are based on fact, notably an episode in which a pharmacist's mate is called upon to perform an emergency appendectomy. Admittedly, some of the secondary characters are WWII stereotypes, but they're never played that way. Particularly good isDane Clark, in his first important screen role; also registering well as a radio man is John Forsythe, in his first screen role ever. From the sub's embarkation in San Francisco to its climactic retreat from Japan, there's not a single solitary dull moment in the 135 minutes of Destination Tokyo. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, John Garfield, (more)
- 1973
After a hard day in the field, John (Randolph Mantooth) returns to his bunk at the station, only to find that it has become the new home of a stray cat and her kittens. This week's emergency roster includes an old codger who is stuck in the bear trap he'd set to capture a thief; a burning airplane, with two passengers trapped inside; a gas leak at an elementary school; a near-fatal boating mishap; and a really bad case of stage fright. Virginia Gregg, a loyal member of producer Jack Webb's "stock company", appears as Zelda Zack. ~ Hal Erickson, All Movie Guide
- 1971
Everybody in the Davis household is a member of an exclusive club--except for Buffy (Anissa Jones), who is denied admission in the "Mod Maidens" because she is too young. In a surprising lapse of judgement, Bill (Brian Keith) approaches "Mod Maidens" president Shirley (Pamelyn Ferdin) and bribes her to let Buffy join, on condition that Buffy never find out. This subterfuge works until Buffy runs against another member for club secretary, leading to an embarrassing situation which proves to have dire consequences for Buffy's brother Jody (Johnnie Whitaker) as well! ~ Hal Erickson, All Movie Guide
A disaffected man seeks a sense of identity in one of the key films of Hollywood's 1970s New Wave. Once a promising pianist from a family of classical musicians, Bobby Eroica Dupea (Jack Nicholson, in his first major starring role) leads a blue-collar life as an oil rigger, living with needy waitress girlfriend Rayette (Karen Black) and bowling with their friends Elton (Billy "Green" Bush) and Stoney (Fannie Flagg). Feeling suffocated by responsibilities, Bobby seeks out his sister, Tita (Lois Smith), and, discovering that his father is gravely ill, he reluctantly heads back to the patrician family compound in Puget Sound with a pregnant Rayette in tow. After a road trip featuring a harangue from hitchhiker Palm (Helena Kallianiotes) about filth, and Bobby's ill-fated attempt to make a menu substitution in a diner, he tucks Rayette away in a motel before heading to the house. There Bobby seduces his uptight brother Carl's cultured fiancée, Catherine (Susan Anspach), but Rayette shows up unexpectedly. As Rayette's crassness collides with the snobbery of the Dupea circle, Bobby loses patience with both sides. After trying to reconcile with his mute father, Bobby departs, unwilling to give in to either destiny. Director Bob Rafelson and screenwriter Adrien Joyce (aka Carole Eastman) used the creative control afforded by the low budget to craft a European-influenced character study, catching a cultural mood of anomie and resentment as it was embodied in Bobby. Neither older generation nor hippie, Bobby fits in nowhere, and his desire for independence conflicts with his emotional emptiness. Nicholson's nuanced performance of simmering frustration resonated with 1970 audiences caught between Nixon's "silent majority" and the troubled counterculture; a substantial hit, Five Easy Pieces was nominated for several Oscars, including Best Picture and Best Actor, and established Nicholson as a star. Offering no "easy" answers to Bobby's existential crisis, Five Easy Pieces is one of the pre-eminent films in the early-'70s cycle of alienated American art movies, as even the fantasy of rebellion is reduced to merely running away. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Jack Nicholson, Karen Black, (more)
John Garfield, in the best performance of his career, portrays Joe Morse, an ambitious attorney who has long since abandoned his scruples in favor of monetary reward. Morse now represents the interests of crime boss Ben Tucker (Roy Roberts), who plans to take over the numbers racket in New York. Morse has devised a way of doing this legally and above-board, with no violence: Tucker's people will bring about the collapse of the illegal numbers racket in the city, using a race track-betting scam that will bankrupt the small-time underworld numbers banks; an investigation will ensue, along with a call for a legal numbers operation in the form of a lottery, which Tucker will control through Morse's machinations. The whole plan hinges on Morse's estranged brother, Leo (Thomas Gomez), a small-time numbers banker who is to be shielded from the collapse, and who will serve as the "legitimate" front for Tucker. Leo is the flaw in the plan, however, because not only can't he stand the sight of Joe, but he is also too honest to participate in the plan -- he doesn't want his employees, all decent people just looking to earn a living, forced into the employ of real gangsters. Joe orchestrates a series of police raids that force Leo into his corner, and Joe's plan seems to be working out, but then the whole enterprise is threatened when a rival mob, run by Tucker's former Prohibition-era partner, Fico (Paul Fix), starts pressuring Leo, trying to get to Joe and Tucker. Fico and his men aren't any different from Tucker's mob, except that they're prepared to start shooting sooner to get what they want. Tucker decides to hang tough and expects everyone, including Leo, to do the same, even when Fico starts sending thugs around to frighten everyone. Soon Joe is beset by problems on three fronts -- he wants his brother out of Tucker's combination and safe; he is trying to romance Leo's bookkeeper (Beatrice Pearson), who is too nice a girl for who he is; and his own well-being is threatened by both Fico and Tucker, and a state investigator who has already tapped the phone of Joe's otherwise respectable partner. All of these threads are pulled together in the final section of the film, which is as violent and disturbing, yet poetic and graceful a resolution as any crime film of the 1940s ever delivered. Force of Evil was star-crossed almost from the start, as many of the people involved, including star John Garfield and director Abraham Polonsky (a writer making his debut behind the camera, with help from assistant director Don Weis in doing the camera set-ups and blocking), were suspect at the time for their leftist political views. Indeed, the company that made Force of Evil, Enterprise Productions, was also in trouble for the leftist leanings of its films in the midst of the Red Scare, and went out of business just as the movie was finished -- dropped by United Artists and picked up by MGM, of all studios, Force of Evil made it into theaters during Christmas week of 1948, not the ideal schedule for something as grim (albeit great) as this film was. As it turned out, it was Polonsky's last chance to direct for more than 20 years, and Garfield's last completely successful film. And a movie that should have been a triumph for all concerned ended up a cult favorite. ~ Bruce Eder, All Movie Guide
- Starring:
- John Garfield, Thomas Gomez, (more)
- 1945
- NR
Such was the prevailing mood among filmgoers in 1943 that God Is My Co-Pilot was allowed to show a spiritual shaft of light in the sky and several scenes of enemy pilots spitting up blood when shot down by American bullets. The film was based on the best-selling novel by fighter pilot Col. Robert Lee Scott Jr., who fought in the Pacific during World War II. At 34, Scott was told he was too old to fly in combat, but he proved his worth as a member of the Flying Tigers. Dennis Morgan plays Scott with pious sincerity, while the more traditional "regular guy" roles went to such stalwarts as Dane Clark and Alan Hale. Like most aerial combat films of the era, God Is My Co-Pilot soars highest when its characters stay off the ground and away from all that pontificating dialogue. ~ Hal Erickson, All Movie Guide
- Starring:
- Dennis Morgan, Dane Clark, (more)
- 1961
In the first episode of the series' only two-parter, Paladin (Richard Boone) arrives in a Texas border town with his prisoner, murder suspect Joselito Kincaid (Robert Carricart). Unfortunately, Kincaid is a sheepherder, and the men of the town trade in cattle. Thus Paladin's task becomes twofold: delivering Kincaid to trial, and keeping the man alive long enough to do so. ~ Hal Erickson, All Movie Guide
- 1961
In the concluding episode of the series' only two-parter, future director Sydney Pollack guest stars as Joe Culp, a sadistic cattleman bent upon lynching murder suspect (and sheepherder) Joselito Kincaid (Robert Carricart) just for the fun of it. Hired to bring Kincaid to trial, Paladin (Richard Boone) isn't about to let Culp have his way, but he is overwhelmed by the cattleman's vicious buddies, Roy Smith (James Best) and the Slimser brothers. Pummelled into unconsciousness, Paladin awakens with vengeance in his heart, determined to get even with the villains for what is done to the hapless Kincaid. ~ Hal Erickson, All Movie Guide
- 1973
- PG
In this actioner, Irish rum-runners working in America during Prohibition attempt to send their profits back to Erin to help the IRA cause. ~ Sandra Brennan, All Movie Guide
- 1955
In this deceptively titled and paced Western, Kirk Douglas shines in the hyper-macho role of Dempsey Rae, a good-natured drifter with a mysterious past up from Texas, a top hand with a gun, a horse, or a herd, who can even play the banjo and sing. He rides into a Wyoming town in a freight car, in the company of much younger drifter Jeff Jimson (William Campbell), who knows even less about the West than he does about life. Dempsey gets Jeff out of a few scrapes with the law, and both get hired by the foreman (Jay C. Flippen) of the Triangle Ranch. With 8,000 head, the Triangle is already the largest spread in the territory, but the new owner from back east, Miss Reed Bowman (Jeanne Crain), arrives with plans to move in another 22,000 head onto the open range, threatening to squeeze out the smaller ranches completely. Meanwhile, the other ranchers plan on saving some of the grass for winter feed and fence it off with barbed wire. When Bowman discovers that she can't hold onto Dempsey as either a man or a foreman, she seduces Jeff -- who's too quick to become a man -- to run interference on him, and hires a crew of gunmen led by Steve Miles (Richard Boone) to tear down the wire. A range war is about to break out, and Dempsey, who wants no part of barbed wire and carries the scars to show why, plans on pulling out. But then Miles and his men overplay their hand, and Dempsey throws in with the smaller ranchers. The body count suddenly starts going against Miles, who digs in for a final fight, and now it's Jeff and Bowman who find themselves caught between two unstoppable forces that they've helped unleash. ~ Bruce Eder, All Movie Guide
- Starring:
- Kirk Douglas, Jeanne Crain, (more)
- 1960
Arrested and jailed on a charge of murdering a small-town mayor, Bret (James Garner) is none too encouraged by his court-appointed defense attorney Luke Abigor (Alan Mowbray), a momument to ineptitute who bases his entire defense on an astrology chart. The only hope for salvation is to locate the real killer, who has been going around town impersonating Bret. In this pursuit, our hero receives some unexpected assistant from the redoubtable Melanie Blake (Kathleen Crowley), who'd caused him a heap of trouble in the previous episode "Maverick Springs". ~ Hal Erickson, All Movie Guide
- 1945
Based on the novel by Augusta Tucker, the provocatively titled Miss Susie Slagle's is actually a leisurely, sentimental story set in a turn-of-the-century boarding house. The title character, played by Lillian Gish, is the house's landlady, catering exclusively to young doctors and nurses in training. Miss Susie Slagle takes pride in the fact that not one of her boarders has ever failed medical school, but for a while it looks as though this perfect record will be spoiled by Elijah Howe Jr. (Bill Edwards), the seemingly irresponsible son of one of Susie's former tenants (Ray Collins). The bulk of the storyline is carried by med student Pug Prentiss (Sonny Tufts), who carries on a romance with Howe Jr.'s sister Margaretta (Joan Caulfield, in her film-starring debut). Flamboyant comic actor Billy DeWolfe is uncharacteristically restrained as pragmatic third-year student Ben Mead, though the script contrives to allow DeWolfe to do one of his celebrated female-impersonation routines! In true open-ended fashion, the film ends as it begins, with Miss Susie Slagle welcoming another crop of students to her lodgings. ~ Hal Erickson, All Movie Guide
- Starring:
- Veronica Lake, Sonny Tufts, (more)
