Frances Day Movies

In this comedy, a milque-toast bank clerk is forced to deliver blackmail money to a seductive woman. Misunderstandings abound when the clerk's brother-in-law sees him leaving the woman's house. Soon word that the clerk has become a dashing rake is spread around the town. In the end, the owner of a sexy lingerie factory offers the clerk a partnership in his business. ~ Sandra Brennan, All Movie Guide

A pair of furloughed British sailors and a Wren go for a visit to Stonehenge, get caught in a violent storm and end up in ancient Rome. This comedy chronicles their exploits that begin when they try to curry the emperor's favor by predicting the future. ~ Sandra Brennan, All Movie Guide

This British musical comedy was designed as a vehicle for popular 1930s bandleader Ambrose, here cast as "himself". The plot, which was the handiwork of no fewer than four scenarists, is the old one about the pretty but unappreciated slavey (Evelyn Dall) who is suddenly and spectacularly thrust into high society, much to the discomfort of her evil guardian. In other words, it's Cinderella in modern dress. But never mind all that: the film's real attraction is its unending parade of specialty performers. American jazz singer Harry Richman may be a bit hard to take for contemporary audiences (he wasn't exactly everyone's favorite in 1938!), but celebrity impressionist Florence Desmond is as delightful as ever as the film's nominal villain. Far better produced than most British "revue" pictures of the era, Kicking the Moon Around did excellent business, but Ambrose didn't care much for moviemaking and returned to the nightclub and music-hall circuit. ~ Hal Erickson, All Movie Guide

Based upon a hit German musical that had already been filmed in 1934, Who's Your Lady Friend? emerged as a British comedy-with-music in 1937. Dr. Mangold (played by Vic Oliver, a popular dance-band leader of the day) is a famous Viennese "beauty specialist" (i.e., plastic surgeon), saddled with a rather incompetent secretary named Fred (Romney Brent). Expecting an extremely important new client from France, Dr. Mangold makes the mistake of sending Fred to the station to pick her up. Due to a mix-up about identities, Fred instead returns with a vixenish cabaret singer named Lulu (Frances Day). To add to the complications and misunderstandings, Fred's fiancée Mimi (Margaret Lockwood) sees him out with the beautiful singer and leaps to the conclusion that he is being unfaithful to her. At the same time, Mrs. Mangold (Betty Stockfield) assumes that her husband, the doctor, has also succumbed to Lulu's wiles. Matters are not made any better when Fred goes on a bender and somehow ends up in the same bed as Mrs. Mangold. Eventually, everything is cleared up and the couples reunite happily. The score features the minor hit "Moonlight and Music", and the character of the maid is played by Sarah Churchill, daughter of Winston Churchill and wife of Vic Oliver. ~ Craig Butler, All Movie Guide

Music-hall comedian Arthur Riscoe is ideally cast as the title character in Public Nuisance No. 1. The plot and the title are one in the same, as Arthur Rawlings (Riscoe) plies his trade as a waiter, noisily making a mess of things but remaining impishly lovable withal. Heroine Frances Travers (Frances Day) is a shop girl whose wealthy uncle owns the hotel where Arthur works. Against all odds, Frances and Arthur join forces to save the hotel from bankruptcy. The musical numbers are catchy, but, like the film itself, nothing special. ~ Hal Erickson, All Movie Guide

Leslie Henson stars as Lord Pye, a pompous member in good standing of his local Purity League. Lord Pye would not be so complacently puritanical if he knew that his stepdaughter Benita (Frances Day), whom he has never met, is a saucy cabaret dancer. Briefly stranded in London when he misses his train, His Lordship wanders into the very nitery where his stepdaughter is performing. Still unaware of Benita's identity, he loosens up and begins outrageously (but harmlessly) flirting with the girl. Meanwhile, the new Lady Pye (Marie Lohr), Benita's mother, shows up in London unannounced to visit her daughter. Oh Daddy, indeed! ~ Hal Erickson, All Movie Guide

Dreams Come True for Ilona Ratkay (Frances Day), a popular opera singer who falls in love with gangly farm boy Anton (Nelson Keys). Not so lucky is Anton's father Albert (Hugh Wakefield), who is left all alone when his son runs off to the Big City with Ilona. Things really get sticky when Albert becomes obsessed with the notion that Ilona is actually his own illegitimate daughter! The more censurable aspects of the story are neatly skirted and circumvented with liberal doses of music and comedy. Dreams Come True is a remake of the German operetta Liebesmelodie. ~ Hal Erickson, All Movie Guide

Set during an ugly divorce proceeding, a faithless second wife is found guilty of adultery (with a wealthy nobleman whom she wants to marry) after the wronged husband's first wife shows him irrefutable evidence. Soon after the judge's gavel falls the newly freed husband and his first bride joyously reunite. Melodramatic but tuneful tripe. ~ All Movie Guide