Fanny Schiller Movies

1965  
 
Repeated infidelities and an unexplained death set the stage for this glossy soap opera. Kit Jordan (Lana Turner) is a wealthy woman slipping into middle age who likes attractive men and isn't averse to the notion of paying for their company. Her husband Pete (Cliff Robertson) is a one-time gigolo whom Kit met on the beach of the ocean side community in Acapulco she calls home. Neither are much on fidelity, and Pete sometimes has mistresses just as Kit has her boy-toys whom she meets in much the same way as she met him. One day, a dead body washes up to the shore wearing a bracelet with the inscription "Love Is Thin Ice." It turns out that the man was one of Kit's many former boyfriends, and the police are not sure if the death was an accident, suicide, or possibly murder -- with the Jordans as suspects. Carol Lambert (Stefanie Powers), the dead man's sister, arrives in town to get to the bottom of her brother's death, but she falls into a fling with Pete. Meanwhile, Hank (Hugh O'Brien), another beach bum, has been dallying with rich widow Margot Eliot (Ruth Roman), but with Pete getting more serious about Carol, he begins to think that Kit might be a more lucrative target for his affections. As the police step up their investigation of the death, the parties involved begin to realize that they're all going to have to settle on one partner, once and for all. Turner's costumes were designed by Edith Head, who spent a then-record $1 million on the many stylish beach outfits which are frequently changed by the cast. ~ Mark Deming, All Movie Guide

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Starring:
Lana TurnerCliff Robertson, (more)
1962  
 
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A rebellious young man sets out to find himself in this melodrama by Roberto Rodríguez (of the brothers Rodríguez, well-established in Mexican cinema). The setting is Acapulco and the young man is one of the divers who throw themselves off the incredibly high cliffs known as the Quebrada, for recompense from tourists. That calling is dangerous enough but the unhappy home life of the diver sends him away, looking for his niche in the world. Just because of his dysfunctional family he is not so good at engendering relationships himself and when he does meet someone interesting he hurts the woman's feelings -- which does not bode well for finding the love he needs. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Rodolfo De AndaPatricia Conde, (more)
1959  
 
A onetime pilot, now a convicted killer in the custody of the FBI, is the only hope of an overseas flight carrying a bomb. ~ Jason Ankeny, All Movie Guide

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1957  
 
Interest was increased in this Mexican political drama because the story criticizes the treasury department of that country, and said department would not allow the release of the film. After a change in government, this story written by Emilio Carballido, directed by Alfonso Corona-Blake and produced by Gloria Lozano, who also plays one of the leads, finally came to light on the silver screens. At the center of the action is a woman who works in the treasury department (Lozano) and the man she loves (Carlos Lopez-Moctezuma) who is also a co-worker and reciprocates her feelings. Both of them are having difficulties because of their jobs. Red tape and bureaucratic inefficiency put an extra burden on them, compounded by the fact that treasury employees often have a hard time getting paid their wages. The director has opted for a light touch, so this is not a strident propaganda piece and should prove of interest to a broad range of viewers. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Carlos Lopez MoctezumaFanny Schiller, (more)
1957  
 
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Filmed in Mexico, The Black Scorpion was the last theatrical feature to bear the imprimatur of special-effects maven Willis O'Brien. Allegedly an outgrowth of a ten-minute "test" film, the story is set in motion by a volcanic eruption which releases dozens of giant scorpions from a cave. American geologist Richard Denning and his cohorts try to drive the scorpions back into their lair, but the huge arachnids are soon at large in civilization, munching on innocent bystanders as they go their merry way. The authorities are able to destroy all but one scorpion, who unfortunately is the nastiest of the bunch. The climax takes place in a Mexico City bullring, where the scorpion does battle with a fleet of military helicopters. ~ Hal Erickson, All Movie Guide

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Starring:
Richard DenningMara Corday, (more)
1956  
 
Battle Shock and War Shock were the titles bestowed by British distributors upon the Paul Henreid-directed psychological drama A Woman's Devotion. Ralph Meeker stars as Trevor Stevenson, an emotionally scarred World War II veteran who has channelled his fears and phobias into his painting. At present, he is in Acapulco on his honeymoon with bride, Stella (Janice Rule). Shortly after Trevor's arrival, two women are murdered. The audience is presented with a "lady or the tiger" situation, with clues pointing to Trevor's guilt or innocence depending upon one's point-of-view. Henreid cagily avoids telling us the whole story -- continuing to withhold information right up to the grim finale. Trevor's behavior in the climactic scenes is an interesting precursor to the "crazed Vietnam vet" school of drama. ~ Hal Erickson, All Movie Guide

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Starring:
Ralph MeekerJanice Rule, (more)
1955  
 
Filmed on location, Treasure of Pancho Villa stars Rory Calhoun as a mercenary at large during Mexico's civil war. Though he'll sell his services to the highest bidder, Calhoun is eventually won over to Pancho Villa's cause by patriot Gilbert Roland and former aristocrat Shelley Winters. Before this happens, however, our hero (who doesn't behave like one) wheels and deals to get his hands on a cache of gold. Without giving away the ending, it can be noted that the film borrows liberally from Treasure of Sierra Madre. While the dialogue passages in Treasure of Pancho Villa can be tiresome, the film is saved by its literally explosive action highlights. ~ Hal Erickson, All Movie Guide

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Starring:
Rory CalhounShelley Winters, (more)
1955  
 
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Mauricio De La Serna's romantic comedy Pablo Y Carolina concerns a woman named Carolina who juggles three different men who are pursuing her romantically. When she begins to suspect that yet another man might be her true love, she pretends to be someone else in order to find out more about him. ~ Perry Seibert, All Movie Guide

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1953  
 
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Camelia is a woman who has been hurt by love but who is willing to give it another chance with her new, young and caring lover. ~ Kristie Hassen, All Movie Guide

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1953  
 
This tuneful romantic melodrama is set in a tiny Mexican village and is comprised of three storylines. One tale concerns a pair of young lovers from rival villages who will not be able to marry until a long time feud is ended. In another tale, an heir to a large fortune falls in love with an impoverished girl. His family is dead set against the match. When he is diagnosed with a fatal tumor, the man begs the girl to marry him, but she refuses and instead arranges for him to marry another. In the third story, a matador's comely sister falls in love with a street vendor. Unfortunately, the matador hates her beloved and to break them up permanently, slyly convinces the peddler to enter the dangerous bullring. Fortunately for the sister, her brother's scheme fails spectacularly. She then marries the peddler and makes an ironic discovery. ~ Sandra Brennan, All Movie Guide

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Starring:
Anna Maria Pier AngeliRicardo Montalban, (more)
1952  
 
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La Loca translates to Mad Woman, a harsh but accurate description of the heroine, played by Libertad Lamarque. Outwardly a kindly philanthropist, the woman is, in private, dangerously close to insanity. When she finally does go over the edge, all of her previous good works are forgotten by the public, and she is treated--or mistreated--like any other mental patient. La Loca is all the more powerful when one realizes that its star, Libertad Lamarque, was heretofore best known for her work in lighthearted musical comedies. Director Miguel Zacarias avoids sensationalism throughout, unfolding his tragic tale in calm, matter-of-fact fashion. ~ Hal Erickson, All Movie Guide

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Starring:
Libertad LamarqueRuben Rojo, (more)
1952  
 
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Produced in Mexico, Stronghold was distributed in the U.S. by Lippert Pictures. The studio hoped that the presence of American film stars Veronica Lake and Zachary Scott would prove beneficial at the box-office. Set during Juarez' revolution against Austrian emperor Maximillian, the film casts Lake as Mary Stevens, a wealthy American visitor who is kidnapped by gentleman bandit Don Pedro Alvarez (Arturo de Cordova) and his gang. Alvarez plans to use the ransom money to help finance the revolution, but Mary manages to orchestrate governmental resistance against the bandit's schemes. Eventually, however, she realizes that Alvarez is a man of honor and patriotism. Conversely, Don Miguel Navarro (Zachary Scott), the "heroic" overseer of a silver mine owned by Mary, is actually a double-dyed villain, finally showing his hand in the film's spectacular finale. ~ Hal Erickson, All Movie Guide

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Starring:
Veronica LakeZachary Scott, (more)
1952  
 
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The Mexican drama El Enamorado concerns a man who must stand up to murderous criminals would they threaten his hometown and his family. ~ Perry Seibert, All Movie Guide

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Starring:
Pedro Infante, Sr.Sarita Montiel, (more)
1951  
 
Mel Ferrer and Anthony Quinn are perfectly cast in The Brave Bulls. Ferrer plays a star matador who is the idol of the crowds, an image carefully cultivated by Quinn, his manager. The matador is unbeatable until the woman he loves (Miroslava) perishes in an auto accident. Wracked by guilt and self-doubt, Ferrer is gored in his next battle. The rest of the film traces Ferrer's slow and torturous regaining of his courage. Based on the novel by Tom Lea, The Brave Bulls manages to convey the euphoria and blood-lust of the aficionados without offending the sensibilities of the Hollywood censors. The film's greatest asset is the gut-wrenching camera work by James Wong Howe and Floyd Crosby. ~ Hal Erickson, All Movie Guide

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Starring:
Mel FerrerMiroslava Stern, (more)
1950  
 
As directed by Fernando de Fuentes, the 1950 Spanish-language drama Crimen y Castigo constitutes an adaptation of the seminal novel Crime and Punishment by Fyodor Dostoyevsky. Like its famous source material, the de Fuentes film tells of a young man who cruelly murders an elderly woman for her money, and later feels plagued by the need to confess his doings. ~ Nathan Southern, All Movie Guide

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1949  
 
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Pobres Pero Sinverguenzas tells the story of a poor family who decide to care for an infant they come into possession of after inadvertently stealing the abandoned infant. ~ Perry Seibert, All Movie Guide

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1949  
 
La Negra Angustia is a sweeping recreation of the Mexican Revolution. Popular film star Maria Elena Marques stars as Angustia (whose name, significantly, translates to "Anguish"). In the course of the film, Angustia becomes a figurehead, a rallying point for the revolutionaries. The authentic "feel" of the film is enhanced by the evocative musical score, featuring vocals by Gracisca Amador. On the strength of La Negra Angustia (not to mention the earlier The Pearl), Maria Elena Marques was brought to Hollywood, where she was costarred with Clark Gable in Across the Wide Missouri. ~ Hal Erickson, All Movie Guide

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1948  
 
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Algo Flota Sobre el Agua translates as the somewhat less exotic-sounding Something Floats on the Water. Arturo de Cordova stars in this easygoing drama about a fishing community located off the Gulf of Mexico. There's no real plot to speak of, simply a series of realistic, affectionately detailed vignettes. Critics were unanimous in praising the film, but almost as unanimous in questioning the casting of 17-year-old Elsa Aguirre in a crucial adult role. No one, however, found any fault with the rugged, evocative cinematography of Augustin Martinez Solares. ~ Hal Erickson, All Movie Guide

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Starring:
Arturo de CordovaElsa Aguirre, (more)
1947  
 
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The title of this popular Mexican melodrama translates as May God Forgive Me. The incomparable Maria Felix stars as the survivor of the European concentration camps. While interred, Felix gives birth to a child, but loses track of the baby as she is shuttled from one camp to another. Upon her release, she falls in love with wealthy widower Fernando Soler, the father of piano prodigy Carmelita Gonzalez. Upon inheriting Soler's wealth, Felix passes it all along to Gonzalez, still clinging to the hope that she'll find true happiness with her long-missing daughter. The tragic finale seems rather unfair considering all the previous misfortunes heaped upon the heroine, but audiences seemed to enjoy suffering along with her. ~ Hal Erickson, All Movie Guide

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Starring:
Maria FelixFernando Soler, (more)
1945  
 
The matchless Maria Felix essays a dual role in the Mexican romantic drama Sister Lieutenant. Felix begins the film as Catalina, daughter of a wealthy family whose dowry is stolen by a scheming aunt. After surviving a shipwreck, Catalina disguises herself as a man named Don Alonso. This she does to get to Peru without molestation and to locate her father's will, which will enable her to expose the aunt as a fraud. While comporting herself in male drag, Catalina has quite a time confessing her ruse to her lover (Jose Cibrian). Anyone who catches Sister Lieutenant on cable TV (where it pops up with alarming frequency) will immediately understand why Maria Felix was -- and is -- Mexico's favorite female film star. ~ Hal Erickson, All Movie Guide

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Starring:
Maria FelixÁngel Garasa, (more)

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