Murray Alper Movies

Royal Family of Broadway was an abridged but otherwise literal translation of the George S. Kaufman/Edna Ferber Broadway hit The Royal Family. The title referred not to kings and queens but to a prominent theatrical family named Cavendish--based none too loosely on the famed Barrymore clan. Ina Claire plays the "Ethel Barrymore" counterpart, a beloved stage star who wishes to renounce the theatre to marry a millionaire and move to South America. Fredric March steals the show as the "black sheep" of the family, obviously patterned after the rambunctious John Barrymore (March has John Barrymore's legendary gestures and petulant temper tantrums down pat). When it looks as if the Cavendish legacy will break up with the daughter's marriage and the son's peccadillos, the Cavendish matriarch (Henrietta Crosman) delivers an impassioned "show must go on" speech from her deathbed, reuniting the fragmented family. Reportedly, The Royal Family angered Ethel Barrymore to the point of a threatened lawsuit. She need not have worried; despite the histrionic excesses of the Cavendishes in The Royal Family of Broadway, these ersatz Barrymores are depicted with amusement and affection. ~ Hal Erickson, All Movie Guide

In the wake of Shirley Temple, every Hollywood studio scrambled to find a child star who might possibility match Temple's selling power. Warner Bros.' candidate was South Africa-born Sybil Jason, who starred in several of the studio's short subjects and was headlined in a handful of features like Little Big Shot. Here she is cast as Gloria Gibbs, whose daddy is knocked off by gangsters early in the picture. Left in the care of confidence tricksters Steve Craig (Robert Armstrong) and Mortimer Thompson (Edward Everett Horton), it doesn't take long for Gloria to twist her surrogate "parents" around her little finger. With the help of Steve, Mortimer and lunch-counter waitress Jean (Glenda Farrell), our heroine not only puts the finger on the gang responsible for her father's demise, but collects a huge reward as a result. ~ Hal Erickson, All Movie Guide

In this lively comedy, a cocky reporter follows a gangster aboard an ocean liner. While on board, the overconfident fellow mentions his purpose to a ship's manicurist with whom he's fallen in love. Later they get married and the reporter loses his job causing a fight between the newlyweds. He then decides to divorce her. Unwillingly to let the marriage die so easily, the manicurist gives a manicure to a gangster who is supposed to be dead. Her husband then reports the news, but more mix-ups occur and he is fired again. Blaming it all on his wife, he continues with his divorce proceedings until she is able to prove once and for all the illusive gangster is very much alive. ~ Sandra Brennan, All Movie Guide

Blending equal amounts of comedy, romance and thrills, High Tension is a near-perfect 20th Century-Fox "B" effort. Brian Donlevy and Glenda Farrell co-stars as rough-and-ready Steve Reardon and equally feisty Edith McNeal. He's a deep-sea engineer for a telephone cable company; she's a magazine writer specializing in adventure stories. Though Steve is in love with Edith, he balks at the notion of marriage. But after rescuing his best pal Eddie (Norman Foster) during a particularly dangerous job in Hawaii, Steve realizes he needs some stability in his life, and finally pops the question to Edith. Allan Dwan directs this slam-bang actioner with his usual effortless expertise. ~ Hal Erickson, All Movie Guide

One of the funniest, most sharply paced comedies of the 1930s, and perhaps the best of all of Harold Lloyd's talkies, The Milky Way was based on the Broadway play by Lynn Root and Harry Clork. Lloyd plays Burleigh Sullivan, a mild-mannered milkman who intercedes one night when his sister Mae (Helen Mack) is being accosted on the street by two obnoxious drunks -- they turn their wrath on him, his sister runs for help, and when she returns less than a minute later, both men are out cold on the pavement, with Burleigh standing over them. As one of them, Speed MacFarland (William Gargan), is the world's middleweight boxing champion, and the other, Spider Schultz (Lionel Stander), is his sparring partner, Burleigh makes the front page of every newspaper in New York. McFarland's manager, Gabby Sloan (Adolphe Menjou), has to figure out how to salvage the champ's career, but first he has to figure out exactly what happened, since both fighters were too drunk to remember anything about it. It turns out that Sullivan couldn't beat an egg, but he is good at one thing -- ducking. He can dodge any punch, and the two fighters knocked each other out in the process of trying to pummel him. What's more, on hearing this, they're so angry that Schultz accidentally knocks MacFarland out again, just ahead of the press' arrival, and the little milkman is given credit once more by the reporters for decking the champ. Burleigh loves the attention, even though he never claims to have hit anyone. Meanwhile, Sloan comes up with a way of salvaging his fighter's career, and convinces Burleigh to go along with it for a promised cash sum -- all Burleigh has to do is get in the ring in six fights, to build up his standing and reputation, and finish his "career" in a fight with MacFarland, who will win. In the meantime, complications arise when MacFarland falls in love with Burleigh's sister, while Burleigh himself meets and falls in love with Polly Pringle (Dorothy Wilson), a helpful neighbor. Gabby, Spider, and Speed also discover that turning tiny, wiry Burleigh Sullivan into something that even looks like a fighter is easier said than done -- all of his fights have to be fixed (and then some) behind his back to make his victories look remotely genuine. Finally, after starting to believe his own publicity, and then discovering that the fights were fixed, Burleigh goes through with the final match-up against MacFarland, the culmination of a comedy of errors involving horses, foals, and a wild chase to the arena. ~ Bruce Eder, All Movie Guide

Maxwell Anderson combined the Sacco-Vanzetti story with elements of the still-unsolved disappearance of Judge Crater, and the result was the blank-verse theatrical piece Winterset. Burgess Meredith, Margo and Eduardo Cianelli repeat their Broadway roles, respectively playing the grown son of an executed political radical, the woman who loves and stands by Meredith, and a menacing gangster with plenty to hide. 15 years after the execution, Meredith endeavors to clear his father's name, and to that end seeks out the judge (Edward Ellis) who presided over the trial, now a drunken, guilt-ridden derelict. Screenwriter Anthony Veiller remove most of Anderson's flowery dialogue and substituted a happy ending for the original play's cynically tragic denouement. Neither of these changes hurt the property, and in fact were heartily endorsed by Maxwell Anderson himself. But depression-era audiences, too wrapped in their own current problems to shed tears over the long-dead Sacco and Vanzetti, stayed away from Winterset in droves. ~ Hal Erickson, All Movie Guide

A Kathleen Norris novel was the source for this romantic drama, which begins when widowed navy doctor Quentin Harden (Ralph Bellamy) falls in love with nurse Vicki Blake (Claire Trevor). Despite her awareness that most naval marriages end in divorce, Vicki says "yes" when Harden proposes. Soon she begins to suspect that he still carries a torch for his late wife, but she remains with Harden for the sake of his crippled daughter (Anne Howard). Vicki's loyalty is rewarded when Harden proves once and for all that he is in love with her, and only her. Warren Hymer provides comic relief as a goofy gob who deliberately gets injured so he can enjoy the attentions of a bevy of beautiful nurses. Navy Wife was largely filmed on location at the U.S. Naval Base in Pearl Harbor, Hawaii. ~ Hal Erickson, All Movie Guide

Douglas MacLean, who starred in the original 1919 version of this World War I comedy, produced this remake starring James Ellison as Sgt. Gray. One day at training camp, Gray bets his buddies that he'll be having breakfast with the General (Paul Harvey) the next morning. Through a series of comic episodes, Gray accomplishes his goal, surprising his fellow soldiers. Arthur Lake (Dagwood in the Blondie series) co-stars in this average comedy, which is bolstered by some okay songs from Sammy Stept and Ted Koehler. ~ Robert Firsching, All Movie Guide

In this crime drama, a highly superstitious racehorse owner spends his time off the track helping the less fortunate in any way he can so that he will always have good luck. His ploy works until he is accused of murdering his ex-lover. Fortunately, the real culprit is discovered before he has to go to jail. ~ Sandra Brennan, All Movie Guide

Big Town Girl is 20th-Century Fox's spin on Paramount's Carole Lombard vehicle The Princess Comes Across. Whereas Lombard played a Brooklyn girl posing as a Swedish princess, Big Town Girl's Claire Trevor plays a department store song plugger who becomes a radio singing sensation by posing as the mysterious "Masked Countess." This publicity ploy serves a double purpose: Trevor is the estranged wife of gangster Alan Baxter, and she doesn't want Baxter to know her whereabouts. Reporter Donald Woods tumbles to Trevor's deception, but he falls in love with her and determines to keep her secret. ~ Hal Erickson, All Movie Guide

In this pastoral drama, a ruthless gang of fugitives, hide from the law on a remote farm. There they find themselves profoundly affected by the old blind man and his loyal dog that lives there. They also gradually begin to respect the honest toil and simple rewards of country life. When the gang leader finally asks them to come out of hiding, the former criminals turn him in. ~ Sandra Brennan, All Movie Guide

Set during World War I, Submarine Patrol stars Preston S. Foster as a naval officer demoted for dereliction of duty. He is forced to commandeer a battered old submarine chaser and its ragtag crew. Anxious to redeem himself, Foster transforms his loser underlings into a crack combat team, chalking up numerous enemy sinkings. Richard Greene costars as Foster's junior officer, a rich wastrel who matures into a worthwhile individual during his tour of duty. Deftly directed by John Ford, Submarine Patrol was enthusiastically received by audiences and critics alike in 1938. ~ Hal Erickson, All Movie Guide

The legendary Cocoanut Grove nightclub is the setting for this all-star Paramount musical. Fred MacMurray heads the cast as Johnny Prentice, a small-time bandleader who heads to the Grove for an all-important audition. He is accompanied by his foster son Half-Pint (Billy Lee), a talented drummer in his own right. Joining the troupe is Linda Rodgers (Harriet Hilliard), ostensibly Half-Pint's tutor but actually an aspiring vocalist. The thinnish plot serves as an excuse for an unending stream of specialty numbers featuring Royal Hawaiian orchestra leader Harry Owens, comedian Ben Blue, the zany Yacht Club Boys (a WASP version of the Ritz Brothers), funny-noise specialist Rufe Davis and bandmaster Red Stanley. In the course of events, nine new original songs are performed, none of which graduated to hit-parade status. Curiously, the real Cocoanut Grove is never seen, though the Paramount mockup is reasonably convincing. ~ Hal Erickson, All Movie Guide