Elisabeth Logue Movies

Hawaii hadn't even begun filming when director Fred Zinnemann was replaced by George Roy Hill; similarly, the role intended for Charlton Heston ended up being played by Richard Harris (though Heston would eventually star in the 1970 sequel, The Hawaiians). Based on James A. Michener's best-selling novel, the time frame of which was spread out over several centuries, the film concentrates only on the years 1820 to 1841. Still, Michener's basic point, that the virginal sanctity of the Hawaiian islands was forever shattered by the incursion of the white man, remains intact. Max Von Sydow stars as Abner Hale, an imperious minister who settles in Hawaii with his wife, Jerusha Bromley Hale (Julie Andrews). While Abner expects the islanders to adapt to him rather than the other way around, Jerusha goes out of her way to understand and appreciate her new neighbors. She eventually seeks comfort in the arms of her former lover Rafer Hoxworth (Richard Harris). Despite the lush location footage and such spectacular highlights as pagan ceremonies and an outsized typhoon, the scene most filmgoers remember is Julie Andrews' agonizingly convincing childbirth sequence. All told, it took seven years to translate Hawaii from script to screen -- and almost that long to make back its 15-million-dollar cost. In the early scenes of Hawaii (the 171-minute version, rather than the 151-minute reissue), Bette Midler plays a bit part as a ship passenger. ~ Hal Erickson, Rovi

Producer Leonard Sillman's 1952 edition of his popular Broadway revue New Faces was filmed just as it was staged, save for a wraparound fictional romantic story. The newly grafted plotline involves the efforts of director Ronny Graham to stave off an angry creditor long enough to open his show. We occasionally cut away to the backstage intrigues, but never long enough to take anything away from Sillman's talented cast of newcomers. The cast includes Eartha Kitt, singing such standards-to-be as "C'est Ci Bon" and "Monotonous"; Robert Clary, doing a medley of his hit "I'm in Love With Miss Logan"; Alice Ghostley, belting forth a brace of satirical torch songs; Paul Lynde (heavier than we're used to seeing him), offering his "safari" monologue and later participating in a screamingly funny Death of a Salesman takeoff; and Ronny Graham, performing an extended lampoon of either Tennessee Williams or Truman Capote (we aren't too sure; judge for yourself). Carol Lawrence also makes her first film appearance herein. The Broadway production's biggest song hit, "Love Is a Simple Thing," is sung and danced to the oversaturation point. Among the many writers was a young fellow by the name of Melvin Brooks (that's how he's billed). Its production flaws and budget shortcomings notwithstanding, the widescreen, full-color New Faces offers a rare opportunity for a 1990s audience to see what a '50s-style musical revue really looked like to the opening-night crowd. ~ Hal Erickson, Rovi