Edwin Styles Movies

In this British comedy, a luckless London window washer loses his job and ends up working in an enormous country estate that boasts more windows than any place in England. Things get worse when the self-centered heir of the manor forces the worker to accompany him to a local hotspot. ~ Iotis Erlewine, All Movie Guide

Had the women-behind-bars drama The Weak and the Wicked been made in Hollywood, the cast would probably have included the likes of Ida Lupino, Marie Windsor, Peggie Castle and Hope Emerson. Instead, the film was lensed in Britain, with Glynis Johns and Diana Dors heading the cast. Framed on a charge of fraud, "good girl" Glynis is tossed into prison. Her cellmates include hard-boiled Ms. Dors, murder suspect Jane Hylton, blackmailer-poisoner Dame Sybil Thorndyke and shoplifter Olive Sloane. Each of their stories is detailed in a series of flashbacks. Downplay the potential sensational elments of the storyline, The Weak and the Wicked takes great pains to point out the positive values of a special rehabilitation program, wherein the main characters are given the opportunity to make themselves useful members of society. ~ Hal Erickson, All Movie Guide

No relation to the 1924 D. W. Griffith film of the same name, Isn't Life Wonderful! is a bucolic British comedy which goes for quiet chuckles rather than bellylaughs. Set in a sleepy rural village in the early 1900s, the film centers around the efforts to transform sorry old sot Uncle Willie (Donald Wolfit) into a gentleman of prestige and property. It is all for the benefit of young Virginia (Dianne Foster), the American fiancee of Willie's prim-and-proper nephew Frank (Robert Urquardt). Set up by friends and relatives in the bicycle business, Uncle Willie continues his wastrelly ways, but somehow manages to make a success of his little shop. Somehow all this leads to a hectic finale at a health spa, replete with an amusing car chase. As a novelty, Isn't Life Wonderful! is told from the point of view of the film's youngest character, played by 6-year-old Peter Asher. ~ Hal Erickson, All Movie Guide

Derby Day is a typically British omnibus feature, delineating the fates of several different people during a single day at the racetrack. Peter Graves (not the American actor of the same name) plays a superficial movie star who has been won in a fan-magazine raffle by housemaid Suzanne Cloutier. Michael Wilding and Anna Neagle play a pair of disconsolates who have recently lost their respective mates in a plane crash. And Googie Withers and John McCallum (who were married in real life) portray a furtive couple whose horrible secret is revealed when they head to the window to collect their winnings. Though we count at least six principle characters in Derby Day, the film was released in the US as Four Against Fate. ~ Hal Erickson, All Movie Guide

British film-favorite Anna Neagle, having previously played such great historical personages as Queen Victoria and Edith Cavell, tackles the role of Florence Nightingale in Lady with the Lamp. Based on a play by Reginald Berkeley, the film traces the indefatigable Nightingale's efforts to minister to the thousands of casualties of the Crimean War. Opposed in the uppermost circles of British government because she is "merely" a woman, Nightingale is championed by the Hon. Sidney Herbert (Michael Wilding), minister of war. Herbert pulls strings to allow Nightingale and her nursing staff access to battlefield hospitals, and in so doing changes the course of medical history. Lady with the Lamp was, as usual, produced and directed by Anna Neagle's husband Herbert Wilcox. ~ Hal Erickson, All Movie Guide

In this comedy, a plucky woman visiting the south of France attempts to catch herself a movie star. To help her, she cons a womanizing count to woo her and make her boyfriend jealous. Unfortunately, it backfires and the count falls for her. She then hatches a new scheme in which the count and the movie star kidnap her. Along the way, the movie star offends her and she goes running back to the count. ~ Sandra Brennan, All Movie Guide

Little more than a glorified "quota quickie," On the Air showcases the talents of 14 popular radio and music-hall acts. The virtually nonexistent plotline concerns the efforts of a village vicar to stage a charity benefit. Somehow or other, our clerical hero manages to talk several major performers into participating in his insignificant extravaganza. Among the guest stars are such regional British favorites as Clapham and Dwyer, Keppel and Betty, Jimmy Jade, Roy Fox and His Band and Buddy Bradley's Rhythm Girls. Chances are that On the Air might never have been released to the U.S. had not TV created an insatiable demand for old British movies in the early 1950s. ~ Hal Erickson, All Movie Guide

Hell Below transcends its hackneyed World War I plot to emerge as a drama of rare originality and gutsiness. Walter Huston stars as a submarine commander whose lieutenant (Robert Montgomery) falls in love with Huston's daughter (Madge Evans). All cliches (including the intrusive comedy relief of Jimmy Durante) are forgiven and forgotten once the sub is launched on a dangerous mission in the Adriatic. Commander Huston is forced to make several cold-blooded decisions to preserve the safety of his crew members. In one scene, seaman Sterling Holloway is trapped in a room full of poison gas. Huston orders the men not to rescue Holloway, lest they too be exposed to the deadly fumes. As the men grimly try to go about their routine tasks, the dying Holloway presses his face against the glassed-in porthole and piteously begs for help! This brief moment in Hell Below sticks in the mind far longer than Robert Montgomery's own death scene, in which he redeems his reckless behavior during a crucial battle. ~ Hal Erickson, All Movie Guide