Eduard von Winterstein Movies

With a plot that twists like a plumber's snake, this is more a story of family secrets than anything else, in which the British commander of a West African garrison has to prevent the exposure of an ugly scandal involving his daughter. The story was based on a novel by Lewis Robinson entitled The General Goes Too Far. ~ Tana Hobart, All Movie Guide

This wintry drama stars Viktor Stahl as Walter Peters, a young and struggling writer. Peters falls madly in love with Marian Von Soden (Hansi Knoteck), who has hidden herself in the Silesian forest to escape her nasty husband (Hans Zsech-Ballot). For most of the proceedings, the story takes a back seat to an itinerary of the customs and traditions of Silesian peasantry. Highlights include a Christmas celebration and a New Year's Eve revelry -- both presumably authentic -- and an outsized climactic snowstorm. Waldwinter was based on a novel by Paul Keller. ~ Hal Erickson, All Movie Guide

In this Swedish romance, a strapping farm boy is betrothed to a pretty socialite. Unfortunately, he really loves a simple girl from the marsh. His engagement to the wealthy lass is broken after he gets into a barroom brawl. He is then able to marry the woman he really loves. ~ Sandra Brennan, All Movie Guide

Mensch Ohne Namen (Men Without Names) is a modernized adaptation of Honore de Balzac's Colonel Chabert. Long believed dead, WWI captain Heinrich Martin (Werner Kraus) returns to Berlin after a 16-year absence. Suffering from amnesia, Martin suddenly remembers that he has a wife and that he used to run a successful auto-manufacturing business. Not surprisingly, his wife has remarried, and his business is now the property of her second husband. Vainly, Martin battles the bureaucracy to regain ownership of his business but is forced to give up the fight. He starts life anew in a poor, provincial community, finding happiness with a pretty typist. Thanks to his new wife's business savvy, Martin is able to regain his status in the manufacturing world and becomes a millionaire all over again. ~ Hal Erickson, All Movie Guide

Allegedly based on a true story, Im Geheimdienst (Secret Service) takes place during WWI. German spy Willy Fritsch, posing as an American violinist, manages to move within the uppermost circles of Russian society with impunity. He inveigles Brigitte Helm, the wife of Russian general Oscar Homolka, into stealing a cache of secret documents. Facing death at every turn, Helm accomplishes her task, and together with her new lover Fritsch escapes to Sweden. This was considered to be a happy ending, but of course no one asked the poor general. Some sources indicate that Willy Fritsch did his own violin-playing in Im Geheimdienst, but this may not have been the case. ~ Hal Erickson, All Movie Guide

Marlene Dietrich became an immediate international star on the strength of her performance as the temptress Lola Frohlich in Josef von Sternberg's classic tale of love and obsession. Professor Immanuel Rath (Emil Jannings) is a strict and humorless schoolmaster who is shocked when he discovers the boys in his class have been spending their time at a sleazy cabaret called The Blue Angel, where an entertainer named Lola (Dietrich) keeps the men in thrall and sells suggestive postcards of herself. Rath goes to the club in hopes of catching his students and giving them a severe dressing-down, but he instead finds himself entranced by the carefree atmosphere of the club, and is struck by Lola's earthy, sensual beauty. Rath finds himself strongly attracted to Lola, and she later entertains him in her dressing room. When word of Rath's infatuation with Lola spreads to his students, he is taunted mercilessly, and eventually Rath is dismissed from the school. While Lola agrees to marry Rath, she shows little affection for him and delights in humiliating him, making him her servant and forcing him to play a clown in her stage show. The Blue Angel was shot in both German and English language versions; the German is preferable, as most of the cast were obviously more expert in that tongue. Dietrich introduced her theme song, "Falling In Love Again", in this picture. ~ Mark Deming, All Movie Guide

Rosenmontag (U.S. title: Carnival's End) was based on the novel of the same name by Otto Erich Hartlebein. Thanks to ugly gossip, a young Army lieutenant is convinced that his sweetheart is an unfaithful trollop. He becomes engaged to another woman then marches off to war, having promised to forsake all other women. Eventually, he discovers that the stories about his first love were all lies. He returns to her and rekindles the romance, whereupon he remembers vowing eternal devotion to his present fiancee. Rather than sacrifice his honor, the lieutenant resorts to extreme and tragic measures to keep his promise. ~ Hal Erickson, All Movie Guide

Der Anders (The Other) was adapted from the stage play of the same name by Paul Lindau. Fritz Kortner dominates the proceedings as a brilliant and highly feared prosecuting attorney. What no one suspects is that Kortner moonlights as a vicious criminal, who isn't above using violence to get what he wants. Heroine Kaethe von Nagy discovers his secret, but such is her unsavory past that she is in no position to blow the whistle. Ultimately, Kortner is done in by his own ego. Der Anders was previously filmed in 1913, with Albert Basserman as the duplicitous "hero." ~ Hal Erickson, All Movie Guide

Fritz Lang was a stickler for realism in his American films; not so his German silents, which were fanciful to the point of being fairy tales. Der Müde Tod, Lang's first big critical success, is an allegorical tale of love, fidelity and death. The heroine (Lil Dagover), who in her dreams is confronted by Mr. Death, argues for the life of her beloved, but is unable to make the personal sacrifices that Death insists upon. Originally presented in three parts, Der Müde Tod was often boiled down to a single film for its non-German showings. Its English-language titles range from The Weary Death to Between Two Worlds to Beyond the Wall to Destiny. ~ Hal Erickson, All Movie Guide

Denmark's leading silent-screen actress Asta Nielsen had the audacity to play the title role in Hamlet, produced by her in Germany and co-directed by Svend Gade. Nielsen actually succeeded in turning the Bard's perhaps finest play into a star vehicle for herself. Mistakenly believing her husband to have died, a scheming Gertrude raises her daughter as a boy and heir-apparent. Nielsen's Hamlet is not only Horatio's best friend in this version, but she falls in love with him as well, thus becoming Ophelia's rival. The scenes between Hamlet and Horatio (and to a lesser degree between Hamlet and Fortinbras) are quite intense in what, for all the world, appear as homosexual trysts. Nielsen did not base her prince(ss) of Denmark entirely on Shakespeare, obviously, but also on a then much-talked-about novel by one Professor E. Vining. ~ Hans J. Wollstein, All Movie Guide