Thomas Chabrol Movies

Claude Chabrol's Comedy of Power stars Isabelle Huppert as a French judge who attempts to bring down the very powerful but corrupt CEO of a large corporation. As she digs deeper into the case, she uncovers criminal activity that stretches into the highest levels of government, and her life is turned upside down by death threats as well as her sudden celebrity. The film follows as her career affects her family. Loosely based on real events, Comedy of Power had its North American debut at the 2006 Tribeca Film Festival. ~ Perry Seibert, All Movie Guide

The master of French suspense joins forces with the queen of English suspense fiction for this tense tale of the treacherous love affair between a disturbed bridesmaid and an unsuspecting young man. Philippe (Benoit Magimel) lives in a quiet French town with his hairdresser mother Christine (Aurore Clément) and two younger sisters. Soon after the news breaks about a local girl who has mysteriously vanished, Philippe's mother introduces her children to Gerard (Bernard Le Coq) -- a local businessman who may have matrimonial intentions toward the attractive beautician. Soon after receiving permission from her children to present Gerard with a sculpture of a woman's head that had previously adorned the family garden, however, the elusive beau seems to disappear without a trace. Philippe is intent on recovering the captivating piece of art, and after stealthily recovering it in a clandestine mission he places it in his closet without telling the rest of the family. Later, at his sister's wedding, Philippe meets attractive bridesmaid Senta (Laura Smet) and passion between the pair quickly ignites during a stormy seduction. A model and aspiring actress who lives alone in a massive villa inherited from her father, sultry Senta may be physically irresistible, yet she also seems to have a few morbid preconceptions about life, love, and death. As the affair between the pair grows increasingly heated, Philippe at first takes her request to murder a stranger as a means of proving his love as a joke. The more he gets to know her the more that it appears that Senta is in fact deadly serious about her dark request. ~ Jason Buchanan, All Movie Guide

For 30 years the title eatery has delighted its customers with good family style French cooking, but as with many good things, its time has come and it must close. This semi-autobiographical French drama, adapted from screenwriter/director Laurent Benegui's novel, chronicles the final meal served to 15 loyal patrons on closing day. Amidst affectionate humor and occasional pathos, much attention is paid to the conversations, personal situations, and emotions of the diners and the staff. ~ Sandra Brennan, All Movie Guide

Adapted from a novel by Georges Simenon, Betty stars Marie Trintignant in the title role. A drunken wastrel, Betty is adopted after a fashion by an older female alcoholic named Laure, played by director Claude Chabrol's wife at the time, Stéphane Audran. Fascinated by Betty's hard-luck tales, Laure endeavors to protect the younger woman from the ravages of a cruel world. Unfortunately, she turns a blind eye to Betty's larcenous streak, which manifests itself at the worst possible moments. This tale of a irredeemable ne'er-do-well is fleshed out by a flashback-flashforward technique that some observers found confusing and distracting. ~ Hal Erickson, All Movie Guide

Henry Miller's novels were almost entirely autobiographical, and concerned not only his environment and friends, but also recorded his many sexual exploits - which he apparently viewed with something like spiritual awe. Despite his sexual obsessions, his novels are respected worldwide for their brilliant depictions of time and place, and have occasionally been made into movies. This 1990 film by Claude Chabrol makes a reportedly poor effort to bring the novel Quiet Days In Clichy to the screen, and transforms the seedy exploits of a penniless expatriate in Paris to the boyish pleasures of a couple of sweet-faced middle class lads who hang out in expensive whorehouses and go to cocktail parties with fashionable people. ~ Clarke Fountain, All Movie Guide

While leaving her husband, whom she now detests, Alice (Sylvia Kristel) drives into the countryside but must stop at an old house when her windshield cracks mysteriously. She is received at the house as if expected, and spends the night there while her car is being fixed. The next day, she cannot find the highway she turned off of, and returns again to the old house where a young man tells her she must "accept things." Once more she leaves, only to encounter a peasant wedding which is frighteningly boisterous and bawdy, whereupon her windshield breaks again. She returns to the mansion for the last time, where the truth is finally made apparent to her. ~ Clarke Fountain, All Movie Guide