Don Burnett Movies
This classic Greek tale of a friendship that overcomes even death makes for an interesting sword-and-sandal saga, with Guy Williams in the role of Damon. An apt choice since Williams is himself an expert swordsman, as partially demonstrated in his role as Zorro on American television (1957-59). Pythias (Don Burnett) has been caught plotting the assassination of King Dionysis I of Syracuse (Arnoldo Foa). Before his execution, Dionysis grants Pythias leave to put his affairs in order because Damon volunteers to stand in his stead if Pythias does not come back to face the executioner. Damon's act is considered foolish. He was safe, why should Pythias come back? But the two are devotees of the Pythagorean mysteries, and their faith in brotherly love goes beyond self-interest. When Pythias does return in the allotted time, King Dionysis is impressed enough to have a change of heart. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Don Burnett, Guy Williams, (more)
While working at the Ponderosa, wrangler Johnny Lightly (Ben Cooper) suffers an accident that costs him the use of both legs. Though Dr. Kay (Addison Richards theorizes that the injuries may not last, Johnny has given up the will to live. The only hope for Johnny's recovery rests in his growing affection for Dr. Kay's assistant Ann Davis (played by Sue Randall), formerly Miss Landers on Leave It to Beaver). R.G. Armstrong co-stars as Nathan Clay. First shown on November 26, 1961, "The Horse Breaker" was written by Frank Chase. ~ Hal Erickson, All Movie Guide
- Starring:
- Lorne Greene, Pernell Roberts, (more)
Frontier Rangers doesn't usually show up in the feature-film credits of director Jacques Tourneur for a very good reason: It really isn't a feature film at all. Rather, it is a pastiche of three episodes from the 1958 TV series Northwest Passage, stitched together as a feature and released theatrically in Europe. Produced by Adrian Samish and largely written by Gerald Drayson Adams, the series was based on the 1940 film of the same name, which in turn was inspired by the best-selling book by Kenneth Roberts. Keith Larsen stars as Major Robert Rogers, whose "Rangers" search tirelessly for an inland route that will permit boat travel through 18th century North America. Foremost among the troops is Rogers' old pal, Indian fighter Hunk Marriner, played by Buddy Ebsen. Guest stars in Frontier Rangers include Lisa Gaye and Angie Dickinson. The patchwork plotline is secondary to the unusually high (for a TV series) violence content. MGM released two additional ersatz Northwest Passage features for European consumption in 1959: Fury River and Mission of Danger. ~ Hal Erickson, All Movie Guide
Untamed Youth is a camp classic, so stupefyingly awful that it's actually festive. The villains are cotton grower Tropp (John Russell) and corrupt female judge Mrs. Steele (Lurene Tuttle), who conspire between them to ship female convicts to work on Tropp's farm for starvation wages. Two of the new arrivals are professional entertainers Penny (Mamie Van Doren) and Janey (Lori Nelson), arrested on trumped-up charges and forced to work off their sentence on the Tropp spread. Salvation arrives in the form of Bob (Don Burnett), Mrs. Steele's son, who intends to expose his mom's eeeevil scheme. Featured in the cast is rock-and-roller Eddie Cochran, who gets to sing one song -- while Mamie Van Doren is permitted four numbers. To repeat examples of the film's howlingly bad dialogue would be to rob the viewer of the perverse pleasure of experiencing Untamed Youth in all its trashy glory. ~ Hal Erickson, All Movie Guide
- Starring:
- Mamie van Doren, Lori Nelson, (more)
Conceived as a Gone With the Wind for the CinemaScope generation, Raintree County wasn't quite as successful as its role model, but it still proved a moneyspinner for MGM. Elizabeth Taylor stars as a spoiled Southern belle who falls in love with pacifistic Indiana youth Montgomery Clift. Though Clift is engaged to Eva Marie Saint, what Taylor wants, Taylor gets, and she isn't above using the dirtiest of deceptions to win Clift's affections. When the Civil War break out, Clift, a staunch abolitionist, joins the Union, much to the dismay of true-to-Dixie Taylor. While Clift is off fighting the war, Taylor descends into a depression that deepens into insanity. At war's end, Clift tries to come to terms with Taylor's lunacy for the sake of their child. But the strain proves too much for both of them, leading to an operatic climax which curiously segues into a happy ending (happy for some of the characters, anyway). If Montgomery Clift's performance--and appearance--seems to fluctuate wildly throughout the film, it is because he was involved in a serious auto accident during shooting, one that left both physical and emotional scars from which he never completely recovered. The 187-minute Raintree Country (reduced to 168 minutes after its initial roadshow engagements) was adapted by Millard Kaufman from the best-selling novel by Ross Lockridge, Jr. (whose own life story was infinitely more tragic than anything in his book). ~ Hal Erickson, All Movie Guide
- Starring:
- Montgomery Clift, Elizabeth Taylor, (more)
One of the best of Elvis Presley's pre-Army films, Jailhouse Rock offers us the sensual, "dangerous" Elvis that had won the hearts of the kids and earned the animosity of their elders. Presley plays a young buck who accidentally kills a man while protecting the honor of a woman. Thrown into prison, Elvis strikes up a friendship with visionary fellow-con Mickey Shaughnessy. Shaughnessy suggests that Elvis perform in the upcoming prison show. Ol' swivel-hips scores a hit, and decides to stay in showbiz after his release. Together with pretty Judy Tyler (the former Princess Summerfall Winterspring on Howdy Doody, who would die in a horrible traffic accident shortly after completing this film), Elvis sets up his own record company. Alas, success goes to his head, and soon Elvis plans to ditch Tyler in favor of signing with a big-time label. Shaughnessy shows up long enough to punch out Elvis for his disloyalty; as a result, Elvis' vocal chords are damaged and he is unable to sing. Deserted by his flunkeys and hangers-on, Elvis learns the value of friendship and fidelity when Tyler and Shaughnessy stay by his side in his darkest hours. His voice restored, Elvis climbs back up the charts--but this time, he's a much nicer fellow, and a lot more committed to Tyler. Usually the musical numbers in a Presley picture (this one has a doozy, complete with chorus boys dressed as convicts!) are more compelling than the plot. Jailhouse Rock is a perfect balance of song and story from beginning to end; seldom would Elvis be so well showcased in the future. ~ Hal Erickson, All Movie Guide
- Starring:
- Elvis Presley, Judy Tyler, (more)
Obviously inspired by such service comedies as Mister Roberts and Operation Mad Ball, Don't Go Near the Water is a tribute to those "unsung heroes" of WW2: the men and women of the Navy's Public Relations Department. Thousands of miles away from the shooting war, Lt. Max Siegel (Glenn Ford) and the rest of the PR staff spend their time issuing colorful reports of Naval heroism and sucking up to visiting US dignitaries on a tiny South Sea island. Siegel and company also battle the anal-rententive pettiness of such superior officers as Lt. Cmdr. Clinton T. Nash (Fred Clark) and such potential foes as abrasive war correspondent Gordon Ripwell (Keenan Wynn). The feminine angle is provided by Gia Scala as Melora, a European-educated local girl, Anne Francis as by-the-book nurse Lt. Alice Tomlen, and Eva Gabor as women's magazine writer Deborah Aldrich. Particularly amusing is Mickey Shaughnessy as foul-mouthed seaman Farragut Jones, whose periodic barrages of profanity are invariably drowned out by the sound of a ratchet-horn (this was, after all, 1957). Don't Go Near the Water was based on the comic novel by ex-PR man William Brinkley. ~ Hal Erickson, All Movie Guide
- Starring:
- Glenn Ford, Gia Scala, (more)
The MGM melodrama These Wilder Years marked the first onscreen pairing of Hollywood stars James Cagney and Barbara Stanwyck. Lonely middle-aged businessman Steve Bradford (Cagney) returns to his old town in hopes of finding the son he fathered 20 years earlier. Choosing his career over marriage and family, he got a girl pregnant and she gave the baby up for adoption. He goes to an orphanage ran by Ann Dempster (Barbara Stanwyck) to find out information about his son. They are attracted to each other, but she refuses to release the confidential files that could help him. He hires a lawyer, James Rayburn (Walter Pigeon), and proceeds to sue the adoption agency. Though he loses the case in the climactic courtroom scene, Steve ends up finding his son on his own, but he decides it's too late to forge a relationship. Instead, Ann introduces him to pregnant teenager Suzie (Betty Lou Keim), who needs his help. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- James Cagney, Barbara Stanwyck, (more)
1956's Tea and Sympathy is a diluted filmization of Robert Anderson's Broadway play. The original production was considered quite daring in its attitudes towards homosexuality (both actual and alleged) and marital infidelity; the film softpedals these elements, as much by adding to the text as by subtracting from it. John Kerr plays a sensitive college student who prefers the arts to sports; as such, he is ridiculed as a "sissy" by his classmates and hounded mercilessly by his macho-obsessed father Edward Andrews. Only student Darryl Hickman treats Kerr with any decency, perceiving that being different is not the same as being effeminate. Deborah Kerr, the wife of testosterone-driven housemaster Leif Erickson, likewise does her best to understand rather than condemn John for his "strangeness." Desperate to prove his manhood, John is about to visit town trollop Norma Crane. Though nothing really happens, the girl cries "rape!" Both John's father and Deborah's husband adopt a thick-eared "Boys will be boys" attitude, which only exacerbates John's insecurities. Feeling pity for John and at the same time resenting her own husband's boorishness, Deborah offers her own body to the mixed-up boy. "When you speak of this in future years...and you will...be kind." With this classic closing line, the original stage production of Tea and Sympathy came to an end. Fearing censorship interference, MGM insisted upon a stupid epilogue, indicating that Deborah Kerr deeply regretted her "wrong" behavior. ~ Hal Erickson, All Movie Guide
- Starring:
- Deborah Kerr, John Kerr, (more)
Set in 1952, at a point when the United States was bogged down in the "police action," Hell's Horizon focuses on one crew of a B-29, given the unenviable assignment of knocking out a bridge vital to the enemy over the Yalu River. To do this, and avoid violating Chinese airspace, they must make their run from a predetermined direction and, if forced down or unable to drop their bomb-load, must see to it that they don't do it over China. John Ireland is excellent as Merrill, the pilot of the plane and a born cynic, who must lead a crew that -- if truth were to be told to his C.O. -- is coming apart at the seams. First there's Trask (Hugh Beaumont), the sergeant and the non-com veteran of the group, who can't get his mind off of troubles at home; then there's Lewis (Larry Pennell), who's young enough to let his emotions get the better of him, especially where Sami (Marla English), a local Korean girl who does the unit's laundry and has been a regular companion for Merrill, is concerned; and Jockey (Chet Baker), who relaxes by playing a trumpet that drives half the other members of the crew to distraction. Add to that one new crewman, Morgan (William Schallert), an instructor who's never been in combat, and a plane that was state-of-the-art in the last war but barely able to deal with the MIGs that the North Koreans are flying now, and you've got a recipe for disaster, which nearly comes to fruition when two members of the crew fold up in different ways at two critical moments along the mission, jeopardizing the lives of the entire crew. ~ Bruce Eder, All Movie Guide
- Starring:
- John Ireland, Marla English, (more)
















