Christopher Barrett Movies

In the mid-1800s, corporations began to be recognized as individuals by U.S. courts, granting them unprecedented rights. The Corporation, a documentary by filmmakers Mark Achbar and Jennifer Abbott and author Joel Bakan, delves into that legal standard, essentially asking: if corporations were people, what kind of people would they be? Applying psychiatric principles and FBI forensic techniques, and through a series of case studies, the film determines that this entity, the corporation, which has an increasing power over the day-to-day existence of nearly every living creature on earth, would be a psychopath. The case studies include a story about how two reporters were fired from Fox News for refusing to soft-pedal a story about the dangers of a Monsanto product given to dairy cows, and another about Bolivian workers who banded together to defend their rights to their own water supply. The pervasiveness of corporate influence on our lives is explored through an examination of efforts to influence behavior, including that of children. The filmmakers interview leftist figures like Michael Moore, Howard Zinn, Naomi Klein, and Noam Chomsky, and give representatives from companies Burson Marsteller, Disney, Pfizer, and Initiative Media a chance to relay their own points-of-view. The Corporation won the Best Documentary World Cinema Audience Award at the 2004 Sundance Film Festival. ~ Josh Ralske, Rovi

Barbara Peeters's Summer School Teachers concerns three gals from Idaho going to teach at Regency High in Southern California, where they have three interwoven adventures: gym teacher Conklin T. (Candice Rialson) battles hyper-macho coach Sam Johns (Dick Miller) to start a girls' football team; chemistry teacher Denise Carter (Rhonda Leigh Hopkins) seeks to clear the name of a misunderstood juvie; and photography teacher Sally Hansen (Pat Anderson) gets involved with a pornographer. All three girls end up suspended from teaching after a series of bizarre events: there's a big conspiracy involving payola, a porno scandal, and a kidnapping at an abandoned warehouse. It all comes to a head -- as such films must -- at the big football game, which becomes an all-out brawl as various protest groups and do-gooders clash for liberation. The closing theme is a rallying cry for activism. ~ Robert Firsching, Rovi