Peter Cellier Movies

An assembly of Indian women, both immigrants and their British-born brethren, travel to the English seaside in this comic drama. The plot focuses on a trio of young women caught between tradition and independence: Ginder (Kim Vithana), who risks the uncertainties of social ostracism and single motherhood in order to escape from her abusive husband; Hashida (Sarita Khajuria), who jeopardizes her promising future in medical school when she becomes pregnant by her West Indian boyfriend (Mo Sesay); and Simi (Shaheen Khan), who integrates her feminist politics and her commitment to her culture by heading up the Saheli Asian Women's Group. To provide the women of her community with a chance to get together and enjoy themselves, Simi organizes a ladies-only trip to Blackpool, a seaside resort town that resembles Atlantic City. Along for the ride are boy-crazy teens, conservative matrons, and a garish visitor from Bombay, each of them offering a singular perspective on Asian immigrant culture. Asha (Lalita Ahmed), a middle-aged wife, mother, and newsstand proprietor, spends much of the trip experiencing picturesque visions in which an Indian goddess reprimands her for the missed opportunities in her life. Introspection gets pre-empted, however, when Ginder's husband (Jimmi Harkishin) and his brothers show up looking for a little involuntary family reunion. Bhaji on the Beach screenwriter Meera Syal would go on to pen the award-winning novel (Anita and Me) and work on Goodness Gracious Me, the BBC's Indian/Pakistani sketch comedy show. Fans of Anglo-Asian cinema will recognize actress Souad Faress, who plays the colorful Rekha Tendon, from her role as the haughty Cherry in My Beautiful Laundrette. Akbar Kurtha, who plays one of Ginder's brothers-in-law, would go on to portray the title character in My Son the Fanatic. Writer/director Gurinder Chadha would return with another ensemble feature, What's Cooking?, in 2000. ~ Brian J. Dillard, All Movie Guide

The highly volatile and public marriage of Sarah Ferguson and Prince Andrew is given a superficial once-over yet once again in this rash of 1990 "royalty" movies. The couple's highly-publicized scandals are touched on in this not so happily ever after ending to the fairy tale beginning of this royal romance. ~ Tana Hobart, All Movie Guide

This award-winning TV production tells the true story of a heroic woman's underground operation to spirit Allied soldiers out of Nazi-occupied France. Her name is Mary Lindell, a British-born Red Cross nurse living in France with her two teenage children, Maurice and Barbé, by Lindell's marriage to Count de Melville. The story begins in Paris in 1940 when a downed British flier, Maj. James Legatt (Sam Neill), stumbles to a table at a sidewalk cafe. Dressed in a shin-to-shoulder overcoat and dizzy with fatigue, he plops into a chair. At a table nearby, Lindell (Judy Davis) notices his boots -- British issue and a dead giveaway. When German soldiers approach the flier, Lindell walks to his table and slaps him smartly, pretending he is her drunken husband. The ruse works. Lindell then takes Legatt to her home in a taxi and nurses him to health. During their time together, they fall in love -- chastely, without overtly disclosing their affection for each other. Using her feminine wiles and forceful personality to bamboozle SS hounds, she effects his escape back to England, then dedicates herself to rescuing other allies. All goes well until a flier botches his escape. An investigation and trial send Lindell to prison for nine months, which she barely survives. After her release, her son and daughter hide her and restore her to health, and Lindell goes back to work smuggling Allies across the border -- this time with the aid of a priest (Denholm Elliot) and Maj. Legatt, who tracks her activities from his headquarters in England. She eventually ends up in the Ravensbrück concentration camp north of Berlin, and in the conclusion of the production, viewers learn the ultimate fate of Lindell and Legatt. ~ Mike Cummings, All Movie Guide

This comedy was inspired by the true story of Cynthia Payne, a former waitress who gained fame as England's best-known (and best-liked) madame. Christine Painter (Julie Walters) is a working-class single mother who sub-leases a few inexpensive flats as a way of bringing in extra money. Christine has no particular interest in selling her body, but when she finds herself in a tight spot financially -- and notices that the prostitutes who rent her apartments are the only ones who consistently pay on time -- she decides to open a brothel. With the help of Shirley (Shirley Stelfox), an experienced prostie, and Morton (Alec McCowen), a former RAF commander with a fondness for women's undergarments, Christine opens a little place where elderly businessmen can indulge their fondness for kinky lingerie and being spanked by younger women. Soon Christine's business is booming and everyone is happy -- until the police pay her a visit. Personal Services was directed by Terry Jones, best known as a member of the Monty Python troupe; the real-life Cynthia Payne served as a technical advisor. ~ Mark Deming, All Movie Guide

John Cleese's knack for mining hilarity from the growing frustration of a dignified gentleman is fully exploited in the British comedy Clockwise. Cleese portrays Brian Stimpson, a perfectionist English headmaster who has been selected to make an important presentation before a group of his peers. When Stimpson sets out upon his journey, however, he finds himself facing a seemingly never-ending series of delays and inconveniences, which range from missing a train to becoming a fugitive from the police. The film goes no deeper than its farcical surface, but is nevertheless consistently entertaining, thanks to former Monty Python member Cleese's precisely tuned transitions from composure to complete collapse. ~ Judd Blaise, All Movie Guide

This evocative look at a 1914 ocean voyage to scatter the ashes of a world-famous opera singer (Janet Suzman) is by turns charming, funny, and bizarre. Among the ship's passengers are aristocrats, politicians, singers, and a rhinoceros. Their episodic interactions form the core of the film, with complications (including a group of refugee Serbs boarding the vessel) carefully orchestrated by screenwriters Federico Fellini and Tonino Guerra to highlight the decay of European society prior to World War I. The ship sails on an artificial ocean against an artificial sky, crafted by art director Dante Ferretti in the studios of Cinecitta, with a result that is both disconcerting and oddly comforting. ~ Robert Firsching, All Movie Guide

Based on a true story, Chariots of Fire is the internationally acclaimed Oscar-winning drama of two very different men who compete as runners in the 1924 Paris Olympics. Eric Liddell (Ian Charleson), a serious Christian Scotsman, believes that he has to succeed as a testament to his undying religious faith. Harold Abrahams (Ben Cross), is a Jewish Englishman who wants desperately to be accepted and prove to the world that Jews are not inferior. The film crosscuts between each man's life as he trains for the competition, fueled by these very different desires. As compelling as the racing scenes are, it's really the depth of the two main characters that touches the viewer, as they forcefully drive home the theme that victory attained through devotion, commitment, integrity, and sacrifice is the most admirable feat that one can achieve. (Ian Holm was nominated for an Oscar as Best Supporting Actor in his role as Abrahams' coach), and this powerful film ended up with four Academy Awards: Best Picture, Best Original Screenplay, Best Costume Design, and Best Original Score. ~ Don Kaye, All Movie Guide

An innocent country farmer experiences a number of improbable misadventures that culminate in a battle against the titular beast in this broadly comic fantasy. The first solo outing of director Terry Gilliam, who served as animator and co-director on Monty Python and the Holy Grail, returns to the medieval setting that had previously served him so well, and brings along fellow Pythonite Michael Palin for the ride as reluctant hero Dennis Cooper. Cooper's journey to defeat the fearsome Jabberwock is filled with a similar combination of traditional fairy-tale narrative and irreverent humor, which at times aims to be even raunchier than classic Python fare. But while the film is too awkward and repetitive to succeed, it does boast impressively grungy medieval sets and costumes, and flashes of the visual brilliance that would characterize Gilliam's more mature works. ~ Judd Blaise, All Movie Guide

The New Avengers wrapped up its first season with an episode which writer Dennis Spooner has confessed was based on "Attack of the Alligators",an installment of the "Supermarionation" series Thunderbirds (with, it would seem, a bit of "Monty Python" thrown in). An illicitly developed growth liquid seeps into the London sewer system, creating a giant, deadly rat. Kidnapped by the scientists who created the liquid, Purdey (Joanna Lumley) is set up as bait for the king-sized vermin--and our girl must also contend with a passel of killer tomatoes. ~ Hal Erickson, All Movie Guide

If you're looking for revisionism, Man Friday has it in abundance. Peter O'Toole stars as Daniel Defoe's fabled castaway Robinson Crusoe, while Richard Roundtree plays Crusoe's "man Friday". Crusoe makes it his mission in life to convert Friday to Christianity, but this pales in comparison to the marooned man's strenuous efforts to be accepted by Friday's fellow tribesmen. In fact, due to Friday's superior know-how, it is Crusoe who ends up the slave! This curious turn of events was the basis of Adrian Mitchell's stage play, which used the DeFoe work as a mere launching pad. When screened in Cannes, Man Friday included a bizarre ending in which the crazed Crusoe, failing to come up to Friday's exacting standards, kills himself (perhaps DeFoe rejected this notion back in 1712 because you couldn't have a dead narrator back then). ~ Hal Erickson, All Movie Guide

When a development corporation attempts to buy the home of a woman, her college student resident assists her. ~ All Movie Guide

A classic 1960's cult film in the British "angry young man" tradition, the hero of this film from Czech director Karel Reisz is more lunatic than agitator. Morgan Delt (David Warner) is an artist from a working class background, married to Leonie (Vanessa Redgrave), a woman far above him in social standing. Given to a rich fantasy life to begin with, Morgan goes off the mental deep end when Leonie informs him that she's asking for a divorce and taking up with art dealer Robert Stephens (Charles Napier), a man more befitting her class. Thoroughly gone around the bend, Morgan enacts a series of bizarre gags and stunts in a campaign to win Leonie back, including putting a skeleton in her bed and crashing her wedding dressed as a gorilla. His antics eventually get Morgan arrested and committed to an asylum, where he embraces his mother's ardent communist beliefs. Redgrave was Oscar nominated for Best Actress for her role, her feature film debut. ~ Karl Williams, All Movie Guide