Frank Cellier Movies

Easy Money is a satire of that most venerated of all middle-class British traditions, the football pool. The film is divided into four separate episodes, illustrating the effects of the football pool on the "average chap." Among those who participate in the pool in hopes of winning the 50,000-pound jackpot are the Stafford family: husband Phillip (Jack Warner), wife Ruth (Marjorie Fielding), son Dennis (Jack Watling), and daughter Jackie (Petula Clark). Other interested parties are the Atkins clan -- Herbert ($Mervyn Johns) and Agnes ($Joan Young) -- and lovers Pat (Greta Gynt) and Joe (Dennis Price). Among the huge cast of supporting players, Edward Rigby stands out as the hapless Teddy Ball. Critics of the time noted that Easy Money was faintly reminiscent of the all-star 1932 Hollywood film If I Had a Million. ~ Hal Erickson, All Movie Guide

The week-end in question is anything but quiet for the protagonists in this witty British comedy. Derek Farr stars as Denys Royd, who joins a group of relatives for a weekend hunting party. Upon arriving at their cottage, Royd and company discover that the shelter has literally none of the necessary comforts: doorways are too low to be entered without causing damage to the forehead, the plumbing is virtually nonexistent, etc. Even worse, the Jacobean hunting restrictions in the region forces the family to resort to poaching. And as if this isn't enough, the recently married Royd can't seem to shake irksome distant cousin Miranda Rute (Barbara White), who harbors a crush on him. Quiet Week-End was based on a play by Esther McCracken, who'd penned the earlier Derek Farr vehicle A Quiet Wedding. ~ Hal Erickson, All Movie Guide

Having underestimated Hitler in the 1930s, British propaganda specialists spent the early war years insisting they were prepared for any international contingency. Big Blockade was a morale-boosting film produced in cooperation with the Ministry of Economic Welfare. In documentary fashion, the film underlines the importance of the economic blockade which Britain directed against Germany. An all-star cast (Michael Redgrave, Leslie Banks, John Mills, Robert Morley etc.) appears in brief sketches dramatizing the effect of the blockade and the reactions of the British public. While it received good reviews at the time, The Big Blockade quickly fell out of favor once it served its wartime purpose. ~ Hal Erickson, All Movie Guide

In the wake of Abbott & Costello's Buck Privates, every studio in Hollywood began cranking out service comedies. Warner Bros.' contribution to this trend was You're in the Army Now, featuring the unlikely but undeniably chucklesome duo of Jimmy Durante and Phil Silvers. The stars are cast as Jeeper and Breezy, erstwhile vacuum-cleaner salesman who stage a demonstration at a local army camp, only to end up in uniform themselves. Thanks to their ineptitude and chronic inability to follow orders, our heroes spend most of their training period in the guardhouse. They try to atone for past misdeeds during maneuvers, only to end up trapped in a remote cabin which teeters perilously on a mountain ledge (the whole routine was borrowed-actually, stolen-from Chaplin's The Gold Rush). Not teamed in the traditional sense, Durante and Silvers are permitted to perform their solo specialties, with both comedians coming out fairly even in terms of laugh delivery. As a bonus, this is the film in which nominal romantic leads Regis Toomey and Jane Wyman performed the longest screen kiss in movie history (Leonard Maltin clocked it at three minutes, five seconds)-a feat that reportedly led Wyman's then-husband Ronald Reagan to wonder aloud why he couldn't keep his wife's interest that long! ~ Hal Erickson, All Movie Guide

Filmed in the North Country of England, this is a film noir set in the 1930s as a family struggles with poverty and unemployment. Depressing and realistic, it portrays the lengths to which a family can go in order to survive., though there is some humor interlaced to keep the bleakness under control. The beautiful, sepia-tinted photography enhances the portrayals, which are excellent. ~ Tana Hobart, All Movie Guide

The old reliable plot device known as premarital hanky-panky was the basis of the Esther McCracken stage play Quiet Wedding. The film version, scripted by Terence Rattigan and Anton de Grunewald, tones down some of the more censorable elements of the play, though not enough to completely mollify American censors. Margaret Lockwood stars as bride-to-be Janet Royd, who is driven crazy by the well-meaning interference of friends and family in the hours prior to her wedding. Sensing that she'll never have a moment alone with her fiance Dallas Chaytor (Derek Farr) even after they're married. Janet agrees to slip away with Dallas the night before the Big Event for a few hours of uninterrupted bliss. Nothing much really happens, at least not on screen, but the censors weren't able to blot out the gleam in the groom's eye-or the bride's, for that matter. ~ Hal Erickson, All Movie Guide

In this melodrama, a wealthy businessman, is at long last reunited with his estranged son, an oily-tongued salesman who has been working for him for ages. Meanwhile, the salesman is in love with a pretty young woman. Trouble ensues when a psychic predicts that the father will die in a car wreck involving the son. Sure enough, the father does indeed die in a car crash, but the son survives to deal with it all. ~ Sandra Brennan, All Movie Guide

In this taut drama, a wealthy financier is tried for the murder of his brother-in-law after the damning corpse is found floating in his garden pond. He is eventually acquitted. Upon his return home, he is angered to find his lawyer has become romantically involved with his wife. An argument ensues, during which the financier confesses his guilt and then makes a fatal leap from a balcony. ~ Sandra Brennan, All Movie Guide

In this crime drama, a police inspector pursues a Lord's secretary suspected of stealing his gold bullion. She is the prime suspect because she is the leader of an infamous gang of thieves. The cops do not realize that the gang acted on their own accord. The secretary and the inspector then team up and board a train to try and stop their getaway cars. ~ Sandra Brennan, All Movie Guide

In this musical comedy, a wealthy couple is duped out of their money. They decide to capture the crook themselves by dressing up as servants and working in their former butler's hotel. They masquerade as several different characters before they manage to recover their wealth and bring the crook to justice. Songs include: "I Was Anything but Sentimental" and "I'm Like a Little Birdie out of My Cage." ~ Sandra Brennan, All Movie Guide

This film takes a look at British decorum and civilities when a highly conscientious army officer is accused of cheating at cards and turns to the courts to clear his name. At stake, of course, is his good name and the respect of his peers. The film depicts the British class and court systems and features a fairly powerful cast. Of significance is an excellent performance by Francis Sullivan as the defendant's attorney. ~ All Movie Guide

Attractive scientist Dr. Clare Wyatt (Anna Lee) fondly declines the proposal of journalist Dick Haslewood (John Loder), who loves her, and she goes to work for the reclusive Dr. Laurience (Boris Karloff), whom the scientific world regards as a crackpot. At Laurience's remote estate, she's greeted at the door by bitter, wheelchair-bound Clayton (Donald Calthrop), one of the doctor's more hopeless cases. Dick hangs around the neighborhood, sending stories to his newspaper, which is owned by his tycoon father, Lord Haslewood (Frank Cellier). Laurience demonstrates the reality of his discredited theory to an astonished Claire. Using an array of electrical equipment, he switches the minds of a good-natured and a cranky chimpanzee, then suggests to Claire that this could be done with people, making immortality possible. Lord Haslewood turns up unexpectedly, and offers the skeptical scientist the full use of the prestigious Haslewood Institute in exchange for the right to run stories on Laurience's progress, and to own the resulting patents. But problems arise when Haslewood sets up a conference of prominent scientists to hear Laurience explain the intent of his research. They all scoff loudly, and walk out. Lord Haslewood is furious, feeling he's been humiliated; he tells the shocked Laurience that he, not the scientist, owns everything, and orders him out of the Institute. Laurience suffers a mental breakdown, and invites Haslewood to his lab, where he straps him into the chair of his apparatus, then switches the minds of Haslewood and the crippled Clayton. When Haslewood realizes he's now in Clayton's body, he bursts into laughter and drops dead, puzzling the other two. Clayton is delighted to be in a body that's not only capable of walking, but is that of a financially powerful man. When Laurience offers Claire "eternal youth, eternal loveliness," she is shocked, and he realizes she's in love with Dick, so he makes plans for Dick to come to the Institute.

Meanwhile, Clayton learns why Haslewood laughed: Clayton is trapped in the body of a dying man: Haslewood had a weak heart. With his own scheme in mind, Laurience murders Clayton. He switches his mind with Dick's, giving the perfect alibi for murder -- and Laurience, in Dick's body, will have Claire. After the transfer, Laurience, in Dick's body, places Dick, in Laurience's body, in a chamber with poison gas. But when Claire arrives, she immediately realizes what has happened. Dick, in Laurience's body, awakes and falls out a window, gravely injured. On the street below, Sue encounters scientist Dr. Gratton (Cecil Parker), and convinces him to help her switch back the minds of Dick and Laurience before Laurience's body dies. Afterward, Laurience, in his own body, admits he was wrong, and begs Claire to destroy his equipment, then he dies.

A few years after this film, Karloff would make a series of movies for Columbia Pictures with plots very similar to this, but British film is far livelier than those; it's to the point, intelligent and entertaining. This was partly due to the clever script by L. Du Garde Peach, Sidney Gilliat and John L. Balderston. Gilliat later wrote several films for Alfred Hitchcock, and Balderston had co-written Dracula, among other notable films. Director Robert Stevenson was busy making a name for himself as a kind of back-up Hitchcock, though Hitchcock was not likely to have tackled The Man Who Changed His Mind, King Solomon's Mines or Non-Stop New York. Later, Stevenson came to the United States and gradually evolved away from thrillers to more romantic films, such as the 1944 Jane Eyre. His career was then spotty until he signed with Walt Disney, where he helmed many of the more prestigious films, including Mary Poppins, a far cry from the brisk horror of The Man Who Changed His Mind. Also known as The Man Who Lived Again, the U.S. title of this film is Brainsnatcher, and the U.S. reissue title is Dr. Maniac. ~ Bill Warren, All Movie Guide