Bryant Washburn Movies
After regional theatrical experience in Chicago and elsewhere,
Bryant Washburn joined the Essanay film company as a leading man in 1913 or thereabouts.
Washburn occasionally co-starred with his wife,
Mabel Forrest; their son, Bryant Jr. (actually Bryant the
fourth), also briefly pursued an acting career. Popular in the teens and early '20s,
Washburn's star began to fade around 1925, when he could be found playing the supporting role of Prince Kynd in
Larry Semon's version of
The Wizard of Oz. Shortly afterward, he appeared in several of
Hal Roach's "Comedy All-Stars" two-reelers, sharing screen space with such up-and-comers as
Oliver Hardy and
Jean Harlow.
Bryant Washburn kept busy in features, Westerns, serials, and short subjects, often playing the first-reel murder victim, until his retirement in 1947. ~ Hal Erickson, Rovi

- 1922
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This frivolous light comedy was perfect material for the lively Viola Dana. Dana plays Clytie Whitmore, who is about to be married to the very proper Cadbury Todd II (Gerald Pring). But at the last moment she decides against it, grabs the ring out of his hand, and tosses it at the shocked wedding guests. She escapes in the melee, getting a black eye during the madness, and meets handsome bandleader Ken Pauling (Bryant Washburn). She eludes those who are looking for her by going to the cafe where Pauling's orchestra is playing. Reporter Hamilton Peeke (Leon Barry), who works for a scandal sheet, find Clytie and senses a great story in the offing. When a dancer does not show up, Peeke urges the cafe's manager, Pennotti (Snitz Edwards), to feature Clytie instead. He does, and her mother (Eugenie Besserer) walks in on the act. The police raid the place, and Pauling helps Clytie to escape. In spite of the initial protests from her family, Clytie and Pauling ultimately wed. ~ Janiss Garza, Rovi
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- 1921
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Rex Rowland (Bryant Washburn) is an American who is visiting London with his father (George Foley). When he meets Lady Emily, a distressed but pretty young girl (Joan Morgan), he decides to stay behind and help her. Emily's aunt, the Duchess (Saba Raleigh), is trying to force her into an unwanted marriage with a Count (Gibb McLaughlin). Rex spirits her away in a car he has commandeered. The Duchess and the Count chase Rex and Emily all over London, including a pursuit by "motor canoe" down the Thames. Emily and Rex manage to escape long enough to be married at a small church, but when they get back to the hotel, the Duchess shows up and takes her niece away. Rex, depressed that his efforts have been for naught, wires his father for money to return home. When he boards the ship, he finds Emily waiting for him in his cabin. This lively adventure was shot on location in London. ~ Janiss Garza, Rovi
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- 1921
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Bryant Washburn is a wealthy young man who'd like to make a name for himself . Washburn's girl friend Ann May advises him that he'll never amount to anything because he lacks the "common touch." To prove himself, our hero heads out into the blue-collar world, hoping to achieve success without his family's money and influence. He ends up gaining a reputation as a scoundrel, but be assured that things will smooth themselves out by fadeout time. Amateur Devil is based on Wanted: A Blemish, a short story by Jessie E. Henderson and Henry J. Buxton. ~ Hal Erickson, Rovi
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- Starring:
- Bryant Washburn, Ann May, (more)

- 1920
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This farce started out as a stage play by Fred Jackson and was then made into a musical comedy (The Velvet Lady) before becoming this rather tiresome motion picture. It's based on the timeworn trick of two men unknowingly picking up each other's suitcases. In this case, one of them is the newly-wed George Howell (Bryant Washburn) and the other is a crook. Howell's bride, Ottilie (Lois Wilson) wonders what kind of guy she married when she opens his bag to find burglar tools and stolen jewelry. The crook, meanwhile, is desperate to get his bag back. To add to the complications, Howell is secretly trying to do a favor for his friend, Ned Penbroke (Guy Milham), and there's a reward for the stolen goods. Thanks to a cop (Z. Wall Covington), who comes to the Howells' home and refuses to let anyone leave, all the dilemmas are solved. ~ Janiss Garza, Rovi
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- 1920
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Lois Wilson was an up-and-comer when she supported Bryant Washburn in this light comedy. John Harlow (Washburn) wants to take his sweetheart, Jenny Larkin (Grace Morse), to the annual Crystal Springs event, but his Uncle Jim (Tom D. Bates) refuses to loan him the five dollars. As a result, John loses his girl and he leaves town, swearing that he will never be broke again. By hanging onto every cent, he winds up with a lot of money as the junior partner in a wholesale grocery company. One night he goes to a dancehall and meets his old sweetheart, Jenny, who is a dance teacher there. She's amazed at how miserly John has become and is determined to make him open up his wallet. When Laura Lowell (Wilson) returns from a concert tour, Jenny sees her opportunity. She sets the innocent Laura on John, and he falls for her immediately. He starts throwing his money around in a new spirit of generosity, and Laura falls for him, too. Jenny, realizing that her plan has worked too well, tells John that Laura is involved with Richard Crane (Clarence Geldart), and they spy the two of them kissing. John is devastated until Crane announces that he has just wed Laura's mother. John proposes to Laura, and she accepts -- providing that he cease his spendthrift ways. ~ Janiss Garza, Rovi
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- 1920
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This amusing comedy, based on the book by Earl Derr Biggers, is well cast, with Bryant Washburn and Lois Wilson in the lead roles. Allan Harrowby (Frank Elliott), supposedly a Lord, is concerned that something will happen before his wedding to heiress Cynthia Meyrick (Wilson). So he goes to Lloyd's of London and has the ceremony insured. Insurance agent Dick Minot (Washburn) is sent to San Marco, FL, to see that the wedding happens, but on the trip down he meets Cynthia and falls in love with her himself. He does his best to keep the wedding on track anyway, which isn't easy; Jenkins (Fred Huntley), a valet, tries to pass himself off as Allan's older brother and Minot has just gotten rid of him when Allan's real older brother, and real heir to the title (Clarence Geldart), shows up. Cynthia's father (Theodore Roberts) is about to call the wedding off since Allan isn't really a Lord, but then Allan's brother offers to give up the title in favor of his younger brother. In spite of everyone's efforts, things nevertheless grind to a halt when Cynthia gets her hands on a copy of the insurance policy. Infuriated that she is part of a business transaction, she calls the wedding off. She's also mad at Minot for his part in it. But then Minot and Cynthia run into each other again on the train out of San Marco, and once more romance blooms. ~ Janiss Garza, Rovi
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- 1919
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This picture began life as a Saturday Evening Post serial by Wallace Irwin. It involves the newly rich Buddy McNair (Bryant Washburn). He has inherited his wealth from his father and becomes fascinated by Pat Dyvenot (Anna Q, Nilsson), whose picture he sees in the society section of a newspaper. He deems her his "Venus in the East" and travels cross country to meet her. On the train he meets Martha (Margery Wilson), who is apparently tangled up with some gamblers. When he gets to New York, Buddy meets Pat and when she finds out how much money he has they become involved. Eventually he finds out that the woman he worshipped from afar is bankrupt and a gold digger, and that society life isn't all it's cracked up to be. He runs across Martha once again when he travels downtown, and realizes that she's really his Venus. It's easy enough to get rid of Pat Dyvenot -- he tells her that his fortune is gone and she goes. Then he and Martha head back west together. ~ Janiss Garza, Rovi
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- 1919
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Smith (Bryant Washburn) is a confirmed bachelor, but he defects to marry Marian (the always delightful Lois Wilson). Unfortunately, it takes several days for him to even get a chance to kiss his new bride. Everything fate can drum up interferes -- a train wreck, a hotel fire, an annoyingly amorous maid, and even an earthquake all come between husband and wife. Finally Smith has to disguise himself as a bandit and steal Marian away so that they can be alone together. This film was adapted from an old farce by George Broadhurst. Coincidentally, another farce with a similar plot was released about the same time as this one -- Please Get Married, starring Viola Dana. ~ Janiss Garza, Rovi
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- 1919
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- 1919
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- 1919
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Like many films of its era, It Pays to Advertise was based on a Broadway stage play. It showcased the talents of Bryant Washburn, a breezy, cheerful actor who never quite got what he deserved in pictures. Here he is Rodney Martin, the son of a soap magnate (Frank Currier). After realizing the fortune he's spent on his son's college education, Mr. Martin encourages the brash and callow Rodney to get to work. Encouraged by the love of a girl (Lois Wilson), and helped out by press-agent Ambrose Peale (Walter Hiers), Rodney does eventually make good. The film was remade once, in 1931. ~ Janiss Garza, Rovi
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- 1919
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Salesman Bryant Washburn has some pretty peculiar ideas about love and marriage. Even after wedding winsome Mildred Davis, Washburn insists upon living separately and seeing Davis only on "dates". Inevitably, this leads to jealousy and misunderstanding. Equally inevitably, Washburn and his wife settle down to a normal relationship. All Wrong was one of the few films made by Mildred Davis before she became the leading lady-onscreen as well as off-of comedian Harold Lloyd. ~ Hal Erickson, Rovi
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- 1918
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During World War I, every director made at least one film about the battles going on in Europe, even Cecil B. DeMille. These pictures were rarely very distinguished, and this drama was certainly one of DeMille's lesser efforts. Florence Vidor plays Yvonne, a Belgian girl who marries a German man, Karl Von Krutz G. Butler Clonbough. The war breaks out after Von Krutz confesses to Yvonne that he is a spy, he leaves for the German forces. Later, when the United States enters the war, Captain Jefferson Strong (Bryant Washburn) becomes a spy for the Allies. He is ordered to take on the identity of Von Krutz so that he can go behind the lines and blow up a liquid fire base. However, Yvonne is caring for 65 war orphans and they will all die if the detonation goes off, so Strong is forced to cut the wires. Although he undergoes a court martial, Belgian's King Albert (Winter Hall) frees him. Von Krutz conveniently dies, enabling Strong and Yvonne to be together. ~ Janiss Garza, Rovi
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- 1918
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The plot of Twenty-One is predicated on the fact that socialite Jimmy Mufferton (Bryant Washburn) is the exact double of prizefighter "Battling" Dave Carey (also Bryant Washburn). Upon attaining his 21st birthday, Jimmy comes into his family's vast fortune. Having always wanted to escape his hothouse existence, Jimmy uses a generous portion of his money to convince Carey to switch places with him. Carey eagerly accepts, having always aspired to big houses and fancy clothing. As for Jimmy, he not only realizes his life's dream of being a "regular guy," but he also straightens out the various messes within Carey's dysfunctional family. But Jimmy isn't quite prepared to take Carey's place in the boxing ring! ~ Hal Erickson, Rovi
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- 1917
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This simple scenario is based on a story by Henry Irving Dodge which appeared in the Saturday Evening Post. Skinner (Bryant Washburn) is one of those office drudges who works hard but never gets any recognition and who timidly shrinks from his employer -- he's the kind of guy who grows old and gray without ever receiving a promotion. Finally, his wife (Hazel Daly) encourages him to buy a dress suit and, presenting himself at his best, changes his personality. He is finally able to exude the confidence and assurance he never had before, and this helps win him success and a partnership in the firm. ~ Janiss Garza, Rovi
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- 1917
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This timely emotional drama starred Bryant Washburn as Benton Clune, who when America enters WWI wants to march alongside his brothers in the National Guard. But Benton's mother refuses to let him go, whereupon Benton is branded a coward. Outwardly upset, Benton is secretly pleased, since he really does possess a yellow streak. But our hero ultimately proves his innate courage by volunteering for a "suicide mission" along the Mexican border (there was a popular belief at the time that the Mexican civil war was fomented by the German Kaiser!) The contrived battle sequences in The Man Who Was Afraid paled in comparison to the wartime newsreel footage that was then cascading into American movie houses. ~ Hal Erickson, Rovi
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- 1916
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Successful railroad executive Craig (Lewis Stone) shares a stenographer, Kate (Gladys Hanson) with the not-so-successful Hessert (Bryant Washburn). The two men are in love with the girl, but Craig marries her, while Hessert comes to live with them. This is a recipe for disaster, and the inevitable happens -- Craig finds his wife and his friend in a compromising position. But instead of blowing his top and shooting them (a favorite plot complication in the silent era), he offers to let Hessert have his wife -- on the condition that he can board with them after they have been married. They agree, but having Craig around as a constant reminder of their adultery is more than the marriage can take. Craig wins Kate back, and Hessert leaves. This was an adaptation of a play by H.S. Sheldon. ~ Janiss Garza, Rovi
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- 1916
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Mildred Niles (Clara Kimball Young) is the daughter of a wealthy broker (E.M. Kimball); Ted Vandeveer (Chester Barnett) is a penniless relative of the wealthy Archie Vandeveers. The two meet and fall in love. Ted's friend, Jim Sweeney (William Jefferson), thinks he should take advantage of the girl's wealth. But Mildred's father has been enmeshed in a bad stock deal which has broken him and her mother (Ina Brooks) wants her to marry the supposedly-rich Vandeveer before this is discovered. So the two overcome any pangs of conscience and wed, but afterwards they confess to each other that they are broke. It turns out, however, they aren't after all, because Ted's uncle has left him a million dollars -- providing that he marry. Clara Kimball Young was primarily a dramatic -- or as they said in those days "emotional" -- actress, and this was one of her rare comic turns. It was based on a play by Bertram Marburgh and W. Pezet. ~ Janiss Garza, Rovi
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- 1916
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The profits accrued by Essanay's Charlie Chaplin and Broncho Billy Anderson films enabled them on occasion to turn out a limited-appeal feature like 1916's The Breaker. Bryant Washburn plays a door-to-door salesman who comes into possession of a satchel of counterfeit money. Girl detective Nell Craig trails Washburn, planning to slip the cuffs on him at a moment's notice. Instead, she falls in love with him. Beyond the gender-switching in the leading roles, The Breaker is hardly out-of-ordinary material, but Essanay was able to attain good bookings all the same. ~ Hal Erickson, Rovi
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- 1916
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Throughout the silent era (and into the sound era, for that matter), the mythical kingdom (or imitations thereof) of author George Barr McCutcheon formed the basis for innumerable motion pictures. This film wasn't the first and it was far from the last. Prince Robin of Graustark (Bryant Washburn) is being ordered to marry the Princess of Dawsbergen (Marguerite Clayton). But he does not want to wed a girl he has never met, so when he sails to America to negotiate a loan for his country, he scouts around for an appropriate female. While doing business with millionaire banker William Blithers (Ernest Maupain), he believes he has found her. He thinks the girl is Blithers' daughter, but when he returns to Graustark, he discovers that the girl he loves is none other than the Princess he was supposed to marry all along. ~ Janiss Garza, Rovi
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- 1915
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An outright farce produced in Chicago by the Essanay company, this film was set in the country of Morovenia, where fat women were considered beautiful. Poor Princess Kalora (Ruth Stonehouse), unfashionably slender, cannot find herself a husband despite efforts to appear fatter by stuffing pillows down her dress. Kalora's father, Count Malagaski (Harry Dunkinson), ships her off to an American fat farm, where the thin princess falls in love with American businessman Alexander Pike (Francis X. Bushman). The Count forbids his daughter to marry a commoner, so the American is presented at the Morovenian court as "the Grand Exalted Ruler of the Fraternal Order, a Knight Templar and King of the Hoo Hoos." The Morvenian ruler accepts the disguise and the two lovers marry. ~ Hans J. Wollstein, Rovi
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- 1915
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The acting team of Francis X. Bushman and Beverly Bayne (who also became a romantic team in real life) was still new when this three-reeler was produced. Rough and tumble Alaskan John Landon (Bushman) is the president of the valuable Nugget Gold Mine Corporation. When he goes to the city, Nicholas Channing (Frank Dayton) sees him as a way to make back his lost fortune. Landon has fallen in love with Channing's daughter, Loyal (Bayne), and for her father's sake, the girl marries him. As a wedding gift, Landon gives Loyal shares in his company, which she hands over to her father. Channing and his son Arthur (Bryant Washburn) sell these shares on the street in a wildcat scheme. When the worth of Landon's company goes into a slump, he discovers that Channing is the cause and confronts him. The exposure causes Channing to have a stroke and he dies. Loyal blames Landon for her father's death and the couple separate. Landon returns to Alaska, alone, and Loyal discovers that she loves him after all. When Arthur explains that their father was really the one at fault, she travels to Alaska where she and Landon are reconciled. ~ Janiss Garza, Rovi
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- 1915
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Although his character doesn't play a big part in the storyline, mid-1910s matinee idol Francis X. Bushman still gets top billing here. Count Nikola (Ernest Maupain) isn't a count at all, but a crook with strange hypnotic skills. He befriends Gideon Hall (Bryant Washburn) when he saves the young man from suicide. Nikola pays Hall's gambling debts and in return, asks to be introduced into society. Hall agrees, and brings Nikola into the Blake home. His sweetheart, Doris Blake (Nell Craig), feels an odd attraction towards the mesmerist, but that's because he has put her under his spell. Under hypnosis, Nikola orders Doris to awaken at 3:13, enter her father's art gallery, take a famous painting by Musee and drop it out the window. That night, at 3:13, the Blakes hear a scream, and find Doris unconscious on the floor. They send for a doctor who realizes that another mind is controlling hers, and he fetches Richard Neal, a psychology specialist (Bushman, finally). By grilling Hall, who is also under Nikola's influence, Neal figures out the game and sets a trap. This brings Neal and Nikola together and in a battle of the minds, Neal proves to be the stronger. Nikola is arrested and Doris regains control of her faculties. ~ Janiss Garza, Rovi
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- 1915
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The Alster Case was based on a novel by Rufus Gilmore. Set in Chicago (the home of Essanay studios), the film deals with a murder mystery, the solution of which will bode either good or ill for hero George Swan (Bryant Washburn) and heroine Beatrice (Ruth Stonehouse). Since the victim, Miss Cornelia Alster (Louise Croilus), was not universally beloved, there is no shortage of suspects. Detective Trask (John H. Crossar) dedicates himself to finding the truth as quickly as possible. Were it not for the "star" power of Washburn and Stonehouse, no one would have gone to see The Alster Case except the critics who were paid to do so. ~ Hal Erickson, Rovi
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- 1915
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