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Pina Cei Movies

1995  
 
Elements of the original Italian fairy tale, Pinocchio can still be found in this modern and loose adaptation which was filmed in Texas, Louisiana, and Tuscany. In a mythical, unnamed country, Brando is a tough old banking magnate who discovers upon his despised brother suicide that he has a son. Excited about the prospect of an heir. The son, known as "Pinocchio," works as an orderly at a nursing home. He was raised in this place, and though not intelligent, Pinocchio is a hard worker. Brando, excited at finally having an heir, removes his son from the home and takes him into his fast-paced, luxury filled world. Upon meeting the other aging bankers in Brando's world, Pinocchio has trouble adjusting. The company psychiatrist examines Pinocchio and determines that he will probably never adapt. This prompts Pinocchio to run away. While in flight, he meets hard-bitten, streetwise Lucy, who saw a murder and now is a suspect. They run together and encounter a variety of shady characters that parallel those in the original story. ~ Sandra Brennan, Rovi

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1987  
 
Oci Ciornie was an international co-production tailored for Marcello Mastroianni. It received good reviews in Italy and France, and Mastroianni was awarded "Best Actor" at the Cannes Film Festival. However, some in Russia felt that director Mikhalkov (who previously received wide acclaim for another Chekhov adaptation, (An Unfinished Piece for the Player Piano) tried too hard to cater to foreign tastes rather than to convey Chekhov's mood. So this film conveys more of a foreign idea what Chekhov is about rather than a Russian one. In the story, Romano (Marcello Mastroianni) is living the life of a "kept" man in that he is the penniless husband of a rich aristocratic woman who supports him. Whenever life at home becomes too difficult for him, he goes off to some spa or other for a "rest cure." In addition to resting, the clownish fellow flirts shamelessly with the women he finds at these resorts. During one of his restorative excursions, he meets a shy Russian woman named Anna, whom he is much taken with. When she leaves to return to her life at home, he resolves to follow her and woo her there. With a great deal of buffoonery and ingenuity (such as pretending to be a manufacturer of a special kind of glass), he gets a visa to travel into Russia. There, he finds her unhappily married to a minor official, and before he leaves for Europe he promises to return and marry her. When he gets back home, he finds that his aristocratic wife is experiencing a genuine crisis (her family has lost its money), and he soon forgets about Anna and his promises to her. ~ Clarke Fountain, Rovi

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Starring:
Marcello MastroianniMarthe Keller, (more)
 
1985  
 
Teetering between softcore scenes (with a related, humorous cartoon) and drama, this routine story features (Monica Guerritore) as a woman who starts an affair with a cartoonist (director Gabriele Lavia) in revenge for her husband's infidelities. Soon after bedding down the cartoonist in a hotel, her personality is transformed -- although she does not grow hair on her body or howl at the moon -- the cartoonist is still in for a very rough time. ~ Eleanor Mannikka, Rovi

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Starring:
Gabriele LaviaMonica Guerritore, (more)
 
1983  
 
In an irreverent send up of politicians and feminists and others, director and co-writer Lina Wertmuller has a Minister of the Interior locked inside his impermeable luxury car with only his broken computer to keep him company. Unfortunately, this accident happens at the villa of a conservative party deputy (Ugo Tognazzi) whose wildly eccentric wife Maria Teresa (Piera Degli Espositi) is in a panic about hiding her lover (Enzo Jannacci) in the basement -- he is an escaped terrorist. While the authorities arrive to make one futile effort after another to get the Minister out of his car, the Minister's assistant deadpans his way through the household chaos, and the granny is busy smoking pot. Out of the entire crew, the conservative deputy is limned with sympathy and the flighty, witless feminist is not -- a state of affairs bound to raise the shackles of some viewers. ~ Eleanor Mannikka, Rovi

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Starring:
Ugo TognazziPiera Degli Esposti, (more)
 
1982  
G  
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Tenor Plácido Domingo and soprano Teresa Stratas star in director Franco Zeffirelli's lushly cinematic version of Verdi's opera La Traviata ("The Woman Gone Astray"), a story of doomed love in 1840s Paris. Violetta (Stratas), who is the mistress of a wealthy baron, hosts a lavish party to celebrate her improved health after a bout with tuberculosis. There she meets Alfredo (Domingo) and becomes smitten with him as he, she, and the guests join in the famous "Drinking Song." Violetta leaves the baron, and she and Alfredo move into a secluded country villa together, where they live happily for a while. But unknown to Alfredo, his father (baritone Cornell MacNeil) convinces Violetta that continuing her relationship with Alfredo will prevent Alfredo's sister from making a good marriage. With great sadness, Violetta decides that she must not only break permanently with Alfredo, she must keep him at a distance by returning to the baron. Misunderstanding her motives, Alfredo goes into a jealous rage that leads to tragic consequences. ~ Perry Seibert, Rovi

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Starring:
Teresa StratasPlácido Domingo, (more)
 
1976  
 
After an impoverished mother of three takes in a father and son as boarders, she finds them both panting after her in this Italian feature (with English subtitles). ~ Kristie Hassen, Rovi

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1973  
R  
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Originally released in Italy as Film d'Amore e d'Anarchia, Lina Wertmuller's Love and Anarchy is set in the fascist-dominated Italy of the 1930s. Giancarlo Giannini plays an idealistic farmer swept up in an anti-fascist underground movement. His first task as a member is to assassinate Mussolini (talk about your initiation stunts!) While preparing to carry out his assignment, Giannini takes up residence in a whorehouse run by Mariangela Melato, another anti-Mussolinite. Giannini's resolve to carry out the assassination is weakened by his love for one of Melato's prostitutes, as well as his own essentially gentle nature. Love and Anarchy was the first of Wertmuller's films to gain a U.S. release. ~ Hal Erickson, Rovi

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