Larry Cedar Movies

Sahara director Breck Eisner teams with screenwriters Ray Wright (Pulse) and Scott Kosar (The Texas Chainsaw Massacre) to give George A. Romero's underrated 1973 shocker a shiny new makeover in this update starring Timothy Olyphant and Radha Mitchell. Perform a Google search on "small-town America," and eventually you'll stumble across Ogden Marsh, a picturesque hamlet situated a safe distance from the nearest big city, and full of friendly faces. The citizens of Ogden Marsh are happy, albeit unremarkable people, but they're about to discover just how fragile their warm slice of the American dream really is. When a mysterious toxin transforms the locals into murderous maniacs, it's up to Sheriff David Dutton (Olyphant) to find out why a man who was once an upstanding citizen would attempt to massacre the local youth baseball team, and a caring father would burn his beloved family alive. Within hours the town has descended into total chaos, and the government has ordered it quarantined. Anyone who attempts to escape will be shot on sight, whether they're infected or not. Realizing that their only hope for survival is to fight through the madness that has consumed their once-quiet town, Sheriff Dutton, his pregnant wife, Judy (Mitchell), his deputy Russell (Joe Anderson), and frightened medical center assistant Becca (Danielle Panabaker) wage an epic struggle to discover the source of this malevolent scourge while fending off their infected friends and neighbors. ~ Jason Buchanan, Rovi

The mysterious and unexpected death of an iconic Hollywood star may be just the tip of an iceberg of scandal in this showbiz drama based on a true story. George Reeves (played by Ben Affleck) was a journeyman actor who had played a small role in Gone With the Wind and appeared onscreen with the likes of James Cagney, Rita Hayworth, and Marlene Dietrich, but his career was not exactly booming when he was cast as comic-book hero Superman in a 1951 B-movie, Superman and the Mole Men. A year later, the producers of the movie launched a syndicated Superman television series with Reeves returning as "The Man of Steel." The show became a major hit, and Reeves was a star at last. However, on June 16, 1959, to the shock of many, Reeves was found dead of a gunshot wound. Police soon declared Reeves' death a suicide and closed the case, but his mother (Lois Smith) refused to believe her son took his own life, and hired Louis Simo (Adrien Brody), a private detective, to find out the truth about her son's passing. Simo found that many Hollywood insiders did not care to cooperate as he researched the Reeves case, but his digging uncovered plenty of evidence suggesting the actor did not take his own life, and he also revealed one of Reeves' deepest secrets -- while he was engaged to marry a pretty young starlet, Leonore Lemmon (Robin Tunney), Reeves was also carrying on an affair with the beautiful Toni Mannix (Diane Lane), the wife of Eddie Mannix (Bob Hoskins), a powerful and ill-tempered executive at MGM. While the producers of Hollywoodland based their story on factual accounts of the investigation into the death of George Reeves, they were denied permission to use the Superman logo and the familiar introduction to the Adventures of Superman television show by the respective copyright holders. ~ Mark Deming, Rovi

An aging societal outcast and a motherless duck set out to find shelter and meaning in a future where people are separated by as many degrees as they are connected. The year is 2009, and the last public park in Los Angeles has been closed to the public. The city is a desert, and dispossessed widower Arthur Pratt (Philip Baker Hall) has outlived his usefulness. A retired history professor who spent all of his savings caring for his beloved late wife, Arthur sets out to the park where his son and dearly departed are buried to pay his final respects before ending his own life. Arthur's grim westward march hits an unexpected hitch, however, when an orphaned duckling that has recently cheated death adopts the homeless septuagenarian as a surrogate mother figure. Once again displaced when their park becomes a landfill and their pond is drained, the unlikely pair embarks on a Sisyphean journey to find shelter and meaning in a world where their lives seem to have little value. ~ Jason Buchanan, Rovi

An ordinary man with an extraordinary gift must save the planet from evil in this action-packed fantasy. Unknown to most people, the world is crowded with spirits both good and evil who walk among us in human guise. One of the few who can see these spirits is John Constantine (Keanu Reeves), but the responsibility of his vision is more than he can stand, and he tries to kill himself. Saved from death, Constantine must now atone for his actions by acting as a guardian in the middle ground between Paradise and Hell. Constantine also makes the acquaintance of Angela Dodson (Rachel Weisz), a police detective who becomes aware of his unusual gift while looking into the death of her sister; he leads her into the unknown world of the spirits and soon circumstances demand that they join forces in a desperate bid to save humanity from evil. Constantine also features Tilda Swinton, Peter Stormare, and Gavin Rossdale, the latter best known as the lead singer of the rock group Bush. Michelle Monaghan (Made of Honor) was originally in the film (cast as a half-breed demon) but director Francis Lawrence cut her scenes. ~ Mark Deming, Rovi

Al (Ian McShane) is apparently suffering from kidney stones, and his health has worsened to the point where he cannot speak. He has locked himself in his office, and writhes on the floor in agony as his minions knock and deliver news, uncertain as to what to do. Francis Wolcott (Garret Dillahunt, who played Jack McCall in season one) arrives in the camp, looking to buy gold claims, and is immediately taken for a fish by E.B. (William Sanderson), who offers to sell Wolcott the last letter written by Wild Bill Hickok, falsely claiming that it makes reference to a massive find. Maddie (Alice Krige) knows precisely who Wolcott is, and tells Joanie (Kim Dickens), who is dismayed to learn that Maddie had a hidden motive for coming to Deadwood. Wolcott is a "specialist" who has a particular fondness for one of Maddie's girls, and who has been known to become violent with whores. He is also a talented geologist in the employ of the ruthless and powerful mining magnate George Hearst, and it's clear that Maddie plans to use his perverse interests against him. Alma (Molly Parker) tells Ellsworth (Jim Beaver) that she's thinking of buying E.B.'s hotel, mainly because she despises E.B. and would like to see him out in the street. She also decides to fire Miss Isringhausen (Sarah Paulson), complaining about the young woman's "air of disapproval." Trixie (Paula Malcomson) asks Sol (John Hawkes) to teach her accounting. Wolcott enlists both E.B. and Cy (Powers Boothe) to circulate rumors about the validity of the camp's gold claims. ~ Josh Ralske, Rovi

Al (Ian McShane) regains consciousness, but he's in bad shape. Alma (Molly Parker) learns that she's pregnant, and, feeling that Doc (Brad Dourif) has been judgmental with her, she turns to Trixie (Paula Malcomson). Alma explains that she wants children of her own, but she has a physical deformity that could endanger her life if she tried to bear a child. Trixie later upbraids Doc about his attitude, and urges him to see Alma. Samuel Fields (Franklyn Ajaye), who calls himself the "Nigger General," arrives in camp to return a horse to Hostetler (Richard Gant), and befriends Jane (Robin Weigert) over an afternoon drink. Miss Isringhausen (Sarah Paulson) tells Silas (Titus Welliver) that she fears Alma. She claims that Alma admitted to killing her husband, and named Al as her instrument. When she then asks to meet Al, Silas moans, "Why do I feel lucky we didn't meet across a poker table?" Doris (Erica Swanson) reports to Cy (Powers Boothe), who is intrigued to learn of Wolcott's (Garret Dillahunt) disturbing activities at the Chez Amis. Jarry (Stephen Tobolowsky) gives Merrick (Jeffrey Jones) a notice about the validity of the camp's gold claims to print on the front page of the paper. Merrick, recognizing that the notice will only foster more confusion about the claims (as per Jarry's intentions), decides to dissociate his paper from the notice by simply posting it outside his office. The posting gets a number of claim holders riled up. Cy stops by and offers to buy their claims, but they're more interested in seeking revenge upon the author of the statement, Jarry. Led by Steve the Drunk (Michael Harney), the mob goes after Jarry, and when Seth (Timothy Olyphant) protects the commissioner, they turn their attention elsewhere. ~ Josh Ralske, Rovi

Forget Gunsmoke and Bonanza. The HBO series Deadwood was as close to the "real thing" as any Western fan was ever going to see on television -- and in its pursuit of reality, the series was not afraid of smashing icons or skewering sacred cows. Could anything less be expected of executive producer David Milch (NYPD Blue)? The series began its story in 1876, two weeks after Custer's demise at the Little Big Horn, and in the midst of "gold fever" brought about by a major ore strike in the Black Hills of Dakota Territory. Into the wide-open and illegal settlement of Deadwood rode a terrifying variety of hard-bitten men and hard-living women. Keith Carradine headed the cast (at least in the early episodes) as gunfighter and Indian scout Wild Bill Hickok -- not the clean-cut hero of movie and TV fame, but an embittered, disillusioned, cold-hearted killer who trusted no one, least of all himself. Traveling to Deadwood with old friend Charlie Utter (Dayton Callie) and devoted, foul-mouthed sidekick Calamity Jane (Robin Weigert), Hickok quickly met and befriended former lawman Seth Bullock (Timothy Olyphant), the archetypal man with a past who held out hope (but not much) that Deadwood would permit him a new start in life. The destinies of both Hickok and Bullock were gradually intertwined with that of self-styled town boss Al Swearengen (Ian McShane), the manipulative, cheerfully decadent owner of Deadwood's biggest "saloon," the Gem. Several major and minor characters passed through Deadwood, some for a long time, some only as long as it took to be shot down in the street. One of the more fascinating peripheral characters was gimlet-eyed cardsharp Eddie Sawyer, well played by real-life magician and master card manipulator Ricky Jay. Festooned with sex, sadism, sudden death, rampant profanity, and mud, mud, mud, Deadwood was not your father's "cowboy" show. The series drew huge ratings and enthusiastic critical plaudits from the moment it made its first appearance on March 21, 2004 -- and within a few weeks of this debut, all audience expectations were dashed to bits when one of the series' "stars" paid homage to historical accuracy by being abruptly killed off. ~ Hal Erickson, Rovi

"Welcome to Deadwood...a hell of a place to make your fortune." These are the words that serve as greeting for saddle-weary former lawman Seth Bullock (Timothy Olyphant) as he rides into the illegal Dakota Territory settlement of Deadwood, a scant few weeks after Custer's defeat at the Little Big Horn. Before long, Bullock makes the acquaintance of another displaced Westerner, the cynical, burnt-out gunslinger Wild Bill Hickok (Keith Carradine) -- and not long after that, both men have had their first run-in with town boss Al Swearengen (Ian McShane), the confident, corrupt owner of the Gem Saloon (an establishment largely populated by flint-hearted whores). Thus begins season one of the iconoclastic HBO Western series Deadwood, arguably the most realistic program of its kind ever seen on American television. In the 11 episodes that follow the season opener, a group of vicious outlaws tries to foment another Indian war; Swearengen's status as the lord of the flies on the Deadwood dungheap is challenged by a Chicago "syndicate" (yes, they had them as far back as 1876); a valuable land claim held by feisty, wealthy frontierswoman Alma Garret (Molly Parker) becomes the focus of a deadly serious power struggle; the notorious Black Jack McCall (Garret Dillahunt) kills Hickok during a poker game (quite a jolt, to knock off one of the series' main characters so early in the game!); Deadwood is ravaged by an epidemic, during which the rambunctious but compassionate Calamity Jane (Robin Weigert) becomes a legend; Bullock is marked for death after bringing a murderer to heel; Swearengen is double-crossed by duplicitous "working girl" Trixie (Paula Malcomson); the town's criminal element tries to block annexation of the Dakotas, which would bring much-despised law and order to the territory; a minister finds himself less welcome in town than an opium dealer; and at season's end, Seth Bullock becomes Deadwood's official sheriff -- a position that offers neither job security nor much chance for survival. ~ Hal Erickson, Rovi

Aceveda (Benito Martinez) uses his political clout to bring in the Decoy Squad, an elite unit from another division. To placate the disgruntled Claudette (CCH Pounder), he puts her in charge of both the Decoy Squad and the Strike Team. Vic (Michael Chiklis) is none too happy about sharing his space with another group, particularly while the Strike Team is trying to figure out what to do about the marked money they stole. The two groups team up in a prostitution sting, which nets a local politician, causing some political friction for Aceveda (Benito Martinez). Farrah (Mageina Tovah), a prostitute, recognizes Vic from his work with his murdered C.I., Connie, and offers to help him bring down her pimp, Smooth (Faruq Tuaheed), who recently kicked her to the curb. Vic wants nothing to do with her, but Claudette orders him to work the case. Dutch (Jay Karnes) is called in on a rape case in which the victim was an elderly woman. He brings in Paul Fets (Brent Sexton), a local registered sex offender, for an interrogation. Shane's (Walton Goggins) problems at home with Mara (Michele Hicks) continue to have an impact on his work. ~ Josh Ralske, Rovi

In the third-season finale of Gilmore Girls, Lorelai (Lauren Graham) and Sookie (Melissa McCarthy) make their first tentative moves toward purchasing a new bed-and-breakfast called the Dragonfly Inn -- but they may not be able to afford the place thanks to an unanticipated financial setback. Elsewhere, Chilton Prep valedictorian Rory (Alexis Bledel) delivers a commencement address that will never be forgotten. Richard (Edward Herrmann) and Emily (Kelly Bishop) come through with a graduation gift that proves to be more beneficial to Lorelai than to Rory. And Luke (Scott Patterson) prepares to embark upon an ocean cruise with his lady love Nicole, little suspecting what is in store for both of them! ~ Hal Erickson, Rovi

The Fat Boys, Kid 'N Play and others are featured in this hip hop-themed music video compilation aimed at pre-teens, hosted by former MTV veejay and Milli Vanilli confidant Downtown Julie Brown. ~ Michael Hastings, Rovi

John Goodman is cast as the Sultan of Swat, whose excesses -- especially drinking -- and private demons can (in this context) be excused in view of his genuine love of baseball. The facts never get in the way of a good story for screenwriter John Fusco; we're even offered the umpteenth rehash of "Little Johnny", the largely fanciful tale of the invalid boy who promises to get well if Babe hits him a homer (as in Pride of the Yankees, the cured Johnny makes return a appearance as grownup). The most amusing fabrication is the casting of narrow James Cromwell as the Babe's orphanage mentor Brother Mathias, who in real life weighed 300 pounds. Many of the characters are composites, notably Bruce Boxleitner's Jumpin' Joe Dugan. At least Ruth's two wives--Trini Alvarado as Helen, who suffers Babe's many peccadilloes and dies under strange circumstances, and Kelly McGillis as Claire, who keeps Babe on a very short leash-are depicted with a modicum of accuracy. The baseball sequences are well handled (though there could have been less slo-mo) while Elmer Bernstein's charmingly old-fashioned musical score is right in tune with the film's approach to its subject. The Babe is rated PG; had this been the whole truth and nothing but, and R rating would probably have been in order. ~ Hal Erickson, Rovi