Robert Cawdron Movies

The Doctor (Jon Pertwee) assists U.N.I.T. in its efforts to find out why the Mars Probe 7 project has suddenly cut of all radio contact with earth. The mystery deepens when one of the astronauts successfully returns from Mars, only to begin behaving like a lunatic. Written by Don Houghton and debuting March 21, 1970, the seven-episode "The Ambassadors of Death" was the second Doctor Who adventure to be lensed in color. Unfortunately, only black-and-white prints exist for episodes two through seven. ~ Hal Erickson, All Movie Guide

In the fourth episode of the seven-part story "The Ambassadors of Death," Liz (Caroline John) is kidnapped and forced to conduct experiments on the astronauts who have returned from Mars Probe 7. Conducting his own investigation in space, the Doctor (Jon Pertwee) discovers that the "astronauts" are actually alien duplicates -- but he still doesn't know who is behind the mystery, nor can he figure out the unknown villain's motivation. Written by Don Houghton, "The Ambassadors of Death, Episode 4" originally aired on April 11, 1970. Filmed in color, this episode presently exists in black-and-white only. ~ Hal Erickson, All Movie Guide

Another semi-successful attempt to adapt the works of American fantasist H.P. Lovecraft to the screen, this is loosely based on the short story The Shuttered Room (also an alternate release title for the film), a story which is purported to be more the work of "posthumous collaborator" August Derleth. The story involves a couple's return to the creepy old ancestral home, located on an island in New England, in which they soon discover the dark secret hidden behind a heavily-locked door in the attic... a door the fearful townsfolk declare "must never be opened." Oliver Reed delivers one of his patented gruff, over-the-top performances as the local nutcase, and director David Greene creates a suitably moody atmosphere, but much like the Roger Corman-produced The Dunwich Horror, this film fails to act on the spooky potential of its theme. ~ Cavett Binion, All Movie Guide

A motor excursion with a childhood friend turns deadly for Emma when she arrives at the remote community of Little Storping in the Swuff. It soon turns out that every one of the local residents is a professional assassin. Assuming that Emma has been brought to the village as a potential victim, the locals obligingly get "down to business." Despite its grim overtones, "Murdersville" is essentially a comic episode, culminating in old-fashioned pie fight. Written by Brian Clemens and first shown in England on November 11, 1967, this episode made it to America on February 7, 1968. ~ Hal Erickson, All Movie Guide

During the 16th century, it was prophesied that "When Hugh succeeds Hugh, Ireland shall be free." Hugh was the Prince of Donegal and his son Red Hugh, his successor. This lush and lively Disney adventure chronicles the young man's tumultuous ascension to the throne and his attempts to unite the many clans of Erin. Along the way, Red Hugh falls in love, is imprisoned by the British in Dublin Castle, and then fights to free Donegal Castle where his lady is being held. The film was shot in the United Kingdom and is based on Robert T. Reilly's story "Red Hugh, Prince of Donegal." ~ Sandra Brennan, All Movie Guide

"All I want is a good time. The rest is propaganda." That's the philosophy of archetypal British "angry young man" Arthur Seaton (Albert Finney). A middle-class working stiff in a dead-end job, Arthur's principal goal in life is to survive the work week, then spend the weekend raising as much hell and drinking as much beer and other liquor as possible. Since pleasure is all that Arthur lives for, he thinks nothing of starting up an affair with the wife (Rachel Roberts) of one of his co-workers (Bryan Pringle). His efforts to secure her an abortion when he gets her pregnant stem not out of concern for her but out of his own selfishness: why should he be tied down with a squalling brat? Despite his carousing and his ongoing desire to escape the dull routine of his weekday existence, Arthur is doomed to perpetuate that routine via his marriage to a complacent "nice" girl (Shirley Ann Field) from his own neighborhood. ~ Hal Erickson, All Movie Guide

Sean Connery plays one of his early roughneck types in the British gangster picture Frightened City. The story takes place in a rundown section of London, where the citizens are held in the grip of extortionists. After several months of gang warfare, the six major "protection" rings agree to bury the hatchet and combine their efforts under the leadership of a mob boss (Herbert Lom). One of the gangsters opposes the mobster's rule, and is promptly rubbed out. Paddy Damion (Sean Connery), the dead man's best friend, swears revenge. After a bloody confrontation, Damion agrees to provide information to the police -- after plea-bargaining himself into a light sentence. ~ Hal Erickson, All Movie Guide

In this melodrama, a mentally retarded young man inadvertently causes an auto accident and brings the injured woman driver back to the isolated farm he shares with his sister. The poor fellow is sure that the woman is his deceased mother. His sister and a helpful telephone lineman do their best to help him with the truth, but it backfires and the young man becomes equally obsessed with the idea that the lineman is his cruel, abusive father--who is also dead. The boy is so convinced that he becomes determined to kill him. Bloodshed ensues until the sister accidentally shoots her out-of-control brother. ~ Sandra Brennan, All Movie Guide

King Shadov (Charles Chaplin), the newly deposed monarch of a small European country, arrives in New York to face a life in exile. No sooner does he get here, however, than he discovers that his prime minister has stolen the entire royal treasury and departed for parts unknown. Stranded in New York in a luxury hotel without any money, the king tries to adjust to life in America and elicit interest in his plan for the peaceful use of nuclear power. He finds America in 1957 to be too noisy for his taste, however -- a run-in with some rock & roll dancers leads to some slapstick antics, and he doesn't take much to modern movies or the blaring entertainment that goes with them. He meets a pretty young lady (Dawn Addams) in a slightly risqué slapstick encounter in which he is trying to "rescue" her, and she maneuvers him into helping to plug a deodorant on television. The king proves so beguiling on the small screen that he is deluged by offers from advertising agencies, which he rejects at first. But the king soon finds that advertising may be the only thing he can do to earn enough money to keep him living like a king in exile, and he tries to work the system to his advantage, his earnings from television enabling him to remain in the country and push his peaceful nuclear plan. He soon finds the true dark side of life in the United States, however, when he crosses paths with an unhappy little boy (Michael Chaplin, the star/director's own son) whose parents are about to be jailed as part of the anti-Communist hysteria of the period. In the end, the king provides a shelter to the boy but compromises himself in the process, and while he does make the Congressional committee investigating him look foolish, he sees that he has done all of the good that he can do for now in the United States and leaves. ~ Bruce Eder, All Movie Guide

In this British comedy, a group of World War II spies attempt to capture a secret atomic formula and it is up to military-man Harry Jones (Harry Secombe) and Carole Gayley (Carole Carr) to stop them. ~ Iotis Erlewine, All Movie Guide