Art Smith Movies

A well-known stage actor since his debut in 1924, Art Smith (born Arthur Gordon Smith) won the New York Critics Award for his performance in Rocket to the Moon. He made his screen debut the following year as one of the Norwegian resistance fighters in the World War II melodrama Edge of Darkness (1942). With his trademark snowy hair, Smith became a visible and welcome presence in films thereafter, usually cast as studious types. Working well into the television era, the veteran performer retired after a starring role in the 1967 television play Do Not Go Gently Into That Good Night. He should not be confused with ubiquitous B-Western entrepreneur Denver Dixon (aka Art Mix), who billed himself "Colonel Art Smith" in a couple of films in the early '30s. ~ Hans J. Wollstein, All Movie Guide
1963  
 
This independent New York film takes place in the bohemian coffeehouse hangout in Greenwich Village. A trio of robbers knock off a bank, but to perish in the ensuing gun battle with police. The surviving crook stumbles into the basement of some beatnik performers who take him in. When they discover the hunted man is carrying $90,000 in cash, their distaste for money quickly changes to greed. The coffee shop owner (Lionel Stander) and his girlfriend Angel (Barbara London) join the beatniks, a drunken doctor, and the police who all want the money. Angel talks the wounded crook into leaving with her, waiting for an opportunity to seize the loot. This film was produced, written, directed and edited by Larry Moyer. ~ Dan Pavlides, All Movie Guide

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Starring:
Lionel StanderBarbara London, (more)
1961  
 
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As The Hustler's "Fast" Eddie Felson, Paul Newman created a classic antihero, charismatic but fundamentally flawed, and nobody's role model. A pool player from Oakland, CA, as good as anyone who ever picked up a cue, Eddie has an Achilles' heel: arrogance. It's not enough for him to win: he must force his opponent to acknowledge his superiority. The movie follows Eddie from his match against billiards champ Minnesota Fats (Jackie Gleason) as he falls in love with Sarah (Piper Laurie), an alcoholic would-be writer and sometime prostitute, and falls under the spell of Bert Gordon (George C. Scott), a successful gambler who offers to take Eddie under his wing and teach him how to play in the big time. However, when Sarah joins Eddie and Bert on a trip to Louisville for a high-stakes match with a dandy named Findlay (Murray Hamilton), the consequences prove tragic. Along with a classic performance by Newman, The Hustler also features turns by Scott, Laurie, and Gleason, in a rare dramatic role. Cameos from pool champ Willie Mosconi and boxer Jake LaMotta add to the atmosphere of Harry Horner's grubby production design and Eugen Schüfftan's camerawork. Director Robert Rossen, who had been working in films since 1937, was to direct only one more film, Lilith (1964), before his death in 1966. In 1986, Newman returned to the role of "Fast" Eddie in Martin Scorsese's The Color of Money, for which he finally earned an Academy Award as Best Actor. ~ Mark Deming, All Movie Guide

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Starring:
Paul NewmanJackie Gleason, (more)
1952  
 
The eponymous Rose is played by Mala Powers, a white girl raised by Cherokee Indians after her family was massacred. Powers considers herself a Native American and regards all whites as her enemies. Her feelings are justified to an extent when outlaws kill her Indian parents. Realizing she can't seek vengeance alone, Powers grudgingly accepts the help of white marshal Jack Beutel. Beyond its "Natural Color" photography, Rose of Cimarron is of interest in that it shows how Jack Beutel kept busy after he costarred with Jane Russell in the legendary "bosom western" The Outlaw. ~ Hal Erickson, All Movie Guide

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Starring:
Jack BuetelMala Powers, (more)
1952  
 
Just for You is based very loosely on Stephen Vincent Benet's Famous. Widowed Broadway producer Jordan Blake (Bing Crosby) is too busy with work to pay much attention to his teenaged kids Jerry (Robert Arthur) and Barbara (Natalie Wood). One thing he hasn't noticed is that Jerry isn't really a kid any more. This point is driven home when Jerry develops a crush on Blake's latest leading lady--and erstwhile sweetheart--Carolina Hill (Jane Wyman). Only Allida de Bronkhart (Ethel Barrymore), owner of the girl's school attended by Barbara, is wise enough to figure out a satisfactory solution to everyone's dilemmas. Capitalizing on their previous successful musical teaming in Here Comes the Groom, Bing Crosby and Jane Wyman perform several sprightly tunes, both solo and in tandem. ~ Hal Erickson, All Movie Guide

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Starring:
Bing CrosbyJane Wyman, (more)
1951  
 
Even at age 38, Loretta Young could successfully pull off her ingenue duties in the innocuous comedy Half Angel. Young plays Nora, a prim and proper nurse, engaged to the stuffy Tim (John Ridgely). Unbeknownst to both, Nora is a sleepwalker; during her nocturnal forays, the less-inhibited side of her personality takes over. While somnambulizing one evening, she heads to the home of her former boyfriend John (Joseph Cotten) and makes amorous advances towards him. Fascinated, John tries to get Nora to behave the same way while she's awake, but it takes eight reels to accomplish that formidable feat. Half Angel bears no resemblance to the 1936 Claire Trevor vehicle of the same name. ~ Hal Erickson, All Movie Guide

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Starring:
Loretta YoungJoseph Cotten, (more)
1951  
 
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Alexander Hull's novel Shep of the Painted Hills was refashioned into a traditional Lassie vehicle by screenwriter True Boardman. The noble collie turns avenger this time out, hoping to bring the murderer of her master to justice. The perpetrator, played by Bruce Cowling, is hounded (no pun intended) into meeting a fate similar to the one he meted out to the victim. Filmed on a somewhat lower budget than previous Lassie endeavors, The Painted Hills benefits greatly from its all-character-actor cast, headed by Paul Kelly and Ann Doran. The film was lensed in Technicolor, making it a valuable commodity in the formative days of locally-produced color TV in the late 1950s-early 1960s. ~ Hal Erickson, All Movie Guide

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Starring:
Lassie the DogPaul Kelly, (more)
1950  
 
The Next Voice You Hear was a pet project of MGM producer Dore Schary, who lavished more attention on this modestly budgeted drama than he did on some of his "bigger" projects. Though based on characters first introduced in the 1942 film Joe Smith, American, Next Voice was not a sequel to the earlier film. James Whitmore stars as blue-collar family man Joe Smith, while future first lady Nancy Davis appears as his pregnant wife and Gary Gray rounds out the family unit as their son. The Smiths, their relatives, their neighbors and the citizens of the World are shaken out of their complacency when the voice of God begins delivering messages over the radio. For six consecutive evenings, the voice speaks over the airwaves (the movie audience never hears the voice, thanks to a series of clever evasionary tactics). At first frightened, the listeners gradually realize that God simply wants to convey the age-old message "Love thy Neighbor." With this realization comes several changes of attitude, some minor, others profound. The concept may sound portentous (and pretentious), but the actors handle their responsibilities with subtlety and conviction. So, too, does director William A. Wellman, a curious choice indeed for this sort of film. ~ Hal Erickson, All Movie Guide

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Starring:
James WhitmoreNancy Davis, (more)
1950  
 
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Mickey Rooney, with his kid roles and musicals behind him, went for a major change of image in this harrowing film noir. He gives what many consider to be the best performance of his career as Danny Brady, a well-meaning grease monkey whose life is destroyed in less than a week. Danny finds himself short of cash when he's supposed to take out Vera (Jeanne Cagney), a waitress whom he's just met who works at a hash-house. He borrows 20 dollars from the cash register, planning on paying it back with 20 dollars that a buddy owes him the next day, but the friend doesn't turn up. To get the 20 dollars, he buys a 100-dollar watch on a payment plan and then hocks it for the 20 dollars, but a detective picks up on the purchase and threatens to have him jailed if he doesn't pay the full 100 dollars immediately; desperate to raise the money, he robs a drunken bar patron of his bill-fold. His money problems seemingly behind him, Danny takes Vera out with the extra cash, but gets into a fight with her former boss, Nick (Peter Lorre), who picks up a clue that Danny did the robbery. Nick pressures Danny to provide him with a new car (a hard-to-get commodity in 1950) from the garage where he works, in return for keeping quiet. Danny steals the car and turns it over to Nick, but he and Vera decide to get even by robbing Nick's safe that night -- now they've got 3,600 dollars, which they split. But Danny's boss, Mackey, tells him he knows who stole the car, and wants either the car back or the full value, or he'll turn Danny in to the police. Vera has already blown her share on a mink coat, and he goes back to Mackey with what he has, 1,800 dollars. Mackey takes it and proceeds to call the police. Danny attacks him and leaves him for dead. Danny goes on the run, convinced he's wanted for Mackey's murder. Danny runs into Helen (Barbara Bates), a nice girl that he was dating and then dumped, and they end up fleeing together, hijacking a car and holding an innocent man at gunpoint. Impending tragedy seems to loom up even larger when they cross paths with police officers on a manhunt. Realizing that Helen has been good to him, he ends up on the run alone, with a gun in hand, as the law closes in. ~ Bruce Eder, All Movie Guide

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Starring:
Mickey RooneyJeanne Cagney, (more)
1950  
 
A married team of diamond smugglers enter New York to fence their purloined gems unaware that the wife is carrying the highly contagious, deadly smallpox virus. The crooks ensconce themselves in a hotel without realizing that the wife's every move is being monitored by a Treasury agent. The husband directs her to stay put while he goes off on business. Actually he is going out to tryst with his conniving sister-in-law. Back in the room, the wife feels ill and so creeps out to see a doctor. The T-man loses her trail. The doctor doesn't recognize the dread disease until much later and so the woman is free to travel about leaving a trail of death behind her. Once again she is followed, but the agents have a hard time keeping up with her. Eventually she finds her husband and learns the truth. Not only has he been unfaithful, he and her sister are planning to abscond with the jewels. A struggle between man and wife ensues culminating in the husband's death. Afterward the woman goes to authorities and before succumbing to the disease, provides them with a badly needed list of those she contacted. ~ Sandra Brennan, All Movie Guide

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Starring:
Evelyn KeyesCharles Korvin, (more)
1950  
NR  
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A haunting work of stark confessionalism disguised as a taut noir thriller, In a Lonely Place -- Nicholas Ray's bleak, desperate tale of fear and self-loathing in Hollywood -- remains one of the filmmaker's greatest and most deeply resonant features. It stars Humphrey Bogart as Dixon Steele, a fading screenwriter suffering from creative burnout; hired to adapt a best-selling novel, instead of reading the book itself he asks the hat-check girl (Martha Stewart) at his favorite nightclub to simply tell him the plot. The morning after, the girl is found brutally murdered, and Steele is the police's prime suspect; however, the would-be starlet across the way, Laurel Gray (Gloria Grahame), provides him with a solid alibi, and they soon begin a romance in spite of Gray's lingering concerns that the troubled, violent Steele might just be a killer after all. During production, Ray's real-life marriage to co-star Grahame began to crumble, and his own vulnerability and disillusionment clearly inform the picture; the brooding, bitter Steele -- a role ideally suited to Bogart's wounded romanticism -- is plainly a doppelganger for Ray himself (the site of his first Hollywood apartment is even employed as the set for Steele's home), and the film's unflinching examination of the character's disintegration makes for uniquely compelling viewing. ~ Jason Ankeny, All Movie Guide

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Starring:
Humphrey BogartGloria Grahame, (more)
1950  
 
South Sea Sinner is a remake of 1940's Seven Sinners, with Shelley Winters in the Marlene Dietrich role and MacDonald Carey as the John Wayne counterpart. Winters plays cabaret singer Coral, who manages to spark a riot wherever she goes. Carey co-stars as Jake Davis, who has been wandering aimlessly throughout the South Seas ever since he was framed on a gun-smuggling charge. These two volatile personalities become embroiled in the crooked schemes concocted by all-around villain Cognac (Luther Adler). Featured in the cast are Frank Lovejoy as Jake's best friend, and Helena Carter as the "right" girl for Our Hero. But the film's main attraction for modern audiences is the one and only Liberace, making his film debut as Coral's sardonic accompanist. ~ Hal Erickson, All Movie Guide

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Starring:
MacDonald CareyShelley Winters, (more)
1950  
 
The Sound of Fury is better known by its general release title, Try and Get Me. Based on Jo Pagano's novel The Condemned, the film recreates a dismal chapter in American history. In 1933, the otherwise peace-loving citizens of San Jose, CA, were stirred up by blind hatred into forming a mob and lynching two accused kidnappers (this same incident was fictionalized in the 1935 Fritz Lang film Fury). Frank Lovejoy and Lloyd Bridges play a couple of down-and-outers who kidnap a wealthy youngster in hopes of getting a huge ransom. Things go terribly wrong, and the boy is killed. When the two kidnappers are arrested, a local journalist (Richard Carlson) inflames the populace with a series of hate-filled articles about the two prisoners. The journalist then stands by in mute horror as he watches the terrible results of his irresponsible print campaign. ~ Hal Erickson, All Movie Guide

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Starring:
Frank LovejoyKathleen Ryan, (more)
1949  
 
Taken (as far as possible) from the Cole Porter musical comedy of the same name, Red, Hot and Blue stars Betty Hutton as an ambitious chorus girl. Hutton gets a job with a musical comedy bankrolled by gangsters, and is the wrong girl at the wrong place when one of the show's backers (William Talman) is bumped off. She is arrested for suspicion of murder, then is kidnapped by the villains to keep her from spilling the beans. The plot requires that she be rescued by hero Victor Mature, though many disgruntled audience members may have been rooting for the boisterous Hutton to be dumped in the East River. The stage version of Red Hot and Blue starred Ethel Merman, Jimmy Durante, and Bob Hope. Hutton is no Merman, but she gives her all to the brassy production numbers and the self-absorbed ballads--written not by Cole Porter, whose score was dispensed with, but by Paramount's in-house tunesmith Frank Loesser, who also plays a small role as one of the gangsters. ~ Hal Erickson, All Movie Guide

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Starring:
Betty HuttonVictor Mature, (more)
1949  
 
It doesn't take a nuclear scientist to figure out that Smith Ohrig, the character played by Robert Ryan in Caught, is a thinly disguised takeoff of Howard Hughes. But whereas Howard Hughes was merely paranoid and eccentric, Smith Ohrig is an all-out psycho. Impulsively marrying ambitious model Leonora Eames (Barbara Bel Geddes), Ohrig keeps the poor girl a virtual prisoner in his palatial mansion, tormenting her with twisted mind games while he continues his premarital playboy activities. Coming to the realization that wealth and creature comforts are no substitute for stability, Leonora takes a "normal" job in the offices of society doctor Larry Quinada (James Mason). Falling in love with her boss, Leonora nonetheless returns to Ohrig when he turns on his patented charm. Only an act of God (accelerated by Ohrig's hedonistic lifestyle) rescues Leonora from a life of lavish bondage. Billed as Max Opuls on the credits of Caught, director Max Ophuls manages to implant his own distinctive style upon what is essentially a slick Hollywood studio product. ~ Hal Erickson, All Movie Guide

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Starring:
James MasonBarbara Bel Geddes, (more)
1949  
 
Produced by Paramount's Pine-Thomas unit, Manhandled is a no-nonsense film noir with a well-chosen cast. Small-time hoodlum Karl Benson (Dan Duryea) uses and abuses several innocent people in his efforts to get ahead. Among Benson's victims is Merl Kramer (Dorothy Lamour), who doesn't find out about her boyfriend's perfidy until it's almost too late. Sterling Hayden co-stars as insurance investigator Joe Cooper, who likewise exploits poor Merl, albeit for a good cause: Cooper is on the trail of some missing jewels. A subplot involves a married couple (Irene Hervey and Alan Napier) and the wife's would-be lover (Phillip Reed). Manhandled's level of tension never lets up, not even in its final scenes. ~ Hal Erickson, All Movie Guide

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Starring:
Dorothy LamourSterling Hayden, (more)
1949  
 
Though her acting range was limited, Wanda Hendrix was cute as all get out, and this cuteness is pretty much all that's required from her in Song of Surrender. The film is set in a small town of the early 1900s. Hendrix is cast as Abigail Hunt, the young bride of fiftyish museum curator Elisha Hunt (Claude Rains). Their connubial bliss is threatened when attorney Bruce Eldridge (Macdonald Carey) falls in love with Abigail, and she with him. When her neighbors discover her indiscretions, Abigail is driven from town. It is only during a near-tragedy that Abigail realizes that her true place is with her aging husband. Still, the script manages to wangle a happy ending for everyone concerned. Of interest in Song of Surrender is the utilization within the plotline of several vintage Enrico Caruso recordings. ~ Hal Erickson, All Movie Guide

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Starring:
Wanda HendrixClaude Rains, (more)
1948  
 
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Perhaps the finest American film from the famed European director Max Ophüls, the film stars Joan Fontaine as a young woman who falls in love with a concert pianist. Set in Vienna in 1900, the story is told in a complex flashback structure as the pianist, Stefan Brand (Louis Jourdan), comes upon a letter written to him by Lisa Berndl (Fontaine), a girl who has been in love with him for years. Stefan is in the process of fleeing Vienna on the eve of fighting a duel. As he prepares himself for the nocturnal journey, the letter arrives. It begins, "By the time you read this letter, I may be dead." As Stefan sits back in his study to read this letter, it turns out to be a confession of unrequited love from Lisa. The story flashes backs to when Lisa was 14 years old and Stefan was her neighbor. After following Stefan with a girlish obsession, the romance gets much more serious, and they have a brief encounter. Stefan promises to come back to her after a concert tour, but he never does. Meanwhile, Lisa marries another man when she discovers that she is pregnant with Stefan's child. When she runs into Stefan years later, he doesn't remember her and tries to seduce her. After Stefan reads the letter, he wants to rush to her side, but now poor Lisa is dying from typhus. ~ Paul Brenner, All Movie Guide

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Starring:
Joan FontaineLouis Jourdan, (more)
1948  
NR  
Something seems fishy when a married man finds new adventure and romance in this comic fantasy. Arthur Peabody (William Powell) is a slightly stuffy businessman from Boston who after turning fifty finds himself suffering from a full-fledged midlife crisis. On the advice of his doctor, Peabody and his wife Polly (Irene Hervey) head to the Caribbean for a restful vacation. One evening, Peabody decides to do some fishing, and he pulls in a highly unexpected catch -- a beautiful mermaid named Lenore (Ann Blythe). Peabody takes the mysterious creature home with him (keeping her in a backyard pond for safekeeping), but while he soon becomes infatuated with Lenore, she's quite shy around others, refusing to let people see her except for the tip of her tail, so few believe his story about the big one he's reeled in. Makeup whiz Bud Westmore designed the special mermaid costuime for Ann Blythe; keep an ear open for the song "The Caribbees", co-written for the movie by Johnny Mercer. ~ Mark Deming, All Movie Guide

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Starring:
William PowellAnn Blyth, (more)
1948  
 
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Based on the novel by Erich Maria Remarque, Arch of Triumph is a complicated war romance directed by Lewis Milestone. Dr. Ravic (Charles Boyer) is a refugee physician practicing medicine illegally in Paris under a false name. He saves Joan Madou (Ingrid Bergman) from committing suicide after the sudden death of her lover. He gets her a job singing at the nightclub where his only friend, Boris Morosov (Louis Calhern), is the doorman. Joan falls in love with Ravic, but he is deported and she finds herself the mistress of wealthy Alex (Stephan Bekassy). Meanwhile, Ravic seeks revenge against a Nazi officer (Charles Laughton) and war is declared between France and Germany. ~ Andrea LeVasseur, All Movie Guide

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Starring:
Stephen BekassyCharles Boyer, (more)
1948  
 
Angel in Exile represents a one-time-only directorial collaboration between cult favorite Allan Dwan and B-western workhouse Philip Ford. Upon his release from jail, hardened criminal Charlie Dakin (John Carroll) heads to Mexico in search of his stolen gold, hidden in a mine shaft by Dakin's confederates. Posing as an honest prospector, Dakin mixes the gold with sand so that the local villagers will assume that he's merely coming up with the riches that were already in the mine. But the impoverished locals are overjoyed that the long-dormant mine has proved active once more, attributing this "miracle" to the town's guardian angel. Touched by the villagers' simple faith, Dakin reforms his evil ways-which is more than can be said for his less sentimental cohorts Max (Barton MacLane) and Carl (Paul Fix). ~ Hal Erickson, All Movie Guide

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Starring:
John CarrollAdele Mara, (more)
1948  
 
George Seaton's 1948 comedy Chicken Every Sunday was based on the play by Julius J. Epstein and Philip G. Epstein as well as the original memoirs of Rosemary Taylor. Set during the turn of the century on the American frontier, Emily Heffernan (eleste Holm) is the practical wife of foolish would-be businessman Jim Heffernan (Dan Dailey). While Emily struggles to keep the household together by renting out rooms to boarders, Jim wastes the family's earnings on get-rich-quick schemes. Told in flashback, Emily recalls her 20-year marriage before filing for divorce. Emily has had enough and wants to leave, but their friends try to get them back together. Also starring Colleen Townsend, Alan Young, and a ten-year-old Natalie Wood. ~ Andrea LeVasseur, All Movie Guide

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Starring:
Dan DaileyCeleste Holm, (more)
1948  
 
Produced by Milton Sperling's United States Pictures, South of St. Louis was given a widespread release by Warner Bros. The story begins in the last days of the Civil War. Chased off their property by guerillas, ranching partners Kip Davis (Joel McCrea), Charlie Burns (Zachary Scott) and Lee Prince (Douglas Kennedy) head southward to seek out a new life. Davis and Burns go into the gun-running business, while Prince joins the Confederate Army. Kip and Charlie battle over the affections of saloon gal Rouge de Lisle (Alexis Smith), a turn of events that falls into the plans of rival gunrunner Luke Cottrell (Victor Jory). The three former friends soon find themselves enemies, and thereby hangs the plotline. Curiously, Dorothy Malone, cast as the "good" heroine, seems to be more worldly and cunning than hard-boiled temptress Alexis Smith. Originally filmed in Technicolor, South of St. Louis was for many years available only in its black-and-white, TV-print form. ~ Hal Erickson, All Movie Guide

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Starring:
Joel McCreaAlexis Smith, (more)
1947  
 
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Burt Lancaster had one of his first starring roles in this hard-hitting prison drama. Capt. Munsey (Hume Cronyn) is a cruel, corrupt prison guard who has his own less-than-ethical ways of dealing with inmates, enough so that Joe Collins (Lancaster) -- the toughest inmate in the cell block -- has decided to break out. Collins tries to persuade Gallagher (Charles Bickford), the unofficial leader of the inmates and editor of the prison newspaper, to join him, but Gallagher thinks Collins' plan won't work. However, Collins does have the support of his cellmates, most of whom, like himself, wandered into a life of crime thanks to love and good intentions. Tom Lister (Whit Bissell) was an accountant who altered the books so he could buy his wife a mink coat. Soldier (Howard Duff) fell in love with an Italian girl during World War II and took the rap for her when she murdered her father. Collins pulled a bank job to raise money to pay for an operation that could possibly get his girl out of a wheelchair. And Spencer (John Hoyt) made the mistake of getting involved with a female con artist. After Munsey drives Tom to suicide and prevents Gallagher from obtaining parole, Gallagher joins up with Collins and his men in the escape attempt. Director Jules Dassin would next direct the influential noir drama The Naked City; six years later, he would move to Europe after political blacklisting prevented him from continuing to work in the United States. ~ Mark Deming, All Movie Guide

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Starring:
Burt LancasterHume Cronyn, (more)
1947  
 
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The moodily evocative docudrama T-Men stars Dennis O'Keefe as Dennis O'Brien, a treasury agent determined to bring a counterfeiting ring to justice. O'Brien and his partner Tony Genaro (Alfred Ryder) go undercover to gain the confidence of the ruthless Detroit mob responsible for the phony money. The plot, compelling though it is, takes second place to the film's stylish set pieces, superbly directed by Anthony Mann and brilliantly photographed by John Alton. Among the film's most famous moments is the scene in which two-bit hood Wallace Ford is bumped off in a steam bath by sadistic hood Charles McGraw, not to mention the harrowing vignette wherein O'Keefe, posing as a crook, must stand by silently as his partner Ryder is murdered. One of the finest examples of the film noir form, T-Men proved beyond a shadow of a doubt that a film didn't need to have a lush budget, brilliant Technicolor and Clark Gable to score a hit with postwar moviegoers. ~ Hal Erickson, All Movie Guide

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Starring:
Dennis O'KeefeMary Meade, (more)
1947  
 
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Ronald Colman won an Academy Award for his portrayal of an off-the-beam actor in A Double Life. A beloved stage star, Anthony John (Colman), has problems with his private life due to his unpredictable outbursts of temper. This trait has already cost him his wife, Brita (Signe Hasso), and threatens to sabotage his career. Nonetheless, Anthony makes his peace with Brita, and the two actors star in a new Broadway staging of Othello. The play is a hit, running over 300 performances, but the pressures of portraying a man moved to murder by jealousy takes its toll on Anthony. In a fit of delirium, he strangles his casual mistress, Pat (Shelley Winters), but retains no memory of the awful crime. Press agent Bill Friend (Edmond O'Brien), unaware that Anthony is the killer, uses Pat's murder as publicity for Othello. Anthony becomes enraged at this cheap ploy, and attacks Friend. At this point, Anthony realizes that he has been living "a double life" and is in fact Pat's murderer. A Double Life was written for the screen by Ruth Gordon and Garson Kanin, who occasionally digress from the melodramatic plotline to include a few backstage inside jokes. ~ Hal Erickson, All Movie Guide

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Starring:
Ronald ColmanWhit Bissell, (more)

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