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Anja Pieroni Movies

1985  
 
Meant to be farcical but with comedy that somehow falls between the cracks, this horror spoof starts off with inept real estate agent Fracchia (Paolo Villaggio) trying to redeem his job. Fracchia has to save his hide by selling something within three days, and his only client is a hard-nosed cuss named Filini (Gigi Reder) whose limit is $3,000, tops. Unable to buy a Port-a-Potty on those terms, Fracchia gets a deal on a castle in Transylvania and off the duo go to inspect the premises. Inhabiting the castle are the usual monsters and zombies and a ghost-buster, Dracula, Frankenstein, and Dracula's libidinous sister Countess Oniria (Ania Pieroni). ~ Eleanor Mannikka, Rovi

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Starring:
Paolo VillaggioEdmund Purdom, (more)
 
1984  
 
In this fantasy-comedy about a reporter who sees tomorrow before it happens, Catello Coppola (Italian comic Maurizio Micheli) is a gossip-columnist belittled at his office, and his good friend Paolino (Adolfo Belletti) is a men's-room attendant at a large hotel. Alas, Paolino is not long for this world, though his communication with Catello is not impeded by any barrier imposed by the Great Beyond. Since their association has been cultivated in a men's room, Catello soon discovers that whenever he gets the urge to use those facilities, he finds a written message on the wall that gives him the next day's celebrity news. Armed with tomorrow's gossip today, he quickly becomes the toast of the town. Pulled off with wit, comic acuity, and a smattering of low-brow bathroom humor, this remake and re-interpretation of René Clair's It Happened Tomorrow is an entertaining, fast-paced comedy. ~ Eleanor Mannikka, Rovi

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Starring:
Maurizio MicheliAnja Pieroni, (more)
 
1982  
R  
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Dario Argento leaves a distinct and bloody impression with this Italian horror film that took the slasher genre to graphic new limits at the time of its release. Novelist Peter Neal (Anthony Franciosa) jets into Rome to promote his new book. Simultaneously, a killer obsessed with Neal begins a brutal series of murders that are followed by cryptic notes to the author. Inspector Germani (Giuliano Gemma) questions Neal, who then begins his own investigation into the bizarre case with the help of his assistant, Anne (Daria Nicolodi), and local youth Gianni (Christian Borromeo). Neal and Gianni follow leads to the home of a TV talk-show host (John Steiner), who is axed to death in front of Gianni while Neal is knocked unconscious. As they close in on the killer, flashbacks show the killer's murderous beginnings and an obsession with red shoes. Meanwhile, Neal's publicist, Bullmer (John Saxon), is revealed to be having an affair with the author's ex-lover, Jane (Veronica Lario), making them both potential suspects. Inspector Germani insists that Neal leave town, but even when he does, the killer strikes again, knifing Bullmer in broad daylight. At the same time, Gianni returns to the home of the dead talk-show host and recalls an important detail about the murder. However, he is strangled before he can tell anyone. At her apartment, Jane is brutally slain just as Inspector Germani arrives to discover the murderer's identity, along with the shocking, twist-filled truth behind the entire case. ~ Patrick Legare, Rovi

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Starring:
Anthony FranciosaJohn Saxon, (more)
 
1981  
R  
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This cult horror film from director Lucio Fulci lurches along with a certain amount of disjunction due to cutting, perhaps, if not to an innate Fulci disposition. When the Boyle family temporarily moves into a mansion near Boston so the father can do some research, the son Bob (Giovanni Frezza) starts seeing the ghost of a young girl motioning to him, and eventually he discovers the basement's terrible secret. A certain Dr. Freudstein (Giovanni de Nari) has been hanging out there since 1879 when he was banned from the medical profession, and he has kept himself alive although in miserable physical shape, by murdering the various inhabitants of the house and using their cells to keep his body going. An oversize bat attacks the father, floors come apart and crush unsuspecting victims, and at one point little Bob's blond head is held to the basement door by the evil doctor while the father is wildly swinging his axe through the door to save his son. Scenes like these and others are the real objective of the movie -- the strange and irresolute ending, and leaps and gaps in the plot, are indications that all else is dispensible pretext - gore is the goal and it is delivered in sickening doses. ~ Eleanor Mannikka, Rovi

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Starring:
Catriona MacCollPaolo Malco, (more)
 
1980  
R  
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A combination of alchemy, architecture, and horror, director Dario Argento's Inferno is a pulsing thriller filled with murder and supernatural mayhem. The peculiar proceedings are set into motion in both New York and Rome when two young women, Sara (Eleonora Giorgi) and Rose (Irene Miracle), find a book called The Three Mothers, a tome of alchemy written by an architect named Varelli. According to the book, Varelli built a trio of resting places for the Three Mothers, an evil trio whose identities remain at the core of the film's mystery. Rose's brother and Sara's boyfriend is Mark (Leigh McCloskey), a music student in Rome who jets to New York after Sara is murdered and Rose disappears. He follows up Rose's research on The Three Mothers and, with the help of his sister's neighbor, Elise (Daria Nicolodi), comes to the realization that the building they are in is one of Varelli's. Along the way, Mark encounters a variety of quirky characters including Elise's butler (Leopoldo Mastelloni), the building's maid (Alida Valli), a cat-hating bookseller named Kazanian (Sacha Pitoeff), and the infirm Professor Arnold (Feodor Chaliapin) and his nurse (Veronica Lazar). After a series of murders and a revelation that the butler and the maid have been plotting to steal Elise's jewels, Mark discovers a secret series of passages within the building. They lead him to its core where he finds the wheelchair-bound Professor Arnold, who explains that he is really the architect Varelli. After a violent struggle, the dying old man confesses to Mark that he is merely a servant to the Mothers. The building begins to burn out of control, but before Mark can escape, he discovers the shocking identity of the Three Mothers. ~ Patrick Legare, Rovi

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Starring:
Irene MiracleLeigh McCloskey, (more)
 
1979  
 
Guido (Italian pop-music superstar Adriano Celentano) is a millionaire who has made his fortune by inventing an unbreakable glass. He has everything he wants except for casual sex from a woman who knows nothing of his wealth. While riding the subway, his Rolex watch is lifted by the beautiful felonious female Tilli (Eleanora Giorgi). Guido falls for Tilli and spends the rest of his time trying to keep his identity a secret from her and her larcenous family. Celentano plays the role with slapstick flair reminiscent of Jerry Lewis and the smooth deportment of Cary Grant. ~ Dan Pavlides, Rovi

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Starring:
Adriano CelentanoEleonora Giorgi, (more)
 
1978  
R  
An idyllic May-December romance becomes unraveled when the much-older man begins suspecting that his tender young lover may be his own daughter, the result of an illicit affair many years before. ~ Sandra Brennan, Rovi

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Starring:
Francisco RabalAnja Pieroni, (more)