Andrée Tainsy Movies

Noted French filmmaker François Ozon directs this drama about personal loss and resilience. Marie (Charlotte Rampling) is deeply in love with her husband, Jean (Bruno Cremer). One day while vacationing at the seashore, Jean disappears into the ocean. A distraught Marie notifies the authorities, but sadly, they find no trace of her beloved husband. Later, back in Paris, Marie attends a dinner party hosted by her friend Amanda (Alexandra Stewart); over the course of dinner, it emerges that Marie and Jean had been married for 25 years. Marie speaks of Jean as if he were still alive, something that disturbs Amanda's fellow dinner guests, and after she is driven home by Vincent (Jacques Nolot), another guest, Marie sees Jean in her apartment and at breakfast the next morning. It quickly becomes apparent that Marie's imagination enables her to go along in life as if nothing happened to Jean, but as she slowly becomes involved with Vincent, she begins to cope with the fact that she is in fact living on her own. ~ Rebecca Flint Marx, All Movie Guide

In a routine murder mystery based on a novel by Dominique Roulet, a cruel, wheelchair-bound invalid (Stephane Audran) who consistently terrorizes her teen son Louis (Lucas Belvaux) into abject obedience, is threatened with the loss of her home by a conniving trio who want her property as part of a deal for a lucrative development project. The three men are comprised of a butcher (Jean-Claude Bouillaud), a doctor (Jean Topart), and a notary (Michel Bouquet). Louis is a postal worker who is fending off the attentions of Henriette at the office (Pauline Lafont), and brings his mother all the mail scheduled for their trio of enemies, whereupon she steams it open and keeps herself informed about their plans. In retaliation for their attempts to seize his home, young Louis pours sugar into the butcher's gas tank which ultimately causes a fatal accident, and in fact, the doctor's wife has also died in a car accident. And now the notary's mistress is missing. Enter, at last, the imperious and heavy-handed Inspector Jean Lavardin (Jean Poiret) to finally go after the clues and the suspects until the case is solved. He succeeds admirably, and as a consequence, appears on his own in 1985's Inspector Lavardin. ~ Eleanor Mannikka, All Movie Guide

Jean (Niels Arestrup), the lead character in this psychological journey is torn by a search for his lost childhood, the overwhelming need to love a woman of his dreams (someone he has invented), and a struggle with his latent bisexuality. Jean finds some photos inside an automatic photo station that look like his mother who died soon after he was born. He starts to fantasize about the woman, giving her a name and identity and waiting for her to appear. During this time, he meets Carole (Christine Boisson) and has an affair with her, all the while pretending he has this other relationship with the woman in the photo. Significantly, the couple who introduce him to Carole is childless, and they eventually split up - perhaps a comment on the importance of childhood to the adult world. In the end, Carole discovers that Jean's "other woman" has no real existence, causing a crisis that finds a symbolic expression as the last scenes close on the story. ~ Eleanor Mannikka, All Movie Guide

In this complex chronicle of the evolution of a provincial family's life, the story follows three generations of at least two neighboring families from the 1890s to the 1970s. In one of many related tales, a man who was engaged to the older daughter of a farmer elopes with the younger one. After many years and the birth of five children, the man leaves his wife and family for the bright lights of the city but continues turning up from time to time, until he is finally taken into the home of one of his sons when he is a quite old man. The complex interactions of the legitimate and illegitimate children of a womanizing miner give rise to yet another set of related stories. ~ Clarke Fountain, All Movie Guide

French film critic Bertrand Tavernier made his directorial debut in The Clockmaker. The title character, played by Tavernier's "alter ego" Philipe Noiret, is benumbed by the nihilistic activities of his son Sylvain Rougerie. Arrested on charges ranging from arson to murder, Rougerie offers the standard-issue explanation: the establishment is full of pigs who deserve to be "offed". Noiret must ask himself if his son's behavior is the result of stifling under the bourgeois lifestyle that Noiret has always championed. The Clockmaker is based on the Georges Simenon story L'Horlonger de Saint-Paul, which was also the French title of this film. ~ Hal Erickson, All Movie Guide

Z is one of the most politically insightful films ever made, exposing government hypocrisy and cover-up in the wake of a political assassination. Zei (Yves Montand) is a scientist who is scheduled to give a speech against the use of the atomic bomb. On the way to the event, he is attacked outside the auditorium by a group of right-wing extremists with political ties to the government as the police stand by and do nothing to intervene. He recovers long enough to make the speech but is later clubbed again and must undergo several surgeries, then dies during one of the procedures. A newspaper reporter finds a witness to the event and a judge willing to hear the case despite government protests. The ensuing trial reveals a government conspiracy, but the results of the trial are thrown out when a new government is formed by a military coup, which results in the intolerance that outlaws long hair, the Beatles, and any peaceful protests. Director Costa-Gavras used actual trial transcripts of the investigation into the May 22, 1963, assassination of Greek pacifist leader Gregoris Lambrakis, which proved a government conspiracy in his death. Yves Montand gives the best dramatic performance of his life, and Irene Papas stars as his wife, Helena. Z won the Oscar for Best Foreign Film of 1969, was 14th in terms of box-office success, and hit an international nerve in the age of social unrest, government cover-up, and political assassinations. All those involved worked on the film for a reduced rate with an option for royalties based on earnings at the theater window. The letter Z in the Greek alphabet means "he is alive." ~ Dan Pavlides, All Movie Guide

This movie is the first in a trilogy that parodied the popular silent Fantomas serials of director Louis Feuillade, which followed the adventures of the titular master criminal created by writers Pierre Souvestre and Marcel Allain. After a daring jewelry heist signed "Fantomas," police commissioner Juve (Louis de Funès) goes on national television claiming that Fantomas doesn't exist and that there is no reason for public concern. Riding the wave of public interest, journalist Fandor (Jean Marais) publishes a bogus interview with the master criminal. Fantomas (also played by Jean Marais) doesn't appreciate the joke and kidnaps Fandor to teach him a lesson. A master of disguise, he pulls an even more daring robbery wearing the Fandor mask. Comic relief is provided by commissioner Juve's awkward attempts to capture the elusive arch-criminal. ~ Yuri German, All Movie Guide