Hobart Cavanaugh Movies

Three wives, played by Jeanne Crain, Ann Sothern and Linda Darnell, are about to embark on a boat trip when each receives a letter, written by a mutual friend named Addie, informing her that Addie is about to run off with one of their husbands. In flashback, each wife wonders if it is her marriage that is in jeopardy. Deborah (Crain) recounts her fish-out-of-water relationship with her up-and-coming hubby (Jeffrey Lynn); businesswoman Rita (Sothern) asks herself if she's been too rough on her professorial spouse (Kirk Douglas); and Lora May (Darnell), a girl from (literally) the wrong side of the tracks, questions the security of her marriage to a brash business executive (Paul Douglas). The voice of Addie, who is never seen, is provided by Celeste Holm. Thelma Ritter shows up in a hilarious unbilled bit as a slatternly domestic, while an equally uncredited Carl "Alfalfa" Switzer makes a quick entrance and exit as a bellhop. Written with perception and not a little witty condescension by director Joseph L. Mankiewicz, A Letter to Three Wives won two Oscars ,both for Mankiewicz. Based on a novel by John Klempner, the property was remade for television in 1985, with Ann Sothern back again in a supporting part. ~ Hal Erickson, Rovi

In this romantic comedy, a wealthy heiress marries hastily and realizes her mistake on her honeymoon in New York. Though it is her wedding night, she decides not to consummate the union and so ends up hiding in the room of a fellow whose airplane cargo company is facing financial ruin. He assumes that the frightened girl is poor and homeless and so takes her in. She then overdoses on sleeping pills and cannot wake up. The fellow is forced to take her back to California. The flight back is tumultuous as she, a fugitive criminal, two enamored newlyweds, a cigar smoking chimp, a corpse, and a shipment of lobsters are aboard the plane. Mayhem really ensues when the plane crashes in a farmer's field. By this time, the woman and the fellow have fallen in love. ~ Sandra Brennan, Rovi

Edgar Buchanan stars as a man who abruptly leaves his wife (Anna Lee) to "find himself". When he returns, he discovers that wifey has divorced him and has married stuffy Robert Shayne (later "Inspector Henderson" on the Superman TV series). Buchanan and Lee's son Gary Gray helps reunite the couple, which is bad news for those in the audience who've warmed up to Shayne. Question: How could The Best Man Wins be adapted (as it says in the credits) from Mark Twain's "Celebrated Jumping Frog of Calaveras County?" Answer: Because frog-jumping was what Edgar Buchanan was up to when he was off finding himself. One wonders if director John Sturges ever looked fondly back to the complex profundities of The Best Man Wins while he was directing such trifles as Bad Day at Black Rock (54) and The Great Escape (63). ~ Hal Erickson, Rovi

Allan Dwan directs the family-oriented drama Driftwood, starring nine-year-old Natalie Wood. Orphan Jenny Hollingsworth (Wood) is found in a rural small town in Nevada that is ravaged by Rocky Mountain fever. She meets the local doctor, Steve Webster (Dean Jagger), who is working on a research project. Steve plans on leaving the girl with his girlfriend, Susan Moore (Ruth Warrick), while he goes to San Francisco to do research. However, enny's dog attacks a little boy and gets taken away by Sheriff Bolton (James Bell). Jenny develops Rocky Mountain fever from the dog and gets deathly ill. Also starring Walter Brennan as Murph, Charlotte Greenwood as Mathilda, and Jerome Cowan as Mayor Snyder. ~ Andrea LeVasseur, Rovi

In this romantic comedy, a soldier is granted a two-week furlough and returns home to discover that his girlfriend is engaged to someone else. At first, on the advice of her friends, the girl tries to hide her betrothal from the soldier, but it is not long before she recalls why she loved him in the first place. Conflict ensues when he discovers her deception. Eventually, they manage to straighten out the situation and things come out alright. ~ Sandra Brennan, Rovi

Nostalgic and sweet, this tuneful comedy centers on a mother's reminiscence of her wild time as a 1920s teenage flapper. Margie is first seen fully grown telling her stories to her own teenage daughter. Back then, Margie was a typical adolescent, crazy about boys (especially those in raccoon coats) and an expert on the day's fashions. Margie was quite the cat's meow back then and found herself pursued by a handsome young man. Unfortuantely for him, Margie and the other girls only have eyes for the dashing new French teacher. Though busy vying for the teacher's affections, the teens still have time to perform many of the 1920's most popular songs. ~ Sandra Brennan, Rovi

Running a mere 56 minutes, Little Iodine was the first of five "streamliners" produced by Comet Productions, a company formed by Mary Pickford, her husband Charles "Buddy" Rogers, and former Columbia exec Ralph Cohn. Based on the comic strip by Jimmy Hatlo, the film stars Jo Ann Marlowe as Iodine, the bratty daughter of Henry and Cora Tremble (Hobart Cavanaugh, Irene Ryan). The story gets under way when Iodine mistakenly believes that Mrs. Tremble is romantically involved with French professor Simkins (Leon Belasco). Iodine's misbegotten efforts to break up the nonexistent affair causes friction between her father and his bombastic boss Mr. Bigdome (Emory Parnell), but the little darling comes to the rescue at fadeout time. Thanks to legal entanglements, Little Iodine has never been released to television, but that's no great loss. ~ Hal Erickson, Rovi

Deanna Durbin offered her fans a change of pace in this mystery story seasoned with elements of comedy and music. Nikki Collins (Durbin) is a small-town girl visiting New York City to meet with Mr. Haskell (Edward Everett Horton), her family's attorney. As her train pulls into the station, she looks out her window into a nearby office building. She's shocked by what she sees -- a man is being strangled to death, and while she can't see the face of the killer, she gets a good look at the victim. Terrified, Nikki immediately goes to the police, but they think that her story is simply the product of an overactive imagination and send her on her way. Nikki, however, is certain that she witnessed a murder, and she approaches mystery writer Wayne Morgan (David Bruce) to help her piece together the facts of what happened. Thanks to a newsreel, Nikki is able to recognize the victim as Mr. Waring, a wealthy man who made his fortune in shipping; she attempts to contact Waring's family, but they're convinced that Nikki is a nightclub singer with whom the tycoon was having an affair. Hoping to contact the chanteuse in question, Nikki visits the club where she works, only to discover that she's also been murdered. Nikki soon finds herself being trailed by both Jonathan (Ralph Bellamy) and Arnold (Dan Duryea), two members of Waring's family whom she believes may have been involved in the crime, and could be trying to silence her once and for all. Like most of Durbin's vehicles, Lady on a Train's plot stops every now and then to give her the opportunity to sing a song; Western fans may want to keep an eye peeled for future cowboy star Lash LaRue, who has a small role as a waiter. ~ Mark Deming, Rovi

In this drama, a goodie-two-shoes singer tries to save her bankrupt family by getting a radio job. She is soon entangled in a fight between rival radio commentators that culminates in a mysterious murder that she soon solves. Songs include: "Hittin' The Beach Tonite", and "I'll Remember April". ~ Sandra Brennan, Rovi

But for the presence of the Columbia "torch lady" in the opening credits, it would be easy to mistake Judy Canova's Louisiana Hayride for one of her concurrently-produced Republic musicals. The rambunctious Canova is cast as backwoods heiress Judy Crocker, who comes to Hollywood in hopes of crashing the movies. Con artists J. Huntington McMasters (Richard Lane) and Canada Brown (George McKay) try to use Judy's presumed gullibility to their advantage, but she proves a little shrewder than she looks. Several of Canova's cornpone tunes were co-written by Saul Chaplin, later a top Hollywood musical director. And that's not all: the star's two handsome leading men are none other than Lloyd Bridges and future producer-director Ross Hunter! ~ Hal Erickson, Rovi

Louise Allbritton, a talented but neglected film star of the 1940s, plays the oldest sister in a large motherless family. Papa (Edward Everett Horton) is an erstwhile inventor working on a collapsible life raft, which Allbritton tries to promote to a handsome financier (Jon Hall) who mistrusts women. It isn't hard to guess who will fall in love with who in this one, but the true appeal of this film lies in the performance of Louise Allbritton, who directly and indirectly encourages all with whom she comes in contact to break the shackles of tradition and normality and to follow the dictates of the Heart. The most famous sequence in San Diego I Love You concerns cynical bus driver Buster Keaton, who thanks to Allbritton's influence decides to break loose from his tiresome routine and takes his delighted passengers on an impromptu bus trip to the moonlit seashore. At the end of this enchanting vignette, Buster Keaton the actor drops his own deadpan "tradition" and breaks out in a warm smile! ~ Hal Erickson, Rovi

Gildersleeve on Broadway was the third in a series of RKO B-pictures inspired by the radio sitcom The Great Gildersleeve. Harold Peary once more stars as Throckmorton P. Gildersleeve, water commissioner and resident blowhard of the town of Springfield. In this one, Gildy accompanies his pharamacist friend Peavey (Richard LeGrand) at a druggist's convention in New York. Here he becomes romantically involved with wealthy widow Mrs. Chandler (Billie Burke) and brassy gold-digger Francine Gray (Claire Carleton). He also spends his time dodging the arrows of a nut named Homer (Hobart Cavanaugh), who thinks he's cupid. Things get sillier and sillier before the film's slapstick setpiece, which finds Gildy teetering on the edge of a skyscraper. Midget actor Walter Tetley, who played Gildersleeve's nephew Leroy on radio, shows up in a bit role as a bellboy in Gildersleeve on Broadway. ~ Hal Erickson, Rovi