Paul Cavanagh Movies

Paladin (Richard Boone) is summoned to New Orleans by the aristocratic Allison Windrom (Dolores Donlon). Ostensibly, Paladin is supposed to prevent a gunfight between Allison's father Everett (Paul Cavanaugh) and his old enemy Graham Beckley (George Neise). But it soon develops that Beckley has hired a professional gunslinger named Sledge (James Coburn) to fight in his place--and Paladin is expected to perform the same "service" for Mr. Windrom. ~ Hal Erickson, Rovi

Set within the popular bohemian coffee houses of the late '50s where beatniks gathered to recite poetry and perform, this sensationalistic detective drama centers upon the attempts of an insensitive police detective to catch an arrogant serial rapist, a rich young man who believes himself mentally superior and therefore beyond the law. His favorite victims are married women. When he learns that the detective is after him, the rapist targets the cop's wife. Later the poor wife discovers she's pregnant and cannot be sure who fathered her child. The film is alternatively titled This Rebel Age. ~ Sandra Brennan, Rovi

Hot on the heels of his successful sci-fier Kronos, Kurt Neumann directed the lesser genre entry She Devil. Jack Kelly stars as a doctor who invents a miracle cure for several horrible diseases. Suffering from tuberculosis, Mari Blanchard agrees to test out Kelly's wonder serum. Almost instantly, Mari's health and strength are restored. Unfortunately, there is one teeny-tiny side effect: Mari's benign personality transforms into that of a scheming predator with a pronounced homicidal streak. As Kelly and his superior Albert Dekker stand by helplessly, Mari murders the wife (Fay Baker) of wealthy John Archer, then draws up plans to knock him off and claim his millions. Even back in 1957, no one took this one seriously. ~ Hal Erickson, Rovi

Prominent surgeon Walter Brennan comes to the conclusion that his talents are on loan from God. He retires from his lucrative practice and moves to a small town, there to donate his money to charitable religious causes. Brennan's avaricious family maneuvers to have the old doctor declared legally incompetent and unable to manage his money. Fortuitously, Brennan's faithful granddaughter (Marion Ross) is an attorney, and she takes on her grandfather's court defense. Thanks to the testimony of his grateful patients, Brennan is declared sane and is permitted by court decree to spend his money any way he chooses. God Is My Partner has been pared down from its original length to 73 minutes by its TV distributor; the abbreviated running time still gives Walter Brennan ample opportunity to charm the birds out of trees with his lovable irascibility. ~ Hal Erickson, Rovi

Though both star Donald O'Connor and director Arthur Lubin had said goodbye to the "Francis the Talking Mule" series, Universal-International wasn't about to give up on so valuable a property. Thus, Francis in the Haunted House starred Mickey Rooney, with Charles Barton calling the shots. Likewise missing from the earlier series entries was the voice of Francis, Chill Wills; he is replaced by the ubiquitous Paul Frees, who also narrated the film's promotional trailer. The plot and comic content of Francis in the Haunted House is summed up by the title, as Francis and his new buddy David Prescott (Mickey Rooney) try to corral a gang of art thieves. Along the way, they get mixed up with a phony heiress (Virginia Welles), a series of murders (one of the victims is Richard Deacon!) and, of course, a spooky old house. Most of the "scare" gags in Francis in the Haunted House had been done earlier, and better, by Universal's own Abbott and Costello. ~ Hal Erickson, Rovi

One critic has noted that The Prodigal was aptly titled, inasmuch as it was all too prodigal with the funds of the then-flagging MGM studios. In its retelling of the 22-verse Biblical story of the Prodigal Son, the film helpfully fills in the story details inconsiderately left out of the Old Testament. Edmond Purdon plays Micah, the wastrel son of Eli (Walter Hampden) who takes his share of his father's fortune and blows it all in wicked old Damascus. Micah's one redeeming feature is his unserving faithful in the Lord God Jehovah. Pagan princess Samarra (Lana Turner at her most giddily exotic) intends to seduce Micah into renouncing his faith, only to get stoned to death for her troubles. Nearly two hours pass before Micah returns home and the fatted calf is killed in his honor. If for nothing else, The Prodigal would be memorable for Lana Turner's pagan-ritual costume, which is little more than a glorified bikini. ~ Hal Erickson, Rovi

Director Robert Z. Leonard brought his 31-year association with MGM to a rousing close with The King's Thief. Set in England during the reign of Charles II (drolly portrayed by George Sanders), the film stars Edmund Purdom as Michael Dermott, who sets about to steal the crown jewels on behalf of his king. The current possessor of the gems is the wicked duke of Brampton, played with relish by a cast-against-type David Niven. Ann Blyth is a decorative heroine, while one of Michael Dermott's cohorts is played by a young, muscular Roger Moore. The plot of The King's Thief, purportedly based on fact, is merely an excuse for the nonstop swashbuckling of star Edmund Purdom. ~ Hal Erickson, Rovi

Robert Stack stars with Ursula Theiss (the wife of Robert Taylor) in the Columbia costumer The Iron Glove. Stack, an 18th century Scots adventurer, swashes and buckles on behalf of self-styled Prince James (Richard Stapley). Our hero insinuates himself into the court of King George I, the better to install the man known as "The Old Pretender" into the British throne. Supporting actor Alan Hale Jr. goes through many of the motions of his late father in support of Errol Flynn wannabe Stack. The Iron Glove puts the lie to the rumor (perpetuated by The Untouchables) that Robert Stack was constitutionally incapable of smiling. ~ Hal Erickson, Rovi

Based on a true story from the Civil War, this drama follows a band of Confederate POWS who escape from a New England prison head for Canada and begin planning to distract Union forces by looting and pillaging a Vermont town. ~ Sandra Brennan, Rovi

Bob Hope tries to capture the comic magic of his 1946 costume farce Monsieur Beaucaire with the splashy Technicolor romp Casanova's Big Night (filmed in 1952, released in 1954). Set in 18th century Venice, the film casts Hope as Pippo, the humble tailor of notorious ladies' man Casanova (an unbilled Vincent Price). When Casanova skips town without paying his debts, the local tradesman's guild, led by Casanova's butler Lucio (Basil Rathbone), conspire to pass off one of their number as the great lover and arrange a profitable marriage. Selected to impersonate Casanova is the hapless Pippo, who soon afterward is hired by the imperious Duchess of Castelbello (Hope Emerson) to test the fidelity of the duchess' future daughter-in-law Elena (Audrey Dalton). Along the way, Pippo is given lessons in etiquette and swordsmanship by both Lucio and tradeswoman Francesca (Joan Fontaine). Eventually, Pippo finds himself up to his neck in court intrigue, courtesy of the scheming Doge of Venice (Arnold Moss). Further complications include a couple of hilarious swashbuckling scenes, an interlude in a dungeon with addlepated prisoner Emo (Lon Chaney), and the obligatory disguise scene. The Pirandellian ending of Casanova's Big Night was later imitated by such films as The Maltese Bippy (1969) and Wayne's World (1992). Bob Hope is in fine form, the production is sumptuous and the supporting cast superb, but somehow there's a little something missing in Casanova's Big Night. ~ Hal Erickson, Rovi

Sexy Denise Darcel is the Flame of Calcutta in this Columbia programmer. Set in 18th-century India, the film stars Darcel as Suzanne Roget, daughter of a murdered French official. To avenge her father's murder and bring down a usurping Indian prince (George Keymas), Suzanne adopts the guise of a guerilla leader known only as "The Flame." She is aided and abetted by sympathetic British army officer Keith Lambert (Patric Knowles). As was customary in the films produced by quickie king Sam Katzman, a goodly portion of Flame of Calcutta consists of stock footage from earlier Technicolor swashbucklers. ~ Hal Erickson, Rovi

Port Sinister was produced by the team of Aubrey Wisberg and Jack Pollexfen, whose chief claim to fame was the 1951 sci-fi "sleeper" The Man From Planet X. Soldier of fortune Tony Ferris (James Warren) leads an expedition to an island threatened with extinction by a volcano. No, Ferris isn't crazy: it is his belief that the eruption will reveal a fortune in buried pirate treasure. Surrounded by highly suspicious-looking characters, Ferris can trust only his longtime companion, Jean Hunter (Lynne Roberts) -- and even she doesn't seem too trustworthy. Originally distributed by RKO Radio, Port Sinister was re-issued by Realart Pictures in 1961 under the title Beast of Paradise Isle. ~ Hal Erickson, Rovi

Bandits of Corsica was also released as The Return of the Corsican Brothers. Bearing only the faintest resemblance to the Alexandre Dumas original, the film stars Richard Greene in the dual role of good brother Mario and his evil twin Lucien. Mario leads his fellow Corsicans in a revolt against the despotic Jonatto (Raymond Burr). Meanwhile, Lucien beats his brother's time at home by making love to his brother's wife (Paula Raymond). He also intends to see Mario dead, even though he feels his brother's pain--literally--at every juncture. Way down near the bottom of the cast list was Clayton Moore, who was between episodes of TV's The Lone Ranger. ~ Hal Erickson, Rovi