Maxwell Caulfield Movies

A WWI film made more as an anti-war protest than as a glorification of the joys of war, this film sees an officer during WWI crack up because of the responsibilities of leading soldiers into war and possible death. ~ Tana Hobart, All Movie Guide

Dweebish architect Miles Harding (Lenny Von Dohlen) is hopelessly in love with neighboring musician Madeline (Virginia Madsen). He soon learns that Madeline already has an ardent suitor: Harding's own computer (voiced by Harold and Maude star Bud Cort)! When the electronic device, nicknamed Edgar, begins composing love songs dedicated to Madeline, Harding passes the tunes off as his own. At this point, the envious Edgar really goes to town, taking over all the electrical appliances in Harding's house--and dangerously meddling in its owner's life. ~ Hal Erickson, All Movie Guide

The terror in this chiller is more implied and the blood and gore is minimal as it tells of the strange adventure of an African-American female Army Sergeant and her recruits as they head through the forest of Alabama on a survival mission. It all begins when a lieutenant sees the apparition of a mysterious woman. Next a private finds a skull while others are made nervous by bizarre winds and the strangely burned ground thy find. Eventually the unit finds an empty subterranean bunker and that's when people begin to die. Eventually a mysterious fog rolls in and they see that their killers are the ghostly remains of Confederate soldiers who do not realize that the war is over. ~ Sandra Brennan, All Movie Guide

Originally titled Judith Krantz' Till We Meet Again, this two-part soaper covers forty-three years in the lives of three women. In 1913, French chanteuse Lucy Gutteridge embarks upon a successful showbiz career. She marries a champaigne heir and bears two daughters, played by Courtney Cox and Mia Sara. The story follows the trials and tribulations of mother and daughters through three wars and an infinite number of romances. A dash of adventure is provided by Courtney's activities as a stunt pilot, while there's glamour aplenty as Mia becomes a world-renowned movie star. The best scenes take place during World War 2, with the horrors of the battlefield running second place to the ladies' boudoir escapades. Barry Bostwick, who seems to have been in every Judith Krantz movie ever made (at least, that's what TV Guide told us back in 1989), costars as Courtney's erstwhile lover. Partly filmed in England, Till We Meet Again was first telecast November 19 and 21, 1989. ~ Hal Erickson, All Movie Guide

Director Anthony Hickox (Waxwork) crafted this entertaining bit of horror-western fusion about the vampiric residents of a remote, dusty desert town who have chosen to derive their sustenance from a plasma-manufacturing plant in an attempt to put aside their monstrous nature and peacefully co-exist with humans. When the plant begins malfunctioning, the town's leaders summon the designer, David Harrison (Jim Metzler), to look into the problem. Soon after Harrison and his wife Sarah (Morgan Brittany) arrive, however, they find themselves in the thick of an escalating rivalry between two vampire factions -- one led by peaceful Count Mardulak (David Carradine), who ordered the blood plant as part of his plan to integrate the dying vampire race into human society; and the old-school bloodsuckers, under the sinister Jefferson (John Ireland), who consider Mardulak and his followers traitors to their predatory heritage. While the Harrisons' fates hang in the balance, the scales are jostled further by the arrival of a man named Van Helsing (Evil Dead star Bruce Campbell, in a surprisingly low-key performance), descendant of the legendary vampire hunter, whose disorganized efforts at wiping out town's undead populace are impeded by his growing attraction to a pretty young vampire (Deborah Foreman). With tongue firmly in cheek, this semi-parody plays off audiences' familiarity with the conventions of the vampire genre, but it seldom sacrifices creepiness and suspense when needed. It marked a creative step forward for Hickox (who would later stumble with Hellraiser III), who clearly tailors his projects to seasoned horror buffs. ~ Cavett Binion, All Movie Guide

This political drama takes a look at the underground network that helps South American refugees travel safely to the US. The story centers on a freedom fighter from Central America who uses the underground to get to the US and settle in a small town. His wife lies to a restaurant owner, telling him her husband is dead, and gets a job as a waitress. Soon after, the owner's son falls in love with her. Meanwhile a crooked CIA agent leads a death squad in pursuit of the former freedom fighter and things get worse when the local sheriff threatens to reveal his hideout to the hunters. ~ Sandra Brennan, All Movie Guide

Alfre Woodard plays a Los Angeles DA who moves back to her home town of New Orleans. She does this so that her teenaged son (Keith Williams) can be nearer to his estranged dad (Mario van Peebles). No sooner has Woodard arrived in "The Big Easy" than she is swept up in a local sex scandal. While the main plot is resolved, several secondary story lines are left unresolved, suggesting that Blue Bayou was the pilot film for an unsold series. The film was written by LA Law's Terry Louise Fisher and directed by Cagney and Lacey's Karen Arthur. ~ Hal Erickson, All Movie Guide

In the sequel to Waxwork, young Mark Loftmore (Zach Galligan) and his girlfriend Sarah (Monika Schnarre) manage to escape the deadly wax museum before it is destroyed. However, one deadly wax hand escapes destruction and follows Sarah home, murdering her stepfather before she manages to destroy it. When Sarah is accused of the murder, she and Mark must travel back in time to stop the still-present evil. ~ Iotis Erlewine, All Movie Guide

When the two-part Dynasty: The Reunion first aired, it rated a cover on TV Guide. The photo depicted Dynasty regulars Linda Evans (Krystal) and Joan Collins (Alexis) grinning at one another, while their true feelings were conveyed in comic-strip thought balloons reading "Hussy" and "Hag." This pretty much sums up the overall ambience of Dynasty: The Reunion. In part one, first telecast October 20, 1991, oil mogul Blake Carrington (John Forsythe) is released from prison. Hoping for a reunion with estranged wife Krystal -- and, incidentally, to recoup his financial empire -- Blake must now deal with a shady international consortium, headed by old nemesis Alexis. Part two, first telecast October 22, 1991, gets off to a good start with a desperate escape from the henchmen of an international consortium. The big money act, however, is the long-awaited catfight between Alexis and her longtime foe, goody two-shoes Krystal Carrington (Linda Evans). ~ Hal Erickson, All Movie Guide

The Pulitzer Prize-winning novel The Killer Angels by Michael Shaara becomes this sprawling historical epic. As in Shaara's novel, director Ronald Maxwell focuses on a handful of major players to dramatize the events of July 1863, when the armies of the Union and Confederacy clash at the small Pennsylvania town of the title. Among them are Martin Sheen as General Robert E. Lee, who disagrees with his top advisor, General James Longstreet (Tom Berenger) over battle strategy, and Jeff Daniels as Colonel Joshua Lawrence Chamberlain, a college professor whose unorthodox techniques save the day (and possibly the war) for his beleaguered army. Other cast standouts include Richard Jordan in his final film appearance as the ill-fated General Lewis Armistead, and cameo roles for Civil War buff Ken Burns and media mogul producer Ted Turner. Filmed on-location at Gettysburg National Military Park, Gettysburg was shot as a television miniseries for Turner's TNT cable channel, but earned a limited theatrical release. ~ Karl Williams, All Movie Guide

Star Wars saga costar Billy Dee Williams once more takes to the Great Beyond in Alien Intruder. The film is set in the future and the plot concerns a malevolent extraterrestrial virus which insinuates itself upon the Earth. Cleverly, the virus takes the shape of voluptuous Tracy Scoggins. ~ Hal Erickson, All Movie Guide

Lots of guys used to dream about having a date with Marilyn Monroe, but three friends who are about to graduate from high school to go their separate ways try to make that fantasy a reality in this comedy, set in 1962. Roy (Jason Priestley), Ned (Gabriel Olds), and Scott (Jerry O'Connell) have been buddies since the age of six, when they were entered together in a Howdy Doody look-alike contest. With only a few weeks to go before they graduate from high school, Roy has impulsively joined the Army to get away from his abusive father, while Ned has discovered he's going to be a father, and Scott is still plagued by his pesky virginity. Wanting to enjoy their last few weeks of freedom, Roy "borrows" a wad of cash and a blue Galaxie 500 convertible from his former employers, repo men Arturo and Antonio Gallo (Kurt Fuller and Stephen Tobolowsky), and persuades his friends to join him as he heads to Hollywood. Roy wants to meet the woman of his dreams, Marilyn Monroe, whom he's learned is working on a new picture, Something's Got to Give. With the help of Roy's Uncle Harry (Joe Pantoliano), they locate Monroe's home and camp out at her gate, hoping to get a glimpse of the glamourous goddess. However, Roy breaks out a reefer to smoke while they attempt to stay up all night (tactical error number one: marijuana does not make you more alert!), and when she slips out without their noticing, the three end up on a mad chase to find Marilyn before she gets away. Meanwhile, the Gallo Brothers have noticed their car is gone, and they are determined to get it back, without much concern for the health or safety of the thief. Calendar Girl was Jason Priestley's first vehicle following his success on the television series Beverly Hills 90210. ~ Mark Deming, All Movie Guide