Walter Catlett Movies

Stage actor Alfred Lunt makes one of his rare screen appearances in this light comedy, based on the novel by Allen Updegraff. Rowland Farwell Francis (Lunt) is a retiring silk salesman at a department store. His reticent demeanor doesn't stop his widowed landlady, Mrs. Benson (Jobyna Howland) and his stenographer from considering him to be husband material. These women don't get Francis' attention, however -- and he falls for the wealthy Anne Winton (Mimi Palmeri), who he meets over the silk counter. Of course, he's too shy to do anything about it, and hat's the way it would probably have stayed if Anne's brother-in-law hadn't dared her to invite a man out to supper. She takes the dare and shows Francis such a good time that he becomes an aggressive and virile lover who wins her heart. He also lands a promotion to assistant buyer. Although the other ladies lose their chance with Francis, they still manage to win mates of their own. Lunt's wife and stage partner, Lynn Fontanne, appears in a bit role. ~ Janiss Garza, All Movie Guide

The Music Master was based on the barnstorming David Belasco-David Warfield play of the same name. Alec B. Francis assumes the old Warfield role as Anton Von Barwig, an elderly musician eking out a meager existence in a Bohemian artists' colony. Years earlier, a cad had run off with Von Barwig's wife and destroyed his happy home. Before the inevitable "reunion" with the man who ruined his life, the old man contents himself by living vicariously through the successes of his prize pupils. Critics in 1927 complained that many of the dramatic highlights of the original play were treated in an offhand fashion, but director Allan Dwan was merely trying to make the property more cinematic by removing its marathon dialogue passages (which wouldn't have worked as well in a silent picture, anyway). Featured in the cast in a peripheral role was Helen Chandler, later the enigmatic leading lady of such talkies as Dracula and The Last Flight. ~ Hal Erickson, All Movie Guide

In this musical romance, a showgirl tours Europe in a troupe. There she falls in love with a Balkan prince. Naturally, his parents are appalled and try to stop the romance, but a revolution occurs and their son flees to Hollywood to marry his leggy lover. Songs include: "Dance Away the Night," "Peasant Love Song," "A Man, a Maid," "Deep in Love," "Bridal Chorus," "National Anthem," and "Once Upon a Time." ~ Sandra Brennan, All Movie Guide

Shortly before retiring from films to become an actor's agent (and, incidentally, Mrs. Alan Ladd), the ebullient Sue Carol starred in The Big Party. Carol and Dixie Lee (Mrs. Bing Crosby) play a couple of funloving gals who take jobs as dress models. They are invited to the eponymous party by their lecherous bosses Walter Catlett and Charles Judels. Before anything untoward can happen, Carol and Lee find true love in the forms of Frank Albertson and Richard Keane. Radio star Whispering Jack Smith provides a couple of pleasant tunes. ~ Hal Erickson, All Movie Guide

One of the most delightful of Marion Davies' early talkies, The Floradora Girl is set in New York at the turn of the century. The star plays Daisy Dell, one of the members of the original Floradora Sextette ("O Tell Me, Pretty Maiden") She spends several seasons on stage in this capacity, during which time the other five Floradoras all land wealthy husbands. Daisy's one chance at connubial bliss with handsome young socialite Jack Vibart (Lawrence Gray) apparently comes to an end when she is persuaded by Jack's mother to give the boy up -- not because of class consciousness, but so that Jack can marry a wealthy woman and thereby save his family from bankruptcy. Before the film can metamorphose into a Gay '90s variation of Camille, Jack decides that love is far more important than money, whereupon he makes a surprise appearance in the last act of Floradora to sing his proposal to Daisy. Some of the exterior scenes in Floradora Girl were filmed outside the gargantuan "beach house" built for Marion Davies by her sponsor-lover William Randolph Hearst. ~ Hal Erickson, All Movie Guide

Filmed in "Fox Grandeur," an early widescreen process, Happy Days was the immediate follow-up to Fox Studios' Movietone Follies of 1929. Most of the film takes place on the showboat of Mississippi entrepreneur Colonel Billy Batcher (Charles E. Evans). When the Colonel faces foreclosure after several failing seasons, soubrette Margie (Marjorie White) stages a fund-raising revue on the boat, enlisting the aid of all the big stars who got their start with Batcher. By an amazing coincidence, virtually all of the showboat alumni are under contract to Fox Studios! Janet Gaynor and Charles Farrell perform "We'll Build a Little World of Our Own," Victor McLaglen and Edmund Lowe kid their roughneck screen images in the novelty number "Vic and Eddie," Sharon Lynn and Ann Pennington offer the "hot" dance routine "Snake Hips," and "Whispering" Jack Smith offers a rendition of the title tune. Also on hand are Will Rogers, El Brendel, Walter Catlett (who also staged the musical numbers), Lew Brice (Fanny's brother), Dixie Lee (Mrs. Bing Crosby) and Georgie Jessel -- not to mention an uncredited 14-year-old chorus girl named Betty Grable. ~ Hal Erickson, All Movie Guide

A rather bleak comedy-drama from Frank Capra, Platinum Blonde basically starts where Capra's later and much more buoyant It Happened One Night (1934) ends: the marriage between a brash newspaperman and a society dame. But where the latter comedy was enhanced by the director's patented optimism, Platinum Blonde, produced at the height of the Great Depression, expresses no faith in a common ground between the classes. Star reporter Stew Smith (Robert Williams) falls in love with the sister (Jean Harlow) of his latest victim (Donald Dillaway). They marry despite the misgivings of Ann Schuyler's blue-nosed mother (Louise Closser Hale) and Stew's cynical colleagues ("Ann Schuyler's in the blue book. You're not even in the phone book!"). Unable to stand life in a gilded cage for long, Stew upsets the Schuyler mansion by inviting his friends to a wild and woolly party. Returning home unexpected in the middle of the drunken revelry, Ann lays down the law and Stew bolts -- right into the arms of girl reporter Gallagher (Loretta Young), whom he has loved all along without realizing it. Jean Harlow is surprisingly realistic as the callous society girl but Robert Williams' wisecracking reporter comes across as rather grating. An up-and-coming comic lead, Williams died after an operation for appendicitis on November 3, 1931, less than a month after Platinum Blonde had premiered to mostly positive reviews. Ironically, Loretta Young, who received top billing, had demanded to star in this film when it was still known as "Gallagher," the name of her character. Harlow, needless to stay, stole the limelight completely and Capra changed the title much to Young's chagrin. ~ Hans J. Wollstein, All Movie Guide

This first of four film versions of the Ben Hecht/Charlrd MacArthur Broadway hit stars Adolphe Menjou as explosive Chicago newspaper-editor Walter Burns and Pat O'Brien as his star reporter Hildy Johnson. Hildy is on the verge of getting married and retiring from Burns' dirty little tabloid, but he agrees to cover one last story: the politically motivated execution of convicted cop killer Earl Williams (George E. Stone). Thanks to the stupidity of the police, Williams manages to escape, and Johnson hides the wounded fugitive in a rolltop desk in the prison pressroom. Burns enters the scene, senses a swell story (and also a means of keeping Johnson on his payroll), and conspires with Johnson to keep Williams out of sight until they can secure an exclusive interview. Burns will do anything to keep Johnson on the scene, including having the reporter's future mother-in-law kidnapped. Complicating matters are Johnson's fiancée Peggy (Mary Brian), Williams' girlfriend Molly Malloy (Mae Clarke), and the corrupt mayor (James Gordon) and sheriff (Clarence C. Wilson), who have railroaded Williams to the death house in order to win votes and are now trying to suppress the news that the governor has commuted Williams' sentence. The Front Page was remade by Howard Hawks in 1939 as His Girl Friday, with the symbiotic relationship between Burns and Johnson changed to a sexual one by transforming Hildy Johnson into a woman (played by Rosalind Russell) with Cary Grant as her old flame Walter. It was again remade by Billy Wilder in 1974 with Jack Lemmon, Walter Matthau, Carol Burnett, and a young Susan Sarandon. ~ Hal Erickson, All Movie Guide

Undoubtedly inspired by Charles Lindbergh's unprecedented sudden fame (but not the ensuing tragedy), Mary McCall's 1932 novel The Goldfish Bowl was turned into a satirical comedy-drama featuring an engaging Douglas Fairbanks Jr. as a navy captain thrust into the limelight after saving his crew during a submarine disaster. With an unsolicited "personal manager" (played to the hilt by Walter Catlett) and a greedy corporation taking care of both ticker tape parades and all kinds of silly public relations stunts, Fairbanks discovers that he no longer has control of his life. He is constantly embarrassed by a novelty song, "Scotty Boy" (vigorously performed by Broadway crooner Clarence Nordstrom), and even wedded bliss to the understanding Mary Brian is turned into a public spectacle. Fortunately, a Danish sailor (Ivan Linow) saves a dog from drowning and instantly takes Fairbanks' place in the public awareness. Afraid of becoming celebrities once again after saving a car from being wrecked by an express train, the reluctant hero and his bride drive away as fast as they can, happy to begin a new, anonymous life in teeming New York City. ~ Hans J. Wollstein, All Movie Guide

An elderly gentleman finds himself in a difficult situation when he finds himself faced with becoming a burden on his children or going into an old folks home. ~ Sandra Brennan, All Movie Guide

The pleasures of the flesh confront the discipline of the Lord's teachings in this screen adaptation of W. Somerset Maugham's story Miss Sadie Thompson. Sadie Thompson (Joan Crawford) is a sassy streetwalker who lands in Pago Pago in the South Pacific after an epidemic grounds the ship on which she's booked passage. Sadie's shapely legs, free spirit, and quick wit soon attract the attention of a group of American soldiers stationed on the island; while most are motivated by simple lust, the naive Sgt. O'Hara (William Gargan) falls head over heels for Sadie, thoroughly unaware of her checkered past and shameful profession. Rev. Alfred Davidson (Walter Huston), a fire-and-brimstone preacher bent on bringing salvation to the soldiers, is fully aware of Sadie's occupation and moral code, and is determined to convince her to change her ways. Sadie slowly but surely is softened by Davidson's conviction, but the preacher soon finds himself affected by her sensual presence; O'Hara also learns the truth about Sadie, but hatches his own plan to reform her -- marriage. While a box office failure in 1932, Rain has gone on to become a cult favorite, thanks to Crawford's vivid performance as Sadie and director Lewis Milestone's adventurous visual style. ~ Mark Deming, All Movie Guide

Based on a best-selling novel by Fannie Hurst, Back Street concerns an ill-starred couple, Rae (Irene Dunne) and Walter (John Boles). Rae meets Walter and falls hopelessly in love with him; Walter is also drawn to Rae, but he has already pledged to marry another woman and can't find a way out. They part, and for a while Rae takes up with someone else; Walter needs to leave the country and impulsively tries to arrange a marriage with Rae, but she is unable, due to her new beau, and he sails away without her. When Rae next encounters Walter, he has married a woman from a wealthy family. Even though he's wedded to another, a passion still burns between Walter and Rae, and they enter into an illicit affair. Over the course of nearly 30 years, Rae turns down opportunities to marry other men to live a shadowy life as Walter's mistress, until she accepts a proposal of marriage when she's convinced that Walter is finally through with her. This was the first of three film versions of Hurst's story; remakes were released in 1941 and 1961. ~ Mark Deming, All Movie Guide