Frank Ryan Movies

1946  
 
Don Ameche stars in this semi-screwball comedy as a handsome, eccentric 19th century inventor. Myrna Loy is his golddigging fiancee, who foolishly believes Ameche will make her financially secure. Love triumphs over greed, and Loy happily marries the inventor, who'll offer little in the way of creature comforts, but whose sincerity and dedication to his work is worth more to her than all the money in the bank. Why don't we ever meet people like this in real life? Released in Great Britain as A Genius in the Family. ~ Hal Erickson, All Movie Guide

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Starring:
Myrna LoyDon Ameche, (more)
1945  
 
Donald Cook plays a fading actor whose son, Donald O'Connor, has just started his own theatrical career. It transpires that both Cook and O'Connor are up for the same part in a Broadway show, and the son is the winner. This results in jealousy from the father--and confusion from the audience, in that the stolid Cook and the loose-limbed O'Connor would never be considered the same "type" in any real-life situation. All is eventually forgiven, and as a bonus both father and son find the loves of their lives: Cook is paired with Frances Dee, and O'Connor gets Peggy Ryan. While Donald O'Connor is virtually the whole show in Patrick the Great, he is given formidable scene-hogging competition from supporting actress Eve Arden. ~ Hal Erickson, All Movie Guide

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Starring:
Donald O'ConnorPeggy Ryan, (more)
1944  
 
Deanna Durbin's first Technicolor feature is a lavish musical western, replete with a Jerome Kern-E. Y. Harburg score. Set in the mid-19th century, the story finds Caroline (Durbin), daughter of a wealthy senator, bound and determined to wed dashing cavalry officer Lawlor (Robert Paige). When the officer is transferred to California, Caroline chases after him, encountering prospectors, bandits and Indians all along the way. That's about all that happens, save for a few awkward slapstick moments wherein the pleasantly plump Ms. Durbin falls into various bodies of water. Lensed on location in Utah, Can't Help Singing is entertaining enough, but wasn't sufficient to halt the downward slide of Deanna Durbin's popularity. ~ Hal Erickson, All Movie Guide

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Starring:
Deanna DurbinRobert Paige, (more)
1943  
 
Making her first film appearance since 1941, Deanna Durbin plays the title role in The Amazing Mrs. Holliday. Truth to tell, however, there is no Mrs. Holliday: it's the guise assumed by idealistic missionary Ruth (Durbin) to sneak a group of Chinese war orphans into the US. With the help of ship's steward Timothy (Barry Fitzgerald), Ruth poses as the wife of a wealthy shipping magnate who was lost at sea. This enables her to safely sequester the orphans in the Holliday family mansion until she can cook up her next scheme. But things begin to unravel when Ruth falls in love with her "husband"'s grandson (Edmond O'Brien)-and, of course, when Mr. Holliday (Harry Davenport) himself turns up alive and well. The Amazing Mrs. Holliday was originally intended as Durbin's dramatic debut, and originally directed by Jean Renoir, but Universal insisted upon retakes and added songs. Though virtually all of Renoir's completed footage was retained, final directorial credit was bestowed upon Bruce Manning, the film's producer. ~ Hal Erickson, All Movie Guide

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Starring:
Deanna DurbinEdmond O'Brien, (more)
1943  
 
Deanna Durbin is all grown up in Hers to Hold, the unofficial sequel to her "Three Smart Girls" films of the 1930s. Durbin plays Penelope Craig, the starry-eyed daughter of wealthy Judson and Dorothy Craig (Charles Winninger, Nella Walker). Developing a crush on much-older playboy Bill Morley (Joseph Cotton), Penelope stops at nothing to land the elusive Morley as her husband. Highlights include Durbin's renditions of "Begin the Beguine" and the "Seguidilla" from Carmen, and a captivating sequence that includes highlights from Durbin's earlier films, presented as home movies! ~ Hal Erickson, All Movie Guide

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Starring:
Deanna DurbinJoseph Cotten, (more)
1942  
 
This RKO Radio programmer reunites Edmund Lowe and Victor McLaglen in an enjoyable rehash of their earlier Quirt-and-Flagg antics in What Price Glory. The two venerable action stars are respectively cast as Curtis and McGinnis, who after several years' hiatus rejoin the Marines as sergeants. While stationed in San Diego, they duke it out over the attentions of toothsome cabaret singer Vi (Binnie Barnes), who turns out to be linked up with a gang of enemy saboteurs. The plot is secondary to the comedy in this outing, with most of the laughs generated by a tasteless but undeniably hilarious routine involving a speech impediment. In addition, the producers managed to cram six songs into the proceedings, most of them performed by the King's Men Quartet and Six Hits and a Miss. ~ Hal Erickson, All Movie Guide

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Starring:
Victor McLaglenEdmund Lowe, (more)
1942  
 
In this drama, an ex-vaudevillian dancer opens up a dance band agency and help street kids at the same time by hiring them to help out. Unfortunately, the local gang of hood's leader resists his attempts. More trouble ensues when the dancer helps a convict gain parole by hiring him. It later turns out that the ex-con is only interested in trying to use the agency as a front for extortion. Songs include the Oscar nominated "When There's a Breeze on Lake Louise," "Your Face Looks Familiar," "Heavenly, Isn't He?" "Let's Forget It," "You're Bad For Me," and "A Million Miles From Manhattan." ~ Sandra Brennan, All Movie Guide

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Starring:
George MurphyAnne Shirley, (more)
1941  
 
The studio concocted the film as a showcase for its 9-year-old discovery Joan Carroll, here cast as precocious Bridget Potter. Little Bridget has been willingly "kidnapped" by secretary Linda Norton (Ruth Warrick), who hopes that the girl's disappearance will precipitate a reunion between Bridget's divorcing parents (John Miljan, Marjorie Gateson). Instead, Linda's well-intentioned crime results in a film-length slapstick chase, largely involving two rival newspaper reporters (Eve Arden and Edmond O'Brien). Obliging Young Lady was directed by Richard Wallace, who as a former employee of Hal Roach Studios was well-grounded in this sort of frenetic farce. ~ Hal Erickson, All Movie Guide

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Starring:
Joan CarrollEdmond O'Brien, (more)
1941  
 
The girl is stenographer Dot Duncan (Lucille Ball); the guy is her boss, stuffy young shipping magnate Stephen Herrick (Edmond O'Brien); and the gob is a brash sailor known as Coffee Cup (George Murphy). Not surprisingly, the plot involves the efforts by the self-effacing Stephen and the self-confident Coffee Cup to woo and win the lovely Dot. And that's about all the "story" there is; the rest of the picture is jam-packed with round-robin comic misunderstandings and wild slapstick setpieces. A Girl, a Guy and a Gob was one of two RKO Radio films produced by silent-screen great Harold Lloyd, who reportedly dropped in on the set from time to time to offer a bit of sage comedy advice (note the "handkerchief" bit utlized by Edmond O'Brien; it had previously done service in Lloyd's own Welcome Danger). Not as big a moneymaker as Harold's starring features of the 1920s, the RKO film nonetheless turned a tidy profit for the studio. ~ Hal Erickson, All Movie Guide

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Starring:
George MurphyEdmond O'Brien, (more)
1939  
NR  
Add Made for Each Other to QueueAdd Made for Each Other to top of Queue
James Stewart and Carole Lombard star in this comedy-drama about the struggles of a young married couple directed by John Cromwell. Stewart and Lombard play a recently married couple, Jane and John Mason. John works as an attorney for the law firm of skinflint Judge Doolittle (Charles Coburn). Doolittle calls John back to work immediately after the wedding ceremony, forcing the couple to abandon their honeymoon. But John is ready to do Doolittle's bidding, since he hopes to become a partner in the firm. Doolittle is openly disappointed at the marriage, hoping John would have instead married his daughter Eunice (Ruth Weston). Eunice eventually marries another lawyer in the firm, Carter (Donald Briggs). John and Jane try to make ends meet and invite Doolittle, Eunice, and Carter to dinner. The dinner turns into a disaster, climaxing with Doolittle informing John he has decided to make Carter a partner in the firm. Crushed, John and Jane work hard but to no avail, sinking deeper and deeper into debt. Jane has a baby, but when the child becomes seriously ill, the only way to save the baby is to have a special serum flown in through a blizzard from Salt Lake City. John needs $5000 to hire a pilot and get the medicine, and his only hope is to beg Judge Doolittle for the money. ~ Paul Brenner, All Movie Guide

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Starring:
Carole LombardJames Stewart, (more)
1922  
 
Suave Conway Tearle playing a prize fighter? At least he plays a middle weight in this colorful romantic drama, so his build fits the role (even if it's a stretch for his persona), and the rest of the film rings true. Middleweight champion John McArdle (Tearle) is idolized by one and all, including his fiancee, Janie Roberts (Gladys Hulette). Janie's fight promoter father (Anders Randolph), however, is not among his admirers -- he'd rather not see his daughter wed to a pugilist, or even an ex-pugilist, which is what McArdle becomes after he breaks his arm in an accident. Roberts wants to make sure that McArdle is a real man outside of the ring, and he proves himself when he becomes a referee. While officiating a bout for the world championship, McArdle discovers that the fight has been fixed. He is not afraid to stop the bout in order to keep the sport clean, in spite of the large sums of money involved. This finally wins Roberts' respect, and he gives Janie and McArdle his blessings. ~ Janiss Garza, All Movie Guide

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