Joseph Fields Movies
Screenwriter/playwright Joseph A. Fields was the son of comedian Lew Fields (of Weber and Fields fame) and the brother of writers Herbert and Dorothy Fields. After attending N.Y.U., Fields served with the AEF in World War I, remaining in Paris to live and work until 1922. He wrote for magazines and musical revues, moving up the ladder to The Ziegfeld Follies in the late '20s. His first screenplay was for the 1931 film The Big Shot. Fields almost always worked in collaboration, most frequently with Jerome Chodorov, with whom he wrote such Broadway hits as My Sister Eileen and Junior Miss. Other collaborators included Anita Loos (Gentlemen Prefer Blondes) and Oscar Hammerstein II (Flower Drum Song). In 1955, Fields made his Broadway directorial debut with The Desk Set. Joseph Fields' last screen credit was the 1962 cinema version of his 1959 Broadway production Flower Drum Song, which he co-produced. ~ Hal Erickson, All Movie Guide
The only Rodgers and Hammerstein cinemadaptation to be produced by Universal Pictures, Flower Drum Song was, alas, also the only Rogers and Hammerstein film to lose money at the box office. It looks far better now than it did back in 1961, if only because of the paucity of musical films in the 1990s. Essentially a comedy about the culture clash between old-world Chinese and assimilated Chinese-Americans, the film begins when Mei Li (Miyoshi Umeki) and her grandfather (Kam Tong) smuggle themselves into San Francisco. It seems that Mei Li has arrived to honor an arranged marriage between herself and Runyonesque nightclub owner Sammy Fong (the incomparable Jack Soo). This might prove delicate, since Sammy is in love with flashy cabaret entertainer Linda Low (Nancy Kwan). Meanwhile, Linda is romancing Wang Ta (James Shigeta), the son of a wealthy Chinatown merchant (Benson Fong). Soon, however, Mei Li and Wang Ta have fallen in love.......It's a complex plot, to be sure, but comedy and music manage to predominate. The songs include "I Enjoy Being a Girl" (a tour de force for the special effects department, and for Nancy Kwan), "A Hundred Million Miracles," "The Other Generation," "Love Look Away," "I Am Going to Like It Here," "Don't Marry Me," "You Are Beautiful," "Grant Avenue" and "Chop Suey." Flower Drum Song is attractively produced and consummately acted; while no classic along the lines of King and I or Sound of Music, it deserves a second look. ~ Hal Erickson, All Movie Guide
- Starring:
- Nancy Kwan, James Shigeta, (more)
- 1959
In this comedy, a married couple is deeply embarrassed when their daughter reveals her father's indiscretions on a national TV show for children. It is doubly embarrassing when it is revealed that none of the allegations are true. It seems the child overheard a slightly inebriated conversation during her parent's thirteenth wedding anniversary in which the father disclosed that he and his wife had slept together before their marriage. This leads the daughter to believe that they are about to be divorced. Fortunately, the whole mess is straightened out in the end, and peace is restored. ~ Sandra Brennan, All Movie Guide
- Starring:
- David Niven, Mitzi Gaynor, (more)
- 1958
Though very tame by contemporary standards, Tunnel of Love was considered the last word in racy comedy back in 1958. Adapted from the Broadway hit by Peter DeVries and Joseph Fields, the film stars Doris Day and Richard Widmark as suburbanites Isolde and Augie Poole. Isolde and Augie desperately want a child, but for diverse reasons have never been able to conceive. They decide to adopt a child, prompting a visit to the Poole home by pretty adoption-agency officer Estelle Novick (Gia Scala). Through a series of misundertandings, Estelle decides that Augie isn't a likely candidate for fatherhood, a notion he tries to dispell by taking her out to dinner. One thing leads to another, and the next morning Augie wakes up in a strange motel room with a monstrous hangover. Months later, Estelle pays a visit to Augie, informing him that she's pregnant and in dire need of a great deal of money. Certain that he's the father, Augie goes to great lengths to hide his "indiscretion" from his wife. But Isolde begins to suspect that something is amiss when the adoption agency shows up with a baby that looks disturbingly like her husband. Nothing is quite what it seems, of course, but neither the characters nor the audience find this out til the very end. As comic contrast to the childless Pooles, Elizabeth Fraser co-stars as the couple's eternally pregant next-door-neighbor Alice Pepper, whose husband Dick (Gig Young) looks appropriately worn out. Tunnel of Love was Gene Kelly's first directorial assignment on a film in which he himself didn't appear. (As a footnote, it's worth noting that during the original Broadway run of Tunnel of Love, Augie Poole was briefly portrayed by Johnny Carson). ~ Hal Erickson, All Movie Guide
- Starring:
- Doris Day, Richard Widmark, (more)
My Sister Eileen is a Technicolor, musicalized remake of the 1942 comedy of the same name. It is not, however, the film version of the 1949 Broadway musical Wonderful Town, which was also based on the 1942 film. Adapted from the short stories of Ruth McKinney, the film stars Betty Garrett as aspiring writer Ruth Sherwood, and Janet Leigh as her gorgeous sister Eileen. Moving from Ohio to New York, the girls take up residence in a basement apartment, which seems to be a gathering place for every eccentric character in the Big Apple. Ruth tries to get her stories published, but handsome editor Bob Baker (Jack Lemmon) doesn't buy anything until Ruth stops trafficking in fiction and begins writing about her own experiences. Most of those experiences are predicated on the misadventures of would-be actress Eileen, who has an uncanny knack for attracting strange men--not to mention a whole heap of trouble. Dancer/choreographers Bob Fosse and Tommy Rall costar as a timid soda jerk and wise-guy reporter, respectively, but their "roles" are merely excuses for a steady stream of flashy musical numbers, penned by Jule Styne and Leo Robin. Even Jack Lemmon gets to sing in this sprightly film, which compares quite favorably to all the My Sister Eileen adaptations which went before and were still to come. ~ Hal Erickson, All Movie Guide
- Starring:
- Janet Leigh, Jack Lemmon, (more)
- 1953
The Farmer Takes a Wife is a musicalized remake of the 1935 film of the same name. Betty Grable and Dale Robertson star in the roles originally essayed by Janet Gaynor and Henry Fonda. Set in the early 19th century, the plot details the trials and tribulations of those hardy souls who settled along the Erie Canal. Grable plays Molly Larkin, the girlfriend of rough-and-tumble canal-boat captain Jotham Klore (John Carroll). Much to Klore's dismay, she hires mild-mannered farmer Daniel Harrow (Robertson) to work on the boat. Molly and Daniel fall in love and marry, but there's many a heartbreak and letdown before a happy ending can be reached. Though not in any way a "typical" Betty Grable musical, Farmer Takes a Wife was misleadingly advertised as such: one promotional still showed a grinning Grable anachronistically garbed in tight jeans and a bare-midriff blouse! Both versions of The Farmer Takes a Wife were adapted from the stage play by Frank B. Elser and Marc Connelly. ~ Hal Erickson, All Movie Guide
- Starring:
- Betty Grable, Dale Robertson, (more)
Second-billed Marilyn Monroe is the blonde in question in this second film version of Gentlemen Prefer Blondes: Miss Lorelei Lee, whose philosophy is "diamonds are a girl's best friend." Together with her best human friend Dorothy (top-billed Jane Russell), showgirl Lorelei embarks upon a boat trip to Paris, where she intends to marry millionaire Gus Esmond (Tommy Noonan). En route, the girls are bedeviled by private detective Malone (Elliot Reid), hired by Esmond's father (Taylor Holmes) to make certain that Lorelei isn't just another gold-digger. When Dorothy falls in love with the poverty-stricken Malone, Lorelei decides to find her pal a wealthier potential husband, and that's how she gets mixed up with flirtatious diamond merchant Sir Francis Beekman (Charles Coburn) and precocious youngster Henry Spofford III (George "Foghorn" Winslow). Most of the Leo Robin-Jule Styne songs from the Broadway show remain intact, including Marilyn Monroe's rendition of "Diamonds are a Girl's Best Friend," a production number later imitated by pop icon Madonna. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Russell, Marilyn Monroe, (more)
- 1952
A lesser Fred Astaire effort, Belle of New York is set during the turn of the century. Astaire plays a footloose and fancy-free playboy who falls in love with Salvation Army lass Vera-Ellen. To prove his worth to the girl, Astaire breaks down and gets a job. Naturally, there's plenty of terpsichorean activity from the two stars, but nothing truly worth remembering save for Astaire's solo "I Wanna be a Dancin' Man". The film's best moments belong to such stellar supporting players as Alice Pearce, Marjorie Main, Keenan Wynn, Henry Slate, and the ubiquitous Percy Helton. Belle of New York was adapted by Chester Erskine from a play by Hugh Morton. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred Astaire, Vera-Ellen, (more)
- 1949
Bride for Sale is an old-fashioned romantic triangle brightened by the star power of Claudette Colbert, George Brent and Robert Young. In search of a "perfect" husband, Nora Shelly (Colbert) decides to comb through the tax records of several eligible males, and to that end takes a job at Paul Martin's (Brent) accounting firm. When Paul learns the real reason behind Nora's diligence, he decides to teach her a lesson. He convinces his wealthy friend Steve Adams (Young) to woo and win Nora, then leave her flat. It doesn't take a genius to figure out that Paul and Steve will both fall in love with Nora by reel seven. Produced independently by Jack H. Skirball's Crest Productions, Bride for Sale proved to be a moneyspinner for its distributor, RKO Radio. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Robert Young, (more)
- 1948
Eagle-Lion studios inaugurated its new "big budget" western policy with 1948's The Man From Texas. James Craig stars as the El Paso Kid, who can't make up his mind whether to be an upstanding, decent citizen or a masked bandit. He continues to vacillate all through the picture, much to the dismay of his wife Zoe (Lynn Bari, in a rare sympathetic performance). Among those benefitting from the Kid's "good" spells is the Widow Weeks (Una Merkel), who's in danger of losing her farm. Singing star Johnnie Johnston wanders in and out of the proceedings as a frontier balladeer, occasionally commenting upon the action -- a device later used to better effect in Lang's Rancho Notorious and Zinneman's High Noon. ~ Hal Erickson, All Movie Guide
- Starring:
- James Craig, Lynn Bari, (more)
- 1948
In this courtroom drama, two opposing lawyers lead a double life. In the courtroom they are ruthless toward each other, but once the day is over they become passionate lovers. Unfortunately their newest case may well threaten their relationship as the defense attorney is defending a corrupt district attorney who happens to be her ex-husband. The prosecutor knows nothing of their past relationship; all he knows is he wants to nail the crook and his cronies to the wall. Unfortunately, the truth comes out in court and mayhem ensues. ~ Sandra Brennan, All Movie Guide
- Starring:
- Brian Aherne, Iris Adrian, (more)
The second Hollywood-filmed effort from the British-based Eagle Lion company, Lost Honeymoon is a decided improvement on the first (It's a Joke, Son). Franchot Tone plays returning GI Johnny Gray, who knows that he suffered from amnesia while in London but doesn't know what he did during his memory lapse. Johnny soon finds out when British lass Amy Atkins (Ann Richards) shows up at his doorstep. Amy insists that not only is she married to Johnny, but that she's the mother of his two children! In desperation, Johnny runs around trying to bonk himself in the noggin so that he can regain his amnesia and escape from his parental responsibilities-and that's just one of the many comic complications. Hardly an important film, Lost Honeymoon is a consistently entertaining one. ~ Hal Erickson, All Movie Guide
- Starring:
- Franchot Tone, Ann Richards, (more)
After a five-year absence, the Marx Brothers returned to the screen in the independently-produced effort A Night in Casablanca. Originally conceived as a parody of Casablanca (with character names like "Humphrey Bogus" and "Lowen Behold"), the film emerged as a spoof of wartime melodramas in general. Someone has been methodically murdering the managers of the Hotel Casablanca, and that someone is escaped Nazi war criminal Heinrich Stubel (Sig Ruman). Disguised as a Count Pfefferman, Stubel intends to reclaim the stolen art treasures that he's hidden in a secret room somewhere in the hotel, and the only way he can do this undetected is by bumping off the managers and taking over the hotel himself. The newest manager of Hotel Casablanca is former motel proprietor Ronald Kornblow (Groucho Marx), who, blissfully unaware that he's been hired only because no one else will take the job, immediately takes charge in his own inimitably inept fashion. Corbacchio (Chico Marx), owner of the Yellow Camel company, appoints himself as Kornblow's bodyguard, aided and abetted by Stubel's mute valet Rusty (Harpo Marx). In his efforts to kill Kornblow, Stubel dispatches femme fatale Beatrice Reiner (Lisette Verea) to romance the lecherous manager, leading to a hilarious recreation of a key comedy sequence in the Marxes' earlier A Day at the Races. Arrested on a trumped-up charge, Kornblow, Corbacchio and Rusty escape in time to foil Stubel and his stooges. As in most Marx Brothers epics, A Night in Casablanca includes a tiresome romantic subplot, this time involving disgraced French flyer (Pierre) and his faithful sweetheart Annette (Lois Collier). Though hampered by listless direction and witless one-liners, A Night in Casablanca contains enough hilarity to compensate for its many flaws; some of the best visual gags were conceived by an uncredited Frank Tashlin, including Harpo's legendary "holding up the building" bit. ~ Hal Erickson, All Movie Guide
- Starring:
- Groucho Marx, Harpo Marx, (more)
- 1945
Adapted from the high school drama-class perennial by Jerome Chodhorov and Joseph Fields, Junior Miss stars Peggy Ann Garner as a troublesome teenager. Garner means well, but can't help meddling in the affairs of her father (Allyn Joslyn) and other unsuspecting grownups. Most of the story revolves around Peggy's matchmaking habits: she pairs up her uncle (Milo O'Shea) with the daughter of her father's employer, which nearly loses dad his job. The mess sorts itself out before the third-act curtain, with Garner promising to mind her own business...until next time. Keep an eye out for a brief appearance by a young Mel Torme. ~ Hal Erickson, All Movie Guide
- Starring:
- Peggy Ann Garner, Allyn Joslyn, (more)
- 1944
The wartime housing shortage in Washington DC is the basis for this comedy. Several attractive young ladies rent a single DC apartment, causing no end of complications to their various professional and private lives. Also moving in (due to a misunderstanding) is a young newlywed (Jane Wyman), whose flustered husband (Jack Carson) is denied access to the apartment. The funniest of the female roommates is a visiting Russian sniper, played con brio by Eve Arden. The Doughgirls is based on the popular Broadway play by Joseph A. Fields (with uncredited assistance by George S. Kaufman). Three Stooges fans are advised to keep an eye out for Curly Joe DeRita as an unhappy schlemiel who can't find a place to sleep. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Sheridan, Alexis Smith, (more)
- 1942
Rosalind Russell plays aspiring Ohio journalist Ruth Sherwood, who heads for New York to seek her fortune, accompanied by her sister, Eileen (Janet Blair), an aspiring actress. The girls take a basement apartment in Greenwich Village, which becomes a gathering place for several oddball characters, including a football jock (Gordon Jones), his silly wife (Miss Jeff Donnell) and an eternally drunken fortuneteller (June Havoc). Ruth tries to sell her writing, but is advised by a friendly magazine editor (Brian Aherne) that she'll never succeed unless she writes from her own experiences. Meanwhile, Eileen is continually getting in trouble due to her ingenuous attractiveness. Ruth secures an assignment to interview several visiting Portuguese sailors, who follow her to her apartment, are immediately entranced by Eileen, and break up the joint with an impromptu conga line. Everyone ends up in jail, and it looks as though Ruth is going to have to leave New York without achieving success. But when Ruth begins writing about her life with her sister Eileen, she becomes a success -- and wins the love of the magazine editor in the bargain. My Sister Eileen was based on a series of autobiographical articles by real-life writer Ruth McKenney, who with Joseph Fields and Jerome Chodhorov adapted these stories into a Broadway play. The play was later musicalized for the stage as Wonderful Town (again with Rosalind Russell), while the film version was itself adapted into a separate movie musical in 1955. There was also a brief 1960 TV series, starring Elaine Stritch and Shirley Bonne. As an added fillip, the 1942 My Sister Eileen includes a fleeting guest appearance by the Three Stooges! ~ Hal Erickson, All Movie Guide
- Starring:
- Rosalind Russell, Brian Aherne, (more)
- 1941
The Irving Berlin-Morrie Ryskind Broadway musical hit Louisiana Purchase came to the screen with surprisingly few emendations in 1941. Bob Hope replaces Broadway's William Gaxton in the role of innocent political flunkey Jim Taylor, set up to take the fall for wholesale graft by a group of corrupt Louisiana politicians. Taylor's friendly adversary is bumptuous U.S. senator Loganberry (Victor Moore, repeating his stage role), whose efforts at reform only end up getting him in hot water as well. Loganberry solves his own problems by marrying Mme. Bordelaise (Irene Bordoni), the temptress who'd been sent out to place him in a compromising position, forcing Taylor to straighten out the mess himself in a hilarious climactic courtroom filibuster. ("If it's good enough for James Stewart, it's good enough for me.") Some of the satirical bite of the Broadway version had to be blunted for movie-audience consumption, though Paramount managed to avoid potential lawsuits by using a device which originated in the play: an amusing opening "opera bouffe" wherein it was established beyond all doubt that Louisiana was a totally mythical state! (At one point, a bevy of chorus girls sing the "any resemblance to actual persons living or dead" disclaimer.) On a historical note, Louisiana Purchase was Bob Hope's first Technicolor appearance. ~ Hal Erickson, All Movie Guide
- Starring:
- Bob Hope, Vera Zorina, (more)
- 1940
Two Girls on Broadway is an updated reworking of MGM's Oscar-winning 1929 musical Broadway Melody. Joan Blondell and Lana Turner play a vaudeville "sister" act, slightly more talented than the similar duo in Broadway Melody. The twosome have sworn never to break up, but that was before hoofer George Murphy entered the scene. Blondell realizes that it's Turner whom Murphy loves, so she nobly steps aside to make room for her baby sister. Two Girls on Broadway was another step in the right direction for the blossoming career of Lana Turner, here permitted to show off her terpsichorean skills. ~ Hal Erickson, All Movie Guide
- Starring:
- Lana Turner, Joan Blondell, (more)
- 1940
The 1922 George S. Kaufman-Marc Connelly play Dulcy was based on a delightful character created by columnist Franklin P. Adams: Archetypal "dumb wife" Dulcinea, who continually spouted cliches like "There's never a policeman around when you need one" and "Don't take any wooden nickels." Lynn Fontanne created the role of Dulcy on stage, followed in 1923 by Constance Talmadge in the first screen version, then by Marion Davies in 1929's Not So Dumb, the first talkie version of the Kaufman-Connelly comedy. This 1940 remake stars Ann Sothern as dizzy Dulcy, who hopes to improve her aviator boyfriend Gordon Daly's (Ian Hunter) business prospects by holding a fancy dinner party. The result is a disaster, but the introduction into the plotline of a Chinese war orphan (intended as a timely touch) solves everyone's problems. Like the original play, the film is stolen by Dulcy's ex-con butler, here played by "Big Boy" Williams. A very young Hans Conried has a cute running gag as a saturnine author, whose ongoing efforts to find solitude in a canoe are continually (and literally) scuttled by the zany Dulcy. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Sothern, Ian Hunter, (more)
- 1939
The titular girl is Lupe Velez, a tempestuous cabaret entertainer. Donald Woods plays a staid American ad man who hires her for a New York nightclub. Woods is engaged to be married, but secretly harbors affection for Velez. The volatile Ms. Velez is less subtle, and actively campaigns for the affections of Woods, with the help of Donald's lovably larcenous Uncle Matt (Leon Errol). Though not intended as such, Girl From Mexico was the first of RKO's eight-film "Mexican Spitfire" series. The role of the Spitfire's husband was played by several different actors, but Lupe Velez and Leon Errol remained with the series throughout its four-year run. ~ Hal Erickson, All Movie Guide
- Starring:
- Lupe Velez, Donald Woods, (more)
- 1939
In this western, a dashing caballero makes a wager with his gang that he can court a beautiful dancer and lure her back to their lair. Unfortunately the woman loves another so the outlaw kidnaps them both. At the Mexican border, he has a change of heart and sets the lovers free. ~ Sandra Brennan, All Movie Guide
- Starring:
- Leo Carrillo, Tim Holt, (more)
- 1939
The excellent response to RKO Radio's The Girl from Mexico prompted the studio to fashion an entire series based on the misadventures of fiery Latin American entertainer Carmelita (Lupe Velez). The series proper began with 1939's Mexican Spitfire, in which the recent marriage between Carmelita and stuffy-but-likeable American businessman Dennis (Donald Woods) is threatened by the interference of Dennis' wealthy, snobbish Aunt Della (Elizabeth Risdon). Fortunately, Carmelita finds an ally in the form of Dennis' easygoing Uncle Matt (Leon Errol). The plot hinges on an important business deal between Dennis and the veddy British Lord Epping, top man of a major whiskey firm. Luck of luck, Lord Epping is an exact double for Uncle Matt, leading to a series of gut-busting complications. Somehow it seems logical that Mexican Spitfire should end with a Keystone-style pie fight. ~ Hal Erickson, All Movie Guide
- Starring:
- Leon Errol, Donald Woods, (more)
- 1939
The thoroughbreds invoked by the title are a stray colt and the teenaged boy (Jimmy Lydon) who raises the animal. Despite the objections of his miserly uncle (Arthur Hohl), Lydon cares for the seemingly worthless colt with the help of a crusty but kindly groom (J. M. Kerrigan). The boy discovers that the colt actually belongs to the wealthy father of his girl friend (Joan Brodel, later known as Joan Leslie), but is hesitant to return the horse he has grown to love. The right thing is done at last, and a happy ending results. Two Thoroughbreds avoids wallowing in sentiment, thanks to the carefully controlled performance of Jimmy Lydon, whose energies were later shifted to the less demanding Henry Aldrich series at Paramount. ~ Hal Erickson, All Movie Guide
- 1939
In this crime drama, a shyster lawyer makes his living earning acquittals for his guilty clients. Most recently he freed a powerful crime lord. He comes to regret this when his daughter falls in love with the gangster. Despite his efforts to dissuade the criminal from pursuing the relationship, the gangster does. The desperate lawyer then kills the gangster and soon finds himself on trial for murder. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lee Tracy, Barbara Read, (more)
- 1938
In director Reinh Schunzel's film Rich Man, Poor Girl, the upper crust collides with the more financially unfortunate members of society. When wealthy young executive Bill Harrison (Robert Young) falls in love with Joan Thayer (Ruth Hussey), his secretary, she doesn't believe he would be able to accept her boisterous relatives. Determined to marry Joan (Hussey), Bill (Young) moves in with her family in order to prove his love for her. Though Joan's sister Helen (Lana Turner) is thrilled with the idea, Joan still has a host of reservations. During his stay, Bill learns about the struggles of the lower middle class, and eventually decides to sell his property and use the money to help fund a hospital for the poor. Convinced his feelings are genuine and his mind open, Joan agrees to marry Bill. Rich Man, Poor Girl is a remake of the 1929 film The Idle Rich
~ Tracie Cooper, All Movie Guide
~ Tracie Cooper, All Movie Guide
- Starring:
- Robert Young, Lew Ayres, (more)
- 1938
In her only Warner Bros. starring film, Carole Lombard plays a Hollywood movie actress who makes the park-bench acquaintance of an impoverished French marquis (Fernand Gravet). Hoping to coerce Carole into marriage, the nobleman poses as a butler and enters her household. His plan is to compromise Lombard and force her to make him an "honest man"--with the attendant cash settlement. Ralph Bellamy, as ever, is the poor clod who really loves Lombard but who loses her in the end to the chastened Gravet. Rodgers and Hart were commissioned to write several songs for this film, but found most of their efforts consigned to the cutting room floor. Fools for Scandal was based on Nancy Hamilton's stage play Return Engagement. ~ Hal Erickson, All Movie Guide
- Starring:
- Carole Lombard, Fernand Gravey, (more)
