Robert Zemeckis Movies
American director Robert Zemeckis studied filmmaking at Northern Illinois University, and then got his start with a job with the film editing department at WMAQ-TV, Chicago's NBC flagship station. After commercial work, Zemeckis and his friend and collaborator, Bob Gale, became assistants to Steven Spielberg. It was Spielberg who lined up Zemeckis' first directing job, the 1977 comedy/nostalgia blend I Wanna Hold Your Hand; despite the film's low budget, it demonstrated Zemeckis' ability to combine credible live-action sequences with elaborate special effects devices. Spielberg next had Zemeckis and Gale work on the screenplay of 1941 (1979), which, despite its disappointing box-office returns, convinced the young director that his protegés were valuable commodities.Working again under Spielberg's aegis, Zemeckis directed his first real financial success, Romancing the Stone (1981), a wild adventure yarn that somehow never lost sight of its sense of humor. The director then took on Back to the Future (1984) and its two sequels, once again proving that live actors could be combined with special effects to produce spectacular results. Zemeckis further proved this when, in collaboration with Spielberg and cartoon producer Richard Williams, he directed Who Framed Roger Rabbit? (1988), a groundbreaking combination of cartoon animation and "real" action, which went on to become one of the decade's biggest moneymakers. By the early '90s, Zemeckis was recognized as a director of great technical skill but little personal viewpoint, something that changed with the 1994 release of Forrest Gump. Beyond its top-heavy special effects, the film was a distinctly human drama about a mildly retarded young man (Tom Hanks) who achieves professional and personal success by refusing to see anything but the good in people. Expected to be a moderately profitable feature, Forrest Gump amazed everyone by becoming the top moneyspinner of the summer of 1994 -- and one of the highest-grossing movies of all time. As an added bonus, it helped Zemeckis snag a Best Director Oscar, as well as several other awards.
He found further success, albeit moderate by comparison, with Contact, a 1997 film starring Jodie Foster as an astronomer seeking out extraterrestrial life forms. The 1990s also found the frequent director becoming much more active as a producer, and in addition to producing many of his own films Zemeckis also backed future Lord of the Rings director Peter Jackson on his first stateside feature The Frighteners. As he continued to produce such William Castle remakes as The House on Haunted Hill and Thir13en Ghosts, Zemeckis prepaired to shoot his next feature, a film that once again found him teaming with Forrest Gump star Hanks. A memorable adventure drama concerning a dedicated FedEx executive's struggle for survival after enduring a horrific plane crash and becoming stranded on a deserted island, the filming of Cast Away was halted halfway through so that star Hanks could physically transform himself for the demanding role - and in the meantime Zemeckis took the helm for the Harrison Ford/Michelle Pheiffer fright fest What Lies Beneath. In the end both films performed fairly well at the box office, even if Cast Away had recieved a somewhat negative reaction by many due to its meditative pacing and open ended coda. By the time The Polar Express hit theaters it had been nearly four years since Zemeckis had invaded the multiplexes. A holiday hit featuring vocal contributions by Tom Hanks and Daryl Sabara, The Polar Express thrilled families in both traditional theaters and as an IMAX 3D release, and took in an impressive pull at the domestic box office.
His credits as a producer steadily grew as he played an instrumental part in bringing such diverse efforts as House of Wax and The Prizewinner of Defiance, Ohio to the screen, Zemeckis continued his efforts to provide fun frights for viewers of all ages by serving as executive producer of both the kid-friendly, computer animated haunted house flick Monster House, and producer to the apocalyptic Hilary Swank starer The Reaping. Back in the director's chair, Zemeckis would be putting the finishing touches on the Neil Gaiman and Roger Avery-scripted adventure fantasy Beowulf - an Eighth Century tale of good versus evil inspired by the popular Old English poem of the same name.
He had a huge hit in 2009 with the Jim Carrey starring motion-capture version of A Christmas Carol, however audiences rejected Mars Needs Moms, an animated film he helped produce. He returned to live-action actors with 2012's drama Flight, and followed that up with a remake of The Beatles Yellow Submarine.
~ Hal Erickson, Rovi
The time is 1964, and the Beatles, already a hugely popular group, are about to go on the Ed Sullivan Show for the first time, an appearance that launched them into a worldwide phenomenon. Already, girls are fainting during their concerts from sheer excitement at being in the same theater with them. Pam Mitchell (Nancy Allen) is happy enough to be getting married but wants to bed one of the "Fab Four" before she does. Grace Corrigan (Theresa Saldana), a dedicated fan, is certain that if she can get some exclusive photos of the Beatles, her career as a photographer will be secured. And then there are two people who feel that the future of civilization as we know it depends on their efforts to ruin the Beatles' appearance on Ed Sullivan's show. In this madcap comedy, when these people (and others besides) descend on the New York hotel the Beatles are staying in, things begin hopping. This comedy was Robert Zemeckis' first feature. A protégé of Stephen Spielberg, he went on to direct Forrest Gump, Back to the Future, and Who Framed Roger Rabbit? among other popular features. ~ Clarke Fountain, Rovi
- Starring:
- Nancy Allen, Bobby Di Cicco, (more)
It's December of 1941, and the people of California are in varying states of unease, ranging from a sincere desire to defend the country to virtual blind panic in the wake of the Japanese attack on Pearl Harbor. Thus begin several story threads that comprise the "plot" of this strange period comedy, a sort of satirical disaster movie, from Steven Spielberg. The stories and story threads involve lusty young men, officers (Tim Matheson) and civilians (Bobby Di Cicco) alike, eager to bed the young ladies of their dreams; Wild Bill Kelso, a nutty fighter pilot (John Belushi) following what he thinks is a squadron of Japanese fighters along the California coast; a well-meaning but clumsy tank crew (including John Candy) led by straight-arrow, by-the-book Sgt. Tree (Dan Aykroyd), who doesn't recognize the thug (Treat Williams) in his command; and homeowner Ward Douglas (Ned Beatty), who is eager to do his part for the nation's defense and, despite the misgivings of his wife (Lorraine Gary), doesn't mind his front yard overlooking the ocean being chosen to house a 40 mm anti-aircraft gun. There is also a pair of grotesquely inept airplane spotters (Murray Hamilton, Eddie Deezen) who are doing their job from atop a ferris wheel at a beachfront amusement park; a paranoid army colonel (Warren Oates) positive that the Japanese are infiltrating from the hills; a big dance being held on behalf of servicemen, being attended by a lusty young woman of size (Wendie Jo Sperber) eager to land a man in uniform; and General Joseph "Vinegar Joe" Stillwell (Robert Stack), in charge of the defense of the West Coast, who can't seem to get anyone to listen to him when he says to keep calm. And, oh yes, there's also a real Japanese submarine that has gotten all the way to the California coast under the command of its captain (Toshiro Mifune) and a German officer observer (Christopher Lee), only to find itself without a working compass or usable maps. Its captain won't leave until the sub has attacked a militarily significant, honorable target, and the only one that anyone aboard ship knows of in California is Hollywood. By New Year's Eve, all of these characters are going to cross paths, directly or once-removed, in a comedy of errors and destruction strongly reminiscent of the finale to National Lampoon's Animal House (as well as several disaster movies from the same studio), but on a much larger and more impressive scale. ~ Bruce Eder, Rovi
- Starring:
- Dan Aykroyd, Ned Beatty, (more)
Used Cars is one of Robert Zemeckis' pre-Roger Rabbit and pre-Forrest Gump efforts starring Kurt Russell is a devious car salesman who goes to work for affable but monumentally unsuccessful used car dealer Jack Warden. Warden's principal rival is his more prosperous twin brother, also played by Warden, who schemes to take over the "good" brother's lot. After a series of raunchy vignettes, the film boils down to an every-man-for-himself price war between the two Wardens, which rages on even after we're one Warden short. The supporting cast of Used Cars is populated by such reliables as David L. Lander, Michael McKean, Al Lewis, Dub Taylor, Dick Miller and Betty Thomas. ~ Hal Erickson, Rovi
- Starring:
- Kurt Russell, Jack Warden, (more)
Kathleen Turner plays a writer of adventure stories, Joan Wilder, who has been having trouble selling her works of late because they aren't remotely believable. The basic problem is that the mousy Joan has never had any real adventure in her life. All this changes when she receives a frantic phone call from her sister, whose is being held prisoner by evil art dealers in Colombia. It seems that sis has mailed Joan a map leading to a valuable treasure. Nasty but cowardly Ralph (Danny DeVito), cousin of the principal villain (Zack Norman), has been assigned to claim the map from Joan. But upon arriving in Colombia, Joan and Ralph learn that others of a more homicidal bent are also after the map. Joan is rescued by soldier of fortune Jack Colton (Michael Douglas), who isn't quite clear about his stake in the proceedings. Jack and Joan undergo several perilous adventures in the wilds of Colombia. The treasure turns out to be a valuable jewel, which changes hands (one of them severed!) many times before it is swallowed by an alligator. Joan manages to break free from her pursuers, but Jack is presumed dead. Jack returns at the end of the film in Manhattan to surprise Joan. The sequel to Romancing the Stone was 1985's The Jewel of the Nile. ~ Hal Erickson, Rovi
- Starring:
- Michael Douglas, Kathleen Turner, (more)
Contemporary high schooler Marty McFly (Michael J. Fox) doesn't have the most pleasant of lives. Browbeaten by his principal at school, Marty must also endure the acrimonious relationship between his nerdy father (Crispin Glover) and his lovely mother (Lea Thompson), who in turn suffer the bullying of middle-aged jerk Biff (Thomas F. Wilson), Marty's dad's supervisor. The one balm in Marty's life is his friendship with eccentric scientist Doc (Christopher Lloyd), who at present is working on a time machine. Accidentally zapped back into the 1950s, Marty inadvertently interferes with the budding romance of his now-teenaged parents. Our hero must now reunite his parents-to-be, lest he cease to exist in the 1980s. It won't be easy, especially with the loutish Biff, now also a teenager, complicating matters. Beyond its dazzling special effects, the best element of Back to the Future is the performance of Michael J. Fox, who finds himself in the quagmire of surviving the white-bread 1950s with a hip 1980s mindset. Back to the Future cemented the box-office bankability of both Fox and the film's director, Robert Zemeckis, who went on to helm two equally exhilarating sequels. ~ Hal Erickson, Rovi
- Starring:
- Michael J. Fox, Christopher Lloyd, (more)
In Robert Zemeckis's trailblazing combination of animation and live-action, Hollywood's 1940s cartoon stars are a subjugated minority, living in the ghettolike "Toontown" where their movements are sharply monitored by the human power establishment. The Toons are permitted to perform in a Cotton Club-style nightspot but are forbidden to patronize the joint. One of Toontown's leading citizens, whacked-out Roger Rabbit, is framed for the murder of human nightclub owner Marvin Acme (Stubby Kaye). Private detective Eddie Valiant (Bob Hoskins), whose prejudice against Toons stems from the time that his brother was killed by a falling cartoon piano, reluctantly agrees to clear Roger of the accusation. Most of the sociopolitical undertones of the original novel were weeded out out of the 1988 film version, with emphasis shifted to its basic "evil land developer" plotline --and, more enjoyably, to a stream of eye-popping special effects. With the combined facilities of animator Richard Williams, Disney, Warner Bros., Steven Spielberg's Amblin Entertainment, and George Lucas's Industrial Light and Magic, the film allows us to believe (at least for 90 minutes) that "toons" exist, and that they are capable of interacting with 3-dimensional human beings. Virtually every major cartoon character of the late 1940s shows up, with the exceptions of Felix the Cat and Popeye the Sailor, whose licensees couldn't come to terms with the producers. Of the film's newly minted Toons, the most memorable is Roger Rabbit's curvaceous bride Jessica (voiced, uncredited, by Kathleen Turner). The human element is well-represented by Hoskins, Christopher Lloyd, and Joanna Cassidy; also watch for action-film producer Joel Silver as Roger Rabbit's Tex Avery-style director. ~ Hal Erickson, Rovi
- Starring:
- Bob Hoskins, Christopher Lloyd, (more)
- 1989
It isn't often that a popular TV series is inspired by a literary property that all but destroyed a particular industry, but such was the case with the weekly, half-hour horror anthology Tales From the Crypt. Most of the episodes depicted herein were based on stories originally published in the EC comic book series Tales from the Crypt, Vault of Horror, and Shock Superstories in the 1950s. In these grim little morality plays, a number of nasty characters deservedly met grisly fates appropriate to their misdeeds. Examples included the compulsive neat freak who is cut up into little pieces and then tidily repackaged into carefully labeled mason jars, or the homicidal baseball player whose bloody body parts are used as bats, balls, and bases in a grim nocturnal ball game played by the vengeful teammates of his last victim. It was this sort of merry mayhem that brought down the wrath of professional do-gooders (such as the infamous Dr. Frederick Wertham) and their political co-conspirators, who demanded that the comic book industry immediately purge itself of all horror magazines -- and never mind these were among the best written and illustrated comics in the business.
At any rate, the old EC comics had become classics by the time Tales From the Crypt made its HBO debut on June 10, 1989. The series, like the comic books that inspired it, was hosted by the ghoulish "Cryptkeeper," seen here as a skeletal animatronic puppet whose voice was provided by actor John Kassir. Cracking delightfully gruesome jokes all the while, The Cryptkeeper introduced each episode, and showed up at the denouement to make a few additional creepy comments. In keeping with the standards set by the comics, the individual episodes dealt primarily with unpleasant people who were given their just desserts in an even more unpleasant fashion, usually with supernatural assistance. Several top filmmakers contributed their directorial talents to Tales from the Crypt, among them Robert Zemeckis, Walter Hill, Steven E. de Souza, John Frankenheimer, Elliot Silverstein, and even Arnold Schwarzenegger and Tom Hanks. The casts were equally impressive, boasting the likes of Joe Pantoliano, Amanda Plummer, Kirk Douglas, Miguel Ferrer, Teri Hatcher, Harry Anderson, Teri Garr, Beau Bridges, Christopher Reeve, Mimi Rogers, Martin Sheen, Shelley Hack, Natasha Richardson, and Ewan McGregor. The seven seasons of Tales from the Crypt, totalling 93 episodes, aired first in uncut, uncensored form on HBO, then were rebroadcast with a few judicious trims and expurgations here and there by the Fox Network. The last first-run episode was telecast July 19, 1996. ~ Hal Erickson, Rovi
At any rate, the old EC comics had become classics by the time Tales From the Crypt made its HBO debut on June 10, 1989. The series, like the comic books that inspired it, was hosted by the ghoulish "Cryptkeeper," seen here as a skeletal animatronic puppet whose voice was provided by actor John Kassir. Cracking delightfully gruesome jokes all the while, The Cryptkeeper introduced each episode, and showed up at the denouement to make a few additional creepy comments. In keeping with the standards set by the comics, the individual episodes dealt primarily with unpleasant people who were given their just desserts in an even more unpleasant fashion, usually with supernatural assistance. Several top filmmakers contributed their directorial talents to Tales from the Crypt, among them Robert Zemeckis, Walter Hill, Steven E. de Souza, John Frankenheimer, Elliot Silverstein, and even Arnold Schwarzenegger and Tom Hanks. The casts were equally impressive, boasting the likes of Joe Pantoliano, Amanda Plummer, Kirk Douglas, Miguel Ferrer, Teri Hatcher, Harry Anderson, Teri Garr, Beau Bridges, Christopher Reeve, Mimi Rogers, Martin Sheen, Shelley Hack, Natasha Richardson, and Ewan McGregor. The seven seasons of Tales from the Crypt, totalling 93 episodes, aired first in uncut, uncensored form on HBO, then were rebroadcast with a few judicious trims and expurgations here and there by the Fox Network. The last first-run episode was telecast July 19, 1996. ~ Hal Erickson, Rovi
Things have barely settled from the excitement and resolve of the original Back to the Future, when in pops that crazy inventor Dr. Emmett Brown (Christopher Lloyd) with news that in order to prevent a series of events that could ruin the McFly name for posterity, Marty McFly (Michael J. Fox ) and his girlfriend are whisked into the future to the year 2015, where Marty must tangle with a teen rogue named Griff, who's obviously the descendant of Biff, the first Future film's bully. Marty foils Griff and his group when he jumps on an air-foil skateboard that flies him through town at rakish speeds with the loser bullies beaten again. Marty gets a money-making brainstorm before hopping in the time-traveling DeLorean, and he purchases a sports almanac. He figures that back in 1985 he'll be able to place sure-fire bets using the published sports scores of the games that are yet to happen. Unfortunately for Marty, Dr. Brown disapproves of his betting scheme -- he feels too much messing with time is very dangerous -- and he tosses the almanac. A hidden Biff overhears the discussion about the almanac, sees it get tossed out, and grabs it. Thus begins a time-traveling swirl to make the head spin. Biff swipes the DeLorean, heads back to 1955, and with the help of the unerring almanac, bets his way to power. The now-altered "Biff world" has turned into a nightmarish scene with Biff the mogul, residing in a Vegas-styled pleasure palace and running everything. It's all our hero Marty can do to pull the pieces together this time, as he must jump between three generations of intertwined time travel. The end of Back to the Future, Part 2 introduces its sequel as the zany professor has already time-dashed away to the Wild West of the late 1800s and invites Marty into a new adventure. ~ Rovi
- Starring:
- Michael J. Fox, Christopher Lloyd, (more)
- 1989
Robert Zemeckis' "And All Through the House" is about a psychotic Santa Claus (Larry Drake) who has just escaped from an insane asylum and comes knocking at the door of a woman (Mary Ellen Trainor), who's fresh from killing her husband for greedy reasons. The episode is a remake of one of the segments of the 1972 Tales from the Crypt feature directed by Freddie Francis and starring Joan Collins. ~ Stephen Thomas Erlewine, Rovi
- Starring:
- Larry Drake, Mary Ellen Trainor, (more)
The final installment in the Back to the Future trilogy picks up where the second film left off, but it casts off the dizzying time travel of the first two films for mostly routine comedy set in the Old West. Marty McFly (Michael J. Fox) receives a 70-year-old letter from his inventor friend, Doc Brown (Christopher Lloyd), who tells Marty that he has retreated a century in time to live out a relatively quiet life in the Old West. Doc Brown reveals that he hid his DeLorean car/time machine in an abandoned mine outside town, and when Marty does some research and discovers that the Doc died shortly after writing the letter, he decides to find the car, travel back in time, and warn the Doc about his demise. Meanwhile, the Doc, who has fallen in love with a local woman (Mary Steenburgen), realizes he can't hide in the past from the problems he has caused to the time flow in the previous two adventures. He reluctantly decides to return to the present with Marty, but first, they have to find a way to get the DeLorean up to time-travel velocity with a broken fuel line and no gasoline. ~ Don Kaye, Rovi
- Starring:
- Michael J. Fox, Christopher Lloyd, (more)
High-concept director Robert Zemeckis applies his usual polish -- helped by an equally adept cast -- for this surprisingly gruesome and extremely funny black comedy. The film begins with narcissistic actress Madeline (Meryl Streep) stealing the latest in a series of potential fiancées, wimpy plastic surgeon Ernest (Bruce Willis), from her ex-best friend Helen (Goldie Hawn). Depressed and infuriated, Helen suffers a breakdown that lands her in a mental hospital -- in addition to a junk-food bender that seems to triple her weight. When Madeline crosses paths with Helen again many years later, she is horrified to discover her once-chunky rival looking younger, slimmer and more glamorous than ever before. Fearing that Helen will try to steal Ernest back -- and dreading the thought of not having a plastic surgeon at her beck and call -- Madeline solicits the supernatural services of an exotic New Age mystic (Isabella Rossellini), who sells her a potent youth elixir with the stipulation that she follow the dosage instructions to the letter... yeah, right. It appears that Helen owes her sexy comeback to the same magic formula, and the inevitable violent clash between the two well-dressed banshees leads to the realization that both women have become nearly impervious zombies, clawing at each other's throats long after the blood has run cold in their veins. Best remembered for Dick Smith's Oscar-winning makeup effects, which allow the rapidly-rotting undead femmes to toss off witty one-liners with ragged holes blasted through their bodies or spin their heads Exorcist-style. Not all the sight gags work, and Zemeckis' lighthearted treatment of such grotesque material tends to dull the satirical edge, but there are some truly inspired moments of dementia -- particularly a hilarious cameo from Sydney Pollack as a doctor who comes unglued while examining Streep (who has yet to realize she's dead). ~ Cavett Binion, Rovi
- Starring:
- Meryl Streep, Bruce Willis, (more)
- 1992
- R
Howard Franklin wrote and directed this film noir character study based on the famed New York Daily News photographer Weegee. Joe Pesci plays a character named Bernstein, a freelance photographer for the New York City tabloids of the 1940s. His life is dedicated to his work; with a police radio under the dashboard of his car and a darkroom in his trunk, he quickly and efficiently races to the scene of crimes, accidents and murders to snap photographs of gangsters, politicians, cops, and prostitutes, which he promptly delivers to the newspapers. His knack for arriving at a crime scene before the police earns him the nickname the Great Bernzini. The trouble begins for Bernstein when he agrees to look up a gangster for Kay (Barbara Hershey), the sexy owner of a fancy Manhattan nightclub. After making inquiries, Bernstein traces the man Kay is looking for, but he turns up dead. When he informs the police, he becomes a suspect in the murder; it also turns out that the FBI is interested the case. Bernstein then uncovers an elaborate conspiracy concerning gas rationing, the mob, and the government. ~ Paul Brenner, Rovi
- Starring:
- Joe Pesci, Barbara Hershey, (more)
Maverick director Walter Hill, who had a big hit with 48 Hrs., indulges his customary yen for violent and disturbing scenes in this overlooked action film, which was also released under the name Looters. Set in the economically-depressed town of East St. Louis, IL, the film's release was delayed several months because its riot scenes were too similar to those that actually took place in the summer of 1992 in L.A. Bill Paxton plays Vince and Bill Sadler plays Don. They are a couple of good-old-boy firefighters who are tipped off that some stolen gold treasures have been hidden in an old warehouse. They find and enter the building but witness a brutal murder. The gangland killing is part of a turf battle between two rival drug lords. When one of them finds out that the firemen have seen the execution, he orders the witnesses murdered. But they have found the treasure and have kidnapped one gang leader's brother. An elaborate and violent series of skirmishes and chases ensue. Rapper-actors Ice-T and Ice Cube have roles as leading gang members. ~ Michael Betzold, Rovi
- Starring:
- Bill Paxton, Ice-T, (more)
A crime fighter created in the 1930s and popularized in movies, pulp novels, and a radio show starring a young Orson Welles, The Shadow came back to life in 1994 in this slick, well-cast production. Alec Baldwin stars as Lamont Cranston, a murderous opium dealer reformed by a Tibetan mystic, who teaches him how to use his keen mental powers to manipulate others. As penance for his past misdeeds, Cranston masquerades as a degenerate New York City playboy by day and secretly plays the heroic Shadow by night, staving off evildoers with a network of agents and a cab-driving sidekick (Peter Boyle). A greater challenge arrives when Cranston must fight Shiwan Khan (John Lone), the final descendent of Genghis Khan, who has received training from the same Tibetan master who instructed Cranston. Shiwan plans to use atomic weapons to take over New York and then the world. At the same time, Cranston meets socialite Margo Lane (Penelope Ann Miller), and, although he's instantly enamored of her, he discovers that her psychic abilities render his secret identity vulnerable. The Shadow was directed by former music video creator Russell Mulcahy, whose feature film debut Highlander (1986) was a cult classic. ~ Karl Williams, Rovi
- Starring:
- Alec Baldwin, John Lone, (more)
This first theatrical feature spun off from the television series Tales from the Crypt (which was in turn inspired by the infamous EC horror comics of the 1950s) concerns a mysterious man named Brayker (Bill Sadler), who arrives at a church-turned-rooming house in a small town in New Mexico. Hot on his trail is an equally mysterious and very menacing figure known as the Collector (Billy Zane), who arrives with policemen in tow; he claims that Brayker stole some keys from him, and he wants the cops to help him reclaim them. It turns out, however, that the "keys" are actually several amulets that contain drops of the blood of Christ; they can be used to ward off evil in the right hands, but they can lead the world to doom if used improperly. The Collector and his forces lay siege to the house with the other residents caught in the middle between Brayker and the Collector, including alcoholic Uncle Willy (Dick Miller), prostitute Cordelia (Brenda Bakke), sleazy Southerner Roach (Thomas Haden Church), postal employee Wally (Charles Fleischer), sensible Jeryline (Jada Pinkett), and landlady Irene (CCH Pounder). Bordello of Blood, the second Tales from the Crypt feature, hit theaters the following year. ~ Mark Deming, Rovi
- Starring:
- Billy Zane, Bill Sadler, (more)
"Stupid is as stupid does," says Forrest Gump (played by Tom Hanks in an Oscar-winning performance) as he discusses his relative level of intelligence with a stranger while waiting for a bus. Despite his sub-normal IQ, Gump leads a truly charmed life, with a ringside seat for many of the most memorable events of the second half of the 20th century. Entirely without trying, Forrest teaches Elvis Presley to dance, becomes a football star, meets John F. Kennedy, serves with honor in Vietnam, meets Lyndon Johnson, speaks at an anti-war rally at the Washington Monument, hangs out with the Yippies, defeats the Chinese national team in table tennis, meets Richard Nixon, discovers the break-in at the Watergate, opens a profitable shrimping business, becomes an original investor in Apple Computers, and decides to run back and forth across the country for several years. Meanwhile, as the remarkable parade of his life goes by, Forrest never forgets Jenny (Robin Wright Penn), the girl he loved as a boy, who makes her own journey through the turbulence of the 1960s and 1970s that is far more troubled than the path Forrest happens upon. Featured alongside Tom Hanks are Sally Field as Forrest's mother; Gary Sinise as his commanding officer in Vietnam; Mykelti Williamson as his ill-fated Army buddy who is familiar with every recipe that involves shrimp; and the special effects artists whose digital magic place Forrest amidst a remarkable array of historical events and people. ~ Mark Deming, Rovi
- Starring:
- Tom Hanks, Robin Wright, (more)
- 1995
This documentary examines the first films of some top Hollywood directors, featuring interviews with the filmmakers and clips of their early student films, as well as some of their blockbuster hits. The program explores how each director learned from early mistakes, and seeks to illuminate the personalities and motivations of these successful "auteur" directors. Volume one covers Roger Corman, Taylor Hackford, Spike Lee, Paul Mazursky, Oliver Stone, and Robert Zemeckis. ~ Steve Blackburn, Rovi
Charlatan Frank Bannister (Michael J. Fox) has genuine psychic powers, but he doesn't use them to help people. Rather, he generates cases for his supernatural private-eye firm by harassing a group of hapless ghosts (including a dearly departed Wild West outlaw and an undead judge played by John Astin) into staging hauntings and poltergeists in the homes of likely marks. Bannister's world turns on its head when he starts noticing real hauntings around town -- ghostly assassinations that seem to be tied to the execution 20 years earlier of a brutal serial killer. Lucy Lunskey (Trini Alvarado), the wife of one unlucky victim, teams up with Bannister to get to the bottom of the killings and find out what shut-in Patricia Bradley (Dee Wallace Stone) and her witchy mother (Julia McCarthy) have to do with the sinister spree. ~ Brian J. Dillard, Rovi
- Starring:
- Michael J. Fox, Trini Alvarado, (more)
- 1996
- R
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In this satirical horror-comedy, a gumshoe investigates a combination TV ministry/whorehouse/vampire infestation. After bounty hunter Vincent (Phil Fondacaro) unearths the remains of Lilith, queen of the vampires, he restores the alluring creature to life and lords over her using a magical talisman. Later, rowdy youngster Caleb Verdoux (Corey Feldman) convinces one of his dim-witted buddies to accompany him to a combination mortuary/house of ill repute where both young men fall prey to Lilith's charms. Rather than merely drinking her victims' blood, this vampire has a tendency to rip out their hearts with her projectile tongue. Caleb's sister, Katherine (Erika Eleniak), who works for a large televangelism operation run by the shady Reverend Current (Chris Sarandon), hires private dick Rafe Guttman (Dennis Miller) to track down the errant Caleb. Rafe's wise-guy antics soon get him in trouble with Lilith and the law, but not before he uncovers the ties between Lilith's organization and Current's ministry; it seems Vincent, and therefore Lilith, are working for the reverend. Soon, Rafe finds himself in the boudoir of Lilith's bordello, armed with a holy-water squirt gun and fighting to save Erika from the glamorous but deadly vampire. Like Tales From the Crypt Presents Demon Knight, the previous film spin-off from HBO's EC Comics-inspired Tales From the Crypt series, Bordello of Blood features interludes hosted by the puppet skeleton known as the Crypt Keeper (voice of John Kassir). Director Gilbert Adler, who previously helmed Demon Knight, would go on to produce 13 Ghosts and The House on Haunted Hill. Whoopi Goldberg makes an uncredited cameo as a hospital patient. ~ Brian J. Dillard, Rovi
- Starring:
- Dennis Miller, Erika Eleniak, (more)
The search for life outside our solar system becomes a personal and spiritual quest for a young researcher. Ellie Arroway (Jodie Foster) is a scientist who lost her faith in God after her parents died when she was a child. However, Ellie has learned to develop a different sort of faith in the seemingly unknowable: working with a group that monitors radio waves from space, Ellie hopes that some day she will receive a coherent message from another world that will prove that there is a world beyond our own. Ellie's hard work is rewarded when her team picks up a signal that does not appear to be of earthly origin. Ellie decodes the message, which turns out to be plans for a space craft, which she takes as an invitation for a meeting with the aliens. Ellie and her fellow researchers soon run into interference from a White House scientific advisor, David Drumlin (Tom Skerritt), who cuts off their funding and tries to take credit for their achievements. However, Ellie receives moral support from Palmer Joss (Matthew McConaughey), a spiritual teacher who advises President Clinton and tries to persuade her to accept the existence of a higher power, and financial backing from S.R. Hadden (John Hurt), a multi-millionaire willing to fund her attempts to contact the source of the message. Contact was based on a novel by Carl Sagan, who advised director Robert Zemeckis during the film's production until his death in 1996. ~ Mark Deming, Rovi
- Starring:
- Jodie Foster, Matthew McConaughey, (more)
In this remake of William Castle's campy 1958 classic, an eccentric millionaire named Steven Price invites a diverse group of people to a reputedly haunted mansion that was formerly the site of an insane asylum. Steven offers his guests $1,000,000 each if they can spend the entire night at the old house without fleeing in terror. It sounds simple enough, but when those stories about ghosts haunting the mansion turn out to be true, the guests may no longer opt to stick around. In this version, Steven is played by Geoffrey Rush, and his guests include Jeffrey Combs, Taye Diggs, Peter Gallagher, Chris Kattan, and Bridgette Wilson; Famke Janssen plays Evelyn Price. Sadly, this remake does not feature the original's memorable special-effects gimmick, "Emergo," an inflatable plastic skeleton that rolled on wires through the theater during showings. ~ Mark Deming, Rovi
- Starring:
- Geoffrey Rush, Famke Janssen, (more)
Rating Systems
Blockbuster
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