John Castle Movies

Director Ron Maxwell and producer Ted Turner return to the glory and tragedy of the Civil War in this historical drama, a prequel to Gettysburg, which examines the early days of the conflict through the experiences of three men. Col. Joshua Lawrence Chamberlain (Jeff Daniels) left behind a quiet life and a career as a college professor to become one of the Union's greatest military minds. Gen. Thomas "Stonewall" Jackson (Stephen Lang) was, like Chamberlain, a man of great religious faith who served in the defense of the Confederacy. And Gen. Robert E. Lee (Robert Duvall), who led the Confederate army, was a man who was forced to choose between his loyalty to the United States and his love of the Southern states where he was born and raised. As Chamberlain, Jackson, and Lee are followed through the declaration of war and the battles at Manassas, Antietam, Frederickburg, and Chancellorsville, the film also introduces us to the many supporting players in the epic tale of the war between the States, among them the women these men left behind, among them Fanny Chamberlain (Mira Sorvino) and Anna Jackson (Kali Rocha). Based on a novel by Jeff Shaara, Gods and Generals also features a new song written and performed by Bob Dylan. ~ Mark Deming, Rovi

A freighter crew slowly succumbs to the pressure and the numbing boredom imprisoned at sea because they carry a deadly cargo in psychodrama. Because her holds contain toxic materials, the ship Pandora has been banned from all ports for 16 months. Captain Belger is beside himself with frustration for his crew is growing restless and he has received no word or instructions from his employers. Matters grow worse when eco-terrorists assault the ship. Only one female survives. Angrily, Belger imprisons her below. There one of the crazed officers abuses her and eventually she gets gang raped. Meanwhile, Belger begins plotting desperate measures to get rid of the troublesome cargo. He doesn't realize that the embarrassed shipping company has similar designs, only they want to get rid of more than the poison. ~ Sandra Brennan, Rovi

It is the 19th century in Italy, and Maria (Angela Bettis) has joined a convent in order to explore her strong feeling that she has a calling to become a nun. She has adapted to live at the convent quite nicely, and is relatively untroubled, but a cholera outbreak sends her back to be with her family for a while, near the steaming peak of Mount Etna. She enjoys her freedom to move around the countryside, and is wooed (unsuccessfully, it seems) by a charming young man named Nico, but returns to the convent when the danger is past. There, she is troubled by the thought that she truly loved Nico, and that her calling may not be as firm as she thought. When she learns that Nico has married her sister, she nearly goes mad with self-recrimination, but eventually weathers the storm. All the dialog in this Italian-made film by Franco Zeffirelli is in English. ~ Clarke Fountain, Rovi

Filmed in England, Crucifer of Blood is a made-for-cable movie based on the 1978 Sherlock Holmes play by Paul Giovanni. Charlton Heston portrays the Great Detective, aided by Richard Johnson as faithful Dr. Watson. The storyline, based on Conan Doyle's "Sign of Four", involves intrigues that set in motion in India during a native mutiny in the 1850s. A murder was committed over a valuable treasure, and the four British military officers responsible signed a pact of secrecy, with the additional proviso that they'd forever be "kind" to one another. Three decades later in 1887, the four men find their past catching up with them in a most fatal manner. Was the Indian treasure cursed? And will Holmes be able to stem the tide of blood and death? Crucifer of Blood is directed with verve and style by Frasier C. Heston, son of star Charlton. ~ Hal Erickson, Rovi

This seven-part British miniseries was based on J.B. Priestley's autobiographical novel, originally published in 1965. Colin Firth starred as Richard Herncastle, a young and impressionable Yorkshire lad who in 1913 signed on as assistant to his Uncle Nick (John Castle), a professional magician. During the next year or so, Richard toured with Nick throughout the provinces as part of an Empire Music Hall circuit performing troupe. His delightful and sometimes shocking experiences with his fellow vaudevillians (among them such long-forgotten acts as Dunffield's Dogs and the Musical Tiplows) came to an abrupt end when WWI was declared and Richard was called to the colors. Largely filmed at the old Burton Opera House, which actually did serve as a music hall in years gone by, Lost Empires was telecast by ITV in 1987. ~ Hal Erickson, Rovi

Director Bruce Beresford has safely stayed within the domain of the Bible and not strayed into patches of Hollywood fiction in this routine version of the story of David (Richard Gere). For that reason, anyone unfamiliar with Biblical history might be puzzled by the episodic presentation of David's life. In the opening scenes, Samuel condemns Saul and anoints the young David as his heir, and in fairly quick succession David slays Goliath, incurs Saul's jealous wrath, leaves, and, much later, comes back to rule after Saul has died. Once David is on the throne, Bathsheba and then Absalom enter into the picture. Interspersed are brutal scenes of fighting, but not much in the way of motivation for David's complex behavior. Gaps in the narration or unclear motivation may be the result of trying to cover too many events in a 114-minute running time. ~ Eleanor Mannikka, Rovi

Unlike the more succinct 1950 MGM version, the 1984 TV movie adaptation of Rudyard Kipling's Kim (filmed on location in India) takes its own sweet time establishing characters and exposition. You'll have to stay with the film for its first half hour to determine who is who and what is what, but the end result is worth the effort. Ravi Sheth stars as Kim, a street orphan in Lahore, India during the height of the British Raj. Kim's amazing adventures get under way the moment he learns that he's actually the son of a British soldier. One such exploit involves horse trader Bryan Brown (playing a character essayed by Errol Flynn in the 1950 film), who uses Kim as a spy for the British against Russian infiltrators in the Himalayas. The big-money act in Kim is Peter O'Toole as a wizened Buddhist monk. O'Toole's acting is impeccable, though his false beard and bald wig make him resemble the woebegone hermit who always shows up in the opening credits of Monty Python's Flying Circus. ~ Hal Erickson, Rovi

Francesca Annis, previously seen on the Masterpiece Theatre presentation of Madame Bovary, plays the title role in the 13-installment Masterpiece offering Lillie. This is the story of legendary British actress Lillie Langtry, who during the Victorian and Edwardian era was as celebrated for her romantic pursuits as her theatrical accomplishments. We first see Lillie Le Breton living with her family on the isle of Jersey, escaping the strictures of her environment by marrying wealthy Edward Langtry (Anton Rodgers). When this marriage proves as confining as her previous existence, Lillie kicks over the traces and becomes an actress. Before long, she is the toast of London, and the object of every man's desires. Her admirers range from Belgium's King Leopold (Derek Smith) to the Prince of Wales (Dennis Lili) to American "hangin' judge" Roy Bean (Tommy Duggan) Even homosexual playwright Oscar Wilde is so smitten by Lillie that he writes Lady Windemere's Fan specifically for her. The story ends with Lillie undergoing a domestic crisis with her grown daughter (Joanna David). Lillie was originally telecast on PBS from March 11 through June 3, 1979. ~ Hal Erickson, Rovi

The New Avengers investigate when a high-ranking military officer (Michael Barrington) disappears. Our heroes come across a band of mercenaries led by rogue colonel "Mad Jack" Miller (John Castle), who intends to launch an invasion of the Middle East and thus trigger World War 3. Ah, but Miller has reckoned without the resourceful Mike Gambit (Gareth Hunt), who when the need arises can become a "one-man army." ~ Hal Erickson, Rovi

Charleton Heston directed, wrote, and starred in this adaptation of Shakespeare's Antony and Cleopatra, a historical drama that attempts to bring an epic visual style to the Bard's original stage play. The story concerns Marc Antony's attempts to rule Rome while maintaining a relationship with the queen of Egypt (Hildegarde Neil), which began while Antony was still married. Now he is being forced to marry the sister of his Roman co-leader, and soon the conflict leads to war. ~ Perry Seibert, Rovi

Dale Wasserman's long-running Broadway smash comes to the screen in this musical based on Miguel de Cervantes' classic satire Don Quixote de la Mancha. Cervantes (Peter O'Toole) is arrested and put in prison by the soldiers of the Spanish Inquisition after staging a comic performance which mocked the Spanish government. Cervantes' fellow inmates are eager to divvy up his belongings, but the author is desperate to save a manuscript of his latest work; in order to win the prisoners over, he stages, with their assistance, his latest comedy about the delusional knight Don Quixote (O'Toole). Don Quixote, with the help of his loyal manservant Sancho Panza (James Coco), is determined to battle evil, though he most often finds himself combating windmills. Don Quixote encounters the beautiful virgin Dulcinea -- personified by a jailed prostitute, Aldonza (Sophia Loren) -- and is certain he has found the love of his life. However, tragedy befalls Don Quixote when a band of savages rape Dulcinea as he sleeps, and he must decide where his greatest loyalty lies when his niece Antonia (Julie Gregg) arrives, asking Quixote to please return home to his family. In a move which was widely criticized at the time of the film's release, Peter O'Toole's singing voice was dubbed for most of his musical numbers, while Sophia Loren did all of her own vocal tracks. ~ Mark Deming, Rovi