Don Castle Movies

Of the many filmed versions of the October 26, 1881, O.K. Corral shootout in Tombstone, Arizona, Gunfight at the O.K. Corral was one of the most elaborate and star-studded. Burt Lancaster plays Wyatt Earp, the renowned lawman, while Kirk Douglas is consumptive gambler (and gunfighter) Doc Holliday -- the two meet in difficult circumstances, as Earp discovers that Holiday, for whom he initially feels little but loathing, is being held on a trumped up murder charge and being set up for a lynching, and intercedes on his behalf. The action shifts to Dodge City, Kansas, where Earp is marshal and Holiday, hardly grateful for the good turn, shows up right in the middle of all kinds of trouble, this time mostly on Earp's side of the ledger. And, finally, the two turn up in Tombstone, Arizona, where Wyatt's brother Virgil is city marshal, and where Wyatt finally gets to confront the Clanton/McLowery outlaw gang (led by Lyle Bettger as Ike Clanton). Since the time-span of the actual gunfight was at most 90 seconds, the bulk of the film concerns the tensions across many months leading up to the famous battle. As scripted by Leon Uris (from a magazine story by George Scullin), the story involves two unrelated but parallel plot-lines -- a long-standing vendetta against Holliday and the efforts of Earp to bring the Clanton/McLowery gang to justice -- that are eventually drawn together on the streets of Tombstone. Woven into these proceedings are Earp's and Holliday's romantic dalliances with lady gambler Laura Denbow (Rhonda Fleming) and Kate Fisher (Jo Van Fleet), whose switch in affections from Holiday to outlaw fast-gun Johnny Ringo (John Ireland) only rachets up gambler's rage and the reasons behind the bloody climax. There are plenty of bribery attempts, terse dialogue exchanges and "Mexican standoffs" before the inevitable gunfight takes place. Director John Sturges takes some dramatic license with this confrontation, as well, stretching things out to nearly six minutes, but this is after all an "A" production, and a minute-and-a-half of gunfire just wouldn't cut it. The huge cast of western veterans includes Earl Holliman as Charles Bassett, Dennis Hopper as Billy Clanton, Kenneth Tobey as Bat Masterson, Lee Van Cleef as Ed Bailey, Jack Elam as Tom McLowery, and John Hudson, DeForest Kelley and Martin Milner as Virgil, Morgan, and James Earp, respectively. And there's that Dimitri Tiomkin score, pushing the movie's momentum as relentlessly as the two driven heroes, complete with a song (sung by Frankie Laine) underscoring the major transitions of scenes that's impossible to forget, once heard. Sturges himself would produce and direct a more fact-based and realistic version of the story -- focusing mostly on its aftermath -- a decade later, entitled Hour of the Gun, starring James Garner, Jason Robards, Jr., and Robert Ryan, which wasn't nearly as attractive or successful. But after Gunfight At The OK Corral, there would not be so impressive a lineup of talent at the OK Corral again until the twin Earp biopics of 1994, Wyatt Earp and Tombstone.
~ Hal Erickson, All Movie Guide

This soapy drama stars Hedy Lamarr as a would be model who meets a research doctor en route to the US from Europe. They meet when Dr. Spencer Tracy prevents her from taking a suicidal plunge from the upper decks of the ocean liner. It seems that Lamarr had been involved with married man Kent Taylor. When he reneged on his promise to divorce his wife Mona Barrie, she decided to end it all. Finding her extraordinarily beautiful, the doctor suggests she join him in his research. The two end up at a slum clinic and it doesn't take long for the doctor to fall completely in love with her. He convinces her to marry him and soon after the wedding, he exchanges life in the clinic for an upscale practice uptown. Servicing the rich is lucrative and soon he has provided his high maintenance wife with a luxurious life. Unfortunately for him, she appreciates his work and sacrifices not a whit, and as soon as she can attempts to respark a romance with Taylor whom she has never stopped loving. Fortunately for the doctor, Lamarr eventually comes to her senses and marital bliss ensues. This film had a troubled history with all of it due to Louis B. Mayer's obsession with making Lamarr the brightest star in the MGM galaxy. Originally the film was directed by Joseph von Sternberg, but he grew frustrated and tired by Mayer's constant interference and quit the film as did the next director, Frank Borzage. As a result an enormous amount of footage was discarded. Finally reliable W.S. Van Dyke was placed on the production and it was completed. Unfortunately, despite all that effort, the film bombed at the box office. ~ Sandra Brennan, All Movie Guide

A romantic triangle develops between 2 lighthouse keepers and their love interest. When the woman gets mad at one of the men she marries the other and trouble ensues until the rejected suitor leaves. ~ All Movie Guide

Its poetic title aside, Republic's Madonna of the Desert is a formula murder mystery with an occasional surprise or two. The titular madonna is a priceless statue owned by wealthy rancher Joe Salinas (Don Castle). Crooked Nick Julian (Sheldon Leonard) intends to steal the statue, enlisting the aid of the lovely Monica Dale (Lynne Roberts). Meanwhile, another team of crooks headed by Tony French (Don Barry) plans to beat Julian to the punch. Ah, but it said that the madonna has miraculous powers which will melt even the most larcenous of hearts. Under the influence of the "little lady," Monica and Tony mend their ways and fall in love. Unfortunately, Nick and the other crooks manage to resist the madonna's peculiar charms, leading to a typically violent Republic Pictures climax. ~ Hal Erickson, All Movie Guide

Pulp-novel detective Nick Carter was created in the 1880s, but most film versions of the character have been updated to modern times. Such was the case with MGM's three-episode "Nick Carter" series, which got off to a good start with Nick Carter, Master Detective. Walter Pidgeon plays the title character, who in this episode gets mixed up with industrial espionage. Posing as one "Robert Chalmers", Nick gets the goods on a gang of foreign spies (no country names, please!), bringing them to heel during a serial-like waterfront chase. Rita Johnson essays a rare sympathetic role as stewardess Lou Farnsby, while Donald Meek steals the show as Bartholomew the beekeeper (a character who would grow increasingly annoying as the series went on). Nick Carter, Master Detective was coscripted by Bertram Millhauser, who also penned several of the Rathbone-Bruce "Sherlock Holmes" films. ~ Hal Erickson, All Movie Guide

The title tells the story in this fourth of MGM's "Hardy Family" series. Judge Hardy (Lewis Stone) takes his family to the Wide Open Spaces when a friend has legal difficulties over water rights. Andy Hardy (Mickey Rooney) thinks he can pass as a westerner, which results in saddle sores for the bethumped young Hardy and (hopefully) laughs for the audience. Andy's sister Marian (Cecilia Parker, who before her MGM days had been a western movie ingenue) falls in love with a handsome cowboy hero (Gordon Jones) who turns out to be a jerk. And Virginia Weidler plays a girl named Jake: ha ha. Out West with the Hardys goes through the series' usual paces with the novelty of an outdoorsy backdrop. ~ Hal Erickson, All Movie Guide

Power Dive was the first release from Pine-Thomas Productions, marking the beginning of a long and fruitful association between Paramount Pictures and the "Two Dollar Bills," William Pine & William Thomas. The story concentrated on a group of test pilots, busily experimenting with a revolutionary all-plastic airplane. Ace flyboy Brad Farrell (Richard Arlen) is determined to prove the practicality of the new aircraft, designed by Professor Blake (Thomas Ross), father of Brad's sweetheart Carol (Jean Parker). Back on solid ground, Brad must vie for Carol's attentions with his own brother, engineer Doug Farrell (Don Castle). Comedy relief is offered by Cliff "Ukelele Ike" Edwards as Brad's chief mechanic. Though Richard Arlen and Jean Parker were hardly hot properties in 1941, Power Dive did excellent business, which critics attributed to the production knowhow of the "Two Dollar Bills". ~ Hal Erickson, All Movie Guide

Second-echelon leading man Don Castle (later a TV producer) stars in yet another Sol M. Wurtzel production, Roses Are Red. Kidnapped by political boss Locke (Edward Keane), honest district attorney Throne (Castle) is replaced by his less-than-honest look-alike. Even the DA's intimates are fooled by the substitution, which is only one of the many hard-to-believe contrivances of Irving Elman's screenplay. Before the film's 65 minutes have expended themselves, the real DA escapes -- then pretends to be his look-alike so that he can catch Locke at his own game. Incredibly, the film's two leading ladies -- Peggy Knudsen and Patricia Knight -- more closely resemble one another than the two Don Castles! ~ Hal Erickson, All Movie Guide

Stampede is a choice example of the Lesley Selander B-plus westerns of the late 1940s/early 1950s. Rod Cameron and Don Castle star as feuding brothers who own separate cattle ranches. The siblings find themselves on opposite sides of a water-rights battle, in which settlers are being deprived water by a gang of clever criminals. The war turns ugly before the film is over, resulting in the destructive stampede promised by the title. Despite poor reviews from big-city critics, this stacks up favorably against the more costly big-studio westerns of the era. ~ Hal Erickson, All Movie Guide

Hey, gang! Let's put on a swell show and call it Strike Up the Band! Yes, it's the irrepressible Mickey Rooney, teamed up again with Judy Garland to show the grownups how to do things right. This time, Rooney wants to organize a high-school band. He hopes to enter a competition being held in Chicago by the great orchestra leader Paul Whiteman; all he needs is two hundred dollars for train fare. To raise the money, Rooney, Garland and company stage a student "mellerdrammer" that in real life would have cost the equivalent of a third-world-nation annual budget. They get the dough, but soft-hearted Rooney turns over the money to the mother of student musician Larry Nunn, who is in desperate need of emergency surgery. It looks hopeless until, luck of luck, Paul Whiteman arrives in Rooney's town. The original George and Ira Gershwin Broadway musical Strike Up the Band was a satire of warfare, with America declaring war on Switzerland in order to corner the chocolate industry. You'll see none of that subversive stuff in this MGM musical; instead, we are treated to such highlights as a George Pal animated sequence involving dancing fruit. It ain't profound, but Strike Up the Band is sure entertaining. ~ Hal Erickson, All Movie Guide

Nineteen-year-old British actress Nora Swinburne was already a stage star of seven years' standing when she appeared in the 1921 silent film Autumn of Pride. Swinburne plays a young farm girl who is in danger of losing her house in a foreclosure case. The man holding the mortgage is taciturn country squire Cecil Morton York. To save her from eviction, York's son David Hawthorne buys the farm from his father-but doesn't tell him why until the wedding bells peal. Autumn of Pride was adapted from a novel by E. Newton Bungey. ~ Hal Erickson, All Movie Guide

Frank Morgan and Billie Burke, who'd previously costarred in MGM's Wizard of Oz, head the cast of the minor but entertaining The Ghost Comes Home. Based on a play by George Kaiser, the story revolves around one Vern Adams (Morgan), who through a series of bizarre circumstances is declared legally dead. Returning home after a two-month absence, Vern discovers that his family has already collected on his life insurance, and are far better off than they were when he was "alive". As a result, Vern hides out in his own attic, awaiting an opportunity to declare his presence without ruining his family's windfall. Billie Burke plays Mrs. Adams, while Ann Rutherford portrays their daughter Billie, whose romance with local boy Lenny Shea (John Shelton) provides an antiseptic subplot to the proceedings. ~ Hal Erickson, All Movie Guide