Lauren Zalaznick Movies

In 1979, Michael Cimino went from being a director with one obscure Clint Eastwood action film and a handful of television commercials to his credit to one of the hottest talents in Hollywood, all on the strength of one film, The Deer Hunter. A multiple Oscar winner, a box-office success, and a controversial critical favorite, The Deer Hunter made Cimino a director to watch, and United Artists, a studio in need of both critical prestige and a box-office blockbuster following the departure of their longtime management team, signed up Cimino for his next project, a historical Western drama called The Johnson County War. However, by the time the film reached theaters in 1981, Cimino had exceeded his shooting schedule by nearly a year, the budget had swelled to a then-scandalous 40 million dollars, and the movie had a new title, Heaven's Gate. Originally premiered in a version running nearly four hours, Heaven's Gate was savaged by American critics, and had developed a reputation as a nearly total disaster before it went into wide release in a 160-minute edit. As one might expect, the film was a box-office flop, and the bad publicity and financial debacle led Transamerica, United Artists' parent company, to sell the studio later that year, essentially putting them out of business. Steven Bach, one of the United Artists executives who oversaw the project, wrote a book about the making of the movie, and Final Cut: The Making and Unmaking of Heaven's Gate is a documentary adaptation that looks at where Cimino's ambitions and United Artists' management style went wrong, as well as asking if the meticulously crafted film is the unmitigated disaster it's chalked up to be. Final Cut: The Making and Unmaking of Heaven's Gate was screened at the 2004 Toronto Film Festival, where it was shown in tandem with a restored print of the 220-minute cut of Heaven's Gate. ~ Mark Deming, All Movie Guide

When one of their friends commits suicide, three young women learn to stand up for themselves and strike back against male-dominated society in this drama. Patti (Lili Taylor), Emma (Anna Grace), Angela (Bruklin Harris), and Nikki (Aunjanue Ellis) are four teenage girls who attend the same high school in inner-city New York. Patti is an unwed mother struggling to complete her education as she deals with her irresponsible boyfriend, while the other three are good students going on to college after completing their final year of high school. One day, seemingly without warning, Nikki kills herself. Struggling for clues to explain the tragedy, the other three girls discover her diary and learn that she had been raped while serving an internship at a magazine. As the girls compare notes, they realize that they've all been treated badly by men; Emma was also raped, and Patti sardonically says that if rape is having sex when you don't really want to, then she's been raped by practically every guy she's ever gone out with. Eventually, the three decide that it's time to stand up for themselves and retaliate against the men who have wronged them; they begin by vandalizing the car of Emma's attacker and then formulate a plan to punish the man who raped Nikki. Screenwriter Denise Casano and writer/director Jim McKay developed much of their screenplay through improvisations with the four leading actresses, giving the film's dialogue a natural rhythm and feel. ~ Mark Deming, All Movie Guide

Kids offers a bleak, unblinking view of a group of vacuous, thoughtless New York City teens in their ceaseless quest for sex, drugs, and trouble. The film primarily follows Telly (Leo Fitzpatrick), who, having just realized the conquest of his latest virgin, brags that by day's end he will claim one more. While he and his friends brag to each other about their sexual exploits, Jenny (Chloë Sevigny) describes her own less-than-romantic encounter with Telly. Soon after the conversation, she learns that Telly, the only boy with whom she has slept, has infected her with the AIDS virus. Devastated, she sets out to find him and share the news. Meanwhile, Telly has set his sights on Darcy (Yakira Peguero), a lovely young girl whom he invites for a skinny dip at the local pool. Together with his friends, Telly drags Darcy along, and the entire crew jump the fence after hours. There he presents his now-familiar spiel which Darcy naïvely accepts, and the scene is set for disaster as the group heads back to a vacant apartment for an evening of sex, booze, drugs, and debauchery. Jenny finally locates Telly at the impromptu party and rushes to confront him, although she may be too late to save the next virgin in line from sharing her fate. ~ Jeremy Beday, All Movie Guide

Tom Kalin directed this cool and aloof black-and-white study of the infamous Leopold and Loeb case, a case told before in two previous films -- Rope and Compulsion. In 1924, in Chicago, Nathan Leopold Jr. and Richard Loeb, two 18-year-olds, kidnapped and murdered the 13-year-old Bobby Franks, immediately killing him and then stuffing his naked body up a culvert. The motive for the crime was simply that they wanted to prove to themselves that they were smart enough to get away with it. The previous film versions downplayed Leopold and Loeb's homosexuality, but Kalin's version plays it up into a psychosexual motif. Loeb (Daniel Schlachet) is the calculating intellectual, while Leopold (Craig Chester), the amateur ornithologist, is the emotional and weak one. In love with Loeb, Leopold is willing to do anything for him, and when Leob uses the withholding of sex as a prompt, Leopold is even willing to commit murder to have his sexual desires satisfied by Loeb. ~ Paul Brenner, All Movie Guide