Terence Young Movies

This spy film purports to be inspired by the true story of Kim Philby (1912-1988), a British intelligence officer and Soviet spy during the 1940s and '50s who gained international notoriety when he blew his cover and defected to the USSR in 1963. But this fictional, unsophisticated, if not naive docudrama portrays a world of espionage in a cross between Nancy Drew and Sam Spade, and Philby's real story is buried in the process. The film opens with British double agent Philip Kimberly (Michael Caine) undergoing complete plastic surgery by order of his Soviet bosses, while his death is announced in the world press. With a different name and face, Kimberly -- now Kuzminsky -- is sent back to England in the guise of a Soviet citizen to retrieve a secret list of names he supposedly hid several years ago. Kusminsky/Kimberly defects at the British passport control, and later escapes his British guards -- leading to a manhunt by both British and Soviet agents. His chief nemesis is Admiral Scaith (Laurence Olivier) and the man he assigns to the case, Jaime Fraser (Robert Powell) -- who just happens to be living with Kimberly's daughter. ~ Eleanor Mannikka, Rovi

This infamous Korean War drama is best known as the movie produced by Rev. Sung Myung Moon's Unification Church, though more people seem to have read stories about its troubled production or disastrous reception at the box office than to have actually seen it: on its initial release, it grossed less than $2 million on a budget of $50 million. Starring Laurence Olivier as Gen. Douglas MacArthur (psychics reportedly told producers that the late General was happy with the casting choice), Inchon also features Ben Gazzara and Jacqueline Bisset as a married couple whose relationship is tested by the trials of war, and boasts as impressive as supporting cast as money can buy, including David Janssen, Richard Roundtree, Omar Sharif, Toshiro Mifune, and Rex Reed (who was perhaps hoping for a role that could stand beside his work in Myra Breckenridge).The lavish battle scenes are staged by director Terence Young (best known for his work on several early James Bond films), and the film presents one of your only opportunities to see Olivier, the greatest actor of his generation, talk like W.C. Fields while smoking a corn-cob pipe. ~ Mark Deming, Rovi

The setting is Atoka County, Alabama -- the time is somewhere after the peak of the civil rights movement, after cities such as Birmingham, Alabama were out of the headlines. The movement is coming to the sticks, including Atoka County, and a lot of the white residents don't like it and are prepared to commit felonious assault, rape, or murder to get their point across. In the middle of this powder keg are two men on either side of a very dangerous line -- County Sheriff "Big Track" Bascomb (Lee Marvin) and Mayor Hardy (David Huddleston). Each man is playing both ends against the middle in the impending race war -- Bascomb wants to keep the peace as best he can, blocking the local klavern of the Ku Klux Klan from their worst excesses and making sure that the Klan's business and the county's business remain separate; Hardy, who also owns the lumber company that employs most of the county and the bank on which most of the residents depend, wants a good environment for business, which includes keeping enough poor blacks around to do the most menial work for the miserable pay he's willing to fork over; this, in turn, requires that they be too scared to ask for too much, including better treatment, but not so scared that they leave the county altogether, which would wipe out his business. Between them is Breck Stancill (Richard Burton), an eighth-generation resident with lots of land but little money and even fewer friends; a wounded war veteran and loner, he still resents the lynching of his grandfather and no longer respects what the white south purports to stand for -- he's even allowed dispossessed blacks to live for free on his property, angering the poor whites around him even more. Bascomb would like Stancill to be a little less high profile, while Hardy would like him to sell out and disappear, and wouldn't mind it if the local Klan helped that process along by trying to kill him. Bascomb's balancing act fails because of two events -- Nancy Poteet (Linda Evans) is raped one night, apparently by a black man, which precipitates the murder of a black teenager and her being violently ostracized by the white community; and a civil rights rally is planned for the town, bringing in lots of "outside agitators" and getting the local klavern eager to act against them. The prime mover in all of this is Big Track's deputy, Butt Cut Bates (Cameron Mitchell), a hardcore klansman who won't be reined in by Hardy and who is not above raping a black woman prisoner (Lola Falana) that he's arrested illegally, or trying to kill Stancill; directly opposed to him is Garth (O.J. Simpson), a young black man who witnessed a Klan murder and, in response, gets a rifle and starts meting out justice on his own. Before it's over, a major part of the county is at war and the bodies are falling everywhere. ~ Bruce Eder, Rovi

This crime action movie is based on Peter Maas' best-selling book The Valachi Papers. That book, in turn, is based on prison conversations and the actual U.S. Senate testimony of Joseph Valachi, a high-ranking figure in the Mafia. The book, which tells precisely who did what to whom, when and why, electrified the nation. This film had to be made in Italy, because attempts to shoot in the U.S. were stymied by mob-arranged "accidents" and protests. The story is told in flashback as Valachi (Charles Bronson) tells a Federal agent about his activities from 1929 to 1961, when he worked for the Capo of Capos, Vito Genovese (Lino Ventura). Though his tale necessarily takes place in a number of episodes, it never fails to have lots of drama and action. ~ Clarke Fountain, Rovi

From Dr. No director Terence Young comes this action thriller starring Charles Bronson as Joe Moran, an ex-con whose old gang of drug dealers has just been released from prison. When it turns out the thugs have been holding a grudge against him, they kidnap Moran's wife, played by Liv Ullmann. In order to get her back and get his revenge, Moran is forced to take on the whole crew by himself. Written by Albert Simonin and Shimon Wincelberg, Cold Sweat was based on the novel Ride the Nightmare by Twilight Zone scribe Richard Matheson. ~ Matthew Tobey, Rovi

This romantic tragedy concerns the Archduke Rudolf (Omar Sharif) and his mistress, the Baroness Maria Vetsera (Catherine Deneuve), and their untimely demise at Mayerling, the sight of the Austrian royal family's hunting lodge. Rudolf verbally spars with his father Emperor Franz-Josef (James Mason) about wanting to implement progressive policies for his country. Ava Gardner plays his mother Empress Elizabeth. Rudolf also contends with the fallout from a loveless marriage with Princess Stephanie (Andrea Parisy). Respectful of the centuries-old Hapsburg family rule over Austria, Rudolf soon feels he is a man born at the wrong time in a country that will not realize the need for social reform. The Prince of Wales (James Robertson-Justice), later to become Britain's King Edward VII, provides the only comic relief with his dialogue. The deaths remain a mystery, but director Terence Young suggests the two lovers made a suicide pact when they decided they could not live in a world without love where the prospects for peace were dubious at best. ~ Dan Pavlides, Rovi

Wait Until Dark is an innovative, highly entertaining and suspenseful thriller about a blind housewife, Susy Hendrix (Audrey Hepburn). Independent and resourceful, Susy is learning to cope with her blindness, which resulted from a recent accident. She is aided by her difficult, slightly unreliable young neighbor Gloria (Julie Herrod) with whom she has an exasperated but lovingly maternal relationship. Susy's life is changed as she is terrorized by a group of criminals who believe she has hidden a baby doll used by them to smuggle heroin into the country. Unknown to Susy, her photographer husband Sam (Efrem Zimbalist Jr.) took the doll as a favor for a woman he met on an international plane flight and unwittingly brought the doll to the couple's New York apartment when the woman became afraid of the customs officials. Alone in her apartment and cut-off from the outside world, Susy must fight for her life against a gang of ruthless criminals, led by the violent, psychotic Roat (Alan Arkin). The tension builds as Roat, aided by his gang, impersonates police officers and friends of her husband in order to win Susy's confidence, gaining access to her apartment to look for the doll. The climax of the film, a violent physical confrontation between Susie and Roat in her dark kitchen, is one of the most memorable and frightening scenes in screen history. All performances are outstanding, particularly those of Audrey Hepburn who plays a vulnerable, but self-reliant woman, and Alan Arkin, in perhaps his best role, as the ruthless, manipulative Roat. ~ Linda Rasmussen, Rovi

This exciting adventure provides an interesting look into the manufacture and trafficking of opium and heroin. The original story was written by Ian Fleming who died shortly before he was to pen the screenplay. The story is set in Iran and opens as an American undercover agent is murdered in the desert while attempting to buy opium. Two more agents are sent to Teheran to investigate the death and stop the powerful drug ring behind the smuggling. Once there, they run into the dead agent's girlfriend, who soon after suddenly disappears. Unfortunately, they cannot find her and so focus on their other job. To figure out where the drugs are going (and hopefully get a lead on the missing girl) they steal a bunch of opium and lace it with radioactive tracers so they can track it with Geiger counters. They then follow the drugs as they are slowly dispersed throughout Europe. After many twists, turns and blind alleys, the agents eventually succeed. This film was originally made for TV and contains cameos from many stars who worked for little pay because they strongly supported its anti-drug message. Those stars include Grace Kelly (who introduces the film) Omar Sharif, E.G. Marshall, Eli Wallach, Marcello Mastrioanni, and many more. ~ Sandra Brennan, Rovi

Thunderball finds James Bond matching wits with the sinister espionage organization S.P.E.C.T.R.E, (which stands for Special Executive for Counterintelligence, Terrorism, Revenge and Extortion). This time, S.P.E.C.T.R.E. hijacks a NATO nuclear bomber, hiding the bombs under the ocean depths and threatening to detonate the weapons unless a ransom of 100,000,000 pounds is paid. The mastermind behind this scheme is international business executive Emilio Largo (Adolfo Celi), who maintains a pool full of sharks for the purpose of eliminating enemies and those henchmen who fail to come up to standard. Dispatched to the Bahamas, lucky Mr. Bond enjoys the attentions of three nubile ladies: Largo's mistress Domino Derval (Claudine Auger), British spy Paula Caplan (Martine Beswick, previously seen as a gypsy girl in the 1962 Bond epic From Russia With Love) and enemy agent Fiona Volpe (Luciana Paluzzi). ~ Hal Erickson, Rovi

From Russia With Love, the second in the series of James Bond films, is the film that solidifies all the Bond film elements into a formula -- the action sequences are intensified and lend greater tension to the proceedings; John Barry's inimitable score makes its first appearance; and Sean Connery as Bond has nailed down his role as 007 -- accentuating Bond's stylishness and sophistication, while toning down his cold-bloodedness. In From Russia With Love, the bad guys don't want to take over the world. They want something more mundane -- a Russian decoding device. Assigned to the mission of stealing the decoding device are No. 3, former KGB agent Rosa Klebb (Lotte Lenya), and No. 5, Kronsteen (Vladek Sheybal), an expert chess player who has plotted every move of the mission. Kronsteen's plan requires using Bond's weakness for women as an element in acquiring the decoding device. Once Bond obtains the decoding device from Russian cipher clerk Tatiana Romanova (Daniela Bianchi), SPECTRE muscleman Red Grant (Robert Shaw) is to forcibly take it from Bond and kill him. But Bond suspects a trap. Being Bond, however, he can't resist the lure of a beautiful woman. So, flaunting danger, Bond travels to Istanbul to meet Tatiana. The centerpiece of this 007 feature is the thrilling fight to the death between Bond and enemy agent Red Grant aboard the Orient Express. ~ Paul Brenner, Rovi

Set in ancient Rome, this film follows the struggle of Roman triplets as they battle their Alban arch-enemies to prevent Rome from being annexed to Alba. ~ Iotis Erlewine, Rovi

With dialogue ranging from flat to offensive and acting in the same range, this low-brow erotic crime drama by director Terence Young stars Jayne Mansfield as Midnight Franklin, a star stripper in a Soho club that is in serious rivalry with another strip joint. A reporter gets involved in the strip scene while writing a story on the clubs, and in the end he has quite a lot to write about. The competition between the two clubs heats up, and after one of the owners is the unknowing instrument in the death of a young (illegally young) stripper, both rival clubs head for a crash. ~ Eleanor Mannikka, Rovi

In this WW II adventure, five brave Allies endeavor to escape from an Italian POW camp in North Africa. They succeed, but their trials are not over as they must still cross the burning Libyan desert to get safely behind Allied lines. En route they are captured by a Nazi-loving sheik. The sheik takes considerable time to decide the fate of the escapees; in that time, the five manage to escape again. This time they kill their captors. The film is also titled No Time to Die. ~ Sandra Brennan, Rovi