Robert M. Young Movies

Made for cable, Walkout is the true story of a little-known but profoundly significant moment in the history of the Latino community in East Los Angeles. In 1968, Lincoln High School honor student Paula Crisostomo (Alexa Vega), outraged at the shabby treatment afforded Chicano students in the L.A. school system -- including habitually lowered expectations, poor facilities, a total absence of bilingual courses or textbooks, unfairly administered penalties for slight infractions, demeaning corporal punishment, and out-of-hand refusal to write letters of recommendation to choice colleges -- challenges the authority of her elders for the first time in her life by organizing a mass student walkout at five barrio high schools. Mentored by dedicated young teacher Sal Castro (Michael Pena), Paula and her fellow student activists intend to make their protest a peaceful one, but the L.A. cops typically use brute force to quell the "radicals." Even when it seems that the school board will capitulate to the Chicano students' demands, the kids are betrayed (there's an undercover police officer in their midst) and the leaders of the walkout are threatened with lengthy prison sentences on trumped-up "conspiracy" charges. It will not spoil the ending of the film to reveal that the students are ultimately successful; as directed by actor Edward James Olmos (who also plays one of the school board members), the dramatic thrust of the story is the lasting effect that the protest has on its participants -- especially the idealistic Paula Crisostomo. Executive producer Moctesuma Esparza, who'd been one of the original walkout organizers back in 1968, spent a full two decades getting this story on film; Esparza is played by Bodie Olmos, son of the director, while Esparza's daughter Tonantzin Esparza is seen as Vickie Castro. Also, Paula Crisostomo's daughter Marisol Crisostomo-Romo is seen as Mita -- and in addition, several of the former student activists are interviewed during the closing credits, or appear as extras in the crowd scenes. Produced for HBO, Walkout originally aired on March 18, 2006. ~ Hal Erickson, Rovi

In this visually striking tale of adventure, Ruth (Maria Bello) is an American widow who during the 1930s travels to China in hopes of making her late husband's dream a reality by bringing Chinese pandas to the United States. Ruth is awed by the striking beauty of China and discovers several of the rare pandas as well as a number of other unusual animals; however, Ruth learns that the Chinese government is lax in their protection of wildlife, and that hunters are making short work of the pandas. China: The Panda Adventure was shot and originally released in the high-definition IMAX film process. ~ Mark Deming, Rovi

Milcha Sanchez-Scott adapted her own play for this moving and poetic tale of family obsessions directed by Robert M. Young. Edward James Olmos stars as Gallo, the macho head of the Morales family. He has been in prison for the last seven years for murdering a man over a cockfight, but now he is returning home to his family -- his wife Juana (Sonia Braga) and his sister-in-law Chata (Maria Conchita Alonso). Also awaiting his homecoming are his two children -- Hector (Danny Nucci), who is embittered by his father's imprisonment, and Angela (Sarah Lassez), who eagerly looks forward to his return. Gallo, however, has his own agenda upon returning home. Consumed by his passion for cockfighting all his years in prison, he wants to begin to raise a new prize flock of roosters -- and he won't let anyone or anything stand in his way. ~ Paul Brenner, Rovi

This film documents the 30-year struggle of a Sicilian woman named Angela as she struggles to raise her children amongst violence and poverty. This film is the continuation of an earlier project featuring the same woman. It picks up where the former left off, showing the consequences of poverty and years of neglect on a single family. Throughout it all however, Angela's indomitable spirit offers a ray of hope. ~ Rob Ferrier, Rovi

Sammy Bodean is the newest, most promising recruit according to the advertisement of the California Angels--and has to prove it come game time. Following the team's sale to young business whiz Gil Lawrence (Terry Kinney), ex-player Virgil Sweet (Edward James Olmos) has to prove himself as the team's talent scout to keep his job. Via a car break-down near a small farm-town in Idaho, Virgil stumbles across young Sammy Bodean (Jeff Corbett) who performs mean pitching skills in a rural sandlot. After bringing Sammy to LA where he pitches out the team's best, owner Gil begins a massive media campaign in which he appears in a press conference and not only brags of the boy's talent but of his intention to feature him--without warm-up or orientation--in the big game the following week. Virgil, though promoted to assistant manager, is upset at Gil's exploitative measures to save the slagging Angels at the expense of Sammy. Game day arrives and the pressure is on to keep the other team swinging, which causes young Sammy to choke. Or not. ~ Kristie Hassen, Rovi

Triumph of the Spirit is the true story of Salamo Arouch, a Greek-Jewish boxer imprisoned in Auschwitz during World War II. Arrested while attempting to help his family and friends escape the Nazi juggernaut, Arouch (Dafoe) is slated for extermination. He manages to survive--and to serve as an inspiration for his fellow inmates--by literally boxing for his life. He does this at the orders of his SS captors, who gamble on the outcome of Arouch's bouts. With each victory, Arouch is rewarded with extra bread rations, which he passes on to his family. Counterpointing the main story is the seemingly foredoomed romantic relationship between Arouch and female inmate Allegra (Wendy Gazelle). An uplifting coda rounds out this grim factual account. Triumph of the Spirit was filmed on location at Auschwitz--the first film of its kind to be lensed in that infamous locale. ~ Hal Erickson, Rovi

The made-for-TV We are the Children stars Ally Sheedy as an idealistic doctor, working in Ethiopia. When famine hits the land, Sheedy struggles valiantly to protect the hundreds of men, women and children in the village where she works. While so doing, she falls in love with adventurous photojournalist Ted Danson. This story element smacks of contrivance and exploitation when compared to the rest of the film, which features terrific performances by Judith Ivey as a nun and Khadija Ali Ahmed as an anguished Ethiopian mother. Filmed on location in Northern Kenya, We are the Children was first telecast March 16, 1987. ~ Hal Erickson, Rovi

This is an Italian comedy about a runaway, incognito Pope who makes his way to a village for a temporary stay and tries to bring a few good works to fruition while there. After Pope Leo XIV gets locked out of the Vatican garden one day, he opts for taking off on a small escape from official and bureaucratic burdens. Since he is not in his robes, who's to know? He heads for a remote village in the south of Italy that has no priest. He finds shelter with a former hooker and her mute daughter and then sets to work overcoming the local thugs and repairing a broken aqueduct. Meanwhile, back at the Vatican, the Cardinals are wringing their hands, trying to hide the fact that His Holiness has taken a powder. ~ Eleanor Mannikka, Rovi

Jill Murphy's children's story The Worst Witch is given satisfactory treatment in this amiable film fantasy. The scene is a school for witches, where the head sorceresses offer a liberal black-arts curriculum. Problems occur when one of the students turns out to be too good for her own good. And, as everybody knows, the best people make the worst witches. Veterans Diana Rigg and Charlotte Rae generously share screen time with such engaging comparative newcomers as Fairuza Balk. The 70-minute Worst Witch is ideal TV fare for the Halloween season. ~ Hal Erickson, Rovi

In this taut, futuristic drama, the maiden voyage of a hypersonic passenger jet becomes a disaster when something goes terribly wrong and it gets stuck in orbit. The film is also known as Starflight: The Plane That Couldn't Land. ~ Sandra Brennan, Rovi

Another episode of the short-lived but wonderfully creepy "Hammer House of Horror" TV series, this supernatural thriller is spiced with some darkly comic touches. The title refers to a nickname given to a weird-looking little African fetish doll, from which emanates a curse that claims the lives of a small circle of friends -- specifically, all of those pictured in a single group photograph -- who took part in its theft under the misguided belief that it would bring them luck. The deaths are cleverly staged, and mostly involve some particularly nasty stab wounds (though Charlie doesn't actually spring to hideous life like his fetish compatriot in Trilogy of Terror). This and other installments of Hammer's well-made BBC series were introduced to the U.S. through pay-TV, then appeared on the now-defunct Thrillervideo label, hosted (and endlessly heckled) by slinky horror-hostess Elvira. ~ Cavett Binion, Rovi

The struggle of a has-been singer to work his way back up the charts is the focus of this drama by Robert M. Young with screenplay and music by Paul Simon. Simon plays Jonah, a once-popular singer who now opens for punk rock bands. In the ten years since he had a hit song, Jonah's wife has divorced him, but he still sees his young son as often as he can. With his record company on his back to come up with something that sells, Jonah begins to compromise his own talent when he listens to the advice of a trendy producer. Whether or not he can straighten out his personal life and steer his own ship may depend on his ability to trust his own judgment and adjust to the changing times. ~ Eleanor Mannikka, Rovi