June Allyson Movies

Though she despised the appellation "the girl next door," this was how June Allyson was promoted throughout most of her MGM career. The blonde, raspy-voiced actress was born in a tenement section of the Bronx. Her career nearly ended before it began when 8-year-old June seriously injured her back in a fall. For four years she wore a steel brace, then spent several more months in physical therapy. Thanks to the financial support of her grown half-brother, June was able to take dancing lessons. At 19, she made her film debut in the Vitaphone short Swing for Sale (1937). In her earliest movie appearances (notably the 1937 Educational Studios 2-reeler Dime a Dance) June projected a far more worldly, all-knowing image than she would convey in her later feature films. After co-starring in such Broadway productions as Sing Out the News, Very Warm for May and Panama Hattie and Best Foot Forward, June was signed to an MGM contract in 1942. The studio quickly began molding June's screen image of a freckled-faced, peaches-and-cream "best girl" and perfect wife. She was permitted to display some grit in The Girl in White (1952), playing New York City's first woman doctor, but most of her screen characters were quietly subordinate to the male leads. One of her favorite co-stars was James Stewart, with whom she appeared in The Stratton Story (1949) and The Glenn Miller Story (1954). In 1955, she completely broke away from her on-camera persona as the spiteful wife of Jose Ferrer in The Shrike (1955), a role for which she was personally selected by the demanding Ferrer. June was the wife of actor/ producer/ director Dick Powell, a union that lasted from 1945 until Powell's death in 1963, despite several well-publicized breakups. She starred in and hosted the 1960 TV anthology series The June Allyson Show, produced by Powell's Four Star Productions. After her film career ended, June made a handful of nightclub singing appearances; in 1972, she made a brief screen comeback in They Only Kill Their Masters, astonishing her fans by playing a murderess. In recent years, June Allyson has appeared in several TV commercials. ~ Hal Erickson, All Movie Guide
1959  
 
Though billed fifth, Mary Astor is the one to watch in the Ross Hunter-produced soapera Stranger in My Arms. Astor portrays a neurotically possessive mother who'll stop at nothing to win a posthumous medal of honor for her son. But air force major Jeff Chandler knows that the dead boy was a coward who actually despised his mother. June Allyson, the boy's widow, suspects the truth, but would rather not hear it. Called to testify on behalf of the boy, Chandler is bribed by Ms. Astor to lie on the stand. The painful truth is eventually revealed, but there's some compensation for Ms. Allyson, who falls in love with Chandler. Stranger in My Arms was adapted from Robert Wilder's novel And Ride a Tiger. ~ Hal Erickson, All Movie Guide

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Starring:
June AllysonJeff Chandler, (more)
1954  
 
In this subtle 1954 comedy with feminist overtones, Clifton Webb plays Gifford, an executive with a large automobile manufacturer who is having trouble deciding who to hire as his chief sales manager. His three candidates are equally competent, so he brings their wives with them to New York headquarters, planning to hire the one whose wife is most suited to be an executive's wife. Elizabeth (Lauren Bacall) is the wife of Sid (Fred MacMurray), a company man. Elizabeth knows that Sid is such a workaholic that she will never see him if he gets the new job, but she is loyal to her husband and impresses the hiring team with her competency. Bill Baxter (Cornel Wilde) is handicapped in the competition by his wife Katie (June Allyson), a clumsy but sweet small-town girl from the Midwest. Katie dutifully tries to impress the big boss but proves inept at handling the social responsibilities. She would prefer to stay in Kansas City anyway. Jerry (Van Heflin) is married to Carol (Arlene Dahl), a seductive gold-digger who sexually teases various executives in the hopes that her assets can help land Jerry the job. Instead, her out-of-bounds behavior gets Jerry eliminated from the list, at least until Jerry tells Gifford that he doesn't sanction his wife's behavior. ~ Michael Betzold, All Movie Guide

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Starring:
Clifton WebbJune Allyson, (more)
1953  
NR  
In his only MGM film, Humphrey Bogart plays the commanding officer of a M*A*S*H unit during the Korean War. Bogart runs his operation by the book, though he can take time out now and again for compassion. When nurse June Allyson shows up, Bogie is irritated by her foolhardiness and misplaced idealism. Need we tell you that the two "opposites" eventually fall in love? Keenan Wynn steals the show as the camp's wheeler-dealer, a sort of ancestor for such future insouciant M*A*S*H characters as Hawkeye, Trapper John and B.J. Hunnicutt. According to Hollywood scuttlebutt, Humphrey Bogart liked writer/director Richard Brooks because he could walk all over him. Brooks doesn't appear too servile in his disciplined handling of the film, though one can detect a slight lack of enthusiasm on his part. ~ Hal Erickson, All Movie Guide

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Starring:
Humphrey BogartJune Allyson, (more)
1943  
 
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Five original cast members of the hit Broadway musical Best Foot Forward appear in this Technicolor MGM screen adaptation. Set at a small town military prep school, the story gets under way when movie star Lucille Ball (played by movie star Lucille Ball) pays a visit to the campus for publicity purposes. Several of the students, led by Bud (Tommy Dix), offer to make Lucille the queen of the upcoming prom. But the plot dictates that Bud and his pals are forced to back off from their offer, and to hide Lucille's presence from the faculty. Cast as a hoydenish blind date, Nancy Walker steals the show with her spirited rendition of "Buckle Down, Winsocki"; but of the five carryovers from the original Broadway production, only June Allyson went on to lasting film stardom. Enhancing the film's box-office appeal was MGM's decision to add Harry James and His Music Makers to the cast: James' performance of "The Two O'Clock Jump" is worth the admission price in itself. ~ Hal Erickson, All Movie Guide

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Starring:
Lucille BallWilliam Gaxton, (more)
1978  
 
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In this above-average, exciting Canadian-made action thriller, four psychopaths, led by Christie (Robert Carradine) take over and vandalize a ritzy Manhattan apartment building during the New York power blackout. They move from apartment to apartment, victimizing the occupants until stopped by the police. This low-budget thriller has an exciting, well-written script by John C. Saxton, excellent photography by Jean-Jacques Tarbes and well-acted cameo performances by several well-known actors, including Jean-Pierre Aumont, Ray Milland and June Allyson. While highly derivative and predictable, this film is well worth watching if only to see James Mitchum give an unusually strong performance. ~ Linda Rasmussen, All Movie Guide

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Starring:
James MitchumRobert Carradine, (more)
1977  
 
This wonderfully cheesy TV movie-of-the-week stars Tony Franciosa as a detective hot on the trail of a murderer whose mutilated and predominantly male victims are found encased in silken cocoons. He eventually tracks the killer's path to Los Angeles, where he discovers her true identity -- a woman who was bitten by black widow spiders as a child, who has developed the ability to transform herself into a gigantic spider-monster (as portrayed by a not-too-convincing rubber puppet). An odd diversion for director Dan Curtis, with a 1950's monster-movie mentality incongruous with his earlier TV features. The cast -- comprised of many familiar TV faces -- try to play their roles straight, despite the overall impression that the whole thing is a silly put-on. ~ Cavett Binion, All Movie Guide

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Starring:
Donna MillsAnthony Franciosa, (more)
1954  
 
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Cameron Hawley's novel Executive Suite appeared around the same time as two other tales of big-business intrigue, the 1954 film A Woman's World and the 1955 Rod Serling teleplay Patterns. Elements of all three properties inevitably overlap. In Executive Suite, a furniture-store executive dies suddenly, resulting in a power play between five of his vice presidents. Julia O. Tredway (Barbara Stanwyck), daughter of the company founder and mistress of the president, must choose between solid family man McDonald Walling (William Holden), blackmail-prone Josiah Walter Dudley (Paul Douglas), ruthless Loren Phineas Shaw (Fredric March), duplicitous George Nyle Caswell (Louis Calhern), and eternal corporate bridesmaid Frederick Y. Alderson (Walter Pidgeon). Only Walling, the most honest of the bunch, refuses to campaign for the presidential chair. Despite the presence of the A-list leads and of supporting actors Shelley Winters, Dean Jagger, and Nina Foch, Executive Suite is a true ensemble effort, with everyone carrying like weight onscreen. The property was later adapted into a TV series, which owed more to Dallas than it did to the Hawley novel. ~ Hal Erickson, All Movie Guide

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Starring:
William HoldenJune Allyson, (more)
1943  
 
This second film version of the George and Ira Gershwin's Broadway hit Girl Crazy stars reigning MGM musical prince and princess Mickey Rooney and Judy Garland. The 1932 version of Girl Crazy de-emphasized the main plot, building up the comic subplot involving a timorous temporary sheriff and a city slicker con man -- the better to accommodate that film's stars, Bert Wheeler and Robert Woolsey. The 1943 remake does without the comic relief, concentrating on Rooney, a teenaged playboy who is sent to a Western mining school by his father (Henry O'Neill), in the hopes that the Rooney will forsake his wastrel ways. Judy Garland is cast in the role originated on stage by Ginger Rogers: the feisty, lovelorn frontier postmistress Ginger Gray, who falls in love with the hero -- the difference being that Garland has been promoted from postmistress to the daughter of mining-school dean Phineas Armour (Guy Kibbee). The new plot involves a contest for rodeo queen, pitting Ginger against Marjorie Tait (Frances Rafferty), who is also her rival for Rooney's affections. The contest serves a double purpose: Rooney is hoping that the publicity engendered by the rivalry will attract students to the failing school, proof positive that for all of his bravado, he's a swell, altruistic guy underneath. These plot complications are merely prologue for a gargantuan musical finale built upon the Gershwin standard "I Got Rhythm," staged by the film's original director, Busby Berkeley. Other musical carryovers from the stage play include "Embraceable You," "Bidin' My Time," and "But Not for Me." Featured in the cast are June Allyson, Rags Ragland, and the Tommy Dorsey Band. ~ Hal Erickson, All Movie Guide

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Starring:
Mickey RooneyJudy Garland, (more)
1947  
 
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This second film version of the DeSylva/Brown/Henderson Broadway musical Good News may not be the best of the Arthur Freed-produced MGM musicals, but it's certainly one of the peppiest. The film is set at Tait college during the Roaring 20s. The wisp of a plot involves Tait football-star Peter Lawford, who will be ineligible to play in the Big Game if his grades don't improve. June Allyson is the demure Tait coed who takes on the task of tutoring Lawford, while campus vamp Patricia Marshall takes action when she believes (rightly so) that she is losing Lawford to Allyson. The film is deftly stolen by comic relief Joan McCracken, who stops the show with her energetic rendition of "Pass That Peace Pipe"--which, like the famous Lawford/Allyson duet "The French Lesson," was specially written for this 1948 version of Good News. Retained from the original score is the rousing "Varsity Drag." Mel Torme, Tom Dugan and Donald McBride are among the familiar supporting-cast faces in this bubbly Technicolor musical, which was adapted for the screen by Betty Comden and Adolph Green. ~ Hal Erickson, All Movie Guide

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Starring:
June AllysonMorris Ankrum, (more)
1945  
 
This tender but fluffy romantic comedy centers on the romantic travails of a beautiful European princesss who goes to New York to find the newspaper reporter she fell for when he was visiting her mythical country. She stays at the Big Apple's finest hotel and while there finds herself mistaken for a maid by a sweet-natured bellhop. Charmed by his confusion, she insists that he become her personal escort. She does not realize that the impressionable fellow has fallen in love with her and so misconstrues her every kindness. When not with her, the bellhop is visiting a beautiful invalid, who is secretly in love with him. Meanwhile the princess eventually finds the reporter. She makes him a proposition, but he, believing them to be too different, rejects the offer. Later, she takes the bellhop and goes to the reporter's favorite bar in hopes of seeing him. Unfortunately, the joint gets raided and she ends up in jail until the reporter shows up to bail her out. Soon afterward, she learns that her father has died and that she is now queen. Things get sticky then, as both the bellboy and the new queen find themselves faced with choosing between wealth and power or true love. ~ Sandra Brennan, All Movie Guide

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Starring:
Hedy LamarrRobert Walker, (more)
1957  
 
Like many of his best works, filmmaker Douglas Sirk's Interlude is a remake of an earlier Universal soap opera. In this case, Sirk's source material is the 1939 Irene Dunne-Charles Boyer vehicle When Tomorrow Comes. Based on a story by (of all people) James M. Cain, the story concerns the romance between aspiring musician Helen Banning (June Allyson) and famed symphony conductor Tonio Fischer (Rossano Brazzi). Alas, Tonio is married, and his bibulous, vindictive wife (Marianne Cook) isn't about to give him a divorce. Meanwhile, stiff-necked American doctor Morley Dwyer (Keith Andes) waits patiently for his sweetheart Helen to come to her senses and return to his arms. Opulently location-filmed in Austria, Interlude was remade under the same title in 1968. ~ Hal Erickson, All Movie Guide

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Starring:
June AllysonRossano Brazzi, (more)
1973  
 
A sequel to the 1973 TV movie The Letters, this film is also based on the premise of a bundle of letters, presumed lost in a plane crash, being delivered one year late, resulting in profound changes (happy, sad etc.) in the lives of the recipients. This time around, the three delayed letters were all written by the sweethearts of the deliver-ees. Among those affected by the missives are a young couple cruelly separated by the wheels of justice, a housewife involved in a extramarital relationship, and a pair of "wealthy" jetsetters who aren't all that they seem to be. As before, Henry Jones ties the three stories together as the avuncular postman. Originally telecast October 3, 1973 on ABC, Letters From Three Lovers was like its predecessor a pilot film for an unsold TV series. ~ Hal Erickson, All Movie Guide

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1949  
 
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Of the many film versions of Louisa May Alcott's Little Women, this 1949 MGM adaptation is by far the prettiest. Set in New England during the Civil War, the film relates the various adventures of the March sisters: Jo (June Allyson), Beth (Margaret O'Brien), Amy (Elizabeth Taylor) and Meg (Janet Leigh). Jo emerges as the main character, as she leaves hearth and home to try her luck as a novelist in New York. Moments of high comedy (the sisters' amateur theatricals) are counterpointed with grim tragedy (the death of the youngest March girl), with romantic interludes provided by the faithless Laurie (Peter Lawford) and the loyal Professor Bhaer (Rossano Brazzi). Unlike Selznick's 1933 Little Women or Gillian Armstrong's 1994 adaptation, this 1949 version tends to be more an extension of the old Hollywood contract-player typecasting system than a heartfelt evocation of the Alcott original. Even so, Little Women is consistently pleasing to the eye, especially when seen in its original Technicolor hues. ~ Hal Erickson, All Movie Guide

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Starring:
June AllysonPeter Lawford, (more)
1944  
 
MGM's musical extravaganza Meet the People top-bills two future powerful TV executives: Dick Powell and Lucille Ball. Ball plays a popular but stuck-up Broadway star who leaves the bright lights to become a welder in a shipyard. Here she meets and falls in love with coworker Powell. This being a wartime musical, the plotline is periodically abandoned for the guest-star turns of the likes of Virginia O'Brien, Bert Lahr, Spike Jones and His City Slickers, Vaughn Monroe, and Mata and Hari. Buried beneath this cornucopia of corn is a stage play by Louis Lantz, upon which Meet the People was supposedly based. (Note: some sources mistakenly list Edward Dmytrk as the director of this film). ~ Hal Erickson, All Movie Guide

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Starring:
Lucille BallDick Powell, (more)
1984  
 
Angela Lansbury's former MGM colleagues Van Johnson and June Allyson are prominently featured in this episode. A double-dealing businessman is killed when he is run over by a remote-controlled station wagon. Suspicion immediately falls upon the victim's disgruntled former partner, an oddball inventor--who happens to be a neighbor of our gal Jessica Fletcher (Angela Lansbury). Can it be that the death car's curious license plate number will turn out to be a clue? (Well, maybe not.) ~ Hal Erickson, All Movie Guide

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1944  
 
Musical producer Joe Pasternak moved from Universal to MGM in the early 1940s, taking his pet director Henry Koster (the two men had teamed to make a star of Deanna Durbin) with him. The Pasternak/Koster collaboration Music for Millions features child star Margaret O'Brien as a Durbin-like Miss Fix-it, who tries to help her pregnant older sister (June Allyson), who in turn is pining away for her GI husband. As it happens, the older girl is a cellist in Jose Iturbi's orchestra; thus, in keeping with the formula established by Pasternak's One Hundred Men and a Girl, many of the plot threads are knotted together in a series of concert recitals. The highlight of Music for Millions features Jimmy Durante, giving a stirring rendition of his famed nightclub piece "Umbriago." The film won an Academy Award nomination for screenwriter Myles Connelly, plus a special Oscar for moppet Margaret O'Brien. ~ Hal Erickson, All Movie Guide

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Starring:
Margaret O'BrienJimmy Durante, (more)
1957  
 
The Depression-New Deal subtext of the original 1936 My Man Godfrey was understandably dispensed with in this so-so 1957 remake. David Niven steps into the old William Powell role as hobo-turned-butler Godfrey, while June Allyson does her best in the Carole Lombard part as Irene Bullock, the spoiled, impulsive heiress who brings Godfrey into her zany household. The remake follows the original with reasonable fidelity so far as the basics are concerned, with Godfrey, a wealthy lawyer who dropped out of society after an unhappy romance, rescuing the screwball Bullock family from bankruptcy and self-destruction simply by applying a soupcon of common sense. The supporting cast is able, though not as "perfect" for their roles as their 1936 counterparts: the most interesting bit of casting is Jay Robinson, who rose to fame as Caligula in The Robe, as the parasitic "protégé" originally portrayed by Mischa Auer. In keeping with the custom of the times, My Man Godfrey is fitted out with an opening theme song, written by Peggy Lee and Sonny Burke, and performed by Sarah Vaughan. ~ Hal Erickson, All Movie Guide

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Starring:
June AllysonDavid Niven, (more)
1953  
 
June Allyson plays a band singer working in New York City; Van Johnson is the manager of a fancy apartment house where a murder is committed. The victim is Allyson's wealthy uncle, and since she can't account for her actions at the time of the crime, Our Heroine is the principal suspect. The real murderer is an expert in hypnosis, who uses this skill to manipulate Allyson's actions--and to lure the girl to her potential doom. Johnson doesn't figure things out until it's almost too late. Remains to Be Seen was based on the Broadway comedy/mystery by Howard Lindsay and Russell Crouse, which originally starred Jackie Cooper and his then-wife Janis Paige. ~ Hal Erickson, All Movie Guide

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Starring:
June AllysonVan Johnson, (more)
1950  
 
Right Cross stars Dick Powell as cynical sportswriter Rick Gavery and Powell's wife June Allyson as boxing manager Pat O'Malley. Subbing for her incapacitated father (Lionel Barrymore), Pat grooms prizefighter Johnny Monterez (Ricardo Montalban) for the championship. Johnny holds a grudge against the world because he feels that his Mexican heritage has made him an outcast, though curiously the audience never sees any prejudice levelled against him. Gradually, Pat falls in love with the tempestuous Monterez, while Gavery, who's always carried a torch for Pat, observes from the sidelines. The film wisely avoids the usual boxing-flick cliches, most commendably during the climactic Big Bout. Marilyn Monroe appears unbilled in the opening scene as Dick Powell's dinner companion. ~ Hal Erickson, All Movie Guide

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Starring:
June AllysonDick Powell, (more)
1971  
 
Most of the "action" in See the Man Run takes place during tense telephone conversations. Robert Culp stars in this TV movie as a failed actor who accidentally intercepts a phoned-in ransom demand for a kidnapped teenage girl. Deciding to cash in on this happenstance, Culp and his wife (Angie Dickinson) work out an extortion scheme based on the actor's skill with vocal impersonation. He calls the kidnap victim's father, pretending to be the kidnapper and making monetary demands; then he redials the kidnappers and pretends to be the distraught father, awaiting further instructions. In this way he hopes to intercept the ransom money and leave everyone else hanging. Culp's conscience gets the better of him--with fatal results--as See the Man Run winds down. ~ Hal Erickson, All Movie Guide

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2000  
 
Three sad sacks learn the connection between crime and auto repair in this independent comedy. Frank (Brent Florence), Neil (Christian Leffler), and Joey (Kenny Luper) are three 20-something buddies living in a one horse town in Northern California. After Frank's girlfriend gives him his walking papers, he decides to move to the big city, and Neil and Joey agree to join him. However, they don't have a bankroll for the trip, so they make plans to steal the take from the neighborhood bingo hall. The robbery barely earns the three adventurers enough money to fill up their gas tank, but they throw caution to the wind and hit the road anyway. Before long, Frank's car bites the dust, and soon the three friends are back to petty crime in order to get back on the highway. Shot on digital video, Solid Ones also features onetime musical comedy star June Allyson as Joey's grandmother; leading man Brent Florence also wrote and directed. ~ Mark Deming, All Movie Guide

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Starring:
June AllysonBrent Florence, (more)
1955  
 
Inspired in part by the true story of baseball great Ted Williams, who after serving in World War II was drafted to serve in the Korean War just as his baseball career was taking off, Strategic Air Command stars James Stewart as "Dutch" Holland, a star third baseman with the St. Louis Cardinals. "Dutch" served with distinction as a fighter pilot during World War II, and as the Air Force adds new B-36 and B-47 jets to their arsenal, they need experienced men to fly these new weapons in our atomic deterrent force, and Holland is called back to duty. He's not terribly happy about this development: he loves baseball, his team is doing well, and his wife Sally (June Allyson) is expecting a baby. But you can't fight Uncle Sam, and Holland becomes a reluctant but proud member of the S.A.C., where he and his fellow pilots man the jets that will be our first line of defense should the cold war turn hot. While Strategic Air Command's story hasn't dated well (and for a military drama, there's surprisingly little action), James Stewart and June Allyson make the most of their material, and the aerial footage remains impressive. ~ Mark Deming, All Movie Guide

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Starring:
James StewartJune Allyson, (more)
1994  
G  
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In 1974, MGM Studios released its first compilation of musical highlights from 45 years of Hollywood extravaganzas. Entitled That's Entertainment!, it was a big box-office hit and inspired a second compilation two years later. Eighteen years went by before MGM tried again. The third installment of the series contains a total of 62 musical numbers and includes scenes from more than 100 films. The cavalcade of memories is hosted by nine stars from the old musicals: Gene Kelly, Esther Williams, Debbie Reynolds, Mickey Rooney, Lena Horne, June Allyson, Cyd Charisse, Ann Miller, and Howard Keel. The film is loaded with outtakes and unfinished numbers that didn't make the cut of the original musicals. At many points, there is a split screen, showing the finished product as filmed as well as behind-the-scenes confusion. It's as much a comic "bloopers" TV show as a tribute to the heyday of the musical. ~ Michael Betzold, All Movie Guide

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Starring:
June AllysonCyd Charisse, (more)

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