Paul Yawitz Movies

The direction of Reginald LeBorg and the cinematography of Stanley Cortez go a long way to dissipate the essential tawdriness of Models, Inc. Colleen Gray stars as seductive Rusty Farraday, who maneuvers model-agency owner John Stafford (John Howard) into marriage. Once the matrimonial knot has been tied, Rusty's no-good former boyfriend Lennie Stone (Howard Duff) reenters her life. Stone comes up with a plan to exploit Stafford's gorgeous models for the purposes of what journalist Walter Winchell used to call "feelthy peectures." The girls are forced to pose in the near-nude for the pleasure of the low-lifes who pay Stone for the privilege. Models Inc was hastily assembled by a firm called Mutual Pictures for the grind-house circuit; less than a year after its theatrical release, the film was making the TV Late Show rounds. ~ Hal Erickson, All Movie Guide

Joseph Cotten stars in Walk Softly, Stranger as Chris Hale, a fugitive criminal who decides to hide out in a small Midwestern town. Here, Hale makes the acquaintance of Elaine Corelli (Alida Valli), who has had a grudge against the world since being crippled in a skiing accident. While endeavoring to help Elaine come out of her shell, Hale falls in love with her, and vows to mend his own ways. Though not released until 1950, Walk Softly, Stranger was filmed in 1948, a year before Joseph Cotten and Alida Valli were teamed in the more celebrated The Third Man. Future talk-show host Jack Paar appears in a fascinating supporting role as a suburban hubby. Walk Softly, Stranger was the last co-production between RKO and David O. Selznick's Vanguard Films. ~ Hal Erickson, All Movie Guide

In this episode of the popular mystery series, the crook turned sleuth must clear his name after he is accused of murder. To help him, Blackie enlists the aid of his pal. Together they reveal the real murderer before the Inspector can put Blackie back in jail. ~ Sandra Brennan, All Movie Guide

I Love a Bandleader is an easy-to-take vehicle for personable orchestra leader Phil Harris. "Old Curly" is cast as housepainter Phil Burton, who while suffering from amnesia imagines that he's the leader of a popular swing band. While suffering this delusion, Burton falls in love with perky Ann Carter (Leslie Brooks). When his memory returns, Burton returns to his meek, untalented self-but not for long, if Ann has anything to say about it! Costarring with Harris is his fellow Jack Benny Show cohort, Eddie "Rochester" Anderson, who does his usual flawless comic job-and even gets to sing! ~ Hal Erickson, All Movie Guide

A nebulously sinister title disguises the fact that this is actually a "Boston Blackie" mystery, the seventh in Columbia's series. Reformed criminal Boston Blackie (Chester Morris) is accused of stealing the Niles diamond from a charity function. The police cut a deal with Blackie: If he'll locate the gem, they'll drop the charges. This time the cops go so far as issuing Blackie a police badge, which he uses with amusing abandon. One Mysterious Night, together with The Chance of a Lifetime (43) and The Phantom Thief (46), was given a non-identifiable title so that Columbia could coerce non-"Boston Blackie" fans into the theatre. ~ Hal Erickson, All Movie Guide

In this musical, a lovely and ambitious young woman masquerades as the daughter of a formerly beloved stage actress to help launch her Broadway career. She chooses one entertainment columnist in particular. But the starlet's carefully-made plans begin to unravel when a rival columnist learns of her ruse and tries to expose her. Songs include: "Let's March Together" (Saul Chaplin), "I Bumped My Head on a Star" (Cindy Walker), "Honk, Honk" (Roy Jacobs, Gene De Paul), "Timber Timber" (Don Reid, Henry Tobias), "Moon on My Pillow" (Charles, Henry, Elliot Tobias). ~ Sandra Brennan, All Movie Guide

Reformed criminal Boston Blackie (Chester Morris) and his pal "The Runt" (George E. Stone) obey the film's title and head for Tinseltown. Blackie has been asked by a friend to transport $60,000 to California, but the L.A. cops assume that he's involved in the disappearance of the valuable Monterey Diamond. As always, Blackie spends a goodly portion of his time in disguise, assuming the identity of a bearded foreigner. Boston Blackie Goes Hollywood was the fourth in Columbia's series of B-pictures based on Jack Boyle's pulp-fiction character. ~ Hal Erickson, All Movie Guide

Chester Morris makes his second screen appearance as crook-turned-detective Boston Blackie in this superior series entry. This time, Blackie gets into trouble when he attends an art auction with his millionaire pal Arthur Manleder (Lloyd Corrigan). It so happens that the auction gallery is run by thieves, which heroine Diane Parrish (Harriet Hilliard) has just discovered. To keep her quiet, head crook Joe Buchanan (Ralph Theodore) takes a shot at Diane, but though he only wounds her he kills sculptor Allison (Walter Soderling). Conclusion-jumping Inspector Farraday (Richard Lane) assumes that Blackie fired the shot, forcing our hero to spend the rest of the film eluding both the police and the criminals. Highlights include a hilarious fit of rage perpetrated by secondary villainess Joan Woodbury, and an amusing if slightly sadistic running gag involving hapless ice-cream vendor Billy Benedict. ~ Hal Erickson, All Movie Guide

Carnival promoter Fixer Dugan (Lee Tracy) is so named because of his ability to mollify angry customers and process-serving sheriffs. Fixer also works overtime patching up the personal problems of the various carney performers. Along the way, he helps out lion tamer Peggy Shannon, who is in danger of losing her cats to a crooked rival, and Virginia Weidler, the orphaned daughter of the troupe's recently deceased high-wire artist. Bert Granet and Paul Yawitz adapted their screenplay from a story treatment by director H.C. Potter, who otherwise had nothing to do with this RKO programmer. Fixer Dugan was released in England as Double Daring. ~ Hal Erickson, All Movie Guide

Lucille Ball landed her first starring comedy role in the mile-a-minute farce The Affairs of Annabel. Lucy of course plays the title character, a screwball movie actress who indulges in one wacky publicity stunt after another at the behest of her press agent Morgan (Jack Oakie). To promote an upcoming prison picture, Annabel gets herself arrested-and has quite a time extricating herself from behind bars. The limit comes when she gathers research for her next film by hiring on as a housemaid, culminating in a fake kidnapping that turns out to be the real thing. Matching Ball and Oakie laugh for laugh is Fritz Feld as a bombastic foreign director. Cowritten by future Desilu Studios executive Bert Grant, The Affairs of Annabel was popular enough to inspire an equally hilarious sequel, Annabel Takes a Tour. ~ Hal Erickson, All Movie Guide

In this romantic comedy a millionaire must somehow dissuade his daughter from marrying a money-grubbing social-climber. In desperation he offers to back the show of a beautiful starlet--provided she break his daughter's heart. Things don't go exactly as planned, but a lot of fun is had along the way. ~ Sandra Brennan, All Movie Guide

The low-budget football drama Saturday's Heroes is remarkably frank and timely -- at least for the first 4 reels or so. Debunking the squeaky-clean image then enjoyed by college football players, the film shows its amateur athletes betting on games, scalping tickets, and willingly accepting subsidies disguised as scholarships. But they're no worse than the college board of directors, who garner most of the football-victory profits for their own gain, all the while wrapping themselves in the cloak of respectability. When a "washed-up" young footballer who can no longer afford to remain in school commits suicide, gridiron hero Val (Van Heflin) lashes out at the sanctimonious and hypocritical faculty members. To shut Val up, his elders expel him for ticket-scalping, whereupon he teams up with honest sportswriter Red Watson (Richard Lane) to expose their hypocrisy. Enrolling at a small college cursed with a perennially losing football team, Val coaches them to victory against his alma mater. The film's refreshingly honest approach to its material falls apart about 20 minutes toward the end with the inclusion of such stock characters as toothless team trainer Andy Jones (Al St. John) and such ludicrous plot devices as Val's allowing the opposing team to score the first touchdown, just to lull them into a false sense of security. For at least 2/3 of its running time, however, Saturday's Heroes is among the best sports films of the 1930s. ~ Hal Erickson, All Movie Guide